I've been getting a "Serious Error" message consistently when using Premiere Pro CC on my Macbook Pro. It only seems to remedy itself after a system restart, but eventually it will happen again. Most recently it happened after I used After Effects without issue. Here are my system specs and a copy of the error log.
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i preview my footage and it looks fine, but when i drop it in the time line it cuts alot off
View 4 Replies View RelatedThe capture went just fine when digitizing my tape and the .mov file has both audio and video during playback in both quick time and Adobe Premeir Pro, but when I drag it into the time line only audio will show up. Even weirder it's 4 layers of audio instead of just one audio and one video. This only began with videos that I catured today. When using footage I captured on a previous day it works just fine. What went wrong? Where's my video!?
View 1 Replies View RelatedI want to edit 4K source footage inside of a 1080p timeline in order to do alot of shot stabilizing throughout my project with the plug-in "Warp Stabilizer" that is standard inside of Adobe Premiere CC. BUT as soon as I drop the plug-in on my 4K footage that is inside of my 1080 timeline there is an error message that says "Warp Stabilizer requires clip dimensions to match sequence (fix by nesting)".
So I guess the "fix" is to nest my clips first then drop the plug-in on the nested clip. My question is this ... is the plug-in using the true resolution of my 4K clip that has been nested to stabilize my shot? Or is it basically using a 1080 proxy type file of my 4K source footage since it is "nested"?
Well, I bit the bullet, and I'm slowly learning the tricks of Video Studio. Here's my question... is there anyway I can "park" footage on the lower video tracks without them showing up in my preview video? In other words, I typically place clips on lower timeline tracks and eventually insert them into the final video after tweaking the main video track. When "other" clips are parked at the lower tacks, they appear in the preview footage, which I do not want to see.... yet.
View 3 Replies View RelatedI'm looking for the workflow for Red Footage.
In our facility, we are shooting 4k HD format. Then we can finish our final project as HD.
I installed Red Rocket and the Red Footage as Half premium debayer (1920x1080) playback in realtime at preview window of the "Media" tab.
However, I insert the same clip on the timeline (1920x1080, same as Half premium debayer), smoke automatically puts resizing effect. When I open the effect, I notice this effect doesn't do anything.
What would be a bonus is at anytime I could go to the timeline and click on an imported piece of footage and tell smoke to Include YUV headroom after the fact of it being imported and used.
View 7 Replies View RelatedI have some very long movies and want to insert some short parts of it in the timeline.So i open the movie in the footage panel mark in and out point and press ovelay insert to insert this part in the timeline.Next time i open the same movie in the footage panel to mark the next part i want to insert in the timeleine, my timeline playhead jumps to the time where my playhead of the footage panel is in this clip. is it possible to unlink the footage panel and the Timeline?
View 2 Replies View RelatedSyncing in plural eyes is good with our pro res files, but when I try and sync with some mp3 files from a zoom h1 recorder it goes black at the bottom of the timeline and responds really buggy.
View 1 Replies View RelatedI want to import footage from a DVD (self burnt). Can I do this directly with Premiere CC or do I need a programm like Handbrake (I'm a Windows user)?
View 16 Replies View RelatedI am currently working on a 24fps project with R3D footage in Premiere.Some of the footage for a new sequence I am working on was shot at 48fps (and will need to be exported to 24fps while retaining 48fps' slow motion effect).
Can Premiere play back in the program monitor at 48fps? Can it interpret/render 48fps footage to export to 24fps while retaining the original attributes of the 48fps footage? Or would I need to use additional software to accomplish this?
I would like to be able to edit/playback the footage at the correct frame rate within Premiere as I need to synchronize it with music to see which segments of the clips I have will work best.
Is there a way to have a certain preset of effects activate on any and all footage dragged into the timline? I'm working in a 24FPS 2K timeline with 60FPS 1280p footage. To have it play the way I want I have to drag down the footage, set the scale of the clip from 100% to 150% so it fits the screen. Then set the time playback to 50%. Is there a way to have the time playback and scale change automatically affect every piece of footage dragged into the timeline?
