Premiere Pro :: True Multi Screen Editing?
Apr 8, 2014
Coming from a FCP background, and I see this in FCP and in AVID, but I can't seem to do it in premiere, though I really want to. I want a multi monitor set up where the first monitor has my timeline, source window, and project window, then my second monitor has my bins & effects & metadata, then the third will be a full screen of the project window that is still on my first monitor, and then finally a fourth, 65" 4k tv also displaying the project window (mirroring the third monitor). Dragging the project window around and toggling in and out of fullscreen is a waist of time since there was no need to do that with FCP for so many years. I need 3 project windows in premiere (and I dont mean using the reference) , how do I do this with premiere?
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Jan 8, 2014
I am ready to do some multicamera editing but cannot find my mutilcamera monitor in my window menu?
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Nov 21, 2012
When a new blank file is created at given dimensions ( say 6 x 4 inches) the actual dimensions on screen and the ruler appear approx. 1.333 times smaller than the actual size ( 4.5 x 3 inches ) .How can I correct this?
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Jan 16, 2014
I am trying to sync up two cameras, only problem one of my cameras creates seperate clips every time I stop and start the camera. How do I tell Premiere Pro CC to group the clips as one camera?
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Sep 6, 2013
After I flatten a multi-cam sequence, all the video transitions I added have disappeared.
I looked around, and found this item in the list of bug fixes in the July 2013 build-release: "Upon flattening a multicam sequence, transitions are applied on the wrong layers. Can lead to crash with error message […SrcSequenceActionSequenceAddTransitionAction.cpp-57".]"
This does not result in a crash. Obviously, I can put the transitions in again on the flattened sequence (which I have done - client's need the finished vid!).
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Mar 25, 2014
I want to film my CEO standing on London Bridge as people walk over it. The trick is is that I want to film him at normal speed (for obvious reasons), and i want the people walking past us to be shown at double the speed.
Having thought logically I guess I need to film people walking over the bridge separately from filming my CEO, then somehow superimpose him on the that footage.
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Apr 17, 2011
Does VSPx4 support multi cam editing ?
I did visit the product website but could not find any reference to multi cam support.
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Oct 29, 2011
Is there a way to edit using a multi camera "technique" ? ( having several videos synchronized with an audio track and just switching between the video tracks) or is there some way to do that ?
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Feb 27, 2014
the latest Premiere Pro CC update is supposed to improve multi-cam editing of MXF footage, but I'm still having problems with C300 footage. After flattening a multi-cam track (containing a mix of C300 and Canon 5D 3), some of the C300 clips appear with a striped pattern (the represeantation of the clip in the time line), and don't play back any content. The content is still there, but I have to go back into the original multi-cam sequence, find it, cut it out and replace the "empty" clips in the flattened track.
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Feb 23, 2012
I'm trying to enable multi-sound track editing in Max 2011. I assigned ProSound from the Animation tab of the Preferences dialog, but do not see any changes made to the track view in my window. The help documentation specifies that new tracks would appear under the "World" object in the Track View, but alas, I do not see them there. How to enable that feature?
3DSMax 2011 | Windows 7 Ultimate x64
Apple iMac 27" Bootcamp
Intel Core i7 3.4GHz
16GB RAM
ATI (AMD) Radeon HD 6970M
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Aug 2, 2012
I use a lot of Multiline text, copy and paste that text to other areas of the floor plans that I draw, then edit the text. My problem is when I select the text for editing my cursors always appears in a different location other than Align left.
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Mar 7, 2014
I have a multicam sequence that I'm trying to play and switch camera angles as its playing. It works fine using my mouse to select between angles, but the keyboard shortcuts do not work. Mine are set to use cntrl +1 for camera 1 (and so on for the other cameras). Unfortunately i get no response when trying to change angles with the keyboard.Running the latest Premiere CC and Mavericks.
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Apr 30, 2013
I've imported three mov files and have created them on three separate layers in my AE comp screen. When I press to preview the files they play but only for about 3 seconds. I need them to play the full length of the mov files which is about 15 seconds.
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May 8, 2013
A project that I will soon start is a two-screen projection composed of 2 HD screens.
I wonder if it's possible to set up Smoke 2013 to output 2 HD streams simultaneously in split mode - one half of a timeline goes to one screen, and the other half goes to the other.
