I recently upgraded to 32 GB of RAM, thinking Premiere Pro CC would work amazingly. At first it does, but after about half hour of editing, my system shows 25GB of "disk cache" in RAM memory used up. This means my system is maxed out with RAM. And the result is choppy playback even at 1/4 resolution. Why is Premiere tying up so much RAM? Is there a way to limit that?
View 4 RepliesFatal Errors when editing large amounts of MText? I usually have to insert a good amount of drawing notes that we keep in word documents on our network and i find that the process of editing them causes me to Fatal Error when trying even the simplest edit, like erasing a sentence or changing a name.
How to edit the document in word before copy/pasting it into CAD, but the documents are locked for editing as is our standard practice for the general notes that we use.
I am going to make a dummy drawing in hopes of making my changes in an empty drawing, (although I strongly feel this is not a file size issue but a word to CAD translation issue).
I am finishing up the exterior design of a building which consists out of metal plating which should be laser cut with a pattern. Now I drew the lines for the laser cutter as a template which will fit the pattern into the contours of the exterior design. Only problem which occurs is that my pattern, which I have group to easily copy, creates very slow desktop performance.
How to I external trim all the groups at once because it does not seem to do this. I can´t attach the cad-file because manager won´t let me. but it trimmed some of the group but not all the lines in them. How is this possible? I've tried blocks but they don't clip either.
How do I remove large amounts of Duplicate pics at download time????
View 1 Replies View RelatedWhen I move a selection of image files from one folder to another within lightroom there is always an error with at least one image and it doesn't make the move and is left. I can then reselect this image and then move it again.
View 3 Replies View RelatedHere's the text:
1. Should Media Cache Files and Media Cache Database be in separate folders? Does it matter?
2. Can I open an "in progress' project from P Pro CS4 with CC P Pro and continue editing?
Whenever a user logs on and loads premiere for the first time, they all receive this error. "Media Cache Not Found or is not writable." I believe this is caused because it's trying to locate the media cache inside the profile of another user, the user I based the profile template on. The trouble is I don't know specifically where this setting is stored.
View 1 Replies View RelatedI'm working on a feature length project and i'm having a really annoying issue. My project is on an external 3TB drive. My media cache is also set to that same external hard drive. My scratch disks are also set to that same drive. I checked and rechecked it - it's all set as it should be.
Yet somehow, while editing, especially while rendering parts of the sequence, the space on my C drive (boot drive) fills up within minutes!
I tried to look through C drive to see if there's some hidden place Premiere saves some files too but i can't seem to find anything unusual.
I have had premiere fail to open for a while now on one of my secondary PC's. This computer was setup with a network drive as its disk cache/links to projects. This is so multiple editors can work off the same RAID. Works perfectly, aside from the fact that windows somehow unlinked the network drive. Once this happened premiere fails to launch and crashes when starting the program.
I had got the network drive linked back up at one point and premiere launched again running with zero problems. Again windows messed up the network drive, and premiere again, does not work.
I need to reset the settings for premiere (the disk cache settings).
THINGS I'VE ALREADY TRIED: I already tried holding Ctrl + Shift to reset, did not work. I already tried uninstalling and reinstalling, but the settings were not removed and program keeps crashing.
I would just relink the network drive and then once premiere launches change the disk cache and never do that again, but sadly the computer will not relink to that partical drive.
I'm running windows 8, latest version of CC (just updated). I have 32gig Ram, I7 processor overclocked to 4.4GHz, Nvidia Graphics.
I'm copying RAW files from a shoot onto my network RAID drive in a per-album folder, from where I then import into a new LR catalog (I'm using LR 4.1) on my Windows laptop for that album.
I'm finding that editing RAW files on a network drive from a wireless laptop is awfully slow (not to mention not being able to continue the work offline somewhere else), so I'd like to cache those files on my speedy SSD drive just until I'm done editing and exporting/publishing that album.
I back up my per-album catalog onto the network folder alongside the RAW files since that's my IT-managed master repository. When I'm done editing, I'd purge the cached files and just keep the catalog previews on my limited capacity SSD.
So, is there a way to tell LR to, for one/all files imported from a location (in my case a network folder), look in an alternate location for the identical files? Since I create per-album catalogs in per-album folders, there wouldn't be filename clashing. Either LR can provide this caching behavior on its own or I'd manually copy files from the network folder to a local folder and tell LR to look there first.
I don't really want to make copies of files into secondary folders within LR since then it's a hassle to merge edits on the cached copy to its master copy (I haven't done this, but I'd imagine so).
I am trying to import a large wmv file (1hr 6min) into premiere pro cs6 so that I can blur some faces, it is a traffic stop, but the file will not import. I have done this before several times but the largest file was 16 min. Is this file too big to import? Because of legal reasons it cannot be edited in any way except to blur the faces. I was going to divide it into smaller files to import but was told it had to be intact.
