i have been working on a pretty long multicam project (About 1h45m) in Premiere Pro CC.I was all done, and during export in Media Encoder i noticed that after about 45m of rendering, the preview window was still showing the beginning of the video. Upon further inspection, i noticed that the video appeared to be Looping. Sencing that something was wrong, i cancelled my render and reopened my project.
when the project reopened i could see that after a couple of edits, there were little white triangles and the top of the clips. I need to stress that before i started rendering, these triangles where not there.
And yes, when i played through my sequence, at every edit (camera change) the multicam clip would play from the beginning again. i have tried to remove everything after where this problem occurs and then drag the footage out. It does allow me to do edits again and it works fine, but i dont really want to spend hours doing it again, not understanding what the problem is and run the risk of it messing up again.
I installed the latest update for Premiere Pro CC a couple of days ago and now every edit I make in my Multicam sequence takes about 10 seconds to take effect. No matter how small an edit I make. While it´s taking affect the computer just freezes.
I'm new to CC's Mulicam feature, but well versed in the more limited equivalent in FCP. I was delighted with everything about it, until I began actually cutting multicam footage into my sequence.
Whenever I try and overwrite/insert/drag the multicam material into the sequence, it brings in 18 audio tracks- in spite of the fact that my multicam sequences have only 4 audio and 2 video tracks.
No amount of track deselection on the destination sequence works with this.This is going to be a real problem as I add new material into an existing a rough cut, with a 5 track temp mix. how I can specify only 1 or 2 tracks of audio?
I'm running 7.2.2, on OSX 8.5.
PS, Also unable to insert images into this post. Using Chrome Version 34.0.1847.116
I had a multicam clip already created and have edited it into many sequences. I loaded it into my source monitor and accidently unchecked the enable option. Now that same sequence is no longer a mutlicam clip and when I load it into the source montior, my system crashes. is there any way to make it back in to a multicam clip?
Last week, I was editing a multicam sequence (in Premiere 7.0.1) and I found it always very usefull to see the waveform. After upgrading and choosing Sequence -> Render Audio, the CTI jumps to the beginning of the timeline and starts playing and nothing more. No rendering at all.
Rendering from a multicam sequence with in/out points set. Media consists of RED Epic 5K, Canon 7D, GoPro, and BWF sound. Output is for Vimeo 1080p 23.976. All cams and sound are set to 23.976.
Problem signature: Problem Event Name: APPCRASH Application Name: Adobe Premiere Pro.exe Application Version: 7.2.1.4 Application Timestamp: 52aed7f3
When editing a multicamera sequence, I keep running into this weird phenomenon where I can't stop the playback. I hit the space bar, start making cuts, then when I want to stop I hit the space bar again and nothing happens. The sequence keeps playing, sometimes stopping after a couple a minute or so, sometimes not until the end of the sequence.
The nested multi-cam sequence has just 4 streams of DSLR video. The machine I'm using has plenty of CPU power and memory and an nVidia GPU, so I'd be surprised if resources are a problem. The source media is on a Raid-0 array.
I've tried switching the resolution to 1/4, but this makes no difference. I have several layers of audio but have solo'ed just one to see if that would work. No.
What's the best way to copy a selection, via in/out, from a multicam sequence into another sequence? After setting the in/out and then copying the selection, when I paste into another sequence, the entire sequence comes in.
I have just started using the multicam since upgrading to 7.1. Apparently I have got a 2 hour sequence with only two cameras all HDV footage. After about an hour of my live cuts, I started noticing slight freeze of about a second or so when I cut to a camera. I tried this with the mouse and the keyboard and still the same.
I am running Windows 7 Pro 64 bit, HP XW6600 Dual Xeon 5450 @ 3Ghz GTX 570 16GB RAM
I can see the chosen video on the right side but I cannot see the previews of the other tracks or switch from one to the other. This project was working just fine and I didn't change any settings when it decided not to work. I just hopped over to make some adjustments to another timeline and then when I jumped back over to the master with the multicam nested inside it decided to stop giving me previews and prevents me from switching camera angles.
This shows my multicam monitor:
And this shows the timeline that contains all the tracks for the multicam:
I have multicam editing enabled on the multicam sequence with the above tracks nested inside.
