Lightroom :: Correct Color Space To A Media Company
Feb 27, 2014I exported my images in the correct color space to a media company and the image color and quality are terrible.
View 2 RepliesI exported my images in the correct color space to a media company and the image color and quality are terrible.
View 2 RepliesWhen I export RAW files, specifying that I want the output to be in sRGB color space the resulting files have the Adobe RGB color space. The same is true if I specify I want them in ProPhoto. Is this a bug? I have done it successfully in other versions of Lightroom, but not in 4.3.
View 21 Replies View RelatedI'm trying to create a swatch in Illustrator with our company's colors. I already succeedid in creating a palet with the RGB and CMYK colors, but I also want to do this with the PMS colors.However, I can't seem to find the correct color book in which to locate the correct PMS color.
I only have the number of the PMS color, I don't know which color book to choose?
I have something like 1,850 photos, taken in RAW and later converted to DNG, to create a stop motion. All the photos were taken with the same camera (Canon 5D Mk II) and most of them with a 24-70L. All were taken in the same lighting conditions (in an interior, with the house lighting from flourescent lights) and the same day, in a period of maybe 2 or 3 hours. Each "take" was with the exact same camera and exposure parameters.
When processing the photos in Lightroom (using the LR4 beta) I can see some minor but very noticeable differences between color an exposure in the photos of the same "take". The exposure can be more or less automatically corrected by the Matching total exposures (although I think this doesn't work when the exposures are really similar, but there are some subtle differences like in this case, say, something along ~1/5 stop or so), but I haven't found how to try to match the white balance. All of the photos have already been set to a specific WB (I took a ColorChecker Passport at the beginning of the session), but there are still some differences between some of the shots. Some of them look a tad more greener. I blame the flourescent bulbs, but I'm not sure of the real cause.
So, the question is: is there a way to match the color balance of a series of photos to a target one? I really don't want to go photo by photo setting the white balance manually. Is there a tool like the Match total exposures, but for color balance? I have already tried with the automatic white balance, but the problem is that the decided WB for the photos is not the one I need, and I need to have the same WB for all the session, and this could change from different takes. The difference between shots is usually around 4 or 5 "points" in the Tint scale, some are with Tint +11, some with +15.
Or any other tool that could process this after? At the end I'll use JPGs to create the stop motion, so if there is a tool that could process the exported jpgs it could work too.
With Mac OS10.6.8, Photoshop CS4, and Epson 2880, the correct media profile is not available in the print dialogue box. I have matte black ink installed in the printer, but get only glossy paper options available for media type in the print dialogue.
View 2 Replies View RelatedAny resource(s) for correctly setting the color on my monitor so that it's synched with Lightroom? I have an 11x17 inch Dell monitor; don't see a model name.
I'm not sure if Adobe publishes anything or if I should check Dell's site.
I have LR4.3 for at least one year. He has worked correctly until 2 weeks ago. But now it is impossible to have correct color in the "development " part.
When i choose the pictures in the computer to load them, their colors are "normal" but after to have loaded them, The pictures are red, blue, green, yellowl etc without gradient (like solarization) Even if the picture loaded is in B&W.
And the "histogram" has the same colors.
When i decide to send these pictures to the computer, their colors are again "normal" (with the changes I have done) but without be able to control them during their passage in LR4.3.
Original picture:
The same in LR4.3
It's good practice to keep within certain color schemes for a business.. for brand recognition etc. But my problem is i started a company, and my first stop was the logo and website. I found a color scheme which i loved on screen.. its blue (#265E81) and dark grey (#272727)
I created a website aorund these colors. I then created business cards using these colors. And invoices. And letterheads. Now to my shock, the dark grey is So unreadable when ontop of the blue when printed out. Its clear as day on screen.... any screen. But just not on print. The blue becomes ALOT darker on print.
I do have slight understanding of setting up a document for print... such as 300dpi, and CMYK etc. But it doesn't make a difference to my final print.
Is there a method that i can find the color that will look like my blue on screen.. once printed out? Im tempted to just brighten up the blue on all documents intended for print... but that doesnt seem very proffesional or standard.
how do other companies pick their color schemes. Do they test there schemes on print aswell as screens before going ahead with it? I just see companies having the exact same color whether i see it on my screen or on a printed document.
I'm working on a feature length project and i'm having a really annoying issue. My project is on an external 3TB drive. My media cache is also set to that same external hard drive. My scratch disks are also set to that same drive. I checked and rechecked it - it's all set as it should be.
Yet somehow, while editing, especially while rendering parts of the sequence, the space on my C drive (boot drive) fills up within minutes!
I tried to look through C drive to see if there's some hidden place Premiere saves some files too but i can't seem to find anything unusual.
