Premiere Pro :: How To Take Out Negative Cutlist After Editing On Telecine Video
Feb 1, 2014
A film was shot on film stock @ 24 FPS.
I have a one light telecine video of the rush @ 25 FPS.
How do I edit the rush on Premiere Pro CS6 keeping in mind that I don't generate virtual frames (i.e. 24 frames on the time line corrosponds to 24 physical frames on the negative).
After editing, I need a cut list, i.e. a text document output with TCs and corrosponding edge code marks to refer to, while cutting the original negative.
The same task can be done by conforming the video to 24 via Cinema Tools while working on FCP. I need the solution for Premiere Pro.
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Mar 14, 2014
I opened up my project and all the footage has seemed to change to look like a "film negative". Colors are reversed, etc... Clips on the timeline and clips in the project folder. How can I correct this..
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Mar 10, 2014
why when i import a video into my sequence does the picture invert and look like a negative
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Dec 8, 2013
I have the following equipment:
Canon HDV XH-A1S
When capturing HDV clip with Premier Pro CC and playing it in the timeline, the video plays very choppy (bounces) and vertical lines flicker (drapes, edges if doors, etc...). It also seems like it is playing too fast (?). I play the exact same captured clip in Windows Media Player, and it look great.
My Canon was set at HDV 60i
clip properties:
Type: MPEG Movie
File Size: 1.1 GB
Image Size: 1440 x 1080
Frame Rate: 29.97
Source Audio Format: 48000 Hz - compressed - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00;06;04;06
Pixel Aspect Ratio: 1.3333
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Dec 31, 2013
I have a large number of VHS and hi8 tapes that I want to convert to high quality DV.
I have a couple of options. One is an Elgado Video capture system.
The other is a Sony Digital Media Converter Box (DVMC-DA2).
I have tried a few of the less important tapes using the Elgado Video Capture system. It only allows you to convert to MPEG4 or H.268. It is not very good quality, especially for archival items or items I would later wish to edit.
I also have the Sony Digital Media Converter Box. I have heard that this is a superior option. So far, though, I have only been able to figure out how to import using an old version of iMovie HD. This makes a large imovie project file (approximately 6.18GB for a 28:30 clip vs a 348.9MB for an MPEG4 using delgado.
On top of that to convert the file from an iMovieProject file to DV is an additional step that so far looks like will take a half an hour at best.
Is there any way for me to import VHS/hi8 tapes using the Digital Media Converter Box to creat high quality DV files directly? If so, where can I find this info? What steps should I take and what are the settings I should use.
I have a lot of tapes so I want to figure out the right and most efficient way to do this because I will be repeating it a bunch of times and would hate to have to start over again.
I should also mention that I am using a Mid 2010 MacBook Pro, with OSX 10.9.1
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Feb 4, 2014
I am a recent convert to Adobe NLE systems coming from FCP 7. My question is: What is the highest quality codec that I can use successfully with AME and Premiere Pro CC?
I’m working on a project that is targeted to screen in theaters (festivals) so I want to finish with the best possible quality. My source was film telecined to Apple FCP Uncompressed 10-bit 4:2:2, 1920 x 1080, Millions, Data rate 1060.67 mbits/sec. However, that format is too unwieldy for editing. When using FCP for previous films, I transcoded those uncompressed files to ProRes 422 (HQ) for editing and for theater screenings.
I see that i can use ProRes with Premiere, with a little work. if he/she recommends a better non-quicktime format for editing and projecting?
I am an Adobe Creative Cloud subscriber and am using AME CC (version 7.2.0.43) and Premiere Pro CC (ver 7.2.1). I have installed all suggested updates. I’m running OSX 10.9.1 on my 2011 imac (core i7 with 32 GB of RAM). My graphics card is a AMD Radeon HD 6970M 2048 MB.
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Dec 9, 2013
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
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Jan 5, 2014
In my Adobe Premire Pro CS6 project, When I select a clip that I want to drag down into the editing section it only allows me to drag the video and NOT the audio. I need both video and audio and it wont let me, I don't think I clicked anything wrong but
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Jan 8, 2012
Can I use "edit in" in Lightroom to move video clips to premier or premier elements to edit them?
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Feb 17, 2014
How can I view a preview how all the video transition looks between 2 clips in Premiere Pro CS5 before I choose the one I want to use.
I always use Adobe Bridge CS5 when I need to see a fosmag on the effects in After Effects CS5, but can not get it to work and then I can also see the Video Transitions in Adobe Premiere CS5
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Feb 13, 2014
when I upload a video to You Tube, I get a warning message that my video and audio are out of synch. Once uploaded, the video plays just fine, looks great. But I don't know why I get the warning when I upload. Video clip and audio track are the same length.
