Premiere Pro :: Changed The Location Of The Originally Linked Files (MXF Footage)
Feb 12, 2014
Due to consolidating space on my hard drive I changed the location of the orginaly linked files (MXF footage). Having relinked in both Pr and Ae (CS6 latest updates as of posting date) to the new file location all looks good until I try to view the horizontally flipped clip in the sequence. If I look at the footage on Ae its all there, every frame. In the effects for the clip the opacity is as it should be -100%- but there is no image. I see the background footage (working with green screen foreground -hence the Ae project using Keylight plug-in). The non flipped footage from the exact same Ae file is as clear as day.
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Mar 14, 2014
I opened up my project and all the footage has seemed to change to look like a "film negative". Colors are reversed, etc... Clips on the timeline and clips in the project folder. How can I correct this..
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Mar 25, 2014
Not having used Premier all that much - as I leave that to the editor, I have a question around Premier and its file usage. We save our source footage in several location on a local server. Video in some folders, Sound in others, backgrounds in yet other folders. The editor creates a project, then a sequence where she pulls all the files together - so, for instance, lets assume it is a prject sequence that consists of:
1) Background footage of a field
2) Green screen footage of character #1 moving around
3) Blue screen footage of characters #2 mocing around
4) Music Layer
5) Vocal layer
She creates and saves her project on the server in the specific project folder. I am now interrested in collecting those files through premier and storing them all in one place, then copying that collected structure to her local machine to see if response will be better for her editing - our network is not the best at the moment, and we are still working on solutions. She will then have all the source footage and files sitting on her local maching, along with the Premier project file.
She now completes her edit and we are all happy with the way it looks. How do we get that specific edit back onto the server (at the end of the specific edit, as well as daily for backup purposes)? Do we have to recopy and replace the entire folder every time, or do we just copy the project file back to the server? Will this require a relink of every single piece of footage?
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Jan 9, 2014
I exported my 90 minute clip for DVD last night - these were split as I am used to into a M2V file and a WAV file - I checked it and had a look last night. I then turned my computer off for the night and have awoken to one file which is a XMP file?I am now using CC so have the latest Adobe Premiere and haven't changed anything else that I am aware of.
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Jul 6, 2013
Photoshop Elements 6 (20070910.r.377499)
I do not know why the catalog has changed the file location of "ALL" pictures to the location on my backup drive.
Example: K:My DocumentsMy PicturesPetsPICT1460-1.JPG
The actual location of the original photo is: D:My DocumentsMy PicturesPetsPICT1460-1.JPG
The location of "My Pictures" is on my primary Hard Drive D:My DocumentsMy Pictures
Why is Photoshop changing all of my 37,000+ photo thumbnails to point to my Backup Drive K:?
I need to correct the catalog file. How do I make the correction and stop it from happening in the future?
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Feb 16, 2014
I want to import footage from a DVD (self burnt). Can I do this directly with Premiere CC or do I need a programm like Handbrake (I'm a Windows user)?
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Mar 11, 2013
I have a psd dynamically linked to an Encore menu. When I go into PS my cursor has changed into what looks like a hand over a book or maybe a paint bucket.It wasn't there yesterday even though the doc was linked then as well...
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Mar 18, 2014
I am currently working on a 24fps project with R3D footage in Premiere.Some of the footage for a new sequence I am working on was shot at 48fps (and will need to be exported to 24fps while retaining 48fps' slow motion effect).
Can Premiere play back in the program monitor at 48fps? Can it interpret/render 48fps footage to export to 24fps while retaining the original attributes of the 48fps footage? Or would I need to use additional software to accomplish this?
I would like to be able to edit/playback the footage at the correct frame rate within Premiere as I need to synchronize it with music to see which segments of the clips I have will work best.
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Apr 15, 2014
Is there a way to have a certain preset of effects activate on any and all footage dragged into the timline? I'm working in a 24FPS 2K timeline with 60FPS 1280p footage. To have it play the way I want I have to drag down the footage, set the scale of the clip from 100% to 150% so it fits the screen. Then set the time playback to 50%. Is there a way to have the time playback and scale change automatically affect every piece of footage dragged into the timeline?
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Dec 8, 2013
I've been editing a piece recently that requires me to do a lot of green screen keying, I've just started out using premiere and whenever I finish keying something and then force rendering it, it cuts my peice in half at a slight angle and no matter what I tweak it doesn't change.
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Apr 4, 2014
i preview my footage and it looks fine, but when i drop it in the time line it cuts alot off
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May 6, 2012
I have a question about conforming material from Abode Premiere CS 5.5..I have a 720@50p source that was converted to Avid DNxHD 10bit 720@50p in Quicktime .mov container, using Media Encoder.Then material was edited in Premiere, cuts, dissolves and etc. Timeline in Premiere is set to 720@25p, because I need to output 720@25p finals.Premiere DOES NOT slowdown shots in timeline, it just plays them skipping every 2nd frame (I thinks so), so it is played in a normal speed and audio is in sync also. In Interpret footage settings nothin is changed - so, it still treats as 50p footage.
