Photoshop :: Way To Posterize And Limit Image To 3 Spots?

Mar 22, 2013

I need to turn a B&W photo into screen print art without using a line screen (just block colours) - essentially I'm creating a 3 colour black and white images using:

- PANTONE 4625 C
- PANTONE Warm Gray 6 C
- PANTONE Warm Gray 1 C
 
Using a bunch of techniques (unsharp mask, tritone and posterize) I have line art that looks  great with a posterize level of 4. But I've noticed that Photoshop is using my Tritone colours to mix itself an extra tone - and if I switch to a level of 3, Photoshop chooses to remove the level that PANTONE Warm Gray 1 C uses which deletes all the highlight detail.
 
Is there a way I can specify colours that Posterize  uses?Or is there a different approch I can use to split the tones into the ones in the Tritone?
 
I've tried playing with the curves in the Tritone window to try and influence the colours photoshop uses (so no colour mixing) but maybe I need to somehow save the Tritone layers into the channels pallate?

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Photoshop :: Black Spots, White Spots...

Jun 18, 2005

I have a ~8.1MP image that I want to get printed on a pretty large scale. However, there are a few spots on the image that I am going to need to remove.

(Picture file here.)

There are 4 large black spots (circled) that I am sure should not be there. I am pretty sure they were smudges on the camera lens, because I have the entire set of images that was shot in this same jump, and those 4 spots are in the same place in all of them.

However, there are also a lot of white-ish spots scattered about the upper half of the image that seem to be mainly near the ends of the "sun-star effect" (which is one of the coolest parts of this picture, IMO). They don't seem to be present in the other pictures from the set, but perhaps they are also lens smudges and only show up in this one because there is such bright light hitting the lens, making them noticeable.

Are the white spots part of the attractive sun-star and should stay?

Are they smudges on the lens and should go?

Are they part of the sun-star but should go regardless because they don't look good?

Does the sun-star even look good or am I crazy?

Bonus question #1 - Are the red, yellow, and blue "hexagons" (noob terminology here) attractive? I kind of like them, but what do photo pros think of these things? Lens flares, they're called, right?

Bonus question #2 - Should I make the image brighter, so more color in the jumpers and their suits can be seen? Or should it remain this dark, since it is in fact a silhouette?

Before I spend the $25 to make a poster-sized print for my wall, I want to make sure I get the image looking good. The 4 black spots, I think I could probably remove without too much hassle (limited Photoshop skills here). But the white spots would be harder I think... for one thing there are many of them, and for another they occupy the same space as the sun-star, which I don't want to screw up.

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trying to get CS4 Design Premium to install. I finally managed, with the considerable help of a tier three Support Engineer. Since then I've had about a week's exposure to Photoshop CS4. Here's a list of things I don't like and/or those that don't work:

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2) I like two-across tool palette. When I drag workspace to left, it covers up this palette.

3) I like to leave three palettes open on the right, History, Characters and Layers. For no earthly reason that I can fathom the Layers palette has gotten considerably wider, and it cannot be reduced horizontally. Oh yes, I could reduce these three to icons, but then I'd be constantly clicking to open them and clicking to close them.

4) Open palettes have foreground precedence. This means that when I try to enlarge my workspace to the right, the workspace scroll bar disappears underneath the palettes.

5) The essentials button is destructive. I found this out the hard way when I clicked it and it wiped out a newly customized workspace. Now I know to save my customized workspace immediately upon completion.

6) Why did Adobe add the Adjustments button. It just creates an extra step when making adjustments. CS3 was smart enough to pop up the correct controls when adjustments were being made. Example: create New Adjustment Layer > Threshold. On my copy of CS4, I have to click Adjustments before the control shows up.

7) The new toolbar (at top of screen) wastes considerable space and is not deselectable. Hint courtesy of Support: Save your custom workspace with a very short name 2-3 characters; then this toolbar will combine with the menu bar.

8) Scrolling through highly magnified images is abysmally slow - much slower than it was on CS3.

9) The clone brush is less accurate in CS4, and it doesn't always turn off when one is finished cloning.

10) None of my CS4 files installed with responsive, indexed Help files. Now, every Help request sends me to a sluggish web site where there are no indices, poorly organized information, and in some cases just a message that Help area is under development.

11) I haven't been able to get the Patch tool to work correctly.

12) When program crashes (not always while attempting to save GIFs or 3D), it does so with generic, uninformative error message. In one week, I have had more Photoshop CS4 crashes than I ever experienced during the lifetime of CS3.

13) Why did the installer leave 34 superfluous language items (ones in anything other than US English in my case) in both the Legal and Lmresources folders? The product is bloated enough without oversights like that.

How many more will I find during the next week? I don't know, but I'm sure there are more to be found. How many of those that I did notice are due to the dreadful suite installer? I don't know the answer to that one either, but I suspect the installer may well have played a role.

I'm sure many will disagree, but IMHO Photoshop CS4's user interface is godawful compared to its predecessors. I can't find a single thing that can be accomplished with less mouse activity or keystrokes than earlier versions, but I have found quite a few things that demand more.

I was fortunate enough to have my installation issues addressed by one of Adobe's top support engineers. Had it not been for that, I'm reasonably certain I'd still be trying to install CS4. I've been using Photoshop since version 3, and the Creative Suites going back to the first one. This is the first time I've ever felt that quality assurance was completely ignored for the sake of meeting a self-imposed release schedule.

As I remarked in one of my earlier email exchanges with Adobe support, "I wish that every software Product Manager would study the reasons why Vista and Office 2007 have gotten such lukewarm receptions." I'm afraid the CS4 team didn't learn from Microsoft's mistakes.

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If i change the channel mode from 8bit to 32bit it looks just fine... but i cant edit anything..It will probably be an setting i've missed or something.. but i'm really stuck, i cant finish my pictures in photoshop!
 
Video drivers are up to date.
Mode =rgb color - 8bit

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Mar 28, 2005

I just got a freelance job cleaning/sharpening and generally making beautimous, about 100 deep sea photos...all was going according to plan, when I came upon a large group that, as soon as I brought the levels up, along came these horrific sprays of water spotting, that I have no idea how to deal with. I don't think there's a way to make it look real if I use a tool like the clone or bandaid, and I tried working in LAB mode, to see if there was any way I could make a difference with the gaussian blur, but that did nothing, and that may just have been hopefull. I can't remove the guys background, and I know there are some extra softwear programs that work with spotting etc. but in this case I can't see how they would work and still keep the picture sharp..?

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Feb 7, 2005

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See the image.

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