I was doing some multicam editing a week ago in Premiere CC, and it worked great. But today, pressing the number keys during playback doesn't do anything. I can still make cuts by clicking on the thumbnails in the Multicam Monitor, but I can't figure out why they keys aren't working.
I love CC's multicam feature, but keep having this problem:
In Pluraleyes, I would lay all my Cam 1 material on video track 1 (multiple clips), then Cam 2 on video track 2 (multiple clips), add my audio, and create a multicam track that kept all Cam 1 clips on track 1 and all Cam 2 clips on track 2.
in Premiere Pro CC, multicam creation can only be exectued via the browser, not the timeline. So Premiere syncs everything up and throws each clip onto the next video track up, leaving you with a mountain of timeline media that reads out tiny and jumps all over the place when viewed in the multicam monitor (see picture).
What I'm after:
- the ability to create multicam sequences based on the timeline (lay out all clips from each cam on whichever video track I want, select all, then choose "create multicam sequence") so that the end result isn't 20 video tracks I have to manually collapse into 2 (time waster).
I've uploaded .mov files from my Canon 7D camera onto Adobe Premiere CS6, but after doing some editing the footage in the playback screen is very jerky/slow. I'm working on a brand new iMac OSX and have a RAM of 4GB, so why the playback would be so slow.
I took some video using a webcam that I need to edit in Premiere Pro. I converted it to 'Mov' and the codec info is 'H264 MPEG4 - AVC'. It imports to Premiere but the video appears extremely pixalated and disfigured to the point where it is unwatchable. I have set the sequence settings to the same as the source file.
I am editing in Premiere Pro using AVCHD footage. It takes a few seconds for my MacBook Pro to catchup and think in order to play it smoothly. It is HD footage and up to 60 GB of footage in the bin. Rendering takes 4xs longer than real time it seems to be. I am not savy with editing.
When capturing HDV clip with Premier Pro CC and playing it in the timeline, the video plays very choppy (bounces) and vertical lines flicker (drapes, edges if doors, etc...). It also seems like it is playing too fast (?). I play the exact same captured clip in Windows Media Player, and it look great.
My Canon was set at HDV 60i
clip properties: Type: MPEG Movie File Size: 1.1 GB Image Size: 1440 x 1080 Frame Rate: 29.97 Source Audio Format: 48000 Hz - compressed - Stereo Project Audio Format: 48000 Hz - 32 bit floating point - Stereo Total Duration: 00;06;04;06 Pixel Aspect Ratio: 1.3333
Coming from a FCP background, and I see this in FCP and in AVID, but I can't seem to do it in premiere, though I really want to. I want a multi monitor set up where the first monitor has my timeline, source window, and project window, then my second monitor has my bins & effects & metadata, then the third will be a full screen of the project window that is still on my first monitor, and then finally a fourth, 65" 4k tv also displaying the project window (mirroring the third monitor). Dragging the project window around and toggling in and out of fullscreen is a waist of time since there was no need to do that with FCP for so many years. I need 3 project windows in premiere (and I dont mean using the reference) , how do I do this with premiere?
i am starting a film project to edit, what is the exact 2k project sequence settings & project settings,like frame rate,2k resolution size,progressive or ?the project pipeline is - premiere to speedgrade to Lab print(Negative or UFO or Qube)
I'm editing with RAW RED files straight from camera. Looking good but just want to know what my best possible output file and quality scheme should be.
I want to send out REDlog Film Gamma space for my color session and I've selected that for all my clips but is there any quality debayering setting I should select before output? And to what file extension output? DPX max bit depth? Uncompressed 10-bit?
I have a large number of VHS and hi8 tapes that I want to convert to high quality DV.
I have a couple of options. One is an Elgado Video capture system.
The other is a Sony Digital Media Converter Box (DVMC-DA2).
I have tried a few of the less important tapes using the Elgado Video Capture system. It only allows you to convert to MPEG4 or H.268. It is not very good quality, especially for archival items or items I would later wish to edit.