Problem is that I dont understand how to conform this footage correctly in Smoke.If I use automatic conform using wiretap import of AAF (same dir as footage is), Smoke thinking about this operation about 10-15 mins and then it creates a 1080@50p timeline where all shots are smaller it's native size and timing is completly wrong. They starts early than they should.If I use Video I/O I have correct sizing but timing issue is still present.
I need to create a project with PAL settings and override resolution to 720p?
How make Smoke to play footage same as Premiere does? Whithout shifting in out points?
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Mar 25, 2014
I want to film my CEO standing on London Bridge as people walk over it. The trick is is that I want to film him at normal speed (for obvious reasons), and i want the people walking past us to be shown at double the speed.
Having thought logically I guess I need to film people walking over the bridge separately from filming my CEO, then somehow superimpose him on the that footage.
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Mar 18, 2014
I've been getting a "Serious Error" message consistently when using Premiere Pro CC on my Macbook Pro. It only seems to remedy itself after a system restart, but eventually it will happen again. Most recently it happened after I used After Effects without issue. Here are my system specs and a copy of the error log.
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Jan 16, 2014
I have two recent model 27" iMacs running CC. On one system, playback freezes or I getting a Media Pending screen when playing AVCHD (.mts) footage. The second system can playback all the footage with no probplem.
The troubled system specs are: iMac 27-inch, Mid 2011
Processor 3.4 GHz Intel Core i7
Memory 16 GB 1333 MHz DDR3
Graphics AMD Radeon HD 6970M 1024 MB
Software OS X 10.9.1 (13B42)
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Jan 29, 2014
I shot some footage in AVCHD with the Canon XA25 and I would like to edit it in Premiere Pro CC. In the Media Browser though, there's no thumbnail and the clip is just called "private" - In FCP7 I can just open the log and transfer and easily convert to ProRES. Is there a way to easily deal with clips from this camera in Premiere?
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Dec 20, 2013
Clips play to choppy in timeline to edit and take far too long to render since update to Premiere Pro CC 7.2 and 7.21.
XAVC HD footage from Sony F55 in Slog2.
Have reverted back to 7.01 and clips play, but now cannot render a single clip in it's entirety. The render process freezes even with no effects applied to the clip. What can I do to fix this?
Mac Book Pro Retina
Processor 2.7 GHz Intel Core i7
Memory 16 GB 1600 MHz DDR3
Graphics NVIDIA GeForce GT 650M 1024 MB
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Dec 6, 2013
Using a Mac and CS6.
I have used the Media Browser multiple times with different footage shot to an AVCHD camera, and after bringing the 1080p video into CS6, I get audio dropouts and sometimes no audio at all, even though there is definitely audio with the footage.
1. Is this a known bug?
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Jan 3, 2014
I'm cutting a project using multiple codecs in Premiere CC, but I want to grade it in Davinci Resolve- a software that can't handle MXFs and MP4s and H264s in the same sequence. My colorist is asking for a sequence in a single codec- preferably Pro Res.
I'm trying to do the equivalent of "Media Manager" in FCP to simultaneously move and transcode the footage from my finished sequence to a new location, but I'm having trouble finding this.
The "Project Manager" feature in Premiere Pro CC was incredibly buggy. It took 15 minutes to export a test sequence that was 15 seconds long and it didn't even trim my clips- even though I selected that box. This took up a ton of hard drive space. More importantly: It doesn't give me the option to transcode on export.
Does this feature exists? I'm a professional editor and Premiere needs to play nice in finishing if I'm going to continue to use it.
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Mar 19, 2014
The capture went just fine when digitizing my tape and the .mov file has both audio and video during playback in both quick time and Adobe Premeir Pro, but when I drag it into the time line only audio will show up. Even weirder it's 4 layers of audio instead of just one audio and one video. This only began with videos that I catured today. When using footage I captured on a previous day it works just fine. What went wrong? Where's my video!?
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Feb 3, 2014
I want to edit 4K source footage inside of a 1080p timeline in order to do alot of shot stabilizing throughout my project with the plug-in "Warp Stabilizer" that is standard inside of Adobe Premiere CC. BUT as soon as I drop the plug-in on my 4K footage that is inside of my 1080 timeline there is an error message that says "Warp Stabilizer requires clip dimensions to match sequence (fix by nesting)".
So I guess the "fix" is to nest my clips first then drop the plug-in on the nested clip. My question is this ... is the plug-in using the true resolution of my 4K clip that has been nested to stabilize my shot? Or is it basically using a 1080 proxy type file of my 4K source footage since it is "nested"?
