Premiere Pro :: Exporting Merged Audio Tracks To Audition?
Jan 14, 2014
I recently started to work with the Adobe suit so i am not yet used to the workflow. We are serval people working on the post production of a short movie filmed with a red SCARLET in raw which means that the files are pretty big. The audio where captured in serval tracks who all have been merged with the video clips. The clips have thereafter been cut and placed in its right place. So now it is my job to work with the sound design. I have tryd to export the audio in both AAF and OMF and every time i open it up in Audition it sais that the media is offline. On my computer all i have is the orgininal Audio files. Is there anyway to get only the audio (all the tracks) to Audition, without having them searching for the merged files. For example creating new Audio from the cutted tracks?
So the option to add Adding Video/Audio Tracks to Timeline are "grey'd out" and what's even more strange is that they don't even have the one or two tracks that are usually in the timeline when you open new project.
I'm having trouble figuring out how to edit multiple audio tracks. I put the clip on the timeline and I can hear both tracks but there is only one audio track showing. How do I seperate the tracks?
One track is from a rhodes external mic with phantom power using XLR. The other is from a powered lavalier mic attached by XLR. Is there something I have to do in project set up?
I can edit a video, with resynced sound/dialogue in premiere cc. When I save and close the project, everything is okay. When I later reopen the project all or most of the audio tracks are blank. They are there with the right name and length, but no waveform and no sound. I have put them in manually resynced and then on save and close: again they are gone. So there really is no point in editing if I can`t save the result. How can i restore my edits and also why do I have to do so? I have now redone every scene 5 times and I need a solution asap. Autosave keeps the same useless projects.
on Mac Pro, 10Gb Ram, premiere cc.
I tried the pluraleyes extension (as I was using pluraleyes) but this makes no difference.
We are recording in two languages, one in left and the other in right channel. However, in Adobe Premiere Pro we are not able to split the track when we take up for rought cut. Both the tracks are found mixed. Since we need to maintian the split track to dubb into other languages.
In Adobe Prem Pro, I'm finishing a short film. All, of a sudden I am bringing over one last clip, and I can't get an audio track. So, if I select a clip and drag it over, only the video shows up.
My video clip, brought over into Premiere CS6 from Final Cut Pro 5, has the usual left and right audio tracks, but in Premiere they are not linked into a stereo pair. Thus the volume level has to be adjusted separately in each track.
In Final Cut, I can quickly convert two independent audio tracks into a stero pair by selecting the tracks and then going to the menu Modify > Stereo Pair. I can't figure out how to do this in Premiere.
When two audio tracks are not linked, the volume level has to be adjusted separately in each track, which wastes time. But after two tracks are linked into a Stereo Pair in Final Cut, adjusting either track adjusts them both, together. That's what I want to do now in Premiere.
So, how do I make two separate audio tracks into a linked Stereo Pair in Premiere?
I am new to working with bigger projects in Premiere, I moved from FCP last year. I am currently editing a show which is based of Line recorded cameras.
I have 6 Tracks of video, plus mulitple audio tracks and 2 hrs long
My problem. Having made and lifted my selects in the timeline I now am finding the timeline to be very unresponsive to the point of pinwheeling even just to open the sequence. I can't zoom, move or edit anything in this timeline without a pinwheel and a 30 second delay. None of my other sequences are having this issue. All are the same codec.
Is there a way to set up larger sequences so that this does not happen? I find premiere 7.1 is fine until I build bigger sequences/projects. My inital thought was drive speed, however the issues only arose when I had lifted all the selects.
Could it be that I have too many tracks of video for premiere to handle? I have no problem playing the timeline (although it will initally pinwheel) its mainly navigation/clip selction along the timeline which causes an issue
I tried multicam also but that had too many issues
I work on a 2012 Mac Pro 2.4 Ghz 12-cores with 12 GB ram 9 of which is allocated to premiere. I also have my working caches on a dedicated single 3.5" 7200 rpm drive 1gb graphics card.
