Photoshop :: Color Doesn't Match Other CS Applications
Dec 5, 2012
My color settings are synchronized across all CS applications. I'm trying to see document both as a soft proof and not. Neither mode improves the color differences I'm seeing on screen. Photoshop displays color TOTALLY differently from all other CS applications: Bridge, InDesign, Illustrator & Acrobat.
In the image below, Indesign is on the left. Photoshop is on the right. Image appears in Bridge, Acrobat and Illustrator just like InDesign.
Anything edited in photoshop appears different when viewed in another application. For example, I edit a photo in CS3, and then view it in Firefox - it is muted, the colors are drab examples of the bright hues displayed in Photoshop. If I bring anything done in photoshop into The Gimp, Polyview, or anything else I can think of, they all look identical in those other apps, they only appear different when compared against what an image looks like in Photoshop. I first noticed when uploading an image to Flickr, it looked great in Photoshop, and dramatically drab when uploaded. I then started doing some investigative work and discovered the system wide behavior. I'm a little stumped. Similarly, anything created in Gimp brought into CS3 looks different, it appears darker in CS3.
I made a simple panel in photoshop and used the #number for the color selected to fill one side of the panel in my CSS code. When the page is rendered there's a very slight difference between the panel and the background which I expect to be exactly the same.
I have loadad some lisp applications in Tools-Load applications. And when i reopen acad it doesn't show any of these lisp files loaded. What seems to be the problem
Trouble with PS5 and LR4... when I go to "edit in Photoshop" from Lr... it opens and doesn't match the image in LR (colors)... same goes when saving edited image back to LR... also, when Saving from PS to desktop, it looks terrible unless I "Save for internet" ... how can I get this to all match?
i've checked my monitor screen-up...everything is set to "standard". adjust Ps-CS6 image...it looks swell. print the bad-boy on my Epson NX430...and the image looks dark. or like mud. or too bright.
how can i get the printer, monitor, and Ps-CS6 to be on the same page, colorwise?
I'm trying to cut out a selection using Quick Select (all refine edge settings off) and then paste into a new layer. However, I can't get a 100% pixel perfect alignment once I paste. Cut/Paste using the rectangle select does match 100%. The quick select tool should allow for 100% pixel perfect alignment, correct?
Under Save as, extension does not match format chosen (ie, if I choose JPG, it gives my file a IIF extension. I have to choose JPEG 2000 to get JPG, all are off by one position)
I am working on a motion graphic, it contains a background a camrea and a couple 3d layers, when a I render it it a 2 of the 3d layers shake randomly. This does not happen in the preview. Using CS4
When I import a particuar video clip into premier, there is a problem with the audio. It plays absolutely fine until 9 minutes through when all of a sudden the audio loops back to the beginning. The video carrys on as normal untill the end of the clip but the audio starts from scratch. I have tried removing the video, renaming, moving location, starting a new project, but no matter when or how I play the video the audio starts again 9 mins through! The video plays fine in any media player except premier. I have tried exporting the video but unfortunately the audio error also gets exported. The clip is crucial to a video I'm making and can't be re-shot!
Some of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
I'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
I have something like 1,850 photos, taken in RAW and later converted to DNG, to create a stop motion. All the photos were taken with the same camera (Canon 5D Mk II) and most of them with a 24-70L. All were taken in the same lighting conditions (in an interior, with the house lighting from flourescent lights) and the same day, in a period of maybe 2 or 3 hours. Each "take" was with the exact same camera and exposure parameters.
When processing the photos in Lightroom (using the LR4 beta) I can see some minor but very noticeable differences between color an exposure in the photos of the same "take". The exposure can be more or less automatically corrected by the Matching total exposures (although I think this doesn't work when the exposures are really similar, but there are some subtle differences like in this case, say, something along ~1/5 stop or so), but I haven't found how to try to match the white balance. All of the photos have already been set to a specific WB (I took a ColorChecker Passport at the beginning of the session), but there are still some differences between some of the shots. Some of them look a tad more greener. I blame the flourescent bulbs, but I'm not sure of the real cause.
So, the question is: is there a way to match the color balance of a series of photos to a target one? I really don't want to go photo by photo setting the white balance manually. Is there a tool like the Match total exposures, but for color balance? I have already tried with the automatic white balance, but the problem is that the decided WB for the photos is not the one I need, and I need to have the same WB for all the session, and this could change from different takes. The difference between shots is usually around 4 or 5 "points" in the Tint scale, some are with Tint +11, some with +15.
Or any other tool that could process this after? At the end I'll use JPGs to create the stop motion, so if there is a tool that could process the exported jpgs it could work too.
I am using Inventor Professional 2013 what im trying to do is create a flat pattern so I can send out to get formed. I need the panel to be 7.75" Width 53.50" Height and 2" Depth. When I click unfold where the 45deg is, it doesnt match up with the bend. Im not sure if its supose to be like that or what lines i need to keep to get the correct mesurments.