If it is possible, what kind of hardware would this setup require?
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Aug 17, 2012
I have a multi body part with an extruded cut through all solids. Each solid is derived out to its own part. I edited the extrude feature in the multi body part and removed one solid from the selection set. The cut was correctly deleted from the solid, but when I open the part its still there. The only way to make it update correctly is to manually edit the derive feature in the part. Caught it just before it went off for cutting. 2012 SP2, all hotfixes, win7 64 bit.
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Nov 16, 2012
Is there a way to modify the text insertion point of multileaders using lisp? We have a problem with some of our multileaders getting a landing distance set to a negative value. My lisp routine will correct these to a default value, but then the text jumps a bit. If I could get the insertion point prior to changing the landing distance then I could restore that point after changing the landing distance.
;;-------------------------------------------------------------------------------------------------(defun c:zld (/ e th dogleg doglegllength sf ss c mlss mlcount) (setqss (ssget (ssget "X" (list (cons 0 "MULTILEADER"))))DWATxtHgt (getvar "userr1")sf 1dogleg (/ 3 32.0)th (if dwatxthgt dwatxthgt dogleg)c 0mlcount 0mlss (ssadd)) (IF ss (while (< c (sslength ss)) (setq e (vlax-ename->vla-object (ssname ss c)) c (1+ c) ) (= (vla-get-ObjectName e) "AcDbMLeader") (progn;;change the dogleglength if
[code].......
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Sep 11, 2012
I've uploaded .mov files from my Canon 7D camera onto Adobe Premiere CS6, but after doing some editing the footage in the playback screen is very jerky/slow. I'm working on a brand new iMac OSX and have a RAM of 4GB, so why the playback would be so slow.
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Feb 28, 2014
i have been working on a pretty long multicam project (About 1h45m) in Premiere Pro CC.I was all done, and during export in Media Encoder i noticed that after about 45m of rendering, the preview window was still showing the beginning of the video. Upon further inspection, i noticed that the video appeared to be Looping. Sencing that something was wrong, i cancelled my render and reopened my project.
when the project reopened i could see that after a couple of edits, there were little white triangles and the top of the clips. I need to stress that before i started rendering, these triangles where not there.
And yes, when i played through my sequence, at every edit (camera change) the multicam clip would play from the beginning again. i have tried to remove everything after where this problem occurs and then drag the footage out. It does allow me to do edits again and it works fine, but i dont really want to spend hours doing it again, not understanding what the problem is and run the risk of it messing up again.
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Jan 8, 2014
I took some video using a webcam that I need to edit in Premiere Pro. I converted it to 'Mov' and the codec info is 'H264 MPEG4 - AVC'. It imports to Premiere but the video appears extremely pixalated and disfigured to the point where it is unwatchable. I have set the sequence settings to the same as the source file.
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Jan 14, 2014
I am editing in Premiere Pro using AVCHD footage. It takes a few seconds for my MacBook Pro to catchup and think in order to play it smoothly. It is HD footage and up to 60 GB of footage in the bin. Rendering takes 4xs longer than real time it seems to be. I am not savy with editing.
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Dec 8, 2013
I have the following equipment:
Canon HDV XH-A1S
When capturing HDV clip with Premier Pro CC and playing it in the timeline, the video plays very choppy (bounces) and vertical lines flicker (drapes, edges if doors, etc...). It also seems like it is playing too fast (?). I play the exact same captured clip in Windows Media Player, and it look great.
My Canon was set at HDV 60i
clip properties:
Type: MPEG Movie
File Size: 1.1 GB
Image Size: 1440 x 1080
Frame Rate: 29.97
Source Audio Format: 48000 Hz - compressed - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00;06;04;06
Pixel Aspect Ratio: 1.3333
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Jan 5, 2014
i am starting a film project to edit, what is the exact 2k project sequence settings & project settings,like frame rate,2k resolution size,progressive or ?the project pipeline is - premiere to speedgrade to Lab print(Negative or UFO or Qube)
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Feb 6, 2014
I'm editing with RAW RED files straight from camera. Looking good but just want to know what my best possible output file and quality scheme should be.
I want to send out REDlog Film Gamma space for my color session and I've selected that for all my clips but is there any quality debayering setting I should select before output? And to what file extension output? DPX max bit depth? Uncompressed 10-bit?
