I opened up my project and all the footage has seemed to change to look like a "film negative". Colors are reversed, etc... Clips on the timeline and clips in the project folder. How can I correct this..
View 1 RepliesDue to consolidating space on my hard drive I changed the location of the orginaly linked files (MXF footage). Having relinked in both Pr and Ae (CS6 latest updates as of posting date) to the new file location all looks good until I try to view the horizontally flipped clip in the sequence. If I look at the footage on Ae its all there, every frame. In the effects for the clip the opacity is as it should be -100%- but there is no image. I see the background footage (working with green screen foreground -hence the Ae project using Keylight plug-in). The non flipped footage from the exact same Ae file is as clear as day.
View 2 Replies View RelatedI want to film my CEO standing on London Bridge as people walk over it. The trick is is that I want to film him at normal speed (for obvious reasons), and i want the people walking past us to be shown at double the speed.
Having thought logically I guess I need to film people walking over the bridge separately from filming my CEO, then somehow superimpose him on the that footage.
A film was shot on film stock @ 24 FPS.
I have a one light telecine video of the rush @ 25 FPS.
How do I edit the rush on Premiere Pro CS6 keeping in mind that I don't generate virtual frames (i.e. 24 frames on the time line corrosponds to 24 physical frames on the negative).
After editing, I need a cut list, i.e. a text document output with TCs and corrosponding edge code marks to refer to, while cutting the original negative.
The same task can be done by conforming the video to 24 via Cinema Tools while working on FCP. I need the solution for Premiere Pro.
Currently I’m riding my Premiere Pro CC skateboard on “L” plates and already I’ve hit a tree and landed on my backside. I filmed a video of my daughter with my DSLR camera and shot my take vertically. No doubt this is a clear sign to all of you reading this that I am a beginner, I mean a trainee-wheels-nappies-spoon-fed beginner. When importing my vertical file it lies horizontal in this CC editor. Surely this must be some button to push to rotate my take back to vertical. Meanwhile I’ll fix myself up with some band-aides and thumb through the ABC book to the part about horizontal out-put devices.
View 3 Replies View Relatedwhy when i import a video into my sequence does the picture invert and look like a negative
View 9 Replies View RelatedThe capture went just fine when digitizing my tape and the .mov file has both audio and video during playback in both quick time and Adobe Premeir Pro, but when I drag it into the time line only audio will show up. Even weirder it's 4 layers of audio instead of just one audio and one video. This only began with videos that I catured today. When using footage I captured on a previous day it works just fine. What went wrong? Where's my video!?
View 1 Replies View RelatedI have 2 years of footage related to a project and I'm looking to have it centralised and have metadata attached to it that will allow me to cross reference footage, for example, when someone in an interview talks about losing weight and to be able to pull up clips that relate to that.
I got a feeling that an Excel spreadsheet is the way...
Ive been attempting to import AVCHD video footage captured on a Panasonic into Premier Pro CS6 on my MacPro. I've tried this from the camera and after copying the entire folder to my desktop. The footage is there, but has no audio!
View 6 Replies View Relatedi am animating film footage in Photoshop Cs6. i have used the paint brush tool to draw an image over my film, which works nicely. but i have to do this frame by frame--e.g. as i move to the next frame, what i draw is gone, and i have to reanimate every frame. is there a way to hold what i paint in one frame on to the next, so that i am producing a progressive image over the film?
View 1 Replies View Relatedpurchasing a negative film scanner.
i want to use a negative film scanner for my studio.i mean for profesionaly use.so what scanner be best for me.
1)best scanner
2)best but with low price.
I am photographing 2 1/4 negatives with a CANON 50D and macro lens. Then in Photoshop CS3 I was looking for the filter to convert the negative film file into a positive file so I can work on it with Adobe and then print in on my Canon printer.. I have tried to sample the orange base color and take that out and then invert and then increased the contrast curve.
View 1 Replies View RelatedI do invert negatives it in PS CS6 and was wondering if LR5 has that ability?
View 4 Replies View RelatedHow do In scan negative film to be able to see tiffs in Lightroom 4?
View 9 Replies View RelatedI want to import footage from a DVD (self burnt). Can I do this directly with Premiere CC or do I need a programm like Handbrake (I'm a Windows user)?
