I have two recent model 27" iMacs running CC. On one system, playback freezes or I getting a Media Pending screen when playing AVCHD (.mts) footage. The second system can playback all the footage with no probplem.
The troubled system specs are: iMac 27-inch, Mid 2011
Processor 3.4 GHz Intel Core i7
Memory 16 GB 1333 MHz DDR3
Graphics AMD Radeon HD 6970M 1024 MB
Software OS X 10.9.1 (13B42)
I shot some footage in AVCHD with the Canon XA25 and I would like to edit it in Premiere Pro CC. In the Media Browser though, there's no thumbnail and the clip is just called "private" - In FCP7 I can just open the log and transfer and easily convert to ProRES. Is there a way to easily deal with clips from this camera in Premiere?
View 5 Replies View RelatedUsing a Mac and CS6.
I have used the Media Browser multiple times with different footage shot to an AVCHD camera, and after bringing the 1080p video into CS6, I get audio dropouts and sometimes no audio at all, even though there is definitely audio with the footage.
1. Is this a known bug?
Ive been attempting to import AVCHD video footage captured on a Panasonic into Premier Pro CS6 on my MacPro. I've tried this from the camera and after copying the entire folder to my desktop. The footage is there, but has no audio!
View 6 Replies View RelatedI am confronted with a considerably quality loss when I edited and rendered the material from my Sony HDR-CX130 camcorder. It shoots *.m2ts 1920x1080 at 50i (this is in fact 25 fps, I assume).
The loss is visible when there are moving objects or when the camera moves: very not-fluent and not-smooth movement-representation, while the original footage playbacks fine and smoothly in any mediaplayer (Sony PMB or Windows Mediaplayer).
As if the rendered material has a framerate of 12 fps! Which isn't the case, in fact.
I did some experiments: render to other formats like MPEG, tried it on the laptop of a friend who also has CVS X4 installed (W7 SP1, i5 2,3GHz, 4GB RAM),I used properties of first videoclip (which actually doesn't happen), set camcorder at 50p; all without better results.
Project properties I use in CVS X4:
PAL (25 fps)
Microsoft AVI-files
8 bit, 1920 x 1080, 25 fps
Frame-based
Microsoft Video 1
This I was told here to use in order to get stills that are also 1920 x 1080 in size.[URL]
Is the un-fluent playback of edited AVCHD normal, will it be better in version X6?This is visible when playing back the rendered footage in Sony PMB and WMplayer as well.
I want to import footage from a DVD (self burnt). Can I do this directly with Premiere CC or do I need a programm like Handbrake (I'm a Windows user)?
View 16 Replies View RelatedI'm importing AVCHD files into my timeline in Premiere and have a files that's spanned over three MTS clips. Files originate from a Sony FS700 camera.
The files show correctly but all the material is tripled on the timeline. Files 00012.MTS, 00013.MTS, 00014.MTS are all shown on timeline repeating the same material (on camera this material is spanned throughout these files). All the material is there and all is ok, but it's just imported three times on the timeline.
I'm new to video editing and I have been using Final Cut Pro X but I have Premier as part of my Creative Cloud Subscription so I want to give it a try.
I have some footage from a Panasonic camera which has imported fine into Final Cut but when I try to import into Premier I don't get any audio.
I'm using the media browser and I've copied the full contents of my card and like I say it does work in Final Cut.
I am thinking of buying a new Sony camera (finally moving from mini-dv tape!). The HXR-NX3 records video using the AVCHD 2.0 format. Will I be able to import directly into CS 6 without doing any conversions? And will that give me HD video suitable for recording to blu-ray?
View 1 Replies View RelatedI am currently working on a 24fps project with R3D footage in Premiere.Some of the footage for a new sequence I am working on was shot at 48fps (and will need to be exported to 24fps while retaining 48fps' slow motion effect).
Can Premiere play back in the program monitor at 48fps? Can it interpret/render 48fps footage to export to 24fps while retaining the original attributes of the 48fps footage? Or would I need to use additional software to accomplish this?
I would like to be able to edit/playback the footage at the correct frame rate within Premiere as I need to synchronize it with music to see which segments of the clips I have will work best.
Is there a way to have a certain preset of effects activate on any and all footage dragged into the timline? I'm working in a 24FPS 2K timeline with 60FPS 1280p footage. To have it play the way I want I have to drag down the footage, set the scale of the clip from 100% to 150% so it fits the screen. Then set the time playback to 50%. Is there a way to have the time playback and scale change automatically affect every piece of footage dragged into the timeline?
