I've uploaded .mov files from my Canon 7D camera onto Adobe Premiere CS6, but after doing some editing the footage in the playback screen is very jerky/slow. I'm working on a brand new iMac OSX and have a RAM of 4GB, so why the playback would be so slow.
View 13 Repliesi have been working on a pretty long multicam project (About 1h45m) in Premiere Pro CC.I was all done, and during export in Media Encoder i noticed that after about 45m of rendering, the preview window was still showing the beginning of the video. Upon further inspection, i noticed that the video appeared to be Looping. Sencing that something was wrong, i cancelled my render and reopened my project.
when the project reopened i could see that after a couple of edits, there were little white triangles and the top of the clips. I need to stress that before i started rendering, these triangles where not there.
And yes, when i played through my sequence, at every edit (camera change) the multicam clip would play from the beginning again. i have tried to remove everything after where this problem occurs and then drag the footage out. It does allow me to do edits again and it works fine, but i dont really want to spend hours doing it again, not understanding what the problem is and run the risk of it messing up again.
I took some video using a webcam that I need to edit in Premiere Pro. I converted it to 'Mov' and the codec info is 'H264 MPEG4 - AVC'. It imports to Premiere but the video appears extremely pixalated and disfigured to the point where it is unwatchable. I have set the sequence settings to the same as the source file.
View 4 Replies View RelatedI am editing in Premiere Pro using AVCHD footage. It takes a few seconds for my MacBook Pro to catchup and think in order to play it smoothly. It is HD footage and up to 60 GB of footage in the bin. Rendering takes 4xs longer than real time it seems to be. I am not savy with editing.
View 2 Replies View RelatedI have the following equipment:
Canon HDV XH-A1S
When capturing HDV clip with Premier Pro CC and playing it in the timeline, the video plays very choppy (bounces) and vertical lines flicker (drapes, edges if doors, etc...). It also seems like it is playing too fast (?). I play the exact same captured clip in Windows Media Player, and it look great.
My Canon was set at HDV 60i
clip properties:
Type: MPEG Movie
File Size: 1.1 GB
Image Size: 1440 x 1080
Frame Rate: 29.97
Source Audio Format: 48000 Hz - compressed - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00;06;04;06
Pixel Aspect Ratio: 1.3333
Coming from a FCP background, and I see this in FCP and in AVID, but I can't seem to do it in premiere, though I really want to. I want a multi monitor set up where the first monitor has my timeline, source window, and project window, then my second monitor has my bins & effects & metadata, then the third will be a full screen of the project window that is still on my first monitor, and then finally a fourth, 65" 4k tv also displaying the project window (mirroring the third monitor). Dragging the project window around and toggling in and out of fullscreen is a waist of time since there was no need to do that with FCP for so many years. I need 3 project windows in premiere (and I dont mean using the reference) , how do I do this with premiere?
View 1 Replies View Relatedi am starting a film project to edit, what is the exact 2k project sequence settings & project settings,like frame rate,2k resolution size,progressive or ?the project pipeline is - premiere to speedgrade to Lab print(Negative or UFO or Qube)
View 1 Replies View RelatedI'm editing with RAW RED files straight from camera. Looking good but just want to know what my best possible output file and quality scheme should be.
I want to send out REDlog Film Gamma space for my color session and I've selected that for all my clips but is there any quality debayering setting I should select before output? And to what file extension output? DPX max bit depth? Uncompressed 10-bit?
I have a large number of VHS and hi8 tapes that I want to convert to high quality DV.
I have a couple of options. One is an Elgado Video capture system.
The other is a Sony Digital Media Converter Box (DVMC-DA2).
I have tried a few of the less important tapes using the Elgado Video Capture system. It only allows you to convert to MPEG4 or H.268. It is not very good quality, especially for archival items or items I would later wish to edit.
I also have the Sony Digital Media Converter Box. I have heard that this is a superior option. So far, though, I have only been able to figure out how to import using an old version of iMovie HD. This makes a large imovie project file (approximately 6.18GB for a 28:30 clip vs a 348.9MB for an MPEG4 using delgado.
On top of that to convert the file from an iMovieProject file to DV is an additional step that so far looks like will take a half an hour at best.
Is there any way for me to import VHS/hi8 tapes using the Digital Media Converter Box to creat high quality DV files directly? If so, where can I find this info? What steps should I take and what are the settings I should use.