View 16 Replies View RelatedI have a friend who is just completing a film for a public screening...(about 400 people, mostly volunteers involved in production.)He will be using a regular projector hooked up to a PC to play the video.The source footage is 1080p HD shot on a HVX200. Edited on Premiere Pro CS5.
What format should he use to export so he gets great quality but it can also play without the computer stuttering and dying etc? We've debated between H.264 (mpeg 4 file format) or DVD Blu Ray.MPEG 2 (or some Quicktime format?)
Do we choose h.264 and bump up the bitrate to maximum? Stick with the preset recommendation? There also is h.'264 bluray'..have no idea what difference that makes.
We're not experts on codecs and resolutions etc.Premiere Pro presents this plethora of options.
We want to choose....File ...Export....a format and preset (and maybe adjust a setting or two) and get the best result.
i am starting a film project to edit, what is the exact 2k project sequence settings & project settings,like frame rate,2k resolution size,progressive or ?the project pipeline is - premiere to speedgrade to Lab print(Negative or UFO or Qube)
View 1 Replies View RelatedI have to generate a script log for my feature film, essentially every spoken word with associated time code. I was wondering if I could use Premiere to do this? Could I import a Quicktime of my film, pair it with the shooting script and use the Speech Anyalysis to generate a text file with timecodes?
View 1 Replies View RelatedI am currently working on a 24fps project with R3D footage in Premiere.Some of the footage for a new sequence I am working on was shot at 48fps (and will need to be exported to 24fps while retaining 48fps' slow motion effect).
Can Premiere play back in the program monitor at 48fps? Can it interpret/render 48fps footage to export to 24fps while retaining the original attributes of the 48fps footage? Or would I need to use additional software to accomplish this?
I would like to be able to edit/playback the footage at the correct frame rate within Premiere as I need to synchronize it with music to see which segments of the clips I have will work best.
Is there a way to have a certain preset of effects activate on any and all footage dragged into the timline? I'm working in a 24FPS 2K timeline with 60FPS 1280p footage. To have it play the way I want I have to drag down the footage, set the scale of the clip from 100% to 150% so it fits the screen. Then set the time playback to 50%. Is there a way to have the time playback and scale change automatically affect every piece of footage dragged into the timeline?
View 4 Replies View RelatedI've been editing a piece recently that requires me to do a lot of green screen keying, I've just started out using premiere and whenever I finish keying something and then force rendering it, it cuts my peice in half at a slight angle and no matter what I tweak it doesn't change.
View 3 Replies View Relatedi preview my footage and it looks fine, but when i drop it in the time line it cuts alot off
View 4 Replies View RelatedI have a question about conforming material from Abode Premiere CS 5.5..I have a 720@50p source that was converted to Avid DNxHD 10bit 720@50p in Quicktime .mov container, using Media Encoder.Then material was edited in Premiere, cuts, dissolves and etc. Timeline in Premiere is set to 720@25p, because I need to output 720@25p finals.Premiere DOES NOT slowdown shots in timeline, it just plays them skipping every 2nd frame (I thinks so), so it is played in a normal speed and audio is in sync also. In Interpret footage settings nothin is changed - so, it still treats as 50p footage.
Problem is that I dont understand how to conform this footage correctly in Smoke.If I use automatic conform using wiretap import of AAF (same dir as footage is), Smoke thinking about this operation about 10-15 mins and then it creates a 1080@50p timeline where all shots are smaller it's native size and timing is completly wrong. They starts early than they should.If I use Video I/O I have correct sizing but timing issue is still present.
I need to create a project with PAL settings and override resolution to 720p?
How make Smoke to play footage same as Premiere does? Whithout shifting in out points?
I've been getting a "Serious Error" message consistently when using Premiere Pro CC on my Macbook Pro. It only seems to remedy itself after a system restart, but eventually it will happen again. Most recently it happened after I used After Effects without issue. Here are my system specs and a copy of the error log.
View 1 Replies View RelatedI have two recent model 27" iMacs running CC. On one system, playback freezes or I getting a Media Pending screen when playing AVCHD (.mts) footage. The second system can playback all the footage with no probplem.
