I took some video using a webcam that I need to edit in Premiere Pro. I converted it to 'Mov' and the codec info is 'H264 MPEG4 - AVC'. It imports to Premiere but the video appears extremely pixalated and disfigured to the point where it is unwatchable. I have set the sequence settings to the same as the source file.
View 4 Replies
I just finished a film in Adobe Premiere Pro where I use different footage (2.7K 25 fps, 1080 25 fps, 1080 50 fps). I exported this film as a H.264 bluray file. My question is: how do I get this file on a disc? I have a BD burner, but I don't know which software to use to get it nailed, so I can play it in my BD player.
View 3 Replies View RelatedFor some reason iPad1s cannot play videos that I render in Premiere CC as H264 MP4 (960x540 at 29.97fps). I've tried both Main and Baseline profiles. I had read somewhere that iPad1s can only play baseline H264.... but it seems not even them.
What other settings can I change that would enable playablility on iPad1s?
I've uploaded .mov files from my Canon 7D camera onto Adobe Premiere CS6, but after doing some editing the footage in the playback screen is very jerky/slow. I'm working on a brand new iMac OSX and have a RAM of 4GB, so why the playback would be so slow.
View 13 Replies View Relatedi have been working on a pretty long multicam project (About 1h45m) in Premiere Pro CC.I was all done, and during export in Media Encoder i noticed that after about 45m of rendering, the preview window was still showing the beginning of the video. Upon further inspection, i noticed that the video appeared to be Looping. Sencing that something was wrong, i cancelled my render and reopened my project.
when the project reopened i could see that after a couple of edits, there were little white triangles and the top of the clips. I need to stress that before i started rendering, these triangles where not there.
And yes, when i played through my sequence, at every edit (camera change) the multicam clip would play from the beginning again. i have tried to remove everything after where this problem occurs and then drag the footage out. It does allow me to do edits again and it works fine, but i dont really want to spend hours doing it again, not understanding what the problem is and run the risk of it messing up again.
I am editing in Premiere Pro using AVCHD footage. It takes a few seconds for my MacBook Pro to catchup and think in order to play it smoothly. It is HD footage and up to 60 GB of footage in the bin. Rendering takes 4xs longer than real time it seems to be. I am not savy with editing.
View 2 Replies View RelatedI have the following equipment:
Canon HDV XH-A1S
When capturing HDV clip with Premier Pro CC and playing it in the timeline, the video plays very choppy (bounces) and vertical lines flicker (drapes, edges if doors, etc...). It also seems like it is playing too fast (?). I play the exact same captured clip in Windows Media Player, and it look great.
My Canon was set at HDV 60i
clip properties:
Type: MPEG Movie
File Size: 1.1 GB
Image Size: 1440 x 1080
Frame Rate: 29.97
Source Audio Format: 48000 Hz - compressed - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00;06;04;06
Pixel Aspect Ratio: 1.3333
Coming from a FCP background, and I see this in FCP and in AVID, but I can't seem to do it in premiere, though I really want to. I want a multi monitor set up where the first monitor has my timeline, source window, and project window, then my second monitor has my bins & effects & metadata, then the third will be a full screen of the project window that is still on my first monitor, and then finally a fourth, 65" 4k tv also displaying the project window (mirroring the third monitor). Dragging the project window around and toggling in and out of fullscreen is a waist of time since there was no need to do that with FCP for so many years. I need 3 project windows in premiere (and I dont mean using the reference) , how do I do this with premiere?
View 1 Replies View Relatedi am starting a film project to edit, what is the exact 2k project sequence settings & project settings,like frame rate,2k resolution size,progressive or ?the project pipeline is - premiere to speedgrade to Lab print(Negative or UFO or Qube)
View 1 Replies View RelatedI'm editing with RAW RED files straight from camera. Looking good but just want to know what my best possible output file and quality scheme should be.
I want to send out REDlog Film Gamma space for my color session and I've selected that for all my clips but is there any quality debayering setting I should select before output? And to what file extension output? DPX max bit depth? Uncompressed 10-bit?
I have a large number of VHS and hi8 tapes that I want to convert to high quality DV.
I have a couple of options. One is an Elgado Video capture system.
The other is a Sony Digital Media Converter Box (DVMC-DA2).
I have tried a few of the less important tapes using the Elgado Video Capture system. It only allows you to convert to MPEG4 or H.268. It is not very good quality, especially for archival items or items I would later wish to edit.
I also have the Sony Digital Media Converter Box. I have heard that this is a superior option. So far, though, I have only been able to figure out how to import using an old version of iMovie HD. This makes a large imovie project file (approximately 6.18GB for a 28:30 clip vs a 348.9MB for an MPEG4 using delgado.
On top of that to convert the file from an iMovieProject file to DV is an additional step that so far looks like will take a half an hour at best.
Is there any way for me to import VHS/hi8 tapes using the Digital Media Converter Box to creat high quality DV files directly? If so, where can I find this info? What steps should I take and what are the settings I should use.
