Suppose I have an image in Lightroom. I export it to Photoshop for editing. During the editing process I convert the image to Lab color space. I complete the edit and then save the file. It goes back to Lightroom. Is it converted back into RGB at that point? Is there a problem with doing this? I'd rather not do any more color space shifting than I absolutely need to.
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How do I find out the color space of an image in LR 4.1?
View 9 Replies View RelatedWhen I export RAW files, specifying that I want the output to be in sRGB color space the resulting files have the Adobe RGB color space. The same is true if I specify I want them in ProPhoto. Is this a bug? I have done it successfully in other versions of Lightroom, but not in 4.3.
View 21 Replies View Related1) Take a color image and apply a color-shift local adjustment to a portion of the image.
2) Convert the image to B&W.
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Result -- The main image is converted to B&W, but the local adjustment doesn't change, i.e. it's still colored. Here's a trivial (and not-realistic) example of what happens:
My goal is to adjust the colors and the apply the B&W conversion to the entire processed image, not just the original piece. Is there a way to do this? I feel like I'm missing something small and easy.
Is there a way to have CorelDRAW automatically convert imported objects to the document color space?
In "Tools > Color Management > Default Settings..." I have "Import and paste:" settings all set to "Convert to document color profile". Yet if I have a CMYK document, when I import an RGB JPEG, it will remain RGB.
Is there some other setting that will accomplish this? I'm constantly ending up with elements in both color spaces.
I'm aiming to take RAW photo files, edit them in a wide color space, and when posting them to the web, save them as sRGB.
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My workspace is as follows:
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I open RAW files in Photoshop via ACR as 16-bit ProPhoto smart objects. When I finish editing them, I use "Save for Web" with the "Convert to sRGB" and "Embed Color Profile" boxes checked.
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Photoshop and Bridge tell me the profile in photos saved as such is sRGB as expected. When I upload to a site like flickr, however, the metadata says the photo is still in ProPhoto. See an example here: [URL]...If I use "Convert to Profile" and change it to sRGB, then upload to flickr, the metadata says the photo is in sRGB, as it should be.
how to convert old alphabet art to color and actualy converting color images like drawings to vector . Ive tried image trace but it turns the image black and white and with really rough strokes.
View 2 Replies View RelatedHi all,
I just found this forum a few days ago and have been reading it a bit and found some very useful information and some great resources for Photoshop, I am hoping you can help me with this.
I am using Photoshop CS2 and I know how to convert a color image to B&W, but is it possible to convert a B&W image to color?
How do I tell what color space has been assigned to an image imported into lightroom. I think sRGB was assigned when it was edited in Photoshop and saved as a TIFF, but how do I verifiy that in Lightroom?
View 9 Replies View Relatedwhen exporting a photo, does Lightroom convert to a profile or assign a profile? Because there is no way to choose. I tried to export a photo with 3 different color spaces (sRGB, AdobeRGB and ICC profile from laboratory where I print my photos). After exporting them to JPEG it turned out that all of them look differently on my monitor - does it mean that Lightroom assigns a profile? If it was converting, shouldn't they have the same colours? What is more, after printing them in laboratory, results were completely different than I expected - the photo which had closest colours to what I saw in Lightroom was that in sRGB, but that with ICC of Lab was very different (much colder colours).
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Where is the problem, or what aspect do I seem to misunderstand? Do I have wrong settings, should I use DNG to work with photos, should I export to TIFF, or I just have too weak monitor or wrongly calibrated one? Should I calibrate when viewing a picture in Lightroom or with the use of a photo exported to the ICC profile of Lab?
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I would like to have a little bit of control over what I'm working on, depending on whether I want to publish it on a website or print. I know that my monitor can be a problem (I have an iiyama with IPS), but surely there has to be any way to make results of my work a bit closer to my expectations.
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Just for information, my workflow doesn't require Photoshop, as I rather prefer to use only tools from Lightroom. I hope that my problem doesn't require the use of Photoshop.
I want to combine four b/w images of the same object using slightly different illumination into one final colorized image.
View 1 Replies View Relatedwhy Light-room was set up to use the ProPhoto RBG Color Space?
View 4 Replies View RelatedHow do I convert my cr2 image from camera into a jepeg to send online without losing the color and quality of the cr2 image? Mine gets really bad when I convert to jpeg. Can I size a cr2 also?
View 4 Replies View RelatedA way to filter tiffs by 8 vs. 16bit and also color space? If not doable in PS another means of doing it.
View 1 Replies View RelatedI exported my images in the correct color space to a media company and the image color and quality are terrible.
View 2 Replies View RelatedI want to convert a black and white tif image to colour. I opened it in Photoshop, changed the mode to RGB colour/8, saved it as psd, but when I use the Replace Colour dialogue box, I just get my colour showing as grey-scale. What’s the correct way to proceed?
