I am having problems getting my final prints to match the screen view. Most recently I have had this problem: I have an image that is sized to 5X7. I have it on a 5X7 template in the print module of Lightroom. The image dimensions in Lightroom say 5X7. I print on 5X7 paper (I actually measured it to be sure). ON the screen they look perfect, match the the templates and measure out fime with the onscreen rulers. Without fail a portion of the print is cut off on the final print. The long side of the print is the most effected. This is not just limited to 5X7's, it happens across the board. Is this a common problem or I am I doing something wrong? In the 5X7 example above the print comes out 5.2 X 7.3 give or take. I am using Lightroom 5.3 on an iMac running OS 10.9.1. The printer is a Canon Pro 100.
how do i match on screen document size to view print size? when i create a new document and put in its dimensions when i press view print size it appears alot smaller on screen
I have a Monaco EZ color Optix color calibration system. The unit has a sensor that is used to calibrate your monitor and comes with a 4x6 color print that (with the help of the users scanner) can be used to calibrate your inkjet printer.
I've used this system for a year and it works quite well. Lately, I've been using Sams club photo center for my prints. The prints are a close match to my screen, but not perfect.
To get perfect prints, I have done the following (kluge) which works, but is very time consuming. I'm looking for the correct way to "Calibrate the Sams club photo printer".
I pretend Sams club photo center is a printer. I had them make a 8x10 photo of the Monaco printer calibration file. I then followed the printer calibration proceedure as if the Sams club photo center were my printer. This results in an ICC profile for the Sams club photo center.
Now in Photoshop, I print my images using this ICC profile to the "Adobe distiller printer" that I have, which makes a .pdf file, with the corrected print in it. I then "extract" a .jpg or .tif file from the .pdf file, and send the resulting file to Sams for printing.
As I said above, this works but is very combersum. Is there a way to do this directly in Photoshop. All I am doing is applying an ICC profile to the RGB of an existing file to create a new file.
I have profiled my monitor and my printer. I can print from photoshop and prints match my display. When I print out of lightroom, they are not even close. I use the same printer profile and the program manages the color.
I have been using CS5 64 bit and recently my prints have printed darker than the screen. I recalibrated the monitor and then new icm is being used. I also have the correct icc for the paper. I switched back to CS5 32 bit and the problem goes away.
I have never gotten this to work, but had put little effort into it until recently. Thus far I have checked my project standards to make sure "match sheet views to view" is checked to "yes".
In both View drawing and the sheet- VISRETAIN is set to 1.
the VPLAYEROVERRIDESMODE is set to 1
I am working on drawings that are in my current project through project navigator. I am using ACA 2010 and not sure what else I need to do. I turn off all the unwanted layers in the view drawing, then create a sheet and xref in the view to model space- all the layers reset, and I again have to turn off all the unwanted layers. If I change a layer color in the view drawing, it does not change in the sheet drawing upon save and refresh.
I hate wasting time repeating the same task over and over....
Let’s say you have a large building plan in model space but there is only one small area of the building that the view port is looking at. Is there a way that you can draw around that viewport and then take that into model space and paste it in the same place so now you have the same area located in both views?
At the moment I need to try and work out where the view is by drawing a rectangle around the correct area of the building and this is time consuming.
I could then trim/delete everything else outside that box.
The problem seems to happen ins CS5 and CS6 as well. We have a complex piece of artwork for a foil blister and we use a paragraph of text that has 3 transforms applied to which effectively step and repeat the paragraph of text in a repeat pattern across the artwork. This setup very precisely as it needs to be 100% accurate for print purposes as several units are printed side by side and the repeat runs across the units. Everything is setup correctly in Illustrator and then we re-save as a PDF with 'Preserve Illustrator Editing Capabilities' on.
We genearally save as a PDF 1.6 but we have tried all the combinations now. The file still looks perfect in Illustrator but when the PDF is opened in Acrobat (any version) the step and repeat (transform) on the paragraph of text is now no longer in alignment on onside of the artwork but still OK on one side. No matter what we do we can't fix this problem andit's recreatable each time. Also it's not file specific as we can build a new file and it will also exhibit the problem. We're only talking about a tiny jump here - <0.2mm but this means the artwork is out of spec.
