Premiere Pro :: How To Get Fast Exporting Times
Feb 15, 2014
i have recently brought a new computer (very powerful) for the things i want to do, as i am also posting this you can tell i make alot of videos as well.
Here are my computer specs:
intel core i7 quad core 3.70ghz
16gb beast ram 2400mhz
4gb amd radeon r9 290 graphics card
asus SSD writes @ 830mb/rs
At the moment i am exporting a video which is 1hour and 20 minutes long and have manged to get the export time down to 30-40minutes
I have always been trying to figuring out how to get faster exporting times for a long time now, is it dependant on the sequance settings as well?
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Mar 9, 2013
Since i updated PS (CS6) the last time it has this very strange behavior when i try to position a object via the Arrow Keys.When i hit a Button very fast (3 times) the object jumps back to its very first position where i started to move it.
When it is a new "feature" - where can i turn it off?
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Feb 16, 2014
I opened up a new project to edit and imported my raw video. When I dropped a clip onto the timeline and played it, it played as if I put in it fast forward (which I did not). This happened with all of my video clips and I even imported a video clip I recently edited, that did not do that when I originally edited it, but it also plays in fast forward.
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Mar 4, 2014
I am trying to render and export files after using the fast color corrector. After using this effect, some, but not all of my clips don't render and the following message pops up: ERROR COMPILING MOVIE.
I saw online that this happened to ther people too and it seems like it is a bug in CS6 itself. I need to do the color correction.
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Mar 17, 2014
My specs are
CPU: i7 4820k 4.4ghz
GPU: 4gb radeon r9 290 200 series
RAM: 16gb 2400MHZ
SSD: ASUS writes at 840/mbs
OS: Windows 8.1 64 bit
Using CS6
Taking like 15 mins to export a 374mb video
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Dec 20, 2013
I've had this problem since switching over to Premiere, and continue to have it since upgrading from CS6 to CC. I can't believe this is actually how Premiere is supposed to work. It's a global thing, not specific to a single project. But I'll use my current project as an example:
I have about 4 hours of media, mostly P2 Avc-Intra, with some R3D as well. Total number of media clips: around 2600.Every time I open the project, it takes a thoroughly horrific amount of time for the media to finish loading (as evidenced by the "Loaded" status message at the bottom of the screen, and the "Media Pending" screen display on still-pending clips). On this particular project, for example, it takes 12 minutes for the media to finish loading. It doesn't take many crashes or reboots per day before the re-loading process eats up a significant chunk of my billable hours.
I've tried having the media cache in the internal drive/Adobe/Common directory, and I've deleted that and set the media cache for the external Thunderbolt media RAID. Same results either way.
System specs: OS 10.7.5 iMac 2.7 GHz Core i5 20 GB RAM P Pro 7.1.0 (though, as I said, it has been like this in CS6 as well)RADEON 6770M
Hardware Mercury acceleration is not an option (grayed out), so that's turned off.Results are the same regardless of whether I have the RED Rocket card connected.
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Jun 18, 2009
I have this file with multiple layers of text.
I want to print the file with these layers selected individually, so that if I have two text layers "Cow" and "Dog", I get two similar images with different text.
How would i automate this? It would take a lot of work to select each layer and save the files individually.
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Nov 3, 2013
Exporting to Revel from organizer has failed several times.
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Jun 14, 2012
Or is there no fast forward or fast rewind in the timeline. Like double tapping the "L" key or something in other programs...
Editor of things...
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Jan 5, 2014
If I create a new title template and apply it 30 times inside a project and the client comes back and says they want a different font and color, is it possible to edit the title styles globally yet have the text content remain unchanged?
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Jan 8, 2014
In a project i'm working on I have two large jpegs with a small zoom scaling effect. Going from 100 to 103 percent.
I've noticed that both Adobe Media Encoder and Premiere Pro experience a heavy slow down in render time as soon as the jpegs have to be rendered. Not only does the render speed almost come to a halt, the complete system lags very heavy, even the mouse cursor won't respond well.
This happens when i have GPU acceleration enabled and when i do a 2 pass H264 encoding. When I have the GPU acceleration disabled the render goes very smooth, and doesn't seem to slow down...
The jpeg is 4023 x 2677, and 6,97 MB large.
