I made a simple panel in photoshop and used the #number for the color selected to fill one side of the panel in my CSS code. When the page is rendered there's a very slight difference between the panel and the background which I expect to be exactly the same.
View 10 RepliesMy color settings are synchronized across all CS applications. I'm trying to see document both as a soft proof and not. Neither mode improves the color differences I'm seeing on screen. Photoshop displays color TOTALLY differently from all other CS applications: Bridge, InDesign, Illustrator & Acrobat.
In the image below, Indesign is on the left. Photoshop is on the right. Image appears in Bridge, Acrobat and Illustrator just like InDesign.
Trouble with PS5 and LR4... when I go to "edit in Photoshop" from Lr... it opens and doesn't match the image in LR (colors)... same goes when saving edited image back to LR... also, when Saving from PS to desktop, it looks terrible unless I "Save for internet" ... how can I get this to all match?
View 1 Replies View RelatedI am trying to match the color.
The original is the manufacturer's, #1.
Shot at 2007-11-06
My photo is the yellowish, this is my original photographed image, #2.
Shot at 2007-11-06
The third is my closest attempt to color correct: (Color Balance: Midtones- Red +10, Green +40, Blue +72, Shadows- Cyan -5, Green +8, Blue +13, Highlights- Cyan -4, Green +5, Blue +12), #3.
I have Windows XP/Pro with SP3. In File Options > File Types I have JPG set to open up in Photoshop CS4; alas, when JPG files are either in Outlook as attachments or on the desktop, nothing happens when I double click them. My workaround is to drag the file icon into CS4, and this only works from the desktop, not from Outlook.
View 2 Replies View Relatedhow to use the match color tool to automatically convert one grayscale image into multiple output images based on a collection of color swatches? Or a better process to achieve this automated?
I have all the swatches in psd files in one directory. I can do them one-by-one but I was wondering if there was a way to automate this process and have it spit out and save the different images automatically based on the saved swatch colors.
When I select the Document Library option when making a color image trace, the colors shift in the image but do not match the selected color group. I've tried multiple color groups, and the colors always change, but never match the selected swatches.
View 1 Replies View Relatedi've checked my monitor screen-up...everything is set to "standard". adjust Ps-CS6 image...it looks swell. print the bad-boy on my Epson NX430...and the image looks dark. or like mud. or too bright.
how can i get the printer, monitor, and Ps-CS6 to be on the same page, colorwise?
I have a jpeg image of a motorcycle on a pure yellow background. I want to make the yellow transparent. Naturally there are a lot of spaces within the motorcycle image that contain yellow.
I followed instructions I found...
Removing the background of an image
1) add an alpha channel to your layer
2) use colors/color to alpha and use the background color
This results in the checkerboard being applied to the motorcycle, not the yellow background. I assume that's okay.
This makes all the pixels with the background color transparent, and those with a close color partially transparent.
Then:
- select the background with the magic wand,
- grow the selection by a couple of pixels to ensure that the border of the sprite is in the selection (the most important work of color-to-alpha is on the border pixels, so they shouldn't be protected)
This selects only the area outside the bicycle, but I don't mind reselecting smaller areas, if I can.
- grow the selection by a couple of pixels to ensure that the border is in the selection (the most important work of color-to-alpha is on the border pixels, so they shouldn't be protected)
I'm trying to cut out a selection using Quick Select (all refine edge settings off) and then paste into a new layer. However, I can't get a 100% pixel perfect alignment once I paste. Cut/Paste using the rectangle select does match 100%. The quick select tool should allow for 100% pixel perfect alignment, correct?
This is before cutting (note middle circle)
This is after cut/paste and aligning
Under Save as, extension does not match format chosen (ie, if I choose JPG, it gives my file a IIF extension. I have to choose JPEG 2000 to get JPG, all are off by one position)
View 11 Replies View RelatedI uploaded a JPEG to trace an image off and was unable to add color or line.
View 2 Replies View RelatedI've been working with LR for a while now and using 3.6
I'm shotting RAW+Jpeg and when importing i use jpeg and raw as separate files.
Now i understand that colors are very different, but,
I'm trying to match the CR2 from my Canon 5D Mark 2 to the jpeg with no luck!
I have tried using the "profile" menu in the "camera calibration section but again no luck.
I have also tried manipulating every single slider combination (allmost) and again, no good result.
is there a good fast and useful way of achieving a match between the raw and the jpeg?!
I am working on a motion graphic, it contains a background a camrea and a couple 3d layers, when a I render it it a 2 of the 3d layers shake randomly. This does not happen in the preview. Using CS4
View 2 Replies View RelatedWhen I import a particuar video clip into premier, there is a problem with the audio. It plays absolutely fine until 9 minutes through when all of a sudden the audio loops back to the beginning. The video carrys on as normal untill the end of the clip but the audio starts from scratch. I have tried removing the video, renaming, moving location, starting a new project, but no matter when or how I play the video the audio starts again 9 mins through! The video plays fine in any media player except premier. I have tried exporting the video but unfortunately the audio error also gets exported. The clip is crucial to a video I'm making and can't be re-shot!
View 1 Replies View RelatedSome of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
I'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
Is there a way to change the color of the Vignette to match the page background color. It appears to that only Black is available at this time.
Is there a transparent vignette available anywhere .
I have something like 1,850 photos, taken in RAW and later converted to DNG, to create a stop motion. All the photos were taken with the same camera (Canon 5D Mk II) and most of them with a 24-70L. All were taken in the same lighting conditions (in an interior, with the house lighting from flourescent lights) and the same day, in a period of maybe 2 or 3 hours. Each "take" was with the exact same camera and exposure parameters.