Prints from 2400 look good, but darker (about a stop darker) and bit more saturated that seeing on my calibrated Sony Artisan Monitor.
I can get good prints, but I now have to add an adjustment layer to files and lighten them all up, a real hassle. I don't remember this issue ever before.
I have 9 copies of the same image with a different develop preset on each one so to compare. How do you get Lightroom to show the preset used on the image when viewing in lightroom and when you print, how do you get the preset name included on the print so you can tell which preset is on each print? At present I have to note the preset down and then write each preset name on each photo to show I know what was used.
I have been printing with an epson [artisan 50] for a long time, always great colors on my pc.
just switched to a mac and latest version of ps cs6 and my prints are not color correct [very muted colors on the print] It is definitely not the printer [prints perfect from otherc applications]
I have tried many of the settings / color management options, but none seem to do the job. Right now I have it set on 'photoshop manages color' and then for printer profile my printer type with correct paper.
I don't know what to do- share their knowledge on color management/printing
The problem I`m having is that I have some text I want to have printed out. When viewing the image on GIMP the text image is the proper size that I want. When I print it out on my epson printer the text is much smaller. I called Epson and they said it must be a setting in GIMP. how to correct this? The file is a .png file.
I can't see the text in several paragraph text boxes but they print fine. The outline is red on-screen but the contents aren't visable unless I print it.
Can I do something to the file, clean it, save as, reindex it, re-build it ?
I'm having trouble getting both of my printers to print out to the same tone/colour that is displayed on my Monitor. Neither are accurate
Is there anything I can do with my monitor settings, or my photoshop/illustrator colour settings so that what I see on the screen is what will be printed out.
The printers are :
1) Hewlett Packard 1220C
2)Epson Stylus 2100
They both print out differently.
For the HP printer I've looked at the 'Image Colour Management' and it states the 'ICM is handled by host'
For the Epson printer the Colour Management is set to 'Automatic: Windows will automatically select the best colour profile from the list of associated color profiles'
I know it's possible to change the Color Setting in Photoshop but I don't really know what to set it to, and who to set it so it's as close to my monitor display as possible. (I work with RGB colour)
I switched from Photoshop Elements 7 to Photoshop Elements 10. I cannot get a print of a photo that matches the screen. Photos are dark and red. I cannot edit the photos because I do not know what will print out. I have switched back to Photoshop 7 and my photos print fine, just as they have been edited.
There is some association between prints and view representations i am missing.My typical process is:
-Build a model -Create a representation -Lock the representation -Create a print from that representation -Create a new representation and continue to work on the model
When i go back to the original print there is parts flying everywhere (see attached picture - hope you get a kick out of it)
We just recently upgraded to Inventor Pro 2014. I have a user who has created a singled shaded view drawing. He want to print the drawing shaded. When he prints he gets a line drawing. It even appears like a line drawing when he previews it. He gets the same results when printing to Adobe. He said it printed properly in the morning yesterday and when he tried to print again in the afternoon it would not print shaded. He rebooted this morning and he still can't print a shaded drawing from Inventor. We looked at his printer settings and everything looks good. He is the only one in my department who is having this problem.
The loupe view on the second screen used to display information about the photo. I double clicked on it and it disappeared and no matter what I do I can't seem to get it back.
On the primary screen this can be added/removed or changed in Library Module by selecting the menu view->view options... which gets you to a settings window where you can set what shows. However, I cannot seem to find a similar thing for the second monitor.
I've noticed recently that when I use the EXPORT command to create a JPEG, the resulting image colors of the EXPORTed JPEG are deeper (certainly more saturated) and the contrast over the entire image is much higher. The image looks nothing like what it looks like in GIMP prior to export.
I've tried EXPORTing to TIFF and I get the same results (JPEG looks exactly like the TIFF, just a different file size). Is it a possible ICC Profile mismatch (i.g. not having one set specifically inside GIMP)?
I'm trying to color match two shots and I'd like to be able to view them side by side while I adjust the colors in one of the shots. It seems like a good way to do this would be to view two program monitors side by side - but is that possible? I can't see that option anywhere.