View 4 Replies View RelatedI've been editing a piece recently that requires me to do a lot of green screen keying, I've just started out using premiere and whenever I finish keying something and then force rendering it, it cuts my peice in half at a slight angle and no matter what I tweak it doesn't change.
View 3 Replies View RelatedI have a question about conforming material from Abode Premiere CS 5.5..I have a 720@50p source that was converted to Avid DNxHD 10bit 720@50p in Quicktime .mov container, using Media Encoder.Then material was edited in Premiere, cuts, dissolves and etc. Timeline in Premiere is set to 720@25p, because I need to output 720@25p finals.Premiere DOES NOT slowdown shots in timeline, it just plays them skipping every 2nd frame (I thinks so), so it is played in a normal speed and audio is in sync also. In Interpret footage settings nothin is changed - so, it still treats as 50p footage.
Problem is that I dont understand how to conform this footage correctly in Smoke.If I use automatic conform using wiretap import of AAF (same dir as footage is), Smoke thinking about this operation about 10-15 mins and then it creates a 1080@50p timeline where all shots are smaller it's native size and timing is completly wrong. They starts early than they should.If I use Video I/O I have correct sizing but timing issue is still present.
I need to create a project with PAL settings and override resolution to 720p?
How make Smoke to play footage same as Premiere does? Whithout shifting in out points?
I want to film my CEO standing on London Bridge as people walk over it. The trick is is that I want to film him at normal speed (for obvious reasons), and i want the people walking past us to be shown at double the speed.
Having thought logically I guess I need to film people walking over the bridge separately from filming my CEO, then somehow superimpose him on the that footage.
I have two recent model 27" iMacs running CC. On one system, playback freezes or I getting a Media Pending screen when playing AVCHD (.mts) footage. The second system can playback all the footage with no probplem.
The troubled system specs are: iMac 27-inch, Mid 2011
Processor 3.4 GHz Intel Core i7
Memory 16 GB 1333 MHz DDR3
Graphics AMD Radeon HD 6970M 1024 MB
Software OS X 10.9.1 (13B42)
Not having used Premier all that much - as I leave that to the editor, I have a question around Premier and its file usage. We save our source footage in several location on a local server. Video in some folders, Sound in others, backgrounds in yet other folders. The editor creates a project, then a sequence where she pulls all the files together - so, for instance, lets assume it is a prject sequence that consists of:
1) Background footage of a field
2) Green screen footage of character #1 moving around
3) Blue screen footage of characters #2 mocing around
4) Music Layer
5) Vocal layer
She creates and saves her project on the server in the specific project folder. I am now interrested in collecting those files through premier and storing them all in one place, then copying that collected structure to her local machine to see if response will be better for her editing - our network is not the best at the moment, and we are still working on solutions. She will then have all the source footage and files sitting on her local maching, along with the Premier project file.
She now completes her edit and we are all happy with the way it looks. How do we get that specific edit back onto the server (at the end of the specific edit, as well as daily for backup purposes)? Do we have to recopy and replace the entire folder every time, or do we just copy the project file back to the server? Will this require a relink of every single piece of footage?
I shot some footage in AVCHD with the Canon XA25 and I would like to edit it in Premiere Pro CC. In the Media Browser though, there's no thumbnail and the clip is just called "private" - In FCP7 I can just open the log and transfer and easily convert to ProRES. Is there a way to easily deal with clips from this camera in Premiere?
View 5 Replies View RelatedClips play to choppy in timeline to edit and take far too long to render since update to Premiere Pro CC 7.2 and 7.21.
XAVC HD footage from Sony F55 in Slog2.
Have reverted back to 7.01 and clips play, but now cannot render a single clip in it's entirety. The render process freezes even with no effects applied to the clip. What can I do to fix this?
Mac Book Pro Retina
Processor 2.7 GHz Intel Core i7
Memory 16 GB 1600 MHz DDR3
Graphics NVIDIA GeForce GT 650M 1024 MB
Using a Mac and CS6.
