Photoshop :: Web Hex Code To Match Up Color In Logo
Sep 30, 2012
I used a web hex code to match up a color in a logo. (8700ff). However, now that i am in the process of designing its seems that my PS hex values are not the same as web hex values. Is there a setting that i need to get into to make these match?
Look at the words '' SILVER & HD CAMERAS '' as compared to the words '' The Buffalo Nickle ''. These both are set at a hex value of 8700ff. The color of "HD CAMERA" is correctly matching the site logo which was made in PS cs5. But the sites interpretation of that same Hex value is different.
Some of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
I'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
I have something like 1,850 photos, taken in RAW and later converted to DNG, to create a stop motion. All the photos were taken with the same camera (Canon 5D Mk II) and most of them with a 24-70L. All were taken in the same lighting conditions (in an interior, with the house lighting from flourescent lights) and the same day, in a period of maybe 2 or 3 hours. Each "take" was with the exact same camera and exposure parameters.
When processing the photos in Lightroom (using the LR4 beta) I can see some minor but very noticeable differences between color an exposure in the photos of the same "take". The exposure can be more or less automatically corrected by the Matching total exposures (although I think this doesn't work when the exposures are really similar, but there are some subtle differences like in this case, say, something along ~1/5 stop or so), but I haven't found how to try to match the white balance. All of the photos have already been set to a specific WB (I took a ColorChecker Passport at the beginning of the session), but there are still some differences between some of the shots. Some of them look a tad more greener. I blame the flourescent bulbs, but I'm not sure of the real cause.
So, the question is: is there a way to match the color balance of a series of photos to a target one? I really don't want to go photo by photo setting the white balance manually. Is there a tool like the Match total exposures, but for color balance? I have already tried with the automatic white balance, but the problem is that the decided WB for the photos is not the one I need, and I need to have the same WB for all the session, and this could change from different takes. The difference between shots is usually around 4 or 5 "points" in the Tint scale, some are with Tint +11, some with +15.
Or any other tool that could process this after? At the end I'll use JPGs to create the stop motion, so if there is a tool that could process the exported jpgs it could work too.
Been messing around with photoshop now for a little bit, but I can't seem to find the correct adjustments, or filters to get anywhere near as the desktop in "40910".
I have CS6, Epson 3880 printer. Both monitor and printer have been calibrated. When viewing a pic that I wish to print, I go to view, proof setup and chose printer and paper, preserved RGB box is check. This gives me a proof, which is very accurate to what is actually printed. Here's my problem: There is a color change when viewing the pic in proof print mode, which is what in fact, gets printed. Most of the color change involves alteration in red. A red bowl is changed to a brownish read bowl for example. I have been unsuccessful in trying to match the proof to the original color scheme. I've played with hue, color mixing, all to no avail. Is there an easy way to match colors original pic and proof/print?
whats the best/easiest and effective way to paint or adujst the color so that the blue of the car is also the color of the front end? Basically I want to make the whole car blue.
i want to save the palette and use it with another picture to have the same color-palette on two different images.
The "match color" tool comes close to the result i want to have...but it works with the contrast too and adds colors that i don't want..I JUST want to work with the available colors... simply extract a color palette from an image and use it with a second one to get them match...(without adding something)
I found some tools to do this with 256 color images but I want to to this with my 8bit or 16bit files from my camera.
I think it's a simple answer but I can't find it....I hope someone can help me....
My color settings are synchronized across all CS applications. I'm trying to see document both as a soft proof and not. Neither mode improves the color differences I'm seeing on screen. Photoshop displays color TOTALLY differently from all other CS applications: Bridge, InDesign, Illustrator & Acrobat.
In the image below, Indesign is on the left. Photoshop is on the right. Image appears in Bridge, Acrobat and Illustrator just like InDesign.
I am pasting a layer to an image and If I want the brightness and color of the layer to match with the brightness and color of the target image, then what is the best and quickest way to do so?
My photo is the yellowish, this is my original photographed image, #2.