I have a lot of tapes so I want to figure out the right and most efficient way to do this because I will be repeating it a bunch of times and would hate to have to start over again.
I should also mention that I am using a Mid 2010 MacBook Pro, with OSX 10.9.1
I recently upgraded to 32 GB of RAM, thinking Premiere Pro CC would work amazingly. At first it does, but after about half hour of editing, my system shows 25GB of "disk cache" in RAM memory used up. This means my system is maxed out with RAM. And the result is choppy playback even at 1/4 resolution. Why is Premiere tying up so much RAM? Is there a way to limit that?
View 4 Replies View RelatedI am a recent convert to Adobe NLE systems coming from FCP 7. My question is: What is the highest quality codec that I can use successfully with AME and Premiere Pro CC?
I’m working on a project that is targeted to screen in theaters (festivals) so I want to finish with the best possible quality. My source was film telecined to Apple FCP Uncompressed 10-bit 4:2:2, 1920 x 1080, Millions, Data rate 1060.67 mbits/sec. However, that format is too unwieldy for editing. When using FCP for previous films, I transcoded those uncompressed files to ProRes 422 (HQ) for editing and for theater screenings.
I see that i can use ProRes with Premiere, with a little work. if he/she recommends a better non-quicktime format for editing and projecting?
I am an Adobe Creative Cloud subscriber and am using AME CC (version 7.2.0.43) and Premiere Pro CC (ver 7.2.1). I have installed all suggested updates. I’m running OSX 10.9.1 on my 2011 imac (core i7 with 32 GB of RAM). My graphics card is a AMD Radeon HD 6970M 2048 MB.
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
View 1 Replies View RelatedA film was shot on film stock @ 24 FPS.
I have a one light telecine video of the rush @ 25 FPS.
How do I edit the rush on Premiere Pro CS6 keeping in mind that I don't generate virtual frames (i.e. 24 frames on the time line corrosponds to 24 physical frames on the negative).
After editing, I need a cut list, i.e. a text document output with TCs and corrosponding edge code marks to refer to, while cutting the original negative.
The same task can be done by conforming the video to 24 via Cinema Tools while working on FCP. I need the solution for Premiere Pro.
I am ready to do some multicamera editing but cannot find my mutilcamera monitor in my window menu?
View 1 Replies View RelatedI installed the latest update for Premiere Pro CC a couple of days ago and now every edit I make in my Multicam sequence takes about 10 seconds to take effect. No matter how small an edit I make. While it´s taking affect the computer just freezes.
View 7 Replies View RelatedI'm new to CC's Mulicam feature, but well versed in the more limited equivalent in FCP. I was delighted with everything about it, until I began actually cutting multicam footage into my sequence.
Whenever I try and overwrite/insert/drag the multicam material into the sequence, it brings in 18 audio tracks- in spite of the fact that my multicam sequences have only 4 audio and 2 video tracks.
No amount of track deselection on the destination sequence works with this.This is going to be a real problem as I add new material into an existing a rough cut, with a 5 track temp mix. how I can specify only 1 or 2 tracks of audio?
I'm running 7.2.2, on OSX 8.5.
PS, Also unable to insert images into this post. Using Chrome Version 34.0.1847.116
i try to render some .r3d 4k files in h264 5.2 but After effect dosent support Level 5.2. I can only choose Level 5.1.
I search around the web anf find H264 Level 5.2 is only Supported by After Effects CC.
So i Download the After Effects CC Trial and try it there but again i can only choose H264 level 5.1.
Is it possible to Render H264 in After Effects CS6 or CC?
I would buy a CC abo, but i have to know if i can render H264 level 5.2!
I installed Adobe CS6 (As a Trial, i'll install the license in three days)I
It does have the Video Format h264, and not the codec h264, and i need it because i'm rendering videos (AVI) that ends with like 60 GB (11 minutes) and that's pretty bad. ( I tried with MPEG-DVD but quality is horrible on a TV Screen)
how to get h264 codec? Does it come with the license?
I've several hundred video clips from my Samsung R10 HD camcorder ( H264 - 1080 25 fps) that I wish to link into one continuous file. I'm not bothered about transisitons or any other editing.
Ideally, I would prefer it to be lossless, but when the clips are placed into X3, it appears they have to be rendered. However, if I'm forced to re render, I cant find a 1080 H264 setting in MP4 format with 25 fps?
i want to know if their is a solution for files MOV H264 60 fps, because when i previsualize clib : no probleme, and in project windows the sound is correct but video completly slow. I have the same probleme on vs x3 and vs x5 ultimate... in the publicity of vs x5 ultimate it is write that input video h264, quicktime, but i think it is ONLY in 30 fps ! but not in 50/60 fps ! i wait answer from corel.. because the technical support said this input isn't supported in vs x5 !
View 4 Replies View RelatedI am trying to render a 40 minute project as a blu-ray H264 1920x1080 file that I can then play on windows media player. I normally have no problems on short 5 min projects but on this one it tells me "frame 2914 unreadable" how do I find frame 2914?