I have used the Media Browser multiple times with different footage shot to an AVCHD camera, and after bringing the 1080p video into CS6, I get audio dropouts and sometimes no audio at all, even though there is definitely audio with the footage.
1. Is this a known bug?
I'm cutting a project using multiple codecs in Premiere CC, but I want to grade it in Davinci Resolve- a software that can't handle MXFs and MP4s and H264s in the same sequence. My colorist is asking for a sequence in a single codec- preferably Pro Res.
I'm trying to do the equivalent of "Media Manager" in FCP to simultaneously move and transcode the footage from my finished sequence to a new location, but I'm having trouble finding this.
The "Project Manager" feature in Premiere Pro CC was incredibly buggy. It took 15 minutes to export a test sequence that was 15 seconds long and it didn't even trim my clips- even though I selected that box. This took up a ton of hard drive space. More importantly: It doesn't give me the option to transcode on export.
Does this feature exists? I'm a professional editor and Premiere needs to play nice in finishing if I'm going to continue to use it.
I opened up my project and all the footage has seemed to change to look like a "film negative". Colors are reversed, etc... Clips on the timeline and clips in the project folder. How can I correct this..
View 1 Replies View RelatedDue to consolidating space on my hard drive I changed the location of the orginaly linked files (MXF footage). Having relinked in both Pr and Ae (CS6 latest updates as of posting date) to the new file location all looks good until I try to view the horizontally flipped clip in the sequence. If I look at the footage on Ae its all there, every frame. In the effects for the clip the opacity is as it should be -100%- but there is no image. I see the background footage (working with green screen foreground -hence the Ae project using Keylight plug-in). The non flipped footage from the exact same Ae file is as clear as day.
View 2 Replies View RelatedI'm trying to understand why adding colour correction, or auto contrast to my some of my clips is causing them to have flicker. It's not a consistent flicker either, but random.
The footage affected is 720p at 29.97fps in a timeline with the same settings. The raw footage appears fine. Once effects are added, the image stutters. I have rendered the preview files and the issue remains the same, likewise when exported.
I have 2 years of footage related to a project and I'm looking to have it centralised and have metadata attached to it that will allow me to cross reference footage, for example, when someone in an interview talks about losing weight and to be able to pull up clips that relate to that.
I got a feeling that an Excel spreadsheet is the way...
Ive been attempting to import AVCHD video footage captured on a Panasonic into Premier Pro CS6 on my MacPro. I've tried this from the camera and after copying the entire folder to my desktop. The footage is there, but has no audio!
View 6 Replies View RelatedI'm missing some source footage, and it can take a *very* long time to do a find file on the server I'm connected to.
Is there any way to see the original path of missing footage? I figure I could do some dectective work backtracking folders if I knew where After Effects is looking for these files.
How can I view a preview how all the video transition looks between 2 clips in Premiere Pro CS5 before I choose the one I want to use.
I always use Adobe Bridge CS5 when I need to see a fosmag on the effects in After Effects CS5, but can not get it to work and then I can also see the Video Transitions in Adobe Premiere CS5
I have successfully used the "merge clips" feature so I know that the system is capable of syncing audio + video tracks.
HOWEVER the "Syncronize" feature will not work for me in the timeline. For example I drop in one .R3d file and one audio file from an external recorder. I select them all and right click to bring up the menu and "Syncronize" is greyed out and not available.
I've watched several tutorials where people bring multiple clips into and sync them using this method.
I'm guessing that there is a setting or a default somewhere that is not allowing this "sync" to be applied
I have Premiere CC7.1 and am having problems playing back the audio after importing a synced sequence from Plural Eyes. The wierd thing is that everything plays back beautifully until I close Premiere. When I reopen the program, I see the audio on the timeline and it plays back in the source monitor but there's no audio in the program monitor.
View 3 Replies View RelatedMy timeline (no sequences). It does not have columns on the left handside. It does not have a slider on the bottom of the box. It is useless.
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