View 4 Replies View Relatedtrying to make a DVD which will be of several large (>13GB) video files.
Is there a limit to how big you can import?
My first video file is 17GB and I want to be able to edit it and chop bits out...when I import it, I only seem to have 3mins of audio and a broken video image....
In a project i'm working on I have two large jpegs with a small zoom scaling effect. Going from 100 to 103 percent.
I've noticed that both Adobe Media Encoder and Premiere Pro experience a heavy slow down in render time as soon as the jpegs have to be rendered. Not only does the render speed almost come to a halt, the complete system lags very heavy, even the mouse cursor won't respond well.
This happens when i have GPU acceleration enabled and when i do a 2 pass H264 encoding. When I have the GPU acceleration disabled the render goes very smooth, and doesn't seem to slow down...
The jpeg is 4023 x 2677, and 6,97 MB large.
Scaling the jpeg down to about 1920x1080 in Photoshop and put that one in the timeline made the render go a lot faster.
I understand that a large picture takes a bit more time to be rendered, but we're talking about a 10minute render whit the large jpeg file and a 2 minute render with the jpeg resized. The total time of the two jpegs in the video is 5 seconds in a 3 minutes video. So, that made me think that the render times are exponentially long.
Is this considered normal, I can't remember having such big differences in CS5.
My system:
Premiere Pro CC (latest)
i7 4930K
32 GB RAM
2xGTX480Footage and project on a Raid0 disk
Previews/Cache on a Raid0 diskSystem and Premiere on SSD
Render to a single 7200 rpm drive.
I've uploaded .mov files from my Canon 7D camera onto Adobe Premiere CS6, but after doing some editing the footage in the playback screen is very jerky/slow. I'm working on a brand new iMac OSX and have a RAM of 4GB, so why the playback would be so slow.
View 13 Replies View Relatedi have been working on a pretty long multicam project (About 1h45m) in Premiere Pro CC.I was all done, and during export in Media Encoder i noticed that after about 45m of rendering, the preview window was still showing the beginning of the video. Upon further inspection, i noticed that the video appeared to be Looping. Sencing that something was wrong, i cancelled my render and reopened my project.
when the project reopened i could see that after a couple of edits, there were little white triangles and the top of the clips. I need to stress that before i started rendering, these triangles where not there.
And yes, when i played through my sequence, at every edit (camera change) the multicam clip would play from the beginning again. i have tried to remove everything after where this problem occurs and then drag the footage out. It does allow me to do edits again and it works fine, but i dont really want to spend hours doing it again, not understanding what the problem is and run the risk of it messing up again.
I took some video using a webcam that I need to edit in Premiere Pro. I converted it to 'Mov' and the codec info is 'H264 MPEG4 - AVC'. It imports to Premiere but the video appears extremely pixalated and disfigured to the point where it is unwatchable. I have set the sequence settings to the same as the source file.
View 4 Replies View RelatedI am editing in Premiere Pro using AVCHD footage. It takes a few seconds for my MacBook Pro to catchup and think in order to play it smoothly. It is HD footage and up to 60 GB of footage in the bin. Rendering takes 4xs longer than real time it seems to be. I am not savy with editing.
View 2 Replies View RelatedI have the following equipment:
Canon HDV XH-A1S
When capturing HDV clip with Premier Pro CC and playing it in the timeline, the video plays very choppy (bounces) and vertical lines flicker (drapes, edges if doors, etc...). It also seems like it is playing too fast (?). I play the exact same captured clip in Windows Media Player, and it look great.
My Canon was set at HDV 60i
clip properties:
Type: MPEG Movie
File Size: 1.1 GB
Image Size: 1440 x 1080
Frame Rate: 29.97
Source Audio Format: 48000 Hz - compressed - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00;06;04;06
Pixel Aspect Ratio: 1.3333
Coming from a FCP background, and I see this in FCP and in AVID, but I can't seem to do it in premiere, though I really want to. I want a multi monitor set up where the first monitor has my timeline, source window, and project window, then my second monitor has my bins & effects & metadata, then the third will be a full screen of the project window that is still on my first monitor, and then finally a fourth, 65" 4k tv also displaying the project window (mirroring the third monitor). Dragging the project window around and toggling in and out of fullscreen is a waist of time since there was no need to do that with FCP for so many years. I need 3 project windows in premiere (and I dont mean using the reference) , how do I do this with premiere?
View 1 Replies View Relatedi am starting a film project to edit, what is the exact 2k project sequence settings & project settings,like frame rate,2k resolution size,progressive or ?the project pipeline is - premiere to speedgrade to Lab print(Negative or UFO or Qube)
View 1 Replies View RelatedI'm editing with RAW RED files straight from camera. Looking good but just want to know what my best possible output file and quality scheme should be.
I want to send out REDlog Film Gamma space for my color session and I've selected that for all my clips but is there any quality debayering setting I should select before output? And to what file extension output? DPX max bit depth? Uncompressed 10-bit?