Scaling the jpeg down to about 1920x1080 in Photoshop and put that one in the timeline made the render go a lot faster.
I understand that a large picture takes a bit more time to be rendered, but we're talking about a 10minute render whit the large jpeg file and a 2 minute render with the jpeg resized. The total time of the two jpegs in the video is 5 seconds in a 3 minutes video. So, that made me think that the render times are exponentially long.
Is this considered normal, I can't remember having such big differences in CS5.
My system:
Premiere Pro CC (latest)
i7 4930K
32 GB RAM
2xGTX480Footage and project on a Raid0 disk
Previews/Cache on a Raid0 diskSystem and Premiere on SSD
Render to a single 7200 rpm drive.
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Jan 9, 2014
How do I get a premiere CC project to a web-friendly viewing format?
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Mar 17, 2014
How can I export a video from Premiere Pro CC in .mov format suitable for posting on the Amazon bookselling site?
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Jan 18, 2014
I am on the final stages of finishing my first ever HD project, having made the jump Premiere Pro 2.0 to Premiere CS5. Mid-way thru I found it necessary to upgrade to Creative Cloud, so that is where I am working now. The HD world is so vastly different from the old SD flow that every single step of this project has been a huge learning curve for me. I am basically an 'oldie' but for all practical purposes I am a total 'newbie' at this. That said, I am now finding myself ready to export my project to DVD in a SD form with Stereo sound.
I am working with footage shot on the Red Epic. At my current stage I am working withh ProRes 444 renders from which I have created a full nested 74 minute timeline. Frame rate is 23.976 and the source is1920x1080 with 1.0 square pixels.
So now my movie is done, and it looks and sounds like I want it to. The question now, in a nutshell, is what file type and settings should I use to export my movie so that I can retain aspect ratio? Should I output a movie first or take the project into another program like encore first and make my disc from there?
Also, I have my first screening coming up (primarily for cast and crew and industry insiders) in a couple of weeks, so I need to create a 1080 HD File with my 5.1 surround track that I project from a laptop. The screening venue has the capability to do that via a simple HDMI cable hookup, but does the laptop I use need to have any special capabilities to do the job? And what is the best file type to use for that?
I have always been more of an artist than a tech head, but I am pretty much doing the whole post on this movie alone, with the exception of the Dissolve renders and the sound design, which I had done for me (I have a great finished 5.1 design in .wav format, as well as a stereo version).
I should also mention that I currently have Encore CS5. Can I work with this on a Premiere CC project?
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Jun 8, 2012
I can't believe there is not more demand for this. My web dev is asking me for over 300 video clips in both .web and .ogg - - AME does not do this.Any success with a 3rd party plug-in of some sort. I can use Fire fogg (from Firefox) but it's slow using over the web as opposed to exporting from Premiere.
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Mar 14, 2014
How do I exporting one frame as an image?
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Dec 12, 2013
i exported my video according to the tutorial here : URL....but now I dont know how to share the video, specifically email it.
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Mar 10, 2014
I am new to premiere CS5. I need to send the roughcut to the client for review before further work is done. How to export the project to create a quicktime video? How can I create different sized files?
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Nov 30, 2009
I have a Flash project I'm working on that is video with corresponding bulletpoints displayed next to it. While I've gotten it to work with embed cue points in the FLV file so that at certain times in the video the Flash movie goes to certain frames to display the relevant bullet points I haven't gotten it so that it can tell what the appropriate bullet point is if someone scrubs the video past the last cue point trigger. I found a process to do it using actionscript cue points instead of navigation cue points (via this guide: [URL], but it uses an external xml file for the cue points. My problem is that I can't figure out how to get that XML file without having to redo all the cue points manually. Is there someway to make Premiere Pro (CS3) export an xml file of the markers placed in my timeline instead of embedding them into the FLV file? Alternatively if there is a way I could extract them from the FLV file, that would be acceptible too.
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Feb 5, 2014
I have been attempting to export a video from both Premiere and Media encoder in the H.264 codec and it continually discards the final few seconds of black frames. I have tried placing black video there, but it doesn't make a difference.
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Mar 28, 2014
I'm trying to export my video game footage that I took. Which was captured in 60fps, 1920x1080, 48khz. I'm trying to export at h.264, 60fps, vbr 2 pass.
