I have been attempting to export a video from both Premiere and Media encoder in the H.264 codec and it continually discards the final few seconds of black frames. I have tried placing black video there, but it doesn't make a difference.
View 6 RepliesSyncing in plural eyes is good with our pro res files, but when I try and sync with some mp3 files from a zoom h1 recorder it goes black at the bottom of the timeline and responds really buggy.
View 1 Replies View RelatedJust dipping my toe into Premier Pro, I have to stitch together 1000 pictures from a time lapse photo shoot. I can import and change the time for a batch of frames, but it leaves gaps between each frame. Is there a simple way to make all frame snap together?
View 5 Replies View RelatedI have a video shot on a webcam on 720 resolution and 15 frames per second. When I import it into premier I can't find a 720 setting at 15 frames.
View 10 Replies View RelatedEdited my footage in a sequence in normal size.
I wanted to make it widescreen, so I made a new sequence in 1920x810.
I then copy pasted my edit into the new sequence and started rendering.
The render window kept adding frames to render, and the percentage jumps and very slowly adds 0.1% into the progress.
I tried choosing a smaller amount to render, same problem still persists.
Why does it now want to render normally? Why does it add frames to render all the time?
I've recently started using Premiere Pro CC on Win7 and noticed that when I apply color changes via Fast Color Corrector (or others) that some video frames don't get the correction. It's an odd thing that I don't see in Final Cut Pro X which I use on a slower Mac. No errors or any other inconsistencies appear and sometimes it's 1 - 2 uncorrected frames scattered here and there or it may be more or larger groups. I suspect it may be some simple setting that I've missed but can't seem to find it. Here's an example. [URL]...
Windows 7 Pro
32 gig RAM
250GB SSD
I have just started using the multicam since upgrading to 7.1. Apparently I have got a 2 hour sequence with only two cameras all HDV footage. After about an hour of my live cuts, I started noticing slight freeze of about a second or so when I cut to a camera. I tried this with the mouse and the keyboard and still the same.
I am running Windows 7 Pro 64 bit,
HP XW6600
Dual Xeon 5450 @ 3Ghz
GTX 570
16GB RAM
may have accidentally set Premiere Pro so that every out point I set, it advances 5 frames ahead, making it very frustrating to make cuts at precise points. There is now a dashed orange line next to the cursor. I can't find the setting to disable this.
Here is an example of what it looks like in the timeline:
i have cc 7.2.1, and every basic operation i do on the timeline , moving clips, trimiming, scrubing on the timeline everything lags, its not fluid. When i do a simple scrubring on the timeline, the CTI takes sometime to get to the position i selected to do the playback.
But the worst part is the trimming or moving clips, it takes ages before i get an image on the program monitor. If i move a clip into a middle of 2 clips it takes ages to see those two little privews images with timecode, to see where to put it. So is very hard to edit like this.
Another odd thing is when in redering mode i select to use sofware only i dont have drop frames, when i chose cuda i have drop frames!!
I´m editing h254 from a 5d and 7d on externa llaccie usb 3 , have the a macbookpro 16g i7, iris pro and nvidia 750m, and a external samsung, via DVI.
How do I get a premiere CC project to a web-friendly viewing format?
View 6 Replies View RelatedHow can I export a video from Premiere Pro CC in .mov format suitable for posting on the Amazon bookselling site?
View 2 Replies View RelatedI am on the final stages of finishing my first ever HD project, having made the jump Premiere Pro 2.0 to Premiere CS5. Mid-way thru I found it necessary to upgrade to Creative Cloud, so that is where I am working now. The HD world is so vastly different from the old SD flow that every single step of this project has been a huge learning curve for me. I am basically an 'oldie' but for all practical purposes I am a total 'newbie' at this. That said, I am now finding myself ready to export my project to DVD in a SD form with Stereo sound.
I am working with footage shot on the Red Epic. At my current stage I am working withh ProRes 444 renders from which I have created a full nested 74 minute timeline. Frame rate is 23.976 and the source is1920x1080 with 1.0 square pixels.