I have a large number of VHS and hi8 tapes that I want to convert to high quality DV.
I have a couple of options. One is an Elgado Video capture system.
The other is a Sony Digital Media Converter Box (DVMC-DA2).
I have tried a few of the less important tapes using the Elgado Video Capture system. It only allows you to convert to MPEG4 or H.268. It is not very good quality, especially for archival items or items I would later wish to edit.
I also have the Sony Digital Media Converter Box. I have heard that this is a superior option. So far, though, I have only been able to figure out how to import using an old version of iMovie HD. This makes a large imovie project file (approximately 6.18GB for a 28:30 clip vs a 348.9MB for an MPEG4 using delgado.
On top of that to convert the file from an iMovieProject file to DV is an additional step that so far looks like will take a half an hour at best.
Is there any way for me to import VHS/hi8 tapes using the Digital Media Converter Box to creat high quality DV files directly? If so, where can I find this info? What steps should I take and what are the settings I should use.
I have a lot of tapes so I want to figure out the right and most efficient way to do this because I will be repeating it a bunch of times and would hate to have to start over again.
I should also mention that I am using a Mid 2010 MacBook Pro, with OSX 10.9.1
I have a problem with the VrayDisplacementMod. I have a large green area covered with grass ( a golf course ). There shoud be 3 types of different grass colour and hights. I have made my grass using the VrayDisplacementMod and received really great ( as for my needs ) results . Also have used the vertex map for the cool mix for the grass as the main gras in the middle is a yellowishgreen when the rest is covered by the darker grass ( around the main one ) . There is now really nice effect bettwen these 2 grasses but the problem is that the whole area has the same amount of VrayDisplacement....
I mean to get the effect where the dark graas around is much higher than the other one (in the middle of the area ) but I would like the grass getting smaller in a unnoticed way so that we could NOT see the border line between the hights ( just like the colour using the vertex map )
I am a recent convert to Adobe NLE systems coming from FCP 7. My question is: What is the highest quality codec that I can use successfully with AME and Premiere Pro CC?
I’m working on a project that is targeted to screen in theaters (festivals) so I want to finish with the best possible quality. My source was film telecined to Apple FCP Uncompressed 10-bit 4:2:2, 1920 x 1080, Millions, Data rate 1060.67 mbits/sec. However, that format is too unwieldy for editing. When using FCP for previous films, I transcoded those uncompressed files to ProRes 422 (HQ) for editing and for theater screenings.
I see that i can use ProRes with Premiere, with a little work. if he/she recommends a better non-quicktime format for editing and projecting?
I am an Adobe Creative Cloud subscriber and am using AME CC (version 7.2.0.43) and Premiere Pro CC (ver 7.2.1). I have installed all suggested updates. I’m running OSX 10.9.1 on my 2011 imac (core i7 with 32 GB of RAM). My graphics card is a AMD Radeon HD 6970M 2048 MB.
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
View 1 Replies View RelatedA film was shot on film stock @ 24 FPS.
I have a one light telecine video of the rush @ 25 FPS.
How do I edit the rush on Premiere Pro CS6 keeping in mind that I don't generate virtual frames (i.e. 24 frames on the time line corrosponds to 24 physical frames on the negative).
After editing, I need a cut list, i.e. a text document output with TCs and corrosponding edge code marks to refer to, while cutting the original negative.
The same task can be done by conforming the video to 24 via Cinema Tools while working on FCP. I need the solution for Premiere Pro.
I am ready to do some multicamera editing but cannot find my mutilcamera monitor in my window menu?
View 1 Replies View RelatedI installed the latest update for Premiere Pro CC a couple of days ago and now every edit I make in my Multicam sequence takes about 10 seconds to take effect. No matter how small an edit I make. While it´s taking affect the computer just freezes.
View 7 Replies View RelatedI'm new to CC's Mulicam feature, but well versed in the more limited equivalent in FCP. I was delighted with everything about it, until I began actually cutting multicam footage into my sequence.
Whenever I try and overwrite/insert/drag the multicam material into the sequence, it brings in 18 audio tracks- in spite of the fact that my multicam sequences have only 4 audio and 2 video tracks.
No amount of track deselection on the destination sequence works with this.This is going to be a real problem as I add new material into an existing a rough cut, with a 5 track temp mix. how I can specify only 1 or 2 tracks of audio?
I'm running 7.2.2, on OSX 8.5.
PS, Also unable to insert images into this post. Using Chrome Version 34.0.1847.116
I realize that you can align objects in Photoshop, and that there are options to distribute horizontal and vertical centers, but how would I put an equal amount of space between objects like with the "Distribute Spacing" option in the illustrator align panel?
View 5 Replies View RelatedIn my Adobe Premire Pro CS6 project, When I select a clip that I want to drag down into the editing section it only allows me to drag the video and NOT the audio. I need both video and audio and it wont let me, I don't think I clicked anything wrong but
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