how I might go about applying an old style 3d stereoscopic effect onto an image? The effect doesn't have to actually function, is just required to give the effect of the kind of red and green cinema technique.
View 2 RepliesI am a 3d visualiser, who specialises in Architectural Visluals.
I was wondering if anyone knows of a plugin, or a way of realistically creating, the technique of a standard SLR filter, to a CGI image.
I have seen a couple of big companies who produce images that seem to have a distinct style, and it seems to be the colour levels either are too saturated or over colourfull, yet they are very good and a have a nice feel to the images.
I think they must use a lens filter type plugin, but i cant seem to find one on the net..
I recently purchased the Nvidia 3D vision glasses and when i load max my perspective viewport is in 3D (stereo). How to disable it within 3dsmax or if there are any settings in max? I know I can disable the 3d overall in the nvidia settings but was wondering if max had 3d settings tucked away somewhere.
View 1 Replies View RelatedI work with Adobe Premiere Pro CS6 for Video cut and rendering. What do Adobe recoment, in case I want to use 3D (stereoscopic) Video cutting as well rendering? Is there any Plugins for free?
View 1 Replies View RelatedI created a stereoscopic timeline in Smoke. That seems to work so far, but now I want to output it in full resolution on a 3D TV (Samsung). The TV only supports HDMI in.
I'm working on a Smoke for Mac 2012 with a NVIDIA Quadro 4000 (which has 1xDVI and 2x Display Ports). And we have the AJA Kona 3G (SDI out and mini HDMI). We have a reference monitor which is connected via SDI and that works.
We tried to connect the Mac via mini HDMI to HDMI. We did get a signal from Final Cut Pro, but we didn't get a signal out of Smoke.
I tried all kinds of settings, but there is no way of outputting an image from Smoke. What options do we have, so we can get a 3D signal out?
I heard that Smoke for Mac doesn't support Dual SDI out. Is that right? Would it work to simply buy a converter from SDI to HDMI? Would I still get full res HD out then?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
I have read and understood the Photomerge tool (and tried the process with the sample images that are in CS2). All this seems to be fine except for a couple of things...
1. To achieve 180 degrees I am going to need more than 3 images right? (overlapping each image by 15%-40%).
a. Can Photomerge in CS2 work with more than 3 images, or is 3 the maximum??
If 3 is the maximum, then it wouldn't be difficult to just increase the canvas width and add on? Or not? Or do 2 sets of 3 then hand stitch those together? What is the best process for achieving 180??
Also, I like to shoot just before sunset,usually. If I did a 180, say with the sun setting in the right hand side of the image, then panned to the left snapping as I go, I am obviously going to get different gradients of blue in the sky, (lighter sky to the right, a darker sky to the left)
Should I shoot in Manual or Aperture?
How will I get the tones in the sky to be seemless?. As long as I overlap by 15% - 40% all should be good?
What is the best process for achieving equal exposure in all shots?
What are some ways that people like to create cow leather, like the type you might find on cowboy boots? I've been searching for a good way to make a leather-looking tent.
View 2 Replies View RelatedI am taking photos of parts for a client. I've got a pretty good method down with correcting the originals to achieve the results I need. First here is the original. I'm using different color temp light sources, the walls of the photo box are slightly gray, and the table the parts are sitting on are white. So i'm trying to achieve the most accurate camera settings to get the original below:
After doing levels and exposure correction in PSD, I get what I want. I played around with the channel mixer and color balance to see if I can properly correct the object so it looks like gray steel, and not having that slight yellow/green tint to it.
The only way I could figure it out is to just turn off the hue saturation and it gives it a somewhat decent result as seen below: But suppose my object is made of gold, or has a piece of plastic on it that's red; if so, then turning off the saturation will not work.how I can use other controls in PSD to achieve a more accurate result?
Let's say you got a picture and you start editing it:
DesaturateAdd some noiseAdd some random dustAdd some vintage colorsSo you end up with a picture (let's say 1000x800px, 72dpi) that looks fine on your screen with 100% zoom. But you don't want to use this picture for a blog or something, you just want to print it. If you print it with 300dpi then most of the effects (noise, dust...) won't show on paper because the picture is printed around 25% of what you see on the screen.
Question:
Is there a technique so you can control whatever effects you add to your picture when the picture is going to be printed? I could resize the 72dpi picture after all effects applied around 400% and then print it but is resizing the best solution?
i wanna know which is the best technique to remove noise in Photoshop CS3
View 3 Replies View Relatedsometimes I will get a request for pool water to be placed in a pool and i need a way to do this more efficiently than I have been doing. Can some one help me with this. I have struggled with this lately on some pictures. I have added an example. I need to add pool water to this picture thats fairly realistic if possible.
View 8 Replies View RelatedWith the incredible amount of talent that exists on this site, with the "carded" pros and the guys who have been around the block and have hit every curb, it seems to me that a new forum catagory could be opened. "Tips from the Pros" or some such.
I know the Advanced area exists, and is rarely visited, and is good for those already 'advanced', but maybe something up front in the forum would help the average guy or gal. I've been doing digArt for about ten years or so, and there is not a day goes by, where I don't pick up something from someone else, new to the medium or not.
What is a good method to employ when using PS to draw facial features of an animal in this case. To be more clear, I know how to go about drawing the subject but would like some advice from those with experience on how to best draw out a figure in PS, such as techniques for getting curved lines that are not jagged, etc. Have found that the brush tool works well compared with the pencil tool, but I don't have much time in drawing out things in PS and would likle to hear what your techniques are basically for getting a nice looking drawing.
