Paint Shop Pro :: Color Profile To Match LR Export Color Space
Nov 21, 2011
I'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
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Jun 16, 2013
I installed LR5 from LR4 yesterday and each time I open an image in CS5 from my LR5, I get the following message:
The document "IMG_9082.CR2"has an embedded color profile that does not match the current RGB working space.
Embedded: Adobe RGB (1998)
Working sRGB IEC61966-2.1
What would you like to do?
-Use the embedded profiel (instead of the working space)
-Convert documents's colors to the working space
-Discard the embedded profile (don't color manage)
My camera's settings have it set with sRGB, LR4 and LR5 have sRGB and I have CS5 workspace as sRGB. This did not happen before.
Is it possible that when LR5 updated the LR4 catalogue, it changed the profile of all my photos? I don't know, maybe I've done something, but I can't see what as I don't remember changing anything.
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Aug 19, 2012
I have PSP X4 SP2.
Current color working space: AdobeRGB1998.icc.
I want to take HDR photo. I have 3 pictures JPG in AdobeRGB1998. When I giving HDR/MERGE EXPOSURE program automatically changing color profile of my pictures from AdobeRGB for sRGB. Why does it happen?
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Jan 25, 2012
I downloaded a trial version of PSP X4. When i export an image from ASP in ProPhoto RGB color profile, PSP insist to convert it to sRGB. I wonder what is the color profile that been used by PSP as the working space?
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Sep 26, 2011
I need to save a .jpg in a certain format which is
- Resolution: 72 dpi
- Color space: RGB 32 Bit.
Just wondering how I would go about this?
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Jan 29, 2012
I just downloaded and installed the PSP X4 Ultimate, I'd like to try it before I buy it. When I installed the software, I tried to access"Color Working Space", because I work with Adobe1998 and I wanted to change the work space, but every time I try to access PSP crashes.
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Aug 3, 2013
This is a subject that I have now talked to 3 people at a print lab and 5 local Pro Computer photography about and cannot figure out.
My images are all sRGB color format automatically by my camera.
Somehow my images are coming into PX5 with the sRGB, but the second I do anything to them even just going to save as and renaming them.... then they no longer have a color profile attached.
I have checked this every which way. I make sure the options box under save as has the box checked for "embed ICC profile". They still go out and then have absolutely NO color profile attached.
This was brought to my attention by an outside lab telling me that my photos were printing wrong because of no color profile being on them.
I tried going through After Shot Pro and can view them with any ICC profile including one from this specific lab, but then even on that program if I try to attach a color profile to my photos that have already gone through PX5..... then after shot can't embed a profile, the box is checked but nothing happens.
I have worked on this non stop for a week now and can't figure it out.... the box to embed the profile is always on and not one of my photos has any type of color profile on it after it has been in PX5.
Oh and it's the Ultimate PX5 and all patches etc have been uploaded. I even uninstalled and re-installed once to try and fix.
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Feb 10, 2012
But I have and EP3 and am using Olympus Viewer 2 to manipulate the RAW images, I then edit the TIFFs in PaintShopPro 4. I have also calibrated my Dell 2410 with SpyderPro4.
My challenge is that the image edited in OV2 looks very different when viewed in PSP 4. I think the issue is that OV 2 is embedding a color space of "sRGB IEC61966" not the profile I set up using Spyder (as shown in the information screen of the resulting TIFF). when I open PSP it then says it is converting the "sRGB IEC61966" color space to my Spyder profile.
I have set OV2 to use Color Management and to "embed profile when saved". The monitor profile selected is my Spyder profile. Is this a bug? Is there a setting I should use in PSP4? Or si the problem on OV2?
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Jun 17, 2013
Is there a way to change the color of the Vignette to match the page background color. It appears to that only Black is available at this time.
Is there a transparent vignette available anywhere .
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Oct 18, 2012
For family history purposes, wish to improve the legibility of some hand written 1930 telegrams; the ink has faded with time so I want to change its colour to black. The form printing has not faded.
The user guide draws attention to the fact that the color selected for replacement must be in the image. Using the Dropper tool with sample size 1 pixel I position the dropper where I want it, see the color in the preview window, then right-click and the selected color appears in the background window on the Materials panel. So far, so good. I then place the Dropper tool over black in the swatch on the Materials panel, click and black appears in the Foreground window of the Materials panel. I think I'm set.
When I select the Color Replacer tool the background window immediately reverts to another color, usually white.Incidentally, the user guide suggests you read up on selecting colors with the Dropper; when you do this you learn that its OK to pick colors from the Materials panel.
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Jul 29, 2011
Question #1.
Were can I change the "color saturation" to use for my "color changer"?
Question #2.
When using "point-to-point" or "edge seeker", is there a way to go back one or two steps, without having to start all over again?
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Mar 1, 2013
When I export RAW files, specifying that I want the output to be in sRGB color space the resulting files have the Adobe RGB color space. The same is true if I specify I want them in ProPhoto. Is this a bug? I have done it successfully in other versions of Lightroom, but not in 4.3.