I'm trying to plan an access road which must run at least 2.5m away from an existing fenceline. I've put a few parallel road lines in at 3m distance, but at the fence bends I decided to put some circles at the bend points to give me a 3m radius. When I did this I was suprised to find that the circle extends further than my access road. I've dimensioned them both up, CAD is telling me they're both 3m away but they're clearly not at the same distance.
It's my first time using SSA, and I had finally created a network and storm that I thought was working properly (using TR-20 routing with an SCS II storm), until I took a closer look at the profile outputs - and noticed that the graphed Max HGL line does not match the Max HGL listed in the table below. The difference was 856.2 on the graph and 858.01 on the table at one my structures, for example.
The ability to import pipe networks is nice in SSA, but if the output data is always this wacky I may have to go give up on SSA and go back to using Hydrocad.
I've been rendering lossless files in after effects for a year now without any problems. Now all of a sudden when I render .mov files, the playback is frayed and jumpy... audio doesn't match, etc. I've tried rendering lower then upper fields and vise versa, and both at once. nothing works.
Here's the screen shot. If I ignore the preview, and set with the print area tool, I get what's in the print area tool. Something is amiss in the land of tiling settings, but I can't get to whatever setting is messing this up.
Been messing around with photoshop now for a little bit, but I can't seem to find the correct adjustments, or filters to get anywhere near as the desktop in "40910".
My customer is having trouble with the part list feature inside the Inventor 2D drawing.
For example, He has a car assembly file with 4 wheels and alot more subassemblies, then he creates a view representation which only visible for 1 wheel.
When he generates the part list in Inventor 2D drawing, he go to part list >filter setting and set to ‘’Assembly view representation’’ but the quantity for the part list is still showing as 4 as per attachment.
change the value manually inside the part list table?
I have a sheet that has several alignments data referenced and labels applied. Recently some of the alignments changed (slightly extended), I checked the sheet and all of the labels have auto updated. Everything looks good. A Print Preview looks good.
When create the print (to pdf), the alignments that changed and all the labels do not show up. Nothing changed with layers, styles, etc. I tried Synchronize and Refresh from Prospector. I can create another Data Ref but don't want to go thru all the labeling again.
Preview and pdf attached.
C3D 2012 C3D 2012 sp1 W7Pro 64bit HP Z400 Workstation 16 GB RAM Intel Xeon CPU W3565@3.20GHz NVIDIA Quadro 4000
Trying to create a dynamic block that will multiply the number of neutral and ground blocks as it's stretched.
My power terminal strips can contain 1 to unknown number of circuit breakers, and each circuit breaker requires a neutral and a ground block.
All the similar items in a stip are grouped together, all the circuit breakers, then the neutrals than the grounds.
So depending on how many circuit breakers I have I'll need the same number of neutrals and grounds, but grouped together.
In the attached block I added the stretch action to move the end cover and end stop of the strip down, but don't know how array/space/stretch the neutrals and grounds so they're grouped together.
The ciruict breakers aren't shown as they can be from different manufacturers and therefore different widths.
Tried attaching my block file but get this error message:
"The contents of the attachment doesn't match its file type."
I have CS6, Epson 3880 printer. Both monitor and printer have been calibrated. When viewing a pic that I wish to print, I go to view, proof setup and chose printer and paper, preserved RGB box is check. This gives me a proof, which is very accurate to what is actually printed. Here's my problem: There is a color change when viewing the pic in proof print mode, which is what in fact, gets printed. Most of the color change involves alteration in red. A red bowl is changed to a brownish read bowl for example. I have been unsuccessful in trying to match the proof to the original color scheme. I've played with hue, color mixing, all to no avail. Is there an easy way to match colors original pic and proof/print?
whats the best/easiest and effective way to paint or adujst the color so that the blue of the car is also the color of the front end? Basically I want to make the whole car blue.
i want to save the palette and use it with another picture to have the same color-palette on two different images.
The "match color" tool comes close to the result i want to have...but it works with the contrast too and adds colors that i don't want..I JUST want to work with the available colors... simply extract a color palette from an image and use it with a second one to get them match...(without adding something)
I found some tools to do this with 256 color images but I want to to this with my 8bit or 16bit files from my camera.
I think it's a simple answer but I can't find it....I hope someone can help me....
I used a web hex code to match up a color in a logo. (8700ff). However, now that i am in the process of designing its seems that my PS hex values are not the same as web hex values. Is there a setting that i need to get into to make these match?
Look at the words '' SILVER & HD CAMERAS '' as compared to the words '' The Buffalo Nickle ''. These both are set at a hex value of 8700ff. The color of "HD CAMERA" is correctly matching the site logo which was made in PS cs5. But the sites interpretation of that same Hex value is different.