View 7 Replies View RelatedIs it possible to use AutoCAD with a 3d vision enabled system and view drawing documents in stereoscopic 3D format?
View 1 Replies View RelatedShot by a phone camera. I think the child who clicked couldn't focus & couldn't keep still...Not an easy job to fix this,at least i can't.
View 8 Replies View RelatedI wonder to know if there are new complex techniques to convert an image in black and white . would you like to share some experiences and knowledge about it. i don't mean the beginning like start with a gradient or a channel mixer but steps after.
View 3 Replies View RelatedI've done a bit of photo retouching on faces before: removing skin blemishes, changing eye colour, etc. I've only ever made subtle changes though; I saw a before and after of a photo retouch job on a model that went into a magazine (can't find the link now) and the difference was staggering! Does any one know of a tutorial or reference guide that takes you through the techniques? I know it's a huge topic but I know my way round Photoshop and I'm keen to know the techniques rather than a step-by-step guide.
View 5 Replies View Related What are some good tips/tricks for selecting multiple surfaces. I have a model that is composed of something like 1500 individual surfaces. I'd like to know if there is a way I can select only the "Top" surfaces, or edge surfaces (or alternatively if there is a way to select all surfaces that are visible from the Top view or side views). Something like selecting loops, and chaining when dealing with sketches would be useful.
What I'm trying to do is extract the upper most surfaces out of an imported collection of surfaces (its a cube-like shape, not organic or curves), and then use them to create a thickened solid. I don't want to spend the time making the 300 clicks necessary to get all the surfaces by holding <ctrl> (not to mention a wrong click without <ctrl> could send you back to square one).
I know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedI started my head model with a sphere ad I moved vertesis to shaped it, created lips and weld it onto the face, created two spheres that makes the eyes. I added a skin texture, the weldings of vertesis looks planar ang blocky thatn round and I cant seem to make it appear like a pro one. Its even hard to animate. I just wish I can overcome this, im stuck.
View 1 Replies View RelatedI'm starting to develop some customization for Inventor, and I need to decide whether to use VBA, .net, addin, plugin, or what else.According to this post .net is easier to use than VBA: URL....
I did a quick test and I found out that with VBA is much easier to use than .net: you can edit the source code while debugging, you don't need to compile and install anything, everything seems to work much smoother.Do I risk to find out that VBA has problems later in the development?
Where can I find documentation with comparison between the different customization techniques?
a look at 3d text integration techniques inside of action [URL]....
View 2 Replies View RelatedI tried to use the lens flare filter in Photoshop CS6.While the lighting effect is interesting, it introduces ugly artifacts like blue or orange blobs (which are supposed to be the reflection of the diaphragm, but do not look anywhere close to that, but instead are just cheesy looking blobs of color).
In the "movie prime" setting blue lines are added which have nothing to do with lens flar.On top of it, the preview is about the size of a stamp. Any way to use the filter without getting these artifacts, or is it - what I assume - just a useless toy filter, that has probably been dragged on for years and years because it's always been there? What do you use to create a lens flare effect? Are you just building it from scratch with brush work?
camera raw filter does not show up on the filter drop list on CC. I am trying to determine why this is the case. So far everything else seems to work.
View 2 Replies View RelatedPhotoshop CS5 already in 32-bit mode; Lighting Effects filter not showing in the FIlter Menu.
View 38 Replies View Relatedwhy not appear filter gallery (fade out) in filter menu
View 2 Replies View RelatedI do not have the Camera Raw filter in my filters menu, and I've just updated Photoshop this AM.
View 1 Replies View RelatedI've deleted my PS preferences and restarted, and I cannot get this filter to do what is was just doing a day earlier. It doesn't matter what the foreground/background colors are, nor does it matter what the resolution of the file is. I've experimented with every variable. The filter effect changes the filled layer to a solid color of the current foreground color. No lines, dots or circles at all.
I'm trying to make lines in a filled layer, or a rasterized text layer.Adjusting the sliders has no effect at this point, but the other Gallery filters DO work, oddly enough.
I've used this filter effect many times over the years, and it just started acting wonky. This is PS CS6, on Mac OSX 10.8.5.It seems to be unpredictable or temperamental. Is there a reasonably-priced plugin that will create lines that are completely adjustable?
I am relatively new to Photoshop CS2 but I've used other apps before. My question is - if I have a photo with a figure dressed in black on a light background, what is the besttechnique to use if I want to cut the figure out and put her in a backgroun of another colour, maybe a darker colour?
There are 2 issues here:
(1) How to create a near-perfect mask around the figure? I tried using the magic wand, it's very very close but there are one or two places that I am not happy about, such as around the face where the colour value of the face is close to the colour value of the wall.
(2) Since she is on a light baclground to begin with, wearing a black jacket, I get a halo when I put her on a darker background. How can I mask out something like this, and be able to put the figure onto any colour background without the halo effect?
I have Photoshop CS4 running on a 8 gig Vista 64 bit system. When I click on Filters, there is no Extract Filter. I did a search prior to posting and saw some threads talking about not moving files, icons etc from their original folder. I am un sure if anything has been moved. However, when I click on Filters, they all seem to be there (at least not greyed out), EXCEPT for the Extract filter. Any help would be apprecited and if you let me know where the filters should reside I can make sure they are in the correct location.
View 3 Replies View RelatedI cannot find the 3d filter in Photoshop cs5. How come? Should it be installed separately?
View 7 Replies View Related