Lightroom :: Find Out Color Space Of Image In 4.1?
Sep 21, 2012How do I find out the color space of an image in LR 4.1?
View 9 RepliesHow do I find out the color space of an image in LR 4.1?
View 9 RepliesSuppose I have an image in Lightroom. I export it to Photoshop for editing. During the editing process I convert the image to Lab color space. I complete the edit and then save the file. It goes back to Lightroom. Is it converted back into RGB at that point? Is there a problem with doing this? I'd rather not do any more color space shifting than I absolutely need to.
View 9 Replies View RelatedWhen I export RAW files, specifying that I want the output to be in sRGB color space the resulting files have the Adobe RGB color space. The same is true if I specify I want them in ProPhoto. Is this a bug? I have done it successfully in other versions of Lightroom, but not in 4.3.
View 21 Replies View RelatedHow can I find all pixels in an image with an exact, specific color? So far, I've only managed to find the pixels matching a pixel I click on; but I wish to find pixels matching a specific color value!
View 1 Replies View RelatedHow do I tell what color space has been assigned to an image imported into lightroom. I think sRGB was assigned when it was edited in Photoshop and saved as a TIFF, but how do I verifiy that in Lightroom?
View 9 Replies View Relatedwhen exporting a photo, does Lightroom convert to a profile or assign a profile? Because there is no way to choose. I tried to export a photo with 3 different color spaces (sRGB, AdobeRGB and ICC profile from laboratory where I print my photos). After exporting them to JPEG it turned out that all of them look differently on my monitor - does it mean that Lightroom assigns a profile? If it was converting, shouldn't they have the same colours? What is more, after printing them in laboratory, results were completely different than I expected - the photo which had closest colours to what I saw in Lightroom was that in sRGB, but that with ICC of Lab was very different (much colder colours).
Where is the problem, or what aspect do I seem to misunderstand? Do I have wrong settings, should I use DNG to work with photos, should I export to TIFF, or I just have too weak monitor or wrongly calibrated one? Should I calibrate when viewing a picture in Lightroom or with the use of a photo exported to the ICC profile of Lab?
I would like to have a little bit of control over what I'm working on, depending on whether I want to publish it on a website or print. I know that my monitor can be a problem (I have an iiyama with IPS), but surely there has to be any way to make results of my work a bit closer to my expectations.
Just for information, my workflow doesn't require Photoshop, as I rather prefer to use only tools from Lightroom. I hope that my problem doesn't require the use of Photoshop.
why Light-room was set up to use the ProPhoto RBG Color Space?
View 4 Replies View RelatedI have installed Blurb´s color profile but Lightroom doesn´t show it in its list Choose profile.
I want to see how my pictures most likely will look in the book I will make at Blurb´s, so I need to use Blurb´s color profile.
Lightroom and Blurb is said to cooperate!
A way to filter tiffs by 8 vs. 16bit and also color space? If not doable in PS another means of doing it.
View 1 Replies View RelatedI exported my images in the correct color space to a media company and the image color and quality are terrible.
View 2 Replies View RelatedWhy can’t I find the color profile info in the library ? It’s sometimes necessary to convert to sRGB for some applications ( internet, some beamers in clubs,…). I convert them but afterwards it is nice to have the possibility to check this out and should be possible in lightroom, the info is present why not showing it ( it is not so easy to go in finder and look at it in info for every image)? Since I’m always working in Adobe profile for printing and so this is important to know !
View 10 Replies View RelatedWhat rendering intent is used by LR4 when exporting using a custom colour space as there is not an option as there is with the print module.
View 10 Replies View RelatedAfter reading many webpages and watching many tutorial videos about which color space to use, I get odd results. I understand that sRGB is more for web applications, and that Adobe RGB 1998 has a wider gamut, and that ProPhoto has the widest gamut of colors, particularly useful with printing.
However, in LR 4, when I export to jpeg as sRGB, Adobe RGB, and ProPhoto, the differences are very noticeable. sRGB looks the most vibrant, Adobe RGB looks flat, and ProPhoto looks dark with a greenish cast. I expected ProPhoto to look best, or is that only for printing, and I have to process differently?
I installed LR5 from LR4 yesterday and each time I open an image in CS5 from my LR5, I get the following message:
The document "IMG_9082.CR2"has an embedded color profile that does not match the current RGB working space.
Embedded: Adobe RGB (1998)
Working sRGB IEC61966-2.1
What would you like to do?
-Use the embedded profiel (instead of the working space)
-Convert documents's colors to the working space
-Discard the embedded profile (don't color manage)
My camera's settings have it set with sRGB, LR4 and LR5 have sRGB and I have CS5 workspace as sRGB. This did not happen before.
Is it possible that when LR5 updated the LR4 catalogue, it changed the profile of all my photos? I don't know, maybe I've done something, but I can't see what as I don't remember changing anything.
The title says it all...
Have searched the forums and Googled but can't find an answer...
How do I find the bit depth of an image in Lightroom 4.4?
The color space on the selected images appears to be changing when I use the Lightroom flash gallery in the web module of LR4.1. This stays the same when the gallery is uploaded. In previous version of LR I have seen color changes in the web module but they have been corrected (and correct) when the gallery is uploaded to the 'net.