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Jun 4, 2011
I design all of the architectural metal used on most project homes being built in Sydney at the moment.
I draw up balustrade and screening etc.
Basically what I have is a huge collection of complex dynamic blocks that I insert into my drawings, I then change all the variables to suit.
These drawings are then dimensioned, and a parts list manually written out based on the lengths etc of each type of material.
All of these drawings are exact reproductions of what is produced on the factory floor, so it is quite easy to identify the parts, but rather painfull to manually write out a cutting list.
I'd like to add attributes and/or fields for material type and length to each of these dynamic blocks, which update as the blocks are manipulated to the required sizes.
where I get stuck is that there are multiple drawing methods used to create these blocks, and I cannot seem to figure out exactly what I should be naming, and assigning length fields too, or even how to extract or what to extract!
When I extract the data, I get a mess of conflicting and confusing information that is impossible to sort correctly, as I can use the dynamic parameter field for some, but not others, and on others it is a simple line, but on others again they are polylines and the length is useless to me.
I have tried to creat a block with an attribute for each and every individual part, but when I combine these into a complex part and try to assign dynamic parameters as a single dynamic block, the previously blocked and named parts wont behave correctly.
Im not sure if im making much sense here, but in my mind it all seems simple enough, I just cant get it to actually work with my exsiting blocks...
All im really after is a simple BOM, for example, I have a dynamic block with the Style code A0-1, when this is inserted I change 3 different lengths depending on the job. This style code is made up of several components such as a 40 mm square post (coded 40SQ), an 80 sq baseplate (coded PF2) and a 50 x 25 mm handrail (coded HR5025).
I need to extract a length for the 40 sq post, a length for the 50 X 25 handrail and an item count for the baseplate.
There may be 25 of these in a drawing, all at different sizes.
The dynamic block works perfectly for drafting, but not so well for data extraction.
There are over 1100 of these dynamic blocks, created over the last 2 years, and the only missing piece in the drafting puzzle is the extracted cut-list to save a large amount of time, and I just cant get it working.
Is there a methodology I need to learn here? will I need to re-create these blocks to allow for extraction?
I have explained to my boss the theory behind all of this and he is keen for some working examples that the monkeys on the shop floor can read and understand, and Im stuck creating an extraction template that can work, even if just for proof of concept that I can refine over the next few months.
I know ACAD can do this, I know my brain has all the data, I'm just not getting the ACAD>BRAIN interface working here.
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Sep 11, 2012
I've uploaded .mov files from my Canon 7D camera onto Adobe Premiere CS6, but after doing some editing the footage in the playback screen is very jerky/slow. I'm working on a brand new iMac OSX and have a RAM of 4GB, so why the playback would be so slow.
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Feb 28, 2014
i have been working on a pretty long multicam project (About 1h45m) in Premiere Pro CC.I was all done, and during export in Media Encoder i noticed that after about 45m of rendering, the preview window was still showing the beginning of the video. Upon further inspection, i noticed that the video appeared to be Looping. Sencing that something was wrong, i cancelled my render and reopened my project.
when the project reopened i could see that after a couple of edits, there were little white triangles and the top of the clips. I need to stress that before i started rendering, these triangles where not there.
And yes, when i played through my sequence, at every edit (camera change) the multicam clip would play from the beginning again. i have tried to remove everything after where this problem occurs and then drag the footage out. It does allow me to do edits again and it works fine, but i dont really want to spend hours doing it again, not understanding what the problem is and run the risk of it messing up again.
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Jan 8, 2014
I took some video using a webcam that I need to edit in Premiere Pro. I converted it to 'Mov' and the codec info is 'H264 MPEG4 - AVC'. It imports to Premiere but the video appears extremely pixalated and disfigured to the point where it is unwatchable. I have set the sequence settings to the same as the source file.
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Jan 14, 2014
I am editing in Premiere Pro using AVCHD footage. It takes a few seconds for my MacBook Pro to catchup and think in order to play it smoothly. It is HD footage and up to 60 GB of footage in the bin. Rendering takes 4xs longer than real time it seems to be. I am not savy with editing.
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Apr 8, 2014
Coming from a FCP background, and I see this in FCP and in AVID, but I can't seem to do it in premiere, though I really want to. I want a multi monitor set up where the first monitor has my timeline, source window, and project window, then my second monitor has my bins & effects & metadata, then the third will be a full screen of the project window that is still on my first monitor, and then finally a fourth, 65" 4k tv also displaying the project window (mirroring the third monitor). Dragging the project window around and toggling in and out of fullscreen is a waist of time since there was no need to do that with FCP for so many years. I need 3 project windows in premiere (and I dont mean using the reference) , how do I do this with premiere?