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Jul 11, 2011
I'm trying to understand why adding colour correction, or auto contrast to my some of my clips is causing them to have flicker. It's not a consistent flicker either, but random.
The footage affected is 720p at 29.97fps in a timeline with the same settings. The raw footage appears fine. Once effects are added, the image stutters. I have rendered the preview files and the issue remains the same, likewise when exported.
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Jan 13, 2014
I have 2 years of footage related to a project and I'm looking to have it centralised and have metadata attached to it that will allow me to cross reference footage, for example, when someone in an interview talks about losing weight and to be able to pull up clips that relate to that.
I got a feeling that an Excel spreadsheet is the way...
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Mar 16, 2014
Ive been attempting to import AVCHD video footage captured on a Panasonic into Premier Pro CS6 on my MacPro. I've tried this from the camera and after copying the entire folder to my desktop. The footage is there, but has no audio!
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Apr 17, 2012
under options / files / printer support file path / plot style table search..I changed the location to a different place on my c drive and I get the autocad warning.
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Dec 14, 2012
On a couple assy's, I am trying to use pack&go to make self-contained versions of them.
Only problem is, the assy file (xxx.iam) and all sub-assy files are still linked to the component files in the original location even though the component files were copied to the new location with the P&G command
The whole point in this feature is to make self sufficient copies of something that don't depend on the original data.
This shows the settings I am using It is finding all the files ok. It just doesn't change the relationships on the new iam files. I could manually copy them and do the same thing this feature is doing.
Is there some hidden checkbox I need to find ? Note, I also tried once with "Include linked files" unchecked and got the same result.
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Jan 9, 2014
I have a AE Comp (1280x720 Square Pixels) in a Premiere Pro timeline (HDV 720p, 1280x720) through Dynamic Link. In my timeline everything is fine and the same size. When I render the timeline in PP it stays the same size, everything is a lovely 720. However, when I export it as a H.264 using Media Encoder the AE comp shrinks to what looks to be 480p. The rest of the text and video in the timeline stays 720, but the AE comp shrinks and has a black box letterbox around it.
I was able to export from AMC with a Quicktime preset of 720p 24fps and it did not shrink. Additionally I bypassed AMC and exported directly from PP and the comp did not resize.
PP CC v7.0.0
AE CC v12.2.0.52
AMC CC v7.2.0.43
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Dec 30, 2013
In Premiere Pro, can I create a title template that, if I change it, will update all the titles in my project that use that template?
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Jan 22, 2014
My video clip, brought over into Premiere CS6 from Final Cut Pro 5, has the usual left and right audio tracks, but in Premiere they are not linked into a stereo pair. Thus the volume level has to be adjusted separately in each track.
In Final Cut, I can quickly convert two independent audio tracks into a stero pair by selecting the tracks and then going to the menu Modify > Stereo Pair. I can't figure out how to do this in Premiere.
When two audio tracks are not linked, the volume level has to be adjusted separately in each track, which wastes time. But after two tracks are linked into a Stereo Pair in Final Cut, adjusting either track adjusts them both, together. That's what I want to do now in Premiere.
So, how do I make two separate audio tracks into a linked Stereo Pair in Premiere?
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Mar 17, 2013
My main user folder on the iMac is set to be shared (read/write, including all enclosed files) with my MacBook Pro. The job is a series of one-page InDesign files (they are newspaper advertisements). The IDD files contain a series of Illustrator files with linked PSD files.The idea is that we can both work on the .idd and .ai files in the same folder at the same time.
It's all working fine EXCEPT that whenever an .ai file is opened on the MacBook, Illustrator doesn't know where the linked PSD files are. We can update the link, but when the .ai file is then opened on the iMac and saved, the same thing happens the next time it is opened on the Macbook.
I don't want to embed the PSD files into the .ai files as sometimes I have to modify them and they can be linked to up to 20 .ai files.
G5 iMac OSX 10.7.5 / Macbook Pro OSX 10.8.2 / networked via FireWire cable / file sharing on, laptop user has Administrator status, all files are read/write, permissions include all enclosed files / CS6
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Aug 7, 2013
Behavior that I'm used to in both AE and FCP: When I double click the nested sequence my cursor lands in the exact same location on the timeline matching the original cursor location. So if I'm viewing clip 1234.mov on the main timeline I would expect that after double clicking and opening the nested sequence I would still be looking at clip 1234.mov. Premiere is not handling it the same way.
The way Premiere Pro CC Behaves: I double click the nested sequence to open it but it doesn't match my cursor location. Instead it lands me in the location I was last positioned when inside the nested sequence. This is very frustrating when trying to make client changes based on the timecode of the master sequence. Once I open the nested sequence I have to hunt for the clip that needs editing.
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