How do I tell what color space has been assigned to an image imported into lightroom. I think sRGB was assigned when it was edited in Photoshop and saved as a TIFF, but how do I verifiy that in Lightroom?
View 9 Replies View Relatedwhen exporting a photo, does Lightroom convert to a profile or assign a profile? Because there is no way to choose. I tried to export a photo with 3 different color spaces (sRGB, AdobeRGB and ICC profile from laboratory where I print my photos). After exporting them to JPEG it turned out that all of them look differently on my monitor - does it mean that Lightroom assigns a profile? If it was converting, shouldn't they have the same colours? What is more, after printing them in laboratory, results were completely different than I expected - the photo which had closest colours to what I saw in Lightroom was that in sRGB, but that with ICC of Lab was very different (much colder colours).
Where is the problem, or what aspect do I seem to misunderstand? Do I have wrong settings, should I use DNG to work with photos, should I export to TIFF, or I just have too weak monitor or wrongly calibrated one? Should I calibrate when viewing a picture in Lightroom or with the use of a photo exported to the ICC profile of Lab?
I would like to have a little bit of control over what I'm working on, depending on whether I want to publish it on a website or print. I know that my monitor can be a problem (I have an iiyama with IPS), but surely there has to be any way to make results of my work a bit closer to my expectations.
Just for information, my workflow doesn't require Photoshop, as I rather prefer to use only tools from Lightroom. I hope that my problem doesn't require the use of Photoshop.
why Light-room was set up to use the ProPhoto RBG Color Space?
View 4 Replies View RelatedSuppose I have an image in Lightroom. I export it to Photoshop for editing. During the editing process I convert the image to Lab color space. I complete the edit and then save the file. It goes back to Lightroom. Is it converted back into RGB at that point? Is there a problem with doing this? I'd rather not do any more color space shifting than I absolutely need to.
View 9 Replies View RelatedHow do I find out the color space of an image in LR 4.1?
View 9 Replies View RelatedA way to filter tiffs by 8 vs. 16bit and also color space? If not doable in PS another means of doing it.
View 1 Replies View RelatedI want to send my pictures to an online printing company to get my prints. Do I use the "Print" module to set up how I want them printed or is that set up on the printing company website. In other words, is the Print module just used if you have a printer?
View 2 Replies View RelatedWhat rendering intent is used by LR4 when exporting using a custom colour space as there is not an option as there is with the print module.
View 10 Replies View RelatedAfter reading many webpages and watching many tutorial videos about which color space to use, I get odd results. I understand that sRGB is more for web applications, and that Adobe RGB 1998 has a wider gamut, and that ProPhoto has the widest gamut of colors, particularly useful with printing.
However, in LR 4, when I export to jpeg as sRGB, Adobe RGB, and ProPhoto, the differences are very noticeable. sRGB looks the most vibrant, Adobe RGB looks flat, and ProPhoto looks dark with a greenish cast. I expected ProPhoto to look best, or is that only for printing, and I have to process differently?
I installed LR5 from LR4 yesterday and each time I open an image in CS5 from my LR5, I get the following message:
The document "IMG_9082.CR2"has an embedded color profile that does not match the current RGB working space.
Embedded: Adobe RGB (1998)
Working sRGB IEC61966-2.1
What would you like to do?
-Use the embedded profiel (instead of the working space)
-Convert documents's colors to the working space
-Discard the embedded profile (don't color manage)
My camera's settings have it set with sRGB, LR4 and LR5 have sRGB and I have CS5 workspace as sRGB. This did not happen before.
Is it possible that when LR5 updated the LR4 catalogue, it changed the profile of all my photos? I don't know, maybe I've done something, but I can't see what as I don't remember changing anything.
I have a photo of a painting that was taken with Kodak color checker patches on one corner. It looks like I need to adjust the colors in Photoshop.
I want to use the color checker as a reference to correct the overall image color and contrast. However, I don't know how to use it as I have never worked with color checker patches before.
how to color correct the image on photoshop?
I am attaching a cropped sample image. The original image is in RGB. The colors on the Kodak patch as follows: Blue, Cyan, Gree, Yellow, Red, Magenta, White, 3/Color, Black.
The color space on the selected images appears to be changing when I use the Lightroom flash gallery in the web module of LR4.1. This stays the same when the gallery is uploaded. In previous version of LR I have seen color changes in the web module but they have been corrected (and correct) when the gallery is uploaded to the 'net.
I have read that this was (previously) a problem with the flash gallery specifically becuase it was not colour magaded, but I understood that this had been corrected for LR4. As far as my use is concerned it's actually more problematic now than it has been previously.
1. Artistic Media tool must draw in color! That's why we call it "Artistic" - first choose color, and then draw. It is natural.