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Feb 26, 2012
Wondering if there is a plugin that will match a color that is in picture. For example if I was trying to touch up a part of the sky it would pick out the blue I needed.
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Dec 10, 2013
I've got two different color balance problems. The first is where I have two photos that I want to match the lighting in each.
The second is where I have a 'control' and I want another photo or print to 'match' it.
Currently I'm having the second problem. A customer brought in an original painting for us to scan and make holiday cards from. But they also brought in a photo print from a local chain and they have asked me to match the color representation from that print.
It is duller, the blues are purple and it is over all darker. Personally, I think the photo is a horrible representation of the painting. BUT IT IS WHAT THE CUSTOMER WANTS.
I've scanned in both the photo and the original drawing. If I print the photo it matches the color of the scan. (but is the wrong crop size and can't be used for the card.) How do I draw color out of that and get my original to 'match' other than just using my eyes? (which is about impossible for me today) I normally use 'sample/target balance' in corel PhotoPaint, but you can't do that between two layers OR between two files. This would be a great change to make in x7 or an update.
Current System: i3 3.07ghz, 3gb ram, Windows 7 32 bit with all updates and X6
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Dec 5, 2013
My problem is that when I export JPG's from Lightroom (100% / sRGB / sharpen for screen) the picture seems to lack contrast and the colors look less saturated (Looks like this everywhere, including Windows Preview, Firefox, Photoshop..). If I select Soft Proofing and sRGB, the colors look correct.
Also if I take a screen capture and save it as JPG, the colors look similar to my preview in Lightroom. I have tried to export in sRGB, Adobe RGB and ProPhoto RGB color profiles but none of them looks the same as LR preview.
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Feb 24, 2014
Some of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
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Feb 11, 2012
I have something like 1,850 photos, taken in RAW and later converted to DNG, to create a stop motion. All the photos were taken with the same camera (Canon 5D Mk II) and most of them with a 24-70L. All were taken in the same lighting conditions (in an interior, with the house lighting from flourescent lights) and the same day, in a period of maybe 2 or 3 hours. Each "take" was with the exact same camera and exposure parameters.
When processing the photos in Lightroom (using the LR4 beta) I can see some minor but very noticeable differences between color an exposure in the photos of the same "take". The exposure can be more or less automatically corrected by the Matching total exposures (although I think this doesn't work when the exposures are really similar, but there are some subtle differences like in this case, say, something along ~1/5 stop or so), but I haven't found how to try to match the white balance. All of the photos have already been set to a specific WB (I took a ColorChecker Passport at the beginning of the session), but there are still some differences between some of the shots. Some of them look a tad more greener. I blame the flourescent bulbs, but I'm not sure of the real cause.
So, the question is: is there a way to match the color balance of a series of photos to a target one? I really don't want to go photo by photo setting the white balance manually. Is there a tool like the Match total exposures, but for color balance? I have already tried with the automatic white balance, but the problem is that the decided WB for the photos is not the one I need, and I need to have the same WB for all the session, and this could change from different takes. The difference between shots is usually around 4 or 5 "points" in the Tint scale, some are with Tint +11, some with +15.
Or any other tool that could process this after? At the end I'll use JPGs to create the stop motion, so if there is a tool that could process the exported jpgs it could work too.
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Apr 6, 2012
I'd like to export a drawing to PDF *without* any color conversions, i.e. colors should look exactly the same when viewed as PDF on the same screen (the PDF ultimately will be embedded in a presentation).
I have turned color management off, but this did not solve the problem. When viewing the PDF, I still see these pale colors, probably resulting from the wrong PDF profile being applied.
When I export as PNG, then everything is fine colorwise (but I need PDF as vector format).
how on earth I can turn this "feature" completely off?
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Mar 9, 2012
I have X5 SP1 and am trying to export in EPS. Regardless of what I choose in the export dialog (RGB or Grayscale) the resulting EPS file always has a CMYK profile embedded. As I need to submit it to a scietific journal for publishing that requires RGB or Grayscale
I already searched for any objects with CMYK fillings or contours - none. In File properties it only shows RGB and Grayscale objects.
I think I read X4 had a problem with EPS export, i. e. all vectors got converted to CMYK regardless of the export dialog choice. Is this still an issue in X5?
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Oct 17, 2012
What rendering intent is used by LR4 when exporting using a custom colour space as there is not an option as there is with the print module.
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Sep 5, 2006
I have to treat a few images for a newspaper, and I have to apply an specified Color Profile for them.
what's the difference between the commands "Assign Color Profile", "Convert to Color Profile" or doing "Mode>CMYK, and then Assign Profile",
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Sep 15, 2013
A printer ask me to save my file with a "RGB color space". How do I do that in Paint.NET?