I have read that this was (previously) a problem with the flash gallery specifically becuase it was not colour magaded, but I understood that this had been corrected for LR4. As far as my use is concerned it's actually more problematic now than it has been previously.
I exported an image from LightRoom to Photoshop to edit it. After saving it in Photoshop and closing, I went back to LightRoom and couldn't find it anywhere. Usually it's in the same folder as the original. I also can't find it anywhere on my hard drive or in recent files in Photoshop. I know it saved it because it was a huge file and I had to wait for it to save before photoshop would close.
View 2 Replies View RelatedIs there any way to find out which memory card was used with an image?
View 1 Replies View Relatedwhen I open my work it opens, I can see the layers on the side, but I can't see the work space
View 3 Replies View RelatedThe two points of a selection box should be points in space.
However on a busy section of a model I find it impossible to find a free bit of space for the first click and as such an element invariablely becomes selected and then is moved with the second click if not pinned down.
Is there a key that I can hold down (to indicate that a point in space click is required) when clicking the first point of a selection box and therefore avoid making a selection until the selection box is complete?
Can't figure out where to find the viewcube to rotate 2d model space in 2014 LT.
View 3 Replies View RelatedI have section headings in my document that have a Paragraph style applied to them. They are always of the form d.d.d.d( ) follow by a short sentance of text. For eg:
5.2.2.1 The rain in Spain falls gently on the crane
I am looking for a GREP style that can underline every word character with a character style but not the spaces between the words. It seems to involve nested iterations which I'm not sure how to do including a non-marking expression. Well it aint working how I think it should…
5.2.2.1 The rain in Spain falls gently on the crane.
I think this GREP style should get it: (?<= )((S)+(?:s))+ The positive looks back on the Tab between the last digit of section number and first word but the non-marking subexpressions are not excepting the spaces from underlining, instead I end up with all the Head Text underlines like so:
5.2.2.1 The rain in Spain falls gently on the crane
I'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
How would I find the translation of an object in world space? according to the documentation, translate is not -queryable... once I freeze transformation of a sphere theres no way for me to find its world space, but it still Has a world space because its at a location in the scene.
View 1 Replies View RelatedI've noticed that if I convert the same image to multiple color spaces and apply a 3D LUT with the new Color Lookup adjustment, the result is noticeably different. From experimenting, it seems that the lookup tables operate on whatever RGB value is given to them no matter what color space.
Is there a certain color space these were optimized for? For instance, would a certain color space give me a more authentic 2-strip look than another because of the space they were sampled in? And if I create my own 3D LUTs, would I have to create a separate one for each color space in order to get a consistent look in all spaces?
I've just got a new monitor and i have downloaded an ICC profile to use as i don't have calibration hardware yet. I've loaded it in Windows using color management. My question now is what color 'working space' i should set in Photoshop.
I must say that learning about color has been a steep learning curve for me so I have tried to avoid it as much as i can!!! If a total novice guide on color has been covered in another thread just point me there!
How to use the color panel, but I'm wanting to change the blue of the sky without affecting any other blues in the photo.
I've tried adjustment brush on the sky but the HSL panel doesn't affect the selection it affects everything, Is there a way to achieve this?
I did an export of an image from DNG to JPG in LR4. Funny thing is, the JPG suddenly appears with a washed out look. It looks the same in Develop and Print modules also.
It gets even funnier, because when I use Finder to check the photo, the preview of the image is fine. I also opened the image from Finder in Photoshop CS5 and it is fine there. I also opened the image in PSCS5 from LR4 with "Edit In" and again the image in Photoshop is fine. So this appears to be a view issue in LR4. I did not print out the washed out photo but I suspect it would print out as it appears in LR4.
I've done some other image exports from DNG to JPG with other images and they do not have this problem but those were black&white converted images. However, I did check doing an export of another color image with the same result as the problem image. Here are screen captures of the DNG and the exported JPG (I was going to upload the exported JPG, but like I said it appears fine in Finder):
When I first load photos into lightroom I get a quick preview than looks like a JPEG? A second later after the image has time to load the color will change. I'm guessing that I'm seeing a JPEG preview then I'm getting what the RAW image looks like? If that is the case, is there anyway to get that preview color back without exporting as a JPEG?
View 1 Replies View RelatedMy Nikon D7000 raw files all have a magenta cast to them when imported into Adobe Lightroom 3.5, and I wasn't shooting on multiple exposure. I am running Windows 7 64-bit, and have Adobe Photoshop CS4 as well as a trial version of Adobe Lightroom 3.5 (testing to see if I would like to buy as I can't read my raw files in CS4).
If I convert my raw files to DNG, and then view them using camera raw (CS4), the magenta cast is gone. However, if I view those same DNG files with Lightroom, they have the magenta cast. I have tried re-importing my catalog, but every time they all have the same strong magenta cast.
I want to select a specific color from within the image, and change all similar colors within that image to a different color. In other words, after using the Color Picker Tool to select a color from the image, I want to take the selected color (and everything in the image that is equal to or similar in color), and change them all to a different color.
I tried using the Path's Tool to create an outline in the image, and changing colors that way, but it changes all the other colors in the selection I don't want to change. I just want to change all colors in the image/selection that are equal to or similar to the selected color. How do I do this?