2. After the object was created and COLORED by me, everything was fine, I try to reduce the size of the work and realize that I was forgot to mark "Scale stroke with object" option and there comes two problems:
2.1. I can't select multiple AMT-objects and change this COMMON option for them.
2.2. When I change this option FOR EVERY SINGLE OBJECT I previously made, it turns strokes back to black color!
And now comes the third and fourth problems:
3. Now I must SELECT OBJECTS ONE-BY-ONE AGAIN to re-color them!
4. And I have to remember every color for every stroke?!
how to properly link my footage on my timeline to color corrected files from film convert. I know how to do it to each individual clip at a time, but when I select a whole folder, it always relinks the media to it's original destination and not the new destination with the color corrected files. What's the correct way to link multiple clips to new source files?
View 13 Replies View RelatedI'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
What is the proper way to change the color of a social media icon like this one. I have no trouble making a selection, but I'm embarassed to say that I don't know what to do after that. I've tried adjusting the hue/saturation, but important detail is lost, and (for example) if I was trying to make the image #ff0000 red, it wouldn't really be true in color with a hue/saturation adjustment. I know this image is not the best quality, but something tells me that I need to make and selection, then create a new layer.. but as a newbie I'm stumped. Oh, that is - a newbie still using Elements 8.
View 6 Replies View RelatedI am new to Photoshop. I have version cs5. I have several photos that were taken through a Blue tinted plexiglass window. Some or all of the photo has acquired the tint. Also parts may have a reflection minor of people standing around. How do I remove the tint?
View 3 Replies View RelatedI photograph a bright red car in raw mode on a digital slr (Canon 20D) set to Adobe rgb 1998 and view it in Breeze Browser and it looks just as I remember it. I open it into Pshop CS5 extended (which is set to Adobe rgb1998, Europe ISO Coated Fogra27, (as I am UK and this is what a calibration company set our works proofer to) gray gamma 2.2 dot gain 20% and its become a little desaturated.
Sampling it and comparing screens and colours with Breeze Browser its definitely less red, a bit more orange red instead. I need to up saturation to return the red, both in RAW converter and also after image opened if not done so beforehand in RAW converter. Colors just look muted.
What tests can I carry out to find out what is going on ?
Perhaps create a rgb 255 0 0 image in a way not influenced by photoshop and photo the monitor, then open this in photoshop and sample it. However that would be influenced by the exposure of the camera. Maybe I need to create a Kodak grey card type image and establish correct exposure for the monitor brightness first. so what would that be as rgb ?
I know though that Pshop is displaying duller. Once upon a time we had Adobe gamma and one would go through the calibration wizard to set up Photoshop having already set up the monitor.
What do we have to do after installing CS5 extended or CS4 to ensure Pshops display is correct ?
I have Adobe gamma in the control panel, Is this something we still have to do in CS5, I wonder if its there because I still have Pshop 7 installed which used that wizard.
XP pro is my OS.
as some of you who work in TV know, video uses color bars to set up your source material in order to insure that levels in video will be output properly.
please see the above PDF. i created the BG in photoshop, then imported it into indesign for a half-page magazine ad.
this PDF is a high-quality output of PDF. i printed it on my $99 ink jet printer just to see how it looks on paper and it doesn't look too bad.
but is there some way i can test the print output without having to get a printed proof from the print company, that will insure that the ad's colors and levels are set properly?
i guess what i mean is, is there some way that a color bar system similar to TV can be used to compare with the PDF?
I would like to export some GUI elements as PNGs for an iPhone application and encountered the following problem:
What I did:
1. The developer gave me an hex code with that I should produce the GUI elements
2. I set the color in illustrator and exported the GUI elements as PNGs
3. The developer imported them and we noted a difference in color between my GUI PNGs and the color of a background element set in the ios app via the same hex code.
I work on:
- MacBook Retina
- Illustrator document color mode is and was always RGB
- I experimented with color profile settings in Illustrator and Mac System Preferences but don't really know what the settings mean and dont have good feeling playing arround with them
I get this prompt while copying sequences between projects with gateway-linked footage, and I'm not sure what it means.
---------------------------------------------------------------------
CLIP MGT: Unmanaged media contained in selection. Store media on Wire?
---------------------------------------------------------------------
Is it asking me if I want to store a local copy or stonifize the media?
I've noticed that if I convert the same image to multiple color spaces and apply a 3D LUT with the new Color Lookup adjustment, the result is noticeably different. From experimenting, it seems that the lookup tables operate on whatever RGB value is given to them no matter what color space.
Is there a certain color space these were optimized for? For instance, would a certain color space give me a more authentic 2-strip look than another because of the space they were sampled in? And if I create my own 3D LUTs, would I have to create a separate one for each color space in order to get a consistent look in all spaces?