View 4 Replies View RelatedI've been editing a piece recently that requires me to do a lot of green screen keying, I've just started out using premiere and whenever I finish keying something and then force rendering it, it cuts my peice in half at a slight angle and no matter what I tweak it doesn't change.
View 3 Replies View Relatedi preview my footage and it looks fine, but when i drop it in the time line it cuts alot off
View 4 Replies View RelatedI have tried a couple of things to try and get Premiere to see the AVCHD files. I have copied the all the files over from the Canon Xa10 individually and the "Private" folder and then tried to import. Still couldnt see them. It seems like its not a supported file type. PP should be able to do this shouldn't it?
I currently am running Premiere Pro CS5 with Windows 7 64Bit
why in cs6 adobe premiere pro doesn't import the audio of the AVCHD file?
View 3 Replies View RelatedI have a question about conforming material from Abode Premiere CS 5.5..I have a 720@50p source that was converted to Avid DNxHD 10bit 720@50p in Quicktime .mov container, using Media Encoder.Then material was edited in Premiere, cuts, dissolves and etc. Timeline in Premiere is set to 720@25p, because I need to output 720@25p finals.Premiere DOES NOT slowdown shots in timeline, it just plays them skipping every 2nd frame (I thinks so), so it is played in a normal speed and audio is in sync also. In Interpret footage settings nothin is changed - so, it still treats as 50p footage.
Problem is that I dont understand how to conform this footage correctly in Smoke.If I use automatic conform using wiretap import of AAF (same dir as footage is), Smoke thinking about this operation about 10-15 mins and then it creates a 1080@50p timeline where all shots are smaller it's native size and timing is completly wrong. They starts early than they should.If I use Video I/O I have correct sizing but timing issue is still present.
I need to create a project with PAL settings and override resolution to 720p?
How make Smoke to play footage same as Premiere does? Whithout shifting in out points?
I want to film my CEO standing on London Bridge as people walk over it. The trick is is that I want to film him at normal speed (for obvious reasons), and i want the people walking past us to be shown at double the speed.
Having thought logically I guess I need to film people walking over the bridge separately from filming my CEO, then somehow superimpose him on the that footage.
I've been getting a "Serious Error" message consistently when using Premiere Pro CC on my Macbook Pro. It only seems to remedy itself after a system restart, but eventually it will happen again. Most recently it happened after I used After Effects without issue. Here are my system specs and a copy of the error log.
View 1 Replies View RelatedNot having used Premier all that much - as I leave that to the editor, I have a question around Premier and its file usage. We save our source footage in several location on a local server. Video in some folders, Sound in others, backgrounds in yet other folders. The editor creates a project, then a sequence where she pulls all the files together - so, for instance, lets assume it is a prject sequence that consists of:
1) Background footage of a field
2) Green screen footage of character #1 moving around
3) Blue screen footage of characters #2 mocing around
4) Music Layer
5) Vocal layer
She creates and saves her project on the server in the specific project folder. I am now interrested in collecting those files through premier and storing them all in one place, then copying that collected structure to her local machine to see if response will be better for her editing - our network is not the best at the moment, and we are still working on solutions. She will then have all the source footage and files sitting on her local maching, along with the Premier project file.
She now completes her edit and we are all happy with the way it looks. How do we get that specific edit back onto the server (at the end of the specific edit, as well as daily for backup purposes)? Do we have to recopy and replace the entire folder every time, or do we just copy the project file back to the server? Will this require a relink of every single piece of footage?
As soon as i try to open the default canon folder containing 5d footage, software crashes (spinning wheel, then app exited abnormally message).
I try re-starting wiretap gateway, wiretap server, and stone+wire thru Service Monitor then restarting smoke but that sometimes solves the issue and sometimes it doesnt. And sometimes i see checkerboards.
I tried solving the problem by running smoke with airport on or off but with similar results.I did some search here and gathered that it could be due to a number of reasons (IP address, local host etc) but I dont quite fully understand everything.
I don't have my mac pro networked via any Ethernet cable or anything and don't want to have to keep airport on unless i need to be online.
The project i'm workinfg on in my premier doesn't open AVC HD (sound) files. i worked with these files before on this project.
View 6 Replies View RelatedClips play to choppy in timeline to edit and take far too long to render since update to Premiere Pro CC 7.2 and 7.21.
XAVC HD footage from Sony F55 in Slog2.
Have reverted back to 7.01 and clips play, but now cannot render a single clip in it's entirety. The render process freezes even with no effects applied to the clip. What can I do to fix this?