I'm working with the denoiser filter cleaning up some audio in an interview. In the timeline the audio sounds clean but on the export certain clips revert to their non-denoised state. It seems to happen with the same couple clips and I have tried unlinking and relinking the media, outputting audio only, outputting just pieces of the timeline and, of course, restarting my machine. There are lots of other clips in the timeline using the same filter and they sound fine
I'm exporting DSLR footage with synced audio in order to "bake" the audio in. I'm going to bring the export into Prelude to organize and then back into Premiere to edit. What are the best export settings (including target and maximum bitrate) to maintain top quality footage that I'll continue editing?
I am having an issue exporting my sequence which contains final AIFF mix (24 bit 48 kHz) into a 'same-as-source' ProRes 422 file with 24 bit audio. I am specifically trying to export media with 'Match Sequence Settings' checked to create an identical output of what my sequence is. I wind up only creating a PR422 with 16 bit audio rather than 24 bit audio.
My sequence contains ProRes 422 media and 24 bit AIFF final stereo mix (1 audio file) from our Sound department.
My sequence is currently setup as "Custom" at 1920x1080, 23.976 fps, Square Pixels, Progressive, etc. Audio is 48 kHz (I don't see an option for choosing different bit rates in the 'Sequence Settings').
Using 'Match Sequence Settings', my options to alter the audio are "greyed out" and unavailable. I'm not sure why 'Match Sequence Settings' doesn't recognize that I am cutting with 24 bit audio and, instead, only exports 16 bit audio.
In Premiere, you have a clip which was edited via "Edit clip in Adobe Audition".Premiere never changes the original clip, it creates a separate audio file which Premiere uses.You later reopen the project in order to restore that clip to the original.There does not appear to be a "restore original audio" menu item for the clip.How do you restore the clip audio to the original?
when I right-click on the soundtrack and select 'edit in audition' it does the 'render and replace', but does not open Audition. Even when I open Audition first, it will not place the sound track in the Audition software.
This happens every time i send a file (dynamic link) to Audition and back. It screeches for about a second, and it's absolutely above threashold hearing. It does this everytime I round trip a file.
How many lousy noise issues is adobe going to have? I had studio headphones on this morning and the noise was well above threashold. I've never had an issue like this in ANY other software in my 12 years as an editor. Can't there be some safety feature to protect users hearing? I hear nothing but ringing right now, and I certainly am done editing for the day.
I am wondering if there is another method to control volume levels on the audio and voice over tracks. I am thinking particularly about a method to easily (automatically) reduce the volume of the background music when a voiceover starts and raising it again after the voiceover is finished.
I find the existing process of capturing a volume node fiddly and, for me, a bit hit and miss.
Is there a way to add an additional audio track to either the music track or voice tracks? In other words, instead of one voice track and one music track is there a way to add a third track? I have many sound effects and music and there are parts of my project that need more than two audio tracks.
I have been using VS since version 9 and I seem to get the same thing on each version. After I have completed the project and burn to DVD the audio track seems too loud. I don't seem to notice it playing back the file (computer speakers aren't much chop) but once in the DVD player you always have to quickly turn down the volume once it starts playing. There is no static or distortion its just too loud. I now go into every song I input on the audo track and lower the levels. And it only appears to be the music. Audio in the video clips comes out at normal levels and does not need adjusting. If anything I have to boost the video clip audio because it's too low. The songs I import are directly from CD's or MP3's from my music folder.
Its not a real problem as I can fix by constantly lowering each song but is there a way to set the preference to lower the output on the audio tracks? That is to see the level automatically set below the 0 line when music is added. Or is it something in the burn proceedure in MF7?
I am editing in the timeline in Smoke 2013. I bring in a music track onto track 4. I bring in a interview clip on track 1. Only one or the other will playback and not together at the same time. I also notice on the audio tracks patch area a small square that when you place the cursor over and drag left or right I assume channels are being selected. What is this square box for and how do I get all my audio tracks to playback together?