When processing the photos in Lightroom (using the LR4 beta) I can see some minor but very noticeable differences between color an exposure in the photos of the same "take". The exposure can be more or less automatically corrected by the Matching total exposures (although I think this doesn't work when the exposures are really similar, but there are some subtle differences like in this case, say, something along ~1/5 stop or so), but I haven't found how to try to match the white balance. All of the photos have already been set to a specific WB (I took a ColorChecker Passport at the beginning of the session), but there are still some differences between some of the shots. Some of them look a tad more greener. I blame the flourescent bulbs, but I'm not sure of the real cause.
So, the question is: is there a way to match the color balance of a series of photos to a target one? I really don't want to go photo by photo setting the white balance manually. Is there a tool like the Match total exposures, but for color balance? I have already tried with the automatic white balance, but the problem is that the decided WB for the photos is not the one I need, and I need to have the same WB for all the session, and this could change from different takes. The difference between shots is usually around 4 or 5 "points" in the Tint scale, some are with Tint +11, some with +15.
Or any other tool that could process this after? At the end I'll use JPGs to create the stop motion, so if there is a tool that could process the exported jpgs it could work too.
Units percision is at 1/64".
I have a custom text style set to a height of 3/32"
I have a custom mleader style set to mtext with text set to that style.
The text height setting in the mleader style dialog is 3/32" and grayed out.
Why create an option and then block us from using it?
All new mleaders are being created with a text height of 1/8". Why?
AutoCAD 2010
AutoCAD LT 2013
Revit Architecture LT 2013
I am using Inventor Professional 2013 what im trying to do is create a flat pattern so I can send out to get formed. I need the panel to be 7.75" Width 53.50" Height and 2" Depth. When I click unfold where the 45deg is, it doesnt match up with the bend. Im not sure if its supose to be like that or what lines i need to keep to get the correct mesurments.
View 9 Replies View RelatedI'm trying to plan an access road which must run at least 2.5m away from an existing fenceline. I've put a few parallel road lines in at 3m distance, but at the fence bends I decided to put some circles at the bend points to give me a 3m radius. When I did this I was suprised to find that the circle extends further than my access road. I've dimensioned them both up, CAD is telling me they're both 3m away but they're clearly not at the same distance.
View 9 Replies View RelatedIt's my first time using SSA, and I had finally created a network and storm that I thought was working properly (using TR-20 routing with an SCS II storm), until I took a closer look at the profile outputs - and noticed that the graphed Max HGL line does not match the Max HGL listed in the table below. The difference was 856.2 on the graph and 858.01 on the table at one my structures, for example.
The ability to import pipe networks is nice in SSA, but if the output data is always this wacky I may have to go give up on SSA and go back to using Hydrocad.
I've been rendering lossless files in after effects for a year now without any problems. Now all of a sudden when I render .mov files, the playback is frayed and jumpy... audio doesn't match, etc. I've tried rendering lower then upper fields and vise versa, and both at once. nothing works.
View 2 Replies View RelatedHere's the screen shot. If I ignore the preview, and set with the print area tool, I get what's in the print area tool. Something is amiss in the land of tiling settings, but I can't get to whatever setting is messing this up.
View 1 Replies View RelatedBeen messing around with photoshop now for a little bit, but I can't seem to find the correct adjustments, or filters to get anywhere near as the desktop in "40910".
View 8 Replies View RelatedMy customer is having trouble with the part list feature inside the Inventor 2D drawing.
For example, He has a car assembly file with 4 wheels and alot more subassemblies, then he creates a view representation which only visible for 1 wheel.
When he generates the part list in Inventor 2D drawing, he go to part list >filter setting and set to ‘’Assembly view representation’’ but the quantity for the part list is still showing as 4 as per attachment.
change the value manually inside the part list table?
I have a sheet that has several alignments data referenced and labels applied. Recently some of the alignments changed (slightly extended), I checked the sheet and all of the labels have auto updated. Everything looks good. A Print Preview looks good.
When create the print (to pdf), the alignments that changed and all the labels do not show up. Nothing changed with layers, styles, etc. I tried Synchronize and Refresh from Prospector. I can create another Data Ref but don't want to go thru all the labeling again.
Preview and pdf attached.
C3D 2012
C3D 2012 sp1
W7Pro 64bit
HP Z400 Workstation
16 GB RAM
Intel Xeon CPU W3565@3.20GHz
NVIDIA Quadro 4000
Trying to create a dynamic block that will multiply the number of neutral and ground blocks as it's stretched.
My power terminal strips can contain 1 to unknown number of circuit breakers, and each circuit breaker requires a neutral and a ground block.
All the similar items in a stip are grouped together, all the circuit breakers, then the neutrals than the grounds.
So depending on how many circuit breakers I have I'll need the same number of neutrals and grounds, but grouped together.
In the attached block I added the stretch action to move the end cover and end stop of the strip down, but don't know how array/space/stretch the neutrals and grounds so they're grouped together.
The ciruict breakers aren't shown as they can be from different manufacturers and therefore different widths.
Tried attaching my block file but get this error message:
"The contents of the attachment doesn't match its file type."
I have CS6, Epson 3880 printer. Both monitor and printer have been calibrated. When viewing a pic that I wish to print, I go to view, proof setup and chose printer and paper, preserved RGB box is check. This gives me a proof, which is very accurate to what is actually printed. Here's my problem: There is a color change when viewing the pic in proof print mode, which is what in fact, gets printed. Most of the color change involves alteration in red. A red bowl is changed to a brownish read bowl for example. I have been unsuccessful in trying to match the proof to the original color scheme. I've played with hue, color mixing, all to no avail. Is there an easy way to match colors original pic and proof/print?
View 7 Replies View Relatedwhats the best/easiest and effective way to paint or adujst the color so that the blue of the car is also the color of the front end? Basically I want to make the whole car blue.
View 4 Replies View Related