So now my movie is done, and it looks and sounds like I want it to. The question now, in a nutshell, is what file type and settings should I use to export my movie so that I can retain aspect ratio? Should I output a movie first or take the project into another program like encore first and make my disc from there?
Also, I have my first screening coming up (primarily for cast and crew and industry insiders) in a couple of weeks, so I need to create a 1080 HD File with my 5.1 surround track that I project from a laptop. The screening venue has the capability to do that via a simple HDMI cable hookup, but does the laptop I use need to have any special capabilities to do the job? And what is the best file type to use for that?
I have always been more of an artist than a tech head, but I am pretty much doing the whole post on this movie alone, with the exception of the Dissolve renders and the sound design, which I had done for me (I have a great finished 5.1 design in .wav format, as well as a stereo version).
I should also mention that I currently have Encore CS5. Can I work with this on a Premiere CC project?
I can't believe there is not more demand for this. My web dev is asking me for over 300 video clips in both .web and .ogg - - AME does not do this.Any success with a 3rd party plug-in of some sort. I can use Fire fogg (from Firefox) but it's slow using over the web as opposed to exporting from Premiere.
View 32 Replies View Relatedi have recently brought a new computer (very powerful) for the things i want to do, as i am also posting this you can tell i make alot of videos as well.
Here are my computer specs:
intel core i7 quad core 3.70ghz
16gb beast ram 2400mhz
4gb amd radeon r9 290 graphics card
asus SSD writes @ 830mb/rs
At the moment i am exporting a video which is 1hour and 20 minutes long and have manged to get the export time down to 30-40minutes
I have always been trying to figuring out how to get faster exporting times for a long time now, is it dependant on the sequance settings as well?
How do I exporting one frame as an image?
View 1 Replies View Relatedi exported my video according to the tutorial here : URL....but now I dont know how to share the video, specifically email it.
View 1 Replies View RelatedI am new to premiere CS5. I need to send the roughcut to the client for review before further work is done. How to export the project to create a quicktime video? How can I create different sized files?
View 1 Replies View RelatedI have a Flash project I'm working on that is video with corresponding bulletpoints displayed next to it. While I've gotten it to work with embed cue points in the FLV file so that at certain times in the video the Flash movie goes to certain frames to display the relevant bullet points I haven't gotten it so that it can tell what the appropriate bullet point is if someone scrubs the video past the last cue point trigger. I found a process to do it using actionscript cue points instead of navigation cue points (via this guide: [URL], but it uses an external xml file for the cue points. My problem is that I can't figure out how to get that XML file without having to redo all the cue points manually. Is there someway to make Premiere Pro (CS3) export an xml file of the markers placed in my timeline instead of embedding them into the FLV file? Alternatively if there is a way I could extract them from the FLV file, that would be acceptible too.
View 3 Replies View RelatedI'm trying to export my video game footage that I took. Which was captured in 60fps, 1920x1080, 48khz. I'm trying to export at h.264, 60fps, vbr 2 pass.
My concern is that when I increase the target bitrate the file size increases a lot. I left it at 10 atm and the estimated file size is at 1430MB. Now I've watched videos on YouTube, on Adobe Premiere export settings for gameplay footage and their file size is under 100MB with just about the same output settings as mine. I've tried exporting in Premiere but it just gets stuck at 0%, Adobe Media Encoder works but the estimated completion time is around 4 hours. When I watched those exporting videos it was almost instantly completed when he hit the export button. I could just wait 4 hours for every video I make but that's just not efficient. So I'm just curious on any solutions to my problem.
Could it be my computer specs? I mean I'm able to play games like Skyrim completely fine but it's not like I was recording a game such as that. I was recording an old Gamecube game for goodness sake.