My concern is that when I increase the target bitrate the file size increases a lot. I left it at 10 atm and the estimated file size is at 1430MB. Now I've watched videos on YouTube, on Adobe Premiere export settings for gameplay footage and their file size is under 100MB with just about the same output settings as mine. I've tried exporting in Premiere but it just gets stuck at 0%, Adobe Media Encoder works but the estimated completion time is around 4 hours. When I watched those exporting videos it was almost instantly completed when he hit the export button. I could just wait 4 hours for every video I make but that's just not efficient. So I'm just curious on any solutions to my problem.
Could it be my computer specs? I mean I'm able to play games like Skyrim completely fine but it's not like I was recording a game such as that. I was recording an old Gamecube game for goodness sake.
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Feb 6, 2014
I'm working with the denoiser filter cleaning up some audio in an interview. In the timeline the audio sounds clean but on the export certain clips revert to their non-denoised state. It seems to happen with the same couple clips and I have tried unlinking and relinking the media, outputting audio only, outputting just pieces of the timeline and, of course, restarting my machine. There are lots of other clips in the timeline using the same filter and they sound fine
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Aug 5, 2013
When exporting a sequence from Premiere Pro CC, you are able to toggle between 4 drop down options within Adobe Media Encoder on what Source Range you'd like to export (Work Area, Sequence In/Out, Entire Sequence, Custom) as seen here:
Is there a way to set the default Source Range to something besides Sequence In/Out?
My reason for asking is that sometimes I export multiple sequences at once using AME's Queue. I add my custom presets to each Sequence and hit export, but SOMETIMES I may have accidentally marked an in point on my timeline and by default it's set to export only that In-to-Out part of the sequence.
I know what you may be thinking...well, just don't add any In/Out points to your sequence on the timeline or clear them first. The trouble is that I often don't see them or catch them when working quickly. In Premiere Pro CC, I use the "Lighter Brightness" Appearance setting because it's easier on my eyes after editing 10 hours a day, 6 days a week. Sure, darker looks cooler, but it kills my eyes for some reason. Anyway, PPro CC has a troublesome appearance issue in CC where it's not "optimized" for editing when you change it to a lighter appearance like it was in CS6. I've already contacted Adobe about this and another appearance issue (involving highlighted clips when in Lighter Appearance setting) and they are "actively working on fixing this appearance issue asap".
For reference, here's Premiere Pro CC in/out points in default dark appearance (notice the slightly lighter grey area):
Now here's that same in/out in "Lighter Appearance":
Not exactly optimized. Can hardly see it. This affects in/out points in the Source Window as well. Really hard to see.
Conversly, CS6 looked the best (the blue REALLY stands out making things easy to see):
is there a way to set the default "Source Range" to something else besides Sequence In/Out so that I don't end up doing what I just did and leaving for several hours while batch exporting only to come back and find that I exported only a "portion" of one of my big sequences?
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Feb 18, 2014
I'm having problems with progressive videos that look interlaced after exporting full size.The videos look fine within PP; when the same sequence is exported using You-Tube and Vimeo settings there is no interlacing.
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Oct 27, 2013
Okay getting completely irritated with these issues of overheating when I even just am rendering a video to get ready for export (and also on exporting)
I have tried setting power controls to the CPU to 80% but using SpeedFan I can see the CPU usage still spiking 90%-98% and heating just keeps rising and rising til shutdown.Idle CPU
-Rendering Usage in Balanced Power Settings
-Rendering Usage in High Power Settings
I really suck at understanding these things. But changing from Balanced to High Power didnt seem to affect the rendering times. But also the time was down at like 20-40 minutes before I started messing with the power controls now its at over 2 hours.
Finished a small render with success but it got pretty hot again and Norton pops up saying High CPU usage by PPro. 100% was hit quite a bit too
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Dec 9, 2013
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
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Feb 16, 2014
For the longest time if I ever tried to export or render a video longer than 5 minutes, my Premiere Pro or Media Encoder crashes. I don't know why but it is EXTREMELY irritating when attempting to make lengthened gaming videos. I have tried 15 different methods all online, to no avail. It always crashes around the 40% mark in Adobe Premiere and it isn't a corrupt project.