Shot at 2007-11-06
The third is my closest attempt to color correct: (Color Balance: Midtones- Red +10, Green +40, Blue +72, Shadows- Cyan -5, Green +8, Blue +13, Highlights- Cyan -4, Green +5, Blue +12), #3.
I have to deal with multiple layer documents for producing underwater mosaics. Very often, the images vary in colors a bit. For large mosaics, I run the images thru a batch job before I use them. For smaller mosaics (e.g. just 10 to 20 images), this is a bit of overkill, in case I have to tweak just 5 or 10 or so.
In this case, I prefer picking one of the 20 layers as my "reference" and manually match the colors of those layers, that need the match, one by one.
My question now: Is there a way, that I could select, lets say 10 layers that need the match and apply the Match Color to all of them in one go?
I am a mixed media artist/art teacher and I pay a local printer to adjust the colors of my work via Photoshop so that the final print matches the colors in my original artwork. I would like to learn to do this myself, but I have no clue which product I need to purchase or how to get started.
I made a simple panel in photoshop and used the #number for the color selected to fill one side of the panel in my CSS code. When the page is rendered there's a very slight difference between the panel and the background which I expect to be exactly the same.
how to use the match color tool to automatically convert one grayscale image into multiple output images based on a collection of color swatches? Or a better process to achieve this automated?
I have all the swatches in psd files in one directory. I can do them one-by-one but I was wondering if there was a way to automate this process and have it spit out and save the different images automatically based on the saved swatch colors.
I've got a regular B&W logo that I'd like to add a little color to. I'm using photoshop CS and I've messed with the "Replace Color" feature but I can't get it to do anything. I would just select the black portion and then fill w/ my color but I'm getting jaggies etc...
I've got a logo in jpg format. Right now it's black on white. I'd like to change the white background to the color of my web page (grey) and then take the black "logo" and change it to white.
I've tried this using the fill function and it doesn't look very good.
I'd like it to look like I had the layered file and just "filled" the logo part with white.
I had to make a flyer for an event i'm organizing. Found a low quality picture online which i used as background, asked the photographer if i could use this picture, and asked for that picture in high res. I received the high res picture after the deadline for the flyer, so i was forced to make a temporary flyer from the low quality picture. I made some changes to the brightness/contrast of the picture, and might have changed other color setting or used effects, but i can't remember which settings i changed nor the values i changed it to. Is there a way to retrieve this information from the picture/gimp so the colors for both images are exactly the same?
Flyer & original picture attached as example.
Attached File(s) AeroBcupfinalsmall.jpg (80.06K) Number of downloads: 9 AeroBEsmall.jpg (250.22K) Number of downloads: 10
I have a PSD file that has a logo in white against a black background. I know how to change the black background to another color but I do not know how to change the white logo to another color and maintain the existing fade effect. The outer edges of the white logo fade into the black background.
If I was to change the black background to a green background (#808A53) then I would like to know how to make the white logo fade into the then green background.
Ultimately I would like to make the white logo a red color (#7d110c) that fades into a green background (#808A53) but I do not know how to do this as I am a novice with Photoshop.
How do I create the swatch set and I can't get the logo layers colored in?
Choose the Magic Wand tool , making sure "contiguous" is checked in the Options bar. Select the rectangle under "Monochromatic (Single Hue)". Press Alt+Backspace (Windows) or Option+Delete (Mac OS) to fill the selection with the foreground color.Â
#Open the Color Picker and select two values of your base color. Apply your color selections to the "Values" swatches.
Next, select two intensities, and apply to the "Intensities" swatches.
Now that you've got your color palette, combine the colors into a swatch set. Use the Rectangular Marquee tool to draw stripes and fill with the colors you've selected above. This is a space to experiment with how the colors look next to each other.
Ready for the fun part? Make a selection around the client logo using the Rectangular Marquee tool. The logo has been separated into layers to make color application easy. First, apply color to the "bg" layer. Sample a color swatch using the Eyedropper tool , then press Alt/Option-Backspace to fill with color.
Keeping the selection active, click the "top curves" layer. Sample a color with the Eyedropper tool, then press Alt / Option-Backspace. Move on to the "middle curves" layer. Select a color, and fill.