I have a lot of tapes so I want to figure out the right and most efficient way to do this because I will be repeating it a bunch of times and would hate to have to start over again.
I should also mention that I am using a Mid 2010 MacBook Pro, with OSX 10.9.1
I recently upgraded to 32 GB of RAM, thinking Premiere Pro CC would work amazingly. At first it does, but after about half hour of editing, my system shows 25GB of "disk cache" in RAM memory used up. This means my system is maxed out with RAM. And the result is choppy playback even at 1/4 resolution. Why is Premiere tying up so much RAM? Is there a way to limit that?
View 4 Replies View RelatedI am a recent convert to Adobe NLE systems coming from FCP 7. My question is: What is the highest quality codec that I can use successfully with AME and Premiere Pro CC?
I’m working on a project that is targeted to screen in theaters (festivals) so I want to finish with the best possible quality. My source was film telecined to Apple FCP Uncompressed 10-bit 4:2:2, 1920 x 1080, Millions, Data rate 1060.67 mbits/sec. However, that format is too unwieldy for editing. When using FCP for previous films, I transcoded those uncompressed files to ProRes 422 (HQ) for editing and for theater screenings.
I see that i can use ProRes with Premiere, with a little work. if he/she recommends a better non-quicktime format for editing and projecting?
I am an Adobe Creative Cloud subscriber and am using AME CC (version 7.2.0.43) and Premiere Pro CC (ver 7.2.1). I have installed all suggested updates. I’m running OSX 10.9.1 on my 2011 imac (core i7 with 32 GB of RAM). My graphics card is a AMD Radeon HD 6970M 2048 MB.
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
View 1 Replies View RelatedA film was shot on film stock @ 24 FPS.
I have a one light telecine video of the rush @ 25 FPS.
How do I edit the rush on Premiere Pro CS6 keeping in mind that I don't generate virtual frames (i.e. 24 frames on the time line corrosponds to 24 physical frames on the negative).
After editing, I need a cut list, i.e. a text document output with TCs and corrosponding edge code marks to refer to, while cutting the original negative.
The same task can be done by conforming the video to 24 via Cinema Tools while working on FCP. I need the solution for Premiere Pro.
I am ready to do some multicamera editing but cannot find my mutilcamera monitor in my window menu?
View 1 Replies View RelatedI installed the latest update for Premiere Pro CC a couple of days ago and now every edit I make in my Multicam sequence takes about 10 seconds to take effect. No matter how small an edit I make. While it´s taking affect the computer just freezes.
View 7 Replies View RelatedI'm new to CC's Mulicam feature, but well versed in the more limited equivalent in FCP. I was delighted with everything about it, until I began actually cutting multicam footage into my sequence.
Whenever I try and overwrite/insert/drag the multicam material into the sequence, it brings in 18 audio tracks- in spite of the fact that my multicam sequences have only 4 audio and 2 video tracks.
No amount of track deselection on the destination sequence works with this.This is going to be a real problem as I add new material into an existing a rough cut, with a 5 track temp mix. how I can specify only 1 or 2 tracks of audio?
I'm running 7.2.2, on OSX 8.5.
PS, Also unable to insert images into this post. Using Chrome Version 34.0.1847.116
In my Adobe Premire Pro CS6 project, When I select a clip that I want to drag down into the editing section it only allows me to drag the video and NOT the audio. I need both video and audio and it wont let me, I don't think I clicked anything wrong but
View 2 Replies View RelatedI am trying to import footage shot on a Sony PMW-200 camera into PP 7. I was wondering what files need to be imported into PP 7, i.e. the .mxf files. the .xml files, etc. I am getting footage into the project, but it is not playing in the source window, and I also don't have any audio.
View 6 Replies View RelatedI am running Premiere Pro CC on a Mac running Mavericks. When I try to open a previous version project in CC that has avi or .dv files, I get the following error:
"The preset used by one or more sequences in this project requires third party components that could not be located. These sequences will be modified to use a custom sequence setting instead. To continue editing using original preset, quit the aplicationwithout saving the project, re-install and third party components that are required and re-open the project."
Once the project opens, the avi and .dv files are listed as 'offline'.Am I missing codecs or is this related to something else? I have a few projects with avi files so would be great to find out what's going on!
Is it possible to edit .TS files with Premiere?