I'm working with the denoiser filter cleaning up some audio in an interview. In the timeline the audio sounds clean but on the export certain clips revert to their non-denoised state. It seems to happen with the same couple clips and I have tried unlinking and relinking the media, outputting audio only, outputting just pieces of the timeline and, of course, restarting my machine. There are lots of other clips in the timeline using the same filter and they sound fine
View 1 Replies View RelatedWhen exporting a sequence from Premiere Pro CC, you are able to toggle between 4 drop down options within Adobe Media Encoder on what Source Range you'd like to export (Work Area, Sequence In/Out, Entire Sequence, Custom) as seen here:
Is there a way to set the default Source Range to something besides Sequence In/Out?
My reason for asking is that sometimes I export multiple sequences at once using AME's Queue. I add my custom presets to each Sequence and hit export, but SOMETIMES I may have accidentally marked an in point on my timeline and by default it's set to export only that In-to-Out part of the sequence.
I know what you may be thinking...well, just don't add any In/Out points to your sequence on the timeline or clear them first. The trouble is that I often don't see them or catch them when working quickly. In Premiere Pro CC, I use the "Lighter Brightness" Appearance setting because it's easier on my eyes after editing 10 hours a day, 6 days a week. Sure, darker looks cooler, but it kills my eyes for some reason. Anyway, PPro CC has a troublesome appearance issue in CC where it's not "optimized" for editing when you change it to a lighter appearance like it was in CS6. I've already contacted Adobe about this and another appearance issue (involving highlighted clips when in Lighter Appearance setting) and they are "actively working on fixing this appearance issue asap".
For reference, here's Premiere Pro CC in/out points in default dark appearance (notice the slightly lighter grey area):
Now here's that same in/out in "Lighter Appearance":
Not exactly optimized. Can hardly see it. This affects in/out points in the Source Window as well. Really hard to see.
Conversly, CS6 looked the best (the blue REALLY stands out making things easy to see):
is there a way to set the default "Source Range" to something else besides Sequence In/Out so that I don't end up doing what I just did and leaving for several hours while batch exporting only to come back and find that I exported only a "portion" of one of my big sequences?
I'm having problems with progressive videos that look interlaced after exporting full size.The videos look fine within PP; when the same sequence is exported using You-Tube and Vimeo settings there is no interlacing.
View 6 Replies View RelatedOkay getting completely irritated with these issues of overheating when I even just am rendering a video to get ready for export (and also on exporting)
I have tried setting power controls to the CPU to 80% but using SpeedFan I can see the CPU usage still spiking 90%-98% and heating just keeps rising and rising til shutdown.Idle CPU
-Rendering Usage in Balanced Power Settings
-Rendering Usage in High Power Settings
I really suck at understanding these things. But changing from Balanced to High Power didnt seem to affect the rendering times. But also the time was down at like 20-40 minutes before I started messing with the power controls now its at over 2 hours.
Finished a small render with success but it got pretty hot again and Norton pops up saying High CPU usage by PPro. 100% was hit quite a bit too
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
View 1 Replies View RelatedFor the longest time if I ever tried to export or render a video longer than 5 minutes, my Premiere Pro or Media Encoder crashes. I don't know why but it is EXTREMELY irritating when attempting to make lengthened gaming videos. I have tried 15 different methods all online, to no avail. It always crashes around the 40% mark in Adobe Premiere and it isn't a corrupt project.
Technical Specifications:
OS NameMicrosoft Windows 7 Home PremiumVersion6.1.7601 Service Pack 1 Build 7601Other OS DescriptionNot AvailableOS ManufacturerMicrosoft CorporationSystem NameFRITZ-PCSystem ManufacturerMSISystem ModelMS-7821System Typex64-based PCProcessorIntel(R) Core(TM) i5-4670 CPU @ 3.40GHz, 3400 Mhz, 4 Core(s), 4 Logical Processor(s)BIOS Version/DateAmerican Megatrends Inc. V1.1, 5/3/2013SMBIOS Version2.7Windows DirectoryC:WindowsSystem DirectoryC:Windowssystem32Boot DeviceDeviceHarddiskVolume1LocaleUnited StatesHardware Abstraction LayerVersion = "6.1.7601.17514"User NameFritz-PCFritzTime ZoneEastern Standard TimeInstalled Physical Memory (RAM)8.00 GBTotal Physical Memory7.95 GBAvailable Physical Memory5.97 GBTotal Virtual Memory15.9 GBAvailable Virtual Memory12.4 GBPage File Space7.95 GBPage FileC:pagefile.sys
I recently started to work with the Adobe suit so i am not yet used to the workflow. We are serval people working on the post production of a short movie filmed with a red SCARLET in raw which means that the files are pretty big. The audio where captured in serval tracks who all have been merged with the video clips. The clips have thereafter been cut and placed in its right place. So now it is my job to work with the sound design. I have tryd to export the audio in both AAF and OMF and every time i open it up in Audition it sais that the media is offline. On my computer all i have is the orgininal Audio files. Is there anyway to get only the audio (all the tracks) to Audition, without having them searching for the merged files. For example creating new Audio from the cutted tracks?