The troubled system specs are: iMac 27-inch, Mid 2011
Processor 3.4 GHz Intel Core i7
Memory 16 GB 1333 MHz DDR3
Graphics AMD Radeon HD 6970M 1024 MB
Software OS X 10.9.1 (13B42)
Not having used Premier all that much - as I leave that to the editor, I have a question around Premier and its file usage. We save our source footage in several location on a local server. Video in some folders, Sound in others, backgrounds in yet other folders. The editor creates a project, then a sequence where she pulls all the files together - so, for instance, lets assume it is a prject sequence that consists of:
1) Background footage of a field
2) Green screen footage of character #1 moving around
3) Blue screen footage of characters #2 mocing around
4) Music Layer
5) Vocal layer
She creates and saves her project on the server in the specific project folder. I am now interrested in collecting those files through premier and storing them all in one place, then copying that collected structure to her local machine to see if response will be better for her editing - our network is not the best at the moment, and we are still working on solutions. She will then have all the source footage and files sitting on her local maching, along with the Premier project file.
She now completes her edit and we are all happy with the way it looks. How do we get that specific edit back onto the server (at the end of the specific edit, as well as daily for backup purposes)? Do we have to recopy and replace the entire folder every time, or do we just copy the project file back to the server? Will this require a relink of every single piece of footage?
I shot some footage in AVCHD with the Canon XA25 and I would like to edit it in Premiere Pro CC. In the Media Browser though, there's no thumbnail and the clip is just called "private" - In FCP7 I can just open the log and transfer and easily convert to ProRES. Is there a way to easily deal with clips from this camera in Premiere?
View 5 Replies View RelatedI started a project and watch a lot of files in the source monitor to set IN and OUT points. When the file playes f.e. more than a minute the sound gets muted while the film is still running. First I thought it wood be a matter of my external HD from where I loaded the files. Now that I take the same or any other files from my internal sata 3 harddrive the behaviour is still the same.
When i scroll the mouse wheel to move some frames back and forth the sound is back when i hit the space bar. It's the same if i just hit the space bar once to pause and then hit it again to resume.
The effect shows after different amount of times, sometimes after 45 sec. and sometimes after 2 minutes +
I am running Pr Pro CS6 (latest update installed some days ago) on a windows 7 ultimate x64, 16 GB of ram, Nvidia GTX 670, i7 3770, HD is a WD caviar black
The movie clips come from a Panasonic Lumix FZ 150 in FullHD resolution as h.264 MP4 files.
I am quite sure that some months ago this behaviour was not present. I did not change anything on Premiere CS6 but running the updates.
Clips play to choppy in timeline to edit and take far too long to render since update to Premiere Pro CC 7.2 and 7.21.
XAVC HD footage from Sony F55 in Slog2.
Have reverted back to 7.01 and clips play, but now cannot render a single clip in it's entirety. The render process freezes even with no effects applied to the clip. What can I do to fix this?
Mac Book Pro Retina
Processor 2.7 GHz Intel Core i7
Memory 16 GB 1600 MHz DDR3
Graphics NVIDIA GeForce GT 650M 1024 MB
Using a Mac and CS6.
I have used the Media Browser multiple times with different footage shot to an AVCHD camera, and after bringing the 1080p video into CS6, I get audio dropouts and sometimes no audio at all, even though there is definitely audio with the footage.
1. Is this a known bug?
I'm cutting a project using multiple codecs in Premiere CC, but I want to grade it in Davinci Resolve- a software that can't handle MXFs and MP4s and H264s in the same sequence. My colorist is asking for a sequence in a single codec- preferably Pro Res.
I'm trying to do the equivalent of "Media Manager" in FCP to simultaneously move and transcode the footage from my finished sequence to a new location, but I'm having trouble finding this.
The "Project Manager" feature in Premiere Pro CC was incredibly buggy. It took 15 minutes to export a test sequence that was 15 seconds long and it didn't even trim my clips- even though I selected that box. This took up a ton of hard drive space. More importantly: It doesn't give me the option to transcode on export.
Does this feature exists? I'm a professional editor and Premiere needs to play nice in finishing if I'm going to continue to use it.