View 5 Replies View Relatedis there a way to share "create final video" in 1024x768 mp4 h264?
because my source video is in 1024x768. i can create final video in 640x480 but quality is lower. and when i create final video in 1280x720 or in 1920 x 1080.(presets of MPEG-4 in videostudio x4), i always get black borders on sides and ALSO under and above.
I'm editing MPEG-4 PAL HD files from a Samsung Cam. After editing, I want to create a MPEG-4 HD file with the same profile (1920x1080 at 25 fps). Choosing MPEG4-HD profile, 30 fps files are generated. Also defining a MPEG4 custom profile with H.264-MAIN type and 1920x1080 resolution, the fps is locked at 30 (at lower resolutions, like 1280x720 the frame rate can be modifies). Ist it a constraint of H.264-MAIN video type ot a bug ?
Please consider that VS X3 is installed for PAL Video System and choosing Bluray profile or AVCHD profile PAL HD files 25 fps are generated.
I just installed Smoke Ext 1. I noticed that all of my source files on an existing job, that are H264, don't show up...they just have a black screen with audio.
Is H264 not compatible with Smoke?
I tried to set my project as MPEG4 with resolution 1920x1080 and bitrate 30000 but I can not find how to do it.
Even I set to another format like M2TS it can set to 1920x1080 but the bitrate is only 18000.
My evaluation copy of VideoStudio X4 crashes whenever it tries to write an mpeg4 file. I get a message to e-mail the DMP file but thee is no e-mail address given or found on this site.
View 6 Replies View RelatedMy first video camera was a 30 fps NTSC and I output my videos as MPEG-4 HD files. Then I bought a new PAL video camera. To be safe I uninstalled my copy of VSProX4 and reinstalled it, checking the PAL option. However, when I created my first video clip using the MPEG-4 HD option in the drop down list, it created a file at 30 fps and not surprisingly the panning was very jerky. I uninstalled the program and ticked the option to uninstall all personal data. I also deleted the VSProX4 folders from user/user/my documents/. When I reinstalled the program all my saved projects came up on the screen and it still wants to make MPEG-4 files at 30 fps.
Presumably I should have deleted the Corel folder from the progam files folder after I'd deleted the program to get rid of all personal settings. Anyway, my question is this: is it actually possible to create MPEG-4 files at 25 fps (or preferably at 50 fps as this is what I am shooting)? If so, what do I have to do to get VSProX4 to create them? Is there some way to edit the MPEG-4 HD option in the drop down list from Create a Video File? If not, is it possible to make a template for MPEG-4 HD at 25 or 50 fps? The reason I'm keen to get this right is that I can play MPEG-4 HD files from a USB stick plugged into my TV. The only other way I can watch them on TV is to create AVCHD files and write them to a DVD.
My video won't share as a MPEG-4 HD. Here are the steps I take:
1. Click the "Share" Tab
2. Click "Create Video File"
3. Click "MPEG-4"
4. Click "MPEG-4 HD
5. Select the destination folder for the output
6. Click "Save".
The progress shows 0% and the progress bar goes away after fifteen seconds. I am sharing it as an MPEG-4 HD file because it will be placed on Youtube by someone else. I've probably done four of these projects the same way and they execute just fine.
Here's some more informtion:
Brand: Dell Laptop
HDD: 464GB; Used Space 153GB; Free Space 311GB
Processsor Intel(R) Cor (TM) i7 CPU Q820 #1.73GHz 1.73GHz
Ram: 8GB
System Type: 64 Bit Operating System
Pen and Touch: Pen and Touch is available through 80 touch points
The video is a WMV2, 24 bits 1024 x768, 29.982 frames/second; Audio is windows media audio version 4, aspect ratio is 1.33 x 1.00. It is editable.
Here's how my timeline looks:
BLACK GRAPHIC = 2 SECONDS; TRANSITION (FADE TO BLACK) = 2 SECONDS; 10 SECOND CLIP; 3 SECOND CLIP; 00:42:33 CLIP.
I'm outputting DV-AVI files filmed on a Sony A1 in DV CAM as MPEG-4 videos for upload to Vimeo.The projects and source files are:
PAL (25 fps)
Microsoft AVI files
24 bits, 720 x 576, 16:9, 25 fps
Lower Field First
Matrox DV/DVCAM -- type 2
PCM, 48.000 kHz, 16 Bit, Stereo
I have been outputting to create movies with the following properties:
MPEG-4 Files
24 bits, 1280 x 720, 25 fps
Frame-based
H.264 Main Profile Video: 5000 Kbps
44100 Hz, 16 Bit, Stereo
MPEG AAC Audio: 128 Kbps
I'm using VideoStudio Pro X5 trial version.
Should I in fact select / have selected Lower Field First or is Frame Based OK? Is it safer / more reliable to select Lower Field First if that's the format of the source files? The videos seem to look OK on my laptop - don't know about Vimeo.