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May 15, 2012
I want to use the paint brush for editing a photo I have, but the only color available is black. No matter where I've looked in PSP, there was no option to change the color of the paint brush. I've read online that you need to change the pallet to material pallet, then go to "Foreground & Stroke Properties" and set the color box to the color I want, but the only colors I get are different hues of black and gray.
Even in Paint it's just a matter of clicking the desired color to use different colors. Why isn't it so simple in PSP?
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Jan 25, 2012
Just updated from X3 to X4. Spent an hour looking for the workspace color so I could get rid of the huge graphite box. Updated to SP1, found this forum, saw how to change the color in the files menu, and was very disappointed that the menu backgrounds changed, but not the BIG GRAPHITE BOX IN THE MIDDLE OF THE SCREEN!!
X3 gave us control of the colors. X4 is a big disappointment.what about the big graphite elephant in the room, the workspace?
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Sep 15, 2011
When I try to print, the print placement dialogue box shows the image in greyscale, and when I click the options tab, the options to print color and CMYK separations are greyed out. Going ahead to print gives me a B&W print. The same file prints perfectly in color in PSP X3. What setting I need to tweak?
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May 17, 2012
the image is attached.I would like to make the pin "blue", without loosing "real" appearance.
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Dec 24, 2013
I understand many of the aspects of color management: gamut, color space, profiles, calibration, and most of the accompanying pieces. The problem is that I don't understand the inter-relationships of the various steps between taking a photo and printing it.
My equipment is not wonderful. If I were serious, I would have spent 10x what I did; but I'm not a pro. I'll settle for the best I can squeeze out of it. My goal, at this point, is to get my prints to look like what's on the screen.
For software I am using PSP X6 and Windows 8.1.
The photos I get come from various sources. As I understand it, those images (primarily JPEG if they come from a camera, presumably RAW if I scan directly into PSP) should have the profile of the capturing device embedded in them. Is that correct?
In the past I've been told that I should always use the color management in my editing application, rather than whatever Windows makes available. Is that still true? So far as I can tell, there is no way to turn off Windows Color Management (WCS).
You can turn off color management in PSP. There is a checkbox for it.I've been reading that I should set my PSP color working space to sRGB. Is that turned on and off by the color management checkbox? Assuming I have a profile for my capture device (camera or scanner), should I use that profile instead?
I have factory supplied profiles for both my monitor and my printer. Supposedly the printer will automatically select one of its various profiles based upon the paper I use, but that's a setting in WCS. (I can force a particular profile if I want.) In PSP's color management, I have to pick the profile manually.
Should I turn off color management in PSP, and set everything up in WCS? WCS has a setting for viewing conditions. The default is "WCS profile for sRGB viewing conditions", the alternative is "WCS profile for ICC viewing conditions". Does that mean that I could (or should) get an ICC profile based upon my work area's lighting, etc.
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Sep 9, 2011
In the X3 version there was a menue setting for the color of the work space where you could change it and not have to use the Graphite color. In the X4 version there is nowhere to select non default color. There should be as not everyone wants to be forced into having it the default"graphite or whatever"color.
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Jul 3, 2011
I no longer have my Paint Shop manual and I don't know what "this" is called to search here or in my help section of my software.
I have Paint Shop Pro Photo X2, version 12.00
I want to change a pic I have of Jimi Hendrix like the one below so I can sketch it onto a canvas. I have played around with Photo shop.
73164_145358045511754_102317626482463_234732_3842573_n.jpg (20.36 KiB) Viewed 586 times
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Sep 1, 2012
Coming from Pspx2 into Pspx4 this week. Applied a text title to a border on an image yesterday. Accustomed to having just a background colour for plain text. Went to click off the foreground colour and could not find a choice for NO COLOUR in the foreground Also No text box.....what happened to the text box?
What is the procedure for plain text with a single colour now in Pspx4
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May 8, 2013
I am having a rather strange problem with PSP X14. I will describe my general workflow and where the problem occurs.
I do some editing to my photo and save it as a full size image. Next I resize it to a much smaller version for use online. I have no problems at all with these two steps. Next, I cancel the resized dimensions and resize it again to a file closer to the original size, after I sometimes sharpen it and add a canvas. Many of the thumbnails for this last step have horizontal color bars across the bottom of the thumbnail, ranging roughly from 1/16 to 1/3 of the image size. When I hit on it and open the file, the bar is not there. I tried opening this thumbnail in another photo editing program and when I have access to the thumbnails for opening, that bar is there on select images, and when I open the file, it's gone. Unfortunately I haven't had the opportunity to try printing it yet.
I've been following this basic formula for preparing and editing photos for a very long time and haven't had this problem until recently. And it's random, as not all images have this problem. I tried changing this process and reopening the full size file that has been edited and resize that one, but am getting the same random results. I have no problems with the thumbnails for the full size and the first reduced size images.
I have been a long time user of PSP...since v.7 and upgrade versions regularly. I'm running Windows 7 premium, 64-bit on a laptop with an Intel i-7 processor.
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