View 8 Replies View RelatedHow can I convert negative image to a positive image in Lightroom.
View 2 Replies View RelatedWhat rendering intent is used by LR4 when exporting using a custom colour space as there is not an option as there is with the print module.
View 10 Replies View RelatedAfter reading many webpages and watching many tutorial videos about which color space to use, I get odd results. I understand that sRGB is more for web applications, and that Adobe RGB 1998 has a wider gamut, and that ProPhoto has the widest gamut of colors, particularly useful with printing.
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However, in LR 4, when I export to jpeg as sRGB, Adobe RGB, and ProPhoto, the differences are very noticeable. sRGB looks the most vibrant, Adobe RGB looks flat, and ProPhoto looks dark with a greenish cast. I expected ProPhoto to look best, or is that only for printing, and I have to process differently?
Costco print services use Dry Creek Photo profiles. They ask that files be converted to color profiles in PS and say that embedded profiles will be ignored by their digital printers. I wonder if I can do this in LR4.2 without going to PS CS6.
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In Lightroom 4.2, we can choose color profiles in the print module or in the export dialog.  Do you know whether specifying a color profile in these will result in a converting or embedding of those files?
I installed LR5 from LR4 yesterday and each time I open an image in CS5 from my LR5, I get the following message:
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The document "IMG_9082.CR2"has an embedded color profile that does not match the current RGB working space.
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Embedded:Â Adobe RGB (1998)
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 Working sRGB IEC61966-2.1
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What would you like to do?
-Use the embedded profiel (instead of the working space)
-Convert documents's colors to the working space
-Discard the embedded profile (don't color manage)
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My camera's settings have it set with sRGB, LR4 and LR5 have sRGB and I have CS5 workspace as sRGB. This did not happen before.
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Is it possible that when LR5 updated the LR4 catalogue, it changed the profile of all my photos? I don't know, maybe I've done something, but I can't see what as I don't remember changing anything.
The color space on the selected images appears to be changing when I use the Lightroom flash gallery in the web module of LR4.1. This stays the same when the gallery is uploaded. In previous version of LR I have seen color changes in the web module but they have been corrected (and correct) when the gallery is uploaded to the 'net.
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I have read that this was (previously) a problem with the flash gallery specifically becuase it was not colour magaded, but I understood that this had been corrected for LR4. As far as my use is concerned it's actually more problematic now than it has been previously.
Why does Lightroom convert black and white to color when importing? How can I get it back in orginal form without the automatic conversion?
View 4 Replies View RelatedHow do I turn off this feature and reverse the images back to the way I shot them?
View 3 Replies View RelatedCorel Draw 5 did this very nicely but it's obsolete and I can't load it onto this machine (HP all-in-one Pavilion desktop with Windows 8).
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I am working with hand-drawn images but since I need to manipulate the outline/s with a 4 - 12 pixel tool, it would be great to just be editing nodes instead. Creating the image from scratch as a vector graphic would be a horrible large amount of work and is not feasible at this time.
Is there any way other than Corel Draw 5 to make the conversion from bitmap-type images to editable vector graphics, ie: editable nodes?
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PS - I don't have $700 - $1000 to spend on software at this point but do have Photoshop Elements 11, Premiere 11 and Lightroom, plus GIMP and the usual. Where should I start?
I'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
I've noticed that if I convert the same image to multiple color spaces and apply a 3D LUT with the new Color Lookup adjustment, the result is noticeably different. From experimenting, it seems that the lookup tables operate on whatever RGB value is given to them no matter what color space.Â
Is there a certain color space these were optimized for? For instance, would a certain color space give me a more authentic 2-strip look than another because of the space they were sampled in? And if I create my own 3D LUTs, would I have to create a separate one for each color space in order to get a consistent look in all spaces?
I've just got a new monitor and i have downloaded an ICC profile to use as i don't have calibration hardware yet. I've loaded it in Windows using color management. My question now is what color 'working space' i should set in Photoshop.
I must say that learning about color has been a steep learning curve for me so I have tried to avoid it as much as i can!!! If a total novice guide on color has been covered in another thread just point me there!
Is there any way in Elements 9 to convert a color or color range to "transparent"? I want to change a white background of an imported image (a map) to transparent so only the non-white objects (lines and shapes) are present. The image is way too complex to select each area individually.
View 4 Replies View RelatedI have a color picture, and I want to convert it to B&W, and then I want to add another color to it (for example – red). I don’t want to paint some areas in it, I want for example to keep all the red parts of the picture, or only part of the red parts.
It something like in the movie Schindler's List, in the B&W scene where you see a little girl with red coat.
How to use the color panel, but I'm wanting to change the blue of the sky without affecting any other blues in the photo.
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I've tried adjustment brush on the sky but the HSL panel doesn't affect the selection it affects everything, Is there a way to achieve this?