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Jan 5, 2014
i am starting a film project to edit, what is the exact 2k project sequence settings & project settings,like frame rate,2k resolution size,progressive or ?the project pipeline is - premiere to speedgrade to Lab print(Negative or UFO or Qube)
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Feb 6, 2014
I'm editing with RAW RED files straight from camera. Looking good but just want to know what my best possible output file and quality scheme should be.
I want to send out REDlog Film Gamma space for my color session and I've selected that for all my clips but is there any quality debayering setting I should select before output? And to what file extension output? DPX max bit depth? Uncompressed 10-bit?
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Mar 11, 2014
I recently upgraded to 32 GB of RAM, thinking Premiere Pro CC would work amazingly. At first it does, but after about half hour of editing, my system shows 25GB of "disk cache" in RAM memory used up. This means my system is maxed out with RAM. And the result is choppy playback even at 1/4 resolution. Why is Premiere tying up so much RAM? Is there a way to limit that?
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Jan 8, 2014
I am ready to do some multicamera editing but cannot find my mutilcamera monitor in my window menu?
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Nov 5, 2013
I installed the latest update for Premiere Pro CC a couple of days ago and now every edit I make in my Multicam sequence takes about 10 seconds to take effect. No matter how small an edit I make. While it´s taking affect the computer just freezes.
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Apr 17, 2014
I'm new to CC's Mulicam feature, but well versed in the more limited equivalent in FCP. I was delighted with everything about it, until I began actually cutting multicam footage into my sequence.
Whenever I try and overwrite/insert/drag the multicam material into the sequence, it brings in 18 audio tracks- in spite of the fact that my multicam sequences have only 4 audio and 2 video tracks.
No amount of track deselection on the destination sequence works with this.This is going to be a real problem as I add new material into an existing a rough cut, with a 5 track temp mix. how I can specify only 1 or 2 tracks of audio?
I'm running 7.2.2, on OSX 8.5.
PS, Also unable to insert images into this post. Using Chrome Version 34.0.1847.116
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Feb 2, 2014
Everytime i import a video clip into Adobe Premiere Pro Cs6 it automatically zooms into the video. How can i zoom out of the video,
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Feb 23, 2014
If is possible to se all video in preview but without video effects?
In Sony Vegas Software we can decide if we want to watch all our video normally or we can disable all FX by the 1 key and start to see without FX. It's very good if we have poor PC. For example, 1 screen is with FX, 2nd is without it and we select what we want to see:
Is that option in Adobe Premiere?
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Jan 23, 2014
How to change Video Size !6:9 video to 4:3 in premiere pro
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Feb 4, 2014
I'm using Adobe Premiere pro and I am doing a video for my work. I am trying to place a ticker on the bottom of the video that will be scrolling as the video plays but I can only do a small amount at a time. Is there a way to do one continous ticker that will play instead of having to type one part and then a seperate one and trying to match the same speed so they don't overlap?
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Mar 8, 2014
After rendering a few clips in my timeline for playback, my video tracks are no longer playing back. The timeline time marker plays, the time counts, and the audio playback is working correctly, but the video stays on the frame in which playback started, and does not move change until pausing playback.
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Apr 1, 2014
I was watching through footage and choose a handful of clips ... my video worked fine. Then Friday I came back to start putting everything together and the clips "went blank," The audio could be heard and played back in real time, but the video displays as a black screen or a green screen. I tried rendering, but it said it would take 2+ hours to render the 1 minute of clips I had in my timeline. Even the sections that did end up rendering just showed a blank red screen. Clips are .MTS (which I've used in every project previously with no problem) shot with a Panaconic HMC-150.
I'm using Adobe Premiere Pro CS6 on Windows 8, 64-bit operating system
Processor: Intel Core i7 CPU - 920 @ 2.67 GHz
12.0 GB of RAM
The thing that gets me is that this has worked for months, even worked with these clips a few days ago, and now it seems like everything just vanished.
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Dec 10, 2013
I just finnished editing a music video.
It has over 8 video tracks and now I want to export it to a EDL format but It looks like everything needs to go on 1 video track.
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Jun 8, 2012
I can't believe there is not more demand for this. My web dev is asking me for over 300 video clips in both .web and .ogg - - AME does not do this.Any success with a 3rd party plug-in of some sort. I can use Fire fogg (from Firefox) but it's slow using over the web as opposed to exporting from Premiere.
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