Premiere Pro :: Editing Flow - Can Do This Faster

Jan 14, 2014

I am editing in Premiere Pro using AVCHD footage. It takes a few seconds for my MacBook Pro to catchup and think in order to play it smoothly. It is HD footage and up to 60 GB of footage in the bin. Rendering takes 4xs longer than real time it seems to be. I am not savy with editing.

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Premiere Pro :: How To Get Faster Export Times

Mar 17, 2014

My specs are 

CPU: i7 4820k 4.4ghz
GPU: 4gb radeon r9 290 200 series
RAM: 16gb 2400MHZ
SSD: ASUS writes at 840/mbs
OS: Windows 8.1 64 bit
Using CS6
 
Taking like 15 mins to export a 374mb video

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[URL]....

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Sep 11, 2012

I've uploaded .mov files from my Canon 7D camera onto Adobe Premiere CS6, but after doing some editing the footage in the playback screen is very jerky/slow. I'm working on a brand new iMac OSX and have a RAM of 4GB, so why the playback would be so slow.

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Feb 28, 2014

i have been working on a pretty long multicam project (About 1h45m) in Premiere Pro CC.I was all done, and during export in Media Encoder i noticed that after about 45m of rendering, the preview window was still showing the beginning of the video. Upon further inspection, i noticed that the video appeared to be Looping. Sencing that something was wrong, i cancelled my render and reopened my project.
 
when the project reopened i could see that after a couple of edits, there were little white triangles and the top of the clips. I need to stress that before i started rendering, these triangles where not there.
 
And yes, when i played through my sequence, at every edit (camera change) the multicam clip would play from the beginning again. i have tried to remove everything after where this problem occurs and then drag the footage out. It does allow me to do edits again and it works fine, but i dont really want to spend hours doing it again, not understanding what the problem is and run the risk of it messing up again.

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Premiere Pro :: Editing H264 MPEG4 AVC On CC

Jan 8, 2014

I took some video using a webcam that I need to edit in Premiere Pro. I converted it to 'Mov' and the codec info is 'H264 MPEG4 - AVC'. It imports to Premiere but the video appears extremely pixalated and disfigured to the point where it is unwatchable. I have set the sequence settings to the same as the source file.

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Premiere Pro :: Poor Video Quality When Editing

Dec 8, 2013

I have the following equipment:
Canon HDV XH-A1S
 
When capturing HDV clip with Premier Pro CC and playing it in the timeline, the video plays very choppy (bounces) and vertical lines flicker (drapes, edges if doors, etc...). It also seems like it is playing too fast (?). I play the exact same captured clip in Windows Media Player, and it look great.
 
My Canon was set at HDV 60i
 
clip properties:
Type: MPEG Movie
File Size: 1.1 GB
Image Size: 1440 x 1080
Frame Rate: 29.97
Source Audio Format: 48000 Hz - compressed - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00;06;04;06
Pixel Aspect Ratio: 1.3333

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Premiere Pro :: True Multi Screen Editing?

Apr 8, 2014

Coming from a FCP background, and I see this in FCP and in AVID, but I can't seem to do it in premiere, though I really want to. I want a multi monitor set up where the first monitor has my timeline, source window, and project window, then my second monitor has my bins & effects & metadata, then the third will be a full screen of the project window that is still on my first monitor, and then finally a fourth, 65" 4k tv also displaying the project window (mirroring the third monitor). Dragging the project window around and toggling in and out of fullscreen is a waist of time since there was no need to do that with FCP for so many years.  I need 3 project windows in premiere (and I dont mean using the reference) , how do I do this with premiere?

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Jan 5, 2014

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Premiere Pro :: Editing Red Raw - Final Output For Colour?

Feb 6, 2014

I'm editing with RAW RED files straight from camera. Looking good but just want to know what my best possible output file and quality scheme should be.
 
I want to send out REDlog Film Gamma space for my color session and I've selected that for all my clips but is there any quality debayering setting I should select before output? And to what file extension output? DPX max bit depth? Uncompressed 10-bit?

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Premiere Pro :: Convert Analogue Video To DV For Editing?

Dec 31, 2013

I have a large number of VHS and hi8 tapes that I want to convert to high quality DV.
 
I have a couple of options. One is an Elgado Video capture system.
 
The other is a Sony Digital Media Converter Box (DVMC-DA2).
 
I have tried a few of the less important tapes using the Elgado Video Capture system. It only allows you to convert to MPEG4 or H.268. It is not very good quality, especially for archival items or items I would later wish to edit.
 
I also have the Sony Digital Media Converter Box. I have heard that this is a superior option. So far, though, I have only been able to figure out how to import using an old version of iMovie HD. This makes a large imovie project file (approximately 6.18GB for a 28:30 clip vs a 348.9MB for an MPEG4 using delgado.
 