I am using Panasonic P2 footage at 1920 x 1080. 29.97 NDF. I have brought them in through the media hub and created folders that correspond to each P2 card I stored on my Video Array. I am using a ProAvio Video Box with a RocketRAID 644 controller. What gives? Why am I not able to hear all the audio tracks during playback?
I have a video file, I have an audio file. Video is loaded in the video track, audio in the Voice track.
HOW in the ... do I sync them? I have the mixer on, I can see the wav graphics, I can see where I want them to line up but either the Video track must slide forward ( and it won't, it's locked on 0 ) or the audio track must slide backward (but it won't slide below 0 start) I've tried splitting, clipping... I can't get it cut just right. All I want is time frame 0 for the video to start at positive time frame within the audio.
I would like to add a music file on one track, sound effects like bells, dramatic drums on another. Is this something that I can do with VSP x3? If so where can I find out how it is done? If not is there a way for me to say put special sound effects in back of the main music clip in different places in the timeline?
Any way of locking all the audio tracks at once. I am using Smoke 2013 on Mac with Smoke Classic Keys Set up, I can lock all the video tracks at once by shift-clicking on the Lock icon of any video track, the same doesn't seem to apply to audio track...
Have reinstalled Premiere Pro 6.0.5 because I cannot drag Audio Transitions or Effects to any Timeline sequences in my Projects. Have tried modifier keys, but to no avail.
I just downloaded the trial version of this software (Video Studio X5 Pro) to try it before I buy it. I am importing RAW and AVI footage capture from a program called DXtory. I am recording those videos with three audio tracks, one track covers the sound of the video game being played, one track covers my microphone input, and the last track covers the sound that comes through my teamspeak server.
When I import a video into Corel am I able to separately edit each audio track? IE change the volume of one input but not the other?
In Smoke 2012 attempting to select two audio tracks for merging and/or splitting results in the message "two layers must be fully selected". I have the two layers are selected in the far left-hand-side of the timeline with the selection buttons. The manual is not specific either.
Conversely, selecting a stereo audio track and applying stereo 'stereo split' results in the message "At least one stereo track needs to be selected". Selection was performed, as above, with the far left-hand-side track selection box.
The point is that creating a 'new sequence' results in a single video track. When two mono audio tracks are created to accomodate the audio portion of the clips they have to be converted to stereo.
I'm trying to get back into making youtube videos and I am running into an issue. I have an Hauppauge HD PVR 2 gaming edition. Now one of the features that makes it easier for commentators like me is the ability to have all of the audio channels [game, mic, PC (aka skype chat)] all on seperate "layers" that way you can go into your video/audio editor and have the different audios so you can tweak them individually.
The problem that I have and wondering about is this, is there a way to import the files and have the different audio tracks be seperate? The files that they come in are either .ts [raw] or .mp4 [in program compression]. I would like to keep it in .ts even though its a bigger file as I like my compression style after I've edited that gives the best look without loss when uploading to youtube.
I have see the free program at any-video-converter.com mentioned, but the issue is last time I used it I somehow ended up with a virus. I also have handbrake, the Master collection cs 5.5, and VLC.
Operating System: Windows 7 Software Version: 10.5.0.253 Device: HD PVR 2 gaming edition
I'm trying to get my source audio to patch to tracks 3 and 4 in my record timeline. It looks like I should be able to drag on the source clips patch to change it from A1.L and A1.R to A2.L/A2.R.
I can see the chosen video on the right side but I cannot see the previews of the other tracks or switch from one to the other. This project was working just fine and I didn't change any settings when it decided not to work. I just hopped over to make some adjustments to another timeline and then when I jumped back over to the master with the multicam nested inside it decided to stop giving me previews and prevents me from switching camera angles.
This shows my multicam monitor:
And this shows the timeline that contains all the tracks for the multicam:
I have multicam editing enabled on the multicam sequence with the above tracks nested inside.