Using the source monitor for comparison doesn't make sense to me as I've already color corrected the reference shot and the source monitor shows the original footage (ie. the wrong colors). I could of course try to match the shots based on the source footage of the reference shot and then apply a second color correction but that seems a bit unnecessary to me.
Or - I remember that in FCP7 there is an option to use split screen while color correcting two view two shots simulatenously side by side in the same screen/monitor. Is there anything like that hidden in PPro?
I have been using Corel for printing customized shipping labels and flyers in B & W. I use Arial or Times New Roman ttf fonts for printing labels and texts and print out with a laser printer. I did not have any problem in the past up to CorelDraw X4. . All text came out black with X4. Recently, i upgraded to Coreldraw X5. When I printed shipping labels and texts with X5 in the same way as I have been doing with X4, the labels came out in faint prints. I could not use shipping labels printed with X5 for mailing out. I repeated installing X4 and X5. I see that something is wrong with X5. All labels and simple text prints are faint with X5. On the other hand, printing with X4 came out charcoal dark. I installed X5 on both home and office computers. Both gave the idential results. My computer runs Windows 7 professional. Printers are HP (office) or Samsung (home) laser printers. How to make prints darker? I am only concerned B & W print (not color because I did not try color printing yet).
My customer is having trouble with the part list feature inside the Inventor 2D drawing.
For example, He has a car assembly file with 4 wheels and alot more subassemblies, then he creates a view representation which only visible for 1 wheel.
When he generates the part list in Inventor 2D drawing, he go to part list >filter setting and set to ‘’Assembly view representation’’ but the quantity for the part list is still showing as 4 as per attachment.
change the value manually inside the part list table?
I have used Autocad since 1991, and my current job required me to use Microstation. One feature I liked from Microstation is the ability to select and open an external DGN reference, and then match the view of the parent DGN, called the "EXCHANGE" command. In AutoCAD, you can also select and open an xref, but the DWG opens to the previous saved view, and not to the desired view that matches the layout.
My thought was to experiment with lisp or script and export the "Viewctr", "Viewtwist" and "Viewsize" variables to a text file, then importing the text file and using the "Viewtwist" as my "SNAPANG" value, then "Viewctr" as my "ZOOM, CENTER" value, and finally the "Viewsize" as the "Enter magnification or height:" value.
But, alas, I have no time, and not quite the knowledge to duplicate MicroStation's open-xref-and-zoom-to-view feature. I hesitate using the REFEDIT, which works fine for regular AutoCAD, but not so much for Civil 3D and the objects it creates (labels and other items with data shortcuts).
However, I am not quite satisfied: whatever I try, the background never seem to match with the characters (I know most of you will find it awful, but my goal is to get it to be somewhat plausible, now it seems just too fake).
Is it possible to have 4 attributes in a block match or equal each other? I would like to make it so if I edit an attribute the other 3 attribute contents will update to be the same.
I have a black jpeg that i'm using in my illustrator document. I need to make the background the exact same black. I have a large rectangle for my background, and I used the eyedropper tool to select the black from the jpeg. The CMYK numbers are even the exact same, yet when I export the ai file as a jpg/png/pdf the blacks look different! We are going to press next week and I really need the blacks to be the exact same!
I have made an exploded view and placed it an a drawing. I would like to view inside one of the bodies to show where the exploded internals sit, however when I do a break out of the body the trail lines from the exploded internals also get sectioned. Is there a way to control the sectional properties of a trail line?
I have used Autocad since 1991, and my current job required me to use Microstation. One feature I liked from Microstaiton is the ability to select and open an external DGN reference, and then match the view of the parent DGN. In AutoCAD, you can also select and open an xref, but the DWG opens to the previous saved view, and not to the desired view that matches the layout.
My thought was to experienting with lisp or scipt and export the "Viewctr", "Viewtwist" and "Viewsize" variables to a text file, then importing the text file and using the "Viewtwist" as my "SNAPANG" value, then "Viewctr" as my "ZOOM, CENTER" value, and finally the "Viewsize" as the "Enter magnification or height:" value.
But, alas, have no time, and not quite the knowledge to duplicate MicroStation's open-xref-and-zoom-to-view feature.