I also have the Sony Digital Media Converter Box. I have heard that this is a superior option. So far, though, I have only been able to figure out how to import using an old version of iMovie HD. This makes a large imovie project file (approximately 6.18GB for a 28:30 clip vs a 348.9MB for an MPEG4 using delgado.
On top of that to convert the file from an iMovieProject file to DV is an additional step that so far looks like will take a half an hour at best.
Is there any way for me to import VHS/hi8 tapes using the Digital Media Converter Box to creat high quality DV files directly? If so, where can I find this info? What steps should I take and what are the settings I should use.
I have a lot of tapes so I want to figure out the right and most efficient way to do this because I will be repeating it a bunch of times and would hate to have to start over again.
I should also mention that I am using a Mid 2010 MacBook Pro, with OSX 10.9.1
I recently upgraded to 32 GB of RAM, thinking Premiere Pro CC would work amazingly. At first it does, but after about half hour of editing, my system shows 25GB of "disk cache" in RAM memory used up. This means my system is maxed out with RAM. And the result is choppy playback even at 1/4 resolution. Why is Premiere tying up so much RAM? Is there a way to limit that?
I am a recent convert to Adobe NLE systems coming from FCP 7. My question is: What is the highest quality codec that I can use successfully with AME and Premiere Pro CC?
I’m working on a project that is targeted to screen in theaters (festivals) so I want to finish with the best possible quality. My source was film telecined to Apple FCP Uncompressed 10-bit 4:2:2, 1920 x 1080, Millions, Data rate 1060.67 mbits/sec. However, that format is too unwieldy for editing. When using FCP for previous films, I transcoded those uncompressed files to ProRes 422 (HQ) for editing and for theater screenings.
I see that i can use ProRes with Premiere, with a little work. if he/she recommends a better non-quicktime format for editing and projecting?
I am an Adobe Creative Cloud subscriber and am using AME CC (version 7.2.0.43) and Premiere Pro CC (ver 7.2.1). I have installed all suggested updates. I’m running OSX 10.9.1 on my 2011 imac (core i7 with 32 GB of RAM). My graphics card is a AMD Radeon HD 6970M 2048 MB.
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
I have a one light telecine video of the rush @ 25 FPS.
How do I edit the rush on Premiere Pro CS6 keeping in mind that I don't generate virtual frames (i.e. 24 frames on the time line corrosponds to 24 physical frames on the negative).
After editing, I need a cut list, i.e. a text document output with TCs and corrosponding edge code marks to refer to, while cutting the original negative.
The same task can be done by conforming the video to 24 via Cinema Tools while working on FCP. I need the solution for Premiere Pro.
So I got a new mac and since I have not been able to export anything. I've reinstalled everything, updated it and fenagled with all the settings but nothing seems to stop it. I am using the latest verton of Mavericks and it only happens when I hit export to media.I also checked adobe media encoder and that gets the same error message and cause.
I'm trying to export a sequence as XML, but no matter what I try, it exports the wrong sequence. I've tried selecting the sequence in the project panel, then hitting export, and I've also tried opening the timeline and exporting from there.
The sequence being exported is actually used at one point in the sequence I want to export, otherwise I would just delete it temporarily. I'm using Premiere CC 7.2.
I am trying to export a 15 minute film, with a LOT of audio clips to OMF for ProTools. The exporting "hangs" during the process when it encounters a certain file-name. The filename is gibberish, so I have not the slightest idea, which file it is, or where on the timeline I could look for it.
Another problem seem to be nested audio sequences can't be exported. Am I correct in assuming that I will have to replace every single clip by hand?
(Why is there no Python interface for Premiere... life would be SO much easier )
I've read through some of the threads concerning OMF: If I understand it correctly, OMF export is really buggy/limited in PPro CC for a fast workflow with a ProTools site?
I just finished editing a 67 minute documentary, and I'm preparing to send it to the replication company. The problem I'm running into is that the project looks very clear and clean in premiere pro, however as soon as I export and burn it to a disc via encore, the finished video is noticibly pixelated/grainy, and a lower quality.
The footage was shot in HD. I've tried exporting MPEG-DVD and MPEG so far. The MPEG-DVD setting was worse than MPEG, but that wasn't great.
Is there anything I can try to get this footage to look better? (It's due at the replication company on Tuesday.)