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Dec 31, 2013
I have a large number of VHS and hi8 tapes that I want to convert to high quality DV.
I have a couple of options. One is an Elgado Video capture system.
The other is a Sony Digital Media Converter Box (DVMC-DA2).
I have tried a few of the less important tapes using the Elgado Video Capture system. It only allows you to convert to MPEG4 or H.268. It is not very good quality, especially for archival items or items I would later wish to edit.
I also have the Sony Digital Media Converter Box. I have heard that this is a superior option. So far, though, I have only been able to figure out how to import using an old version of iMovie HD. This makes a large imovie project file (approximately 6.18GB for a 28:30 clip vs a 348.9MB for an MPEG4 using delgado.
On top of that to convert the file from an iMovieProject file to DV is an additional step that so far looks like will take a half an hour at best.
Is there any way for me to import VHS/hi8 tapes using the Digital Media Converter Box to creat high quality DV files directly? If so, where can I find this info? What steps should I take and what are the settings I should use.
I have a lot of tapes so I want to figure out the right and most efficient way to do this because I will be repeating it a bunch of times and would hate to have to start over again.
I should also mention that I am using a Mid 2010 MacBook Pro, with OSX 10.9.1
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Mar 11, 2014
I recently upgraded to 32 GB of RAM, thinking Premiere Pro CC would work amazingly. At first it does, but after about half hour of editing, my system shows 25GB of "disk cache" in RAM memory used up. This means my system is maxed out with RAM. And the result is choppy playback even at 1/4 resolution. Why is Premiere tying up so much RAM? Is there a way to limit that?
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Feb 17, 2014
After selecting 2 (or more) files and right clicking and choosing Multi camera sequence from source, I drag the newly created sequence on to the time line but all I get is the two files on the time line stacked over one another. the sequence never gets created.
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Feb 4, 2014
I am a recent convert to Adobe NLE systems coming from FCP 7. My question is: What is the highest quality codec that I can use successfully with AME and Premiere Pro CC?
I’m working on a project that is targeted to screen in theaters (festivals) so I want to finish with the best possible quality. My source was film telecined to Apple FCP Uncompressed 10-bit 4:2:2, 1920 x 1080, Millions, Data rate 1060.67 mbits/sec. However, that format is too unwieldy for editing. When using FCP for previous films, I transcoded those uncompressed files to ProRes 422 (HQ) for editing and for theater screenings.
I see that i can use ProRes with Premiere, with a little work. if he/she recommends a better non-quicktime format for editing and projecting?
I am an Adobe Creative Cloud subscriber and am using AME CC (version 7.2.0.43) and Premiere Pro CC (ver 7.2.1). I have installed all suggested updates. I’m running OSX 10.9.1 on my 2011 imac (core i7 with 32 GB of RAM). My graphics card is a AMD Radeon HD 6970M 2048 MB.
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Dec 9, 2013
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
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Feb 1, 2014
A film was shot on film stock @ 24 FPS.
I have a one light telecine video of the rush @ 25 FPS.
How do I edit the rush on Premiere Pro CS6 keeping in mind that I don't generate virtual frames (i.e. 24 frames on the time line corrosponds to 24 physical frames on the negative).
After editing, I need a cut list, i.e. a text document output with TCs and corrosponding edge code marks to refer to, while cutting the original negative.
The same task can be done by conforming the video to 24 via Cinema Tools while working on FCP. I need the solution for Premiere Pro.
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Nov 5, 2013
I installed the latest update for Premiere Pro CC a couple of days ago and now every edit I make in my Multicam sequence takes about 10 seconds to take effect. No matter how small an edit I make. While it´s taking affect the computer just freezes.
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Apr 17, 2014
I'm new to CC's Mulicam feature, but well versed in the more limited equivalent in FCP. I was delighted with everything about it, until I began actually cutting multicam footage into my sequence.
Whenever I try and overwrite/insert/drag the multicam material into the sequence, it brings in 18 audio tracks- in spite of the fact that my multicam sequences have only 4 audio and 2 video tracks.
No amount of track deselection on the destination sequence works with this.This is going to be a real problem as I add new material into an existing a rough cut, with a 5 track temp mix. how I can specify only 1 or 2 tracks of audio?
I'm running 7.2.2, on OSX 8.5.
PS, Also unable to insert images into this post. Using Chrome Version 34.0.1847.116
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