View 1 Replies View RelatedUsing Premiere Pro CS6, I'm trying to figure out why it's doing this:
I imported a video into a new sequence and made sure to match the sequence settings with the video's. I do some basic editing (not adding more video or anything like that) but when I choose to export media and have it match the sequence settings, the video appears to have the exact same attributes as the original video (minus my changes) except the file size is 2-5x larger.
Basically I made an animation sequence on Autodesk Maya and rendered the sequence as 2000 jpeg images each representing 1 frame, put it in one folder and on Adobe Premiere imported and dragged the folder into the timeline to make a moving image so in other words my video is made up of hundreds of jpg images.
Now on the editor it all looks HD and fine but when I export it via file > export > media, in order to match the sequence to the screen I must click on 'match sequence settings' which will snap the whole movie into the window rather than have it widescreen and once I do this I can't modify anything else such as codec, etc (codec is automatically set as MPEG -Frame and the output automatically is mpeg), is this normal? Why is it mpeg ajnd not avi...
So once I export the video with these settings (image uploaded) the quality is ok but not as good as what I see in the Premeire editor, why? What can I do to improve the quality?
On the other hand if I don't click on match to sequence settings and personally customise the paramaters such as avi, I use max settings for many things but after exporting my picture quality actually goes worse compared tomatch to sequence settings? (which has less parameters)
Why is this happening, all my jpeg images are high quality 720p and I should just be able to export it as normal...
I am trying to make a cut-scene to get into Unity so the codec is important as well.
How can I make my video best quality as possible being mpeg or avi? What settings do I need to play with?
I am having an issue exporting my sequence which contains final AIFF mix (24 bit 48 kHz) into a 'same-as-source' ProRes 422 file with 24 bit audio. I am specifically trying to export media with 'Match Sequence Settings' checked to create an identical output of what my sequence is. I wind up only creating a PR422 with 16 bit audio rather than 24 bit audio.
My sequence contains ProRes 422 media and 24 bit AIFF final stereo mix (1 audio file) from our Sound department.
My sequence is currently setup as "Custom" at 1920x1080, 23.976 fps, Square Pixels, Progressive, etc. Audio is 48 kHz (I don't see an option for choosing different bit rates in the 'Sequence Settings').
Using 'Match Sequence Settings', my options to alter the audio are "greyed out" and unavailable. I'm not sure why 'Match Sequence Settings' doesn't recognize that I am cutting with 24 bit audio and, instead, only exports 16 bit audio.
I have created 3 different sequences, and placed a clip into each one. I went into #s 1 and 2, and added a dip to black transition to the end of the clip in each. When I went to #3, I was unable to add the dip to the clip in there. Dragging the transition to the clip on the timeline gave me a had with a circle + slash. Double clicking the transition wit hteh clip selected did nothing. The layer is not locked.
View 5 Replies View RelatedI just got a gig editing on adobe premiere pro cc, I downloaded the trial and started to figure out the software- Im using the muticam function cause the project was shot like that. so I edit and go to esport a short intro to the client and blammo a bunch of my work is gone and been replaced by the same first clip over and over. - is this a bug in the trial? i was given 7.0.0 for the download?
View 1 Replies View Related