View 1 Replies View RelatedI am wondering how it may be possible to open PP CS 6 files with CS 4. There was an earlier listing to modify some code to change Version "25" to Version "24" for v5.5.
View 2 Replies View RelatedTrying to upgrade from CS5 to CS6. Upgraded one NLE and found CS6 will not import DV files that were used with CS5. Can't believe Adobe missed this one! We create many DV files each day that can't be used with CS6. Any sort of conversion would just add another unnecessary step. Do I need to stay with CS5
View 7 Replies View RelatedI've just tried to import a bunch if .avi files into Adobe Premiere (OSX) but they all failed due to missing codec. Is there a way around this? I've looked at some other threads but don't understand it all and i'm on a bit of a deadline.
I've currently installing it on my windows box as i know OSX doesn't play nice with avi anyway, is it likely to work?
The avi files have multiple streams -2 camera angles are recorded, when they are loaded both show and play in sync so i'm worrying about converting to another format.
I recently moved to CC in order to be able to work with Blackmagic's DNG raw files inside Premiere Pro. The move was successfull, I could work with such files. However, all of a sudden, I cannot import them into Premiere Pro. First, I cannot select the files and import them as a sequence, because the box will not activate.
Second, when I click on the folder containing the files, Premiere tries to import them, but then an error message appears saying "file format not supported".
I have seen other discussion threads about failures to import Blackmagic Cinema POCKET raw files, but I am working with files from the 2.5K Blackmagic Cinema Camera, which should give no trouble. In fact, as I said, I was perfectly able to work with them.
I have introduced no changes in my computer or the CC Suite, so this sudden error is all the more puzzling. The wav file will get imported, but none of the DNG files will.
I'm importing AVCHD files into my timeline in Premiere and have a files that's spanned over three MTS clips. Files originate from a Sony FS700 camera.
The files show correctly but all the material is tripled on the timeline. Files 00012.MTS, 00013.MTS, 00014.MTS are all shown on timeline repeating the same material (on camera this material is spanned throughout these files). All the material is there and all is ok, but it's just imported three times on the timeline.
Media file in Premiere CS6 comes out at 7MB, same file and settings in CC comes out at 147 MB. I have tried, deleting saved copies, old rendered files, seems to be consistent across numerous files. IS there a fix for CC or a way to revert back to CS6?
View 9 Replies View RelatedWe're using Premiere Pro Cc to edit a TV series, we went to save the project file and the application crashed, when we went to look for the project file, it's not there and the latest autosave file is three days old even though we've watched PP doing autosaves every 15 minutes. This happened a few months back and we lost the work. The only thing that may be relevant is that we're using a solid state drive, but it's always been very stable.
View 3 Replies View RelatedHow do you consolidate audio files in Premiere? (Make multiple audio files on a track one file). Also, my client is having a hard time making an omf that Pro Tools can read. The files can not be found by Pro Tools. How do you make an omf that Pro Tools can read?
View 2 Replies View RelatedI work with Adobe Premiere Pro CC, and I am able to import the MP4 files from my Galaxy S3. The video files are very good quality. The problem is that the videos do play, but they are really choppy and freeze alot. Is there any way I can makes my MP4 video files run smoothly?
View 3 Replies View RelatedA week ago all was well in Premiere Pro CS6 world. One day I updated Windows, next day all but a few .mp4 video files opened in Premiere Pro, played fine as well, EXCEPT for the fact that the display now has green (sometimes multicolour, sometimes a solid green block) bars in the lower third of the screen. See screenshot below.
These same files open/display fine in After Effects, Photoshop and VLC- and Quicktime players. I'd read something fromyears ago about Windows Updates causing this, so removed one of therecent KB's to no avail. I did install AdobeMediaEncoderTrial_64-6.0.3-mul-AdobeUpdate and DynamicLinkMediaServerRetail-1.0.1-mul-AdobeUpdate and reverted to Quicktime 7.6 but nothing makes a difference.
In the end, I formatted C:, reinstalled Windows 7 Ultimate 64bit, downloaded/installed about 260 updates and reinstalled CS6 (and then the aforementioned AME and DLMS updates and QT7.6) but it's STILL the same problem.
Also tried exporting (part of) one of these files, just to see if it wasn't just a display problem: the exported file with the same properties as the original also has the green bars.
When importing MXF files they are all playing/acting like one clip. When playing in the preview or dragging to timeline.
View 4 Replies View Related