Technical Specifications:
OS NameMicrosoft Windows 7 Home PremiumVersion6.1.7601 Service Pack 1 Build 7601Other OS DescriptionNot AvailableOS ManufacturerMicrosoft CorporationSystem NameFRITZ-PCSystem ManufacturerMSISystem ModelMS-7821System Typex64-based PCProcessorIntel(R) Core(TM) i5-4670 CPU @ 3.40GHz, 3400 Mhz, 4 Core(s), 4 Logical Processor(s)BIOS Version/DateAmerican Megatrends Inc. V1.1, 5/3/2013SMBIOS Version2.7Windows DirectoryC:WindowsSystem DirectoryC:Windowssystem32Boot DeviceDeviceHarddiskVolume1LocaleUnited StatesHardware Abstraction LayerVersion = "6.1.7601.17514"User NameFritz-PCFritzTime ZoneEastern Standard TimeInstalled Physical Memory (RAM)8.00 GBTotal Physical Memory7.95 GBAvailable Physical Memory5.97 GBTotal Virtual Memory15.9 GBAvailable Virtual Memory12.4 GBPage File Space7.95 GBPage FileC:pagefile.sys
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Jan 14, 2014
I recently started to work with the Adobe suit so i am not yet used to the workflow. We are serval people working on the post production of a short movie filmed with a red SCARLET in raw which means that the files are pretty big. The audio where captured in serval tracks who all have been merged with the video clips. The clips have thereafter been cut and placed in its right place. So now it is my job to work with the sound design. I have tryd to export the audio in both AAF and OMF and every time i open it up in Audition it sais that the media is offline. On my computer all i have is the orgininal Audio files. Is there anyway to get only the audio (all the tracks) to Audition, without having them searching for the merged files. For example creating new Audio from the cutted tracks?
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Jan 18, 2014
Using Premiere Pro CS6, I'm trying to figure out why it's doing this:
I imported a video into a new sequence and made sure to match the sequence settings with the video's. I do some basic editing (not adding more video or anything like that) but when I choose to export media and have it match the sequence settings, the video appears to have the exact same attributes as the original video (minus my changes) except the file size is 2-5x larger.
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Feb 6, 2014
Basically I made an animation sequence on Autodesk Maya and rendered the sequence as 2000 jpeg images each representing 1 frame, put it in one folder and on Adobe Premiere imported and dragged the folder into the timeline to make a moving image so in other words my video is made up of hundreds of jpg images.
Now on the editor it all looks HD and fine but when I export it via file > export > media, in order to match the sequence to the screen I must click on 'match sequence settings' which will snap the whole movie into the window rather than have it widescreen and once I do this I can't modify anything else such as codec, etc (codec is automatically set as MPEG -Frame and the output automatically is mpeg), is this normal? Why is it mpeg ajnd not avi...
So once I export the video with these settings (image uploaded) the quality is ok but not as good as what I see in the Premeire editor, why? What can I do to improve the quality?
On the other hand if I don't click on match to sequence settings and personally customise the paramaters such as avi, I use max settings for many things but after exporting my picture quality actually goes worse compared tomatch to sequence settings? (which has less parameters)
Why is this happening, all my jpeg images are high quality 720p and I should just be able to export it as normal...
I am trying to make a cut-scene to get into Unity so the codec is important as well.
How can I make my video best quality as possible being mpeg or avi? What settings do I need to play with?
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Feb 26, 2014
I am having an issue exporting my sequence which contains final AIFF mix (24 bit 48 kHz) into a 'same-as-source' ProRes 422 file with 24 bit audio. I am specifically trying to export media with 'Match Sequence Settings' checked to create an identical output of what my sequence is. I wind up only creating a PR422 with 16 bit audio rather than 24 bit audio.
My sequence contains ProRes 422 media and 24 bit AIFF final stereo mix (1 audio file) from our Sound department.
My sequence is currently setup as "Custom" at 1920x1080, 23.976 fps, Square Pixels, Progressive, etc. Audio is 48 kHz (I don't see an option for choosing different bit rates in the 'Sequence Settings').
Using 'Match Sequence Settings', my options to alter the audio are "greyed out" and unavailable. I'm not sure why 'Match Sequence Settings' doesn't recognize that I am cutting with 24 bit audio and, instead, only exports 16 bit audio.
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