On top of that to convert the file from an iMovieProject file to DV is an additional step that so far looks like will take a half an hour at best.
 
Is there any way for me to import VHS/hi8 tapes using the Digital Media Converter Box to creat high quality DV files directly? If so, where can I find this info? What steps should I take and what are the settings I should use.
 
I have a lot of tapes so I want to figure out the right and most efficient way to do this because I will be repeating it a bunch of times and would hate to have to start over again.
 
I should also mention that I am using a Mid 2010 MacBook Pro, with OSX 10.9.1

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Mar 11, 2014

I recently upgraded to 32 GB of RAM, thinking Premiere Pro CC would work amazingly.  At first it does, but after about half hour of editing, my system shows 25GB of "disk cache" in RAM memory used up.  This means my system is maxed out with RAM.  And the result is choppy playback even at 1/4 resolution.  Why is Premiere tying up so much RAM?  Is there a way to limit that?

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Premiere Pro :: Best Video Format For Editing / Projecting In Theater For AME

Feb 4, 2014

I am a recent convert to Adobe NLE systems coming from FCP 7.  My question is: What is the highest quality codec that I can use successfully with AME and Premiere Pro CC? 
 
I’m working on a project that is targeted to screen in theaters (festivals) so I want to finish with the best possible quality.  My source was film telecined to Apple FCP Uncompressed 10-bit 4:2:2, 1920 x 1080, Millions, Data rate 1060.67 mbits/sec.  However, that format is too unwieldy for editing.  When using FCP for previous films, I transcoded those uncompressed files to ProRes 422 (HQ) for editing and for theater screenings.
 
I see that i can use ProRes with Premiere, with a little work. if he/she recommends a better non-quicktime format for editing and projecting?
 
I am an Adobe Creative Cloud subscriber and am using AME CC (version 7.2.0.43) and Premiere Pro CC (ver 7.2.1).  I have installed all suggested updates.  I’m running OSX 10.9.1 on my 2011 imac (core i7 with 32 GB of RAM). My graphics card is a AMD Radeon HD 6970M 2048 MB.

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Dec 9, 2013

I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?

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Feb 1, 2014

A film was shot on film stock @ 24 FPS.
 
I have a one light telecine video of the rush @ 25 FPS.
 
How do I edit the rush on Premiere Pro CS6 keeping in mind that I don't generate virtual frames (i.e. 24 frames on the time line corrosponds to 24 physical frames on the negative).
 
After editing, I need a cut list, i.e. a text document output with TCs and corrosponding edge code marks to refer to, while cutting the original negative.
 
The same task can be done by conforming the video to 24 via Cinema Tools while working on FCP. I need the solution for Premiere Pro.

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Premiere Pro :: Multi-camera Editing In Window Menu

Jan 8, 2014

I am ready to do some multicamera editing but cannot find my mutilcamera monitor in my window menu?

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Nov 5, 2013

I installed the latest update for Premiere Pro CC a couple of days ago and now every edit I make in my Multicam sequence takes about 10 seconds to take effect. No matter how small an edit I make. While it´s taking affect the computer just freezes.

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Premiere Pro :: No Track Selection When Editing Multicam Into Sequence?

Apr 17, 2014

I'm new to CC's Mulicam feature, but well versed in the more limited equivalent in FCP. I was delighted with everything about it, until I began actually cutting multicam footage into my sequence.
 
Whenever I try and overwrite/insert/drag the multicam material into the sequence, it brings in 18 audio tracks- in spite of the fact that my multicam sequences have only 4 audio and 2 video tracks.
 
No amount of track deselection on the destination sequence works with this.This is going to be a real problem as I add new material into an existing a rough cut, with a 5 track temp mix. how I can specify only 1 or 2 tracks of audio?

I'm running 7.2.2, on OSX 8.5.
 
PS, Also unable to insert images into this post. Using Chrome Version 34.0.1847.116

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Jan 5, 2014

In my Adobe Premire Pro CS6 project, When I select a clip that I want to drag down into the editing section it only allows me to drag the video and NOT the audio. I need both video and audio and it wont let me, I don't think I clicked anything wrong but

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Dec 29, 2008

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May 8, 2013

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Apr 30, 2011

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Can I use VS to play it back at the correct speed and rerecord the recorded stream?

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Apr 1, 2012

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Mar 2, 2008

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In previous versions of Photoshop, I used to be able to import multiple files and they would load up relatively quick, and it wouldn't do this "checking" of files behind the last file imported.

Is there any way to turn this "checking" off so the import process will be faster?

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Sep 28, 2011

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