Mac Book Pro Retina
Processor 2.7 GHz Intel Core i7
Memory 16 GB 1600 MHz DDR3
Graphics NVIDIA GeForce GT 650M 1024 MB
I'm cutting a project using multiple codecs in Premiere CC, but I want to grade it in Davinci Resolve- a software that can't handle MXFs and MP4s and H264s in the same sequence. My colorist is asking for a sequence in a single codec- preferably Pro Res.
I'm trying to do the equivalent of "Media Manager" in FCP to simultaneously move and transcode the footage from my finished sequence to a new location, but I'm having trouble finding this.
The "Project Manager" feature in Premiere Pro CC was incredibly buggy. It took 15 minutes to export a test sequence that was 15 seconds long and it didn't even trim my clips- even though I selected that box. This took up a ton of hard drive space. More importantly: It doesn't give me the option to transcode on export.
Does this feature exists? I'm a professional editor and Premiere needs to play nice in finishing if I'm going to continue to use it.
I opened up my project and all the footage has seemed to change to look like a "film negative". Colors are reversed, etc... Clips on the timeline and clips in the project folder. How can I correct this..
View 1 Replies View RelatedThe capture went just fine when digitizing my tape and the .mov file has both audio and video during playback in both quick time and Adobe Premeir Pro, but when I drag it into the time line only audio will show up. Even weirder it's 4 layers of audio instead of just one audio and one video. This only began with videos that I catured today. When using footage I captured on a previous day it works just fine. What went wrong? Where's my video!?
View 1 Replies View RelatedI want to edit 4K source footage inside of a 1080p timeline in order to do alot of shot stabilizing throughout my project with the plug-in "Warp Stabilizer" that is standard inside of Adobe Premiere CC. BUT as soon as I drop the plug-in on my 4K footage that is inside of my 1080 timeline there is an error message that says "Warp Stabilizer requires clip dimensions to match sequence (fix by nesting)".
So I guess the "fix" is to nest my clips first then drop the plug-in on the nested clip. My question is this ... is the plug-in using the true resolution of my 4K clip that has been nested to stabilize my shot? Or is it basically using a 1080 proxy type file of my 4K source footage since it is "nested"?
Due to consolidating space on my hard drive I changed the location of the orginaly linked files (MXF footage). Having relinked in both Pr and Ae (CS6 latest updates as of posting date) to the new file location all looks good until I try to view the horizontally flipped clip in the sequence. If I look at the footage on Ae its all there, every frame. In the effects for the clip the opacity is as it should be -100%- but there is no image. I see the background footage (working with green screen foreground -hence the Ae project using Keylight plug-in). The non flipped footage from the exact same Ae file is as clear as day.
View 2 Replies View RelatedI'm trying to understand why adding colour correction, or auto contrast to my some of my clips is causing them to have flicker. It's not a consistent flicker either, but random.
The footage affected is 720p at 29.97fps in a timeline with the same settings. The raw footage appears fine. Once effects are added, the image stutters. I have rendered the preview files and the issue remains the same, likewise when exported.
After rendering a few clips in my timeline for playback, my video tracks are no longer playing back. The timeline time marker plays, the time counts, and the audio playback is working correctly, but the video stays on the frame in which playback started, and does not move change until pausing playback.
View 2 Replies View RelatedI was watching through footage and choose a handful of clips ... my video worked fine. Then Friday I came back to start putting everything together and the clips "went blank," The audio could be heard and played back in real time, but the video displays as a black screen or a green screen. I tried rendering, but it said it would take 2+ hours to render the 1 minute of clips I had in my timeline. Even the sections that did end up rendering just showed a blank red screen. Clips are .MTS (which I've used in every project previously with no problem) shot with a Panaconic HMC-150.
I'm using Adobe Premiere Pro CS6 on Windows 8, 64-bit operating system
Processor: Intel Core i7 CPU - 920 @ 2.67 GHz
12.0 GB of RAM
The thing that gets me is that this has worked for months, even worked with these clips a few days ago, and now it seems like everything just vanished.
Mid-job (and of course now that I need to color correct), PP CC has stopped exporting video to my external monitor. I have tried trashing prefs (holding Shift+Opt at start-up) and it doesn't do the trick. In looking around, I've noticed people having this problem when using some BlackMagic cards, but my monitor is plugged directly into the Thunderbolt connector of my MacBook Pro. I've enclosed my Playback settings.
Oddly enough, when I fire up my old copy of PP CS6 it plays back to my external monitor just fine.
I've had had enough late-night edits that I may have inadvertently initiated some keystroke that changed a setting, but I can't think of what that would be or why a Preference Trash wouldn't reset it.