Is there a way to have CorelDRAW automatically convert imported objects to the document color space?
In "Tools > Color Management > Default Settings..." I have "Import and paste:" settings all set to "Convert to document color profile". Yet if I have a CMYK document, when I import an RGB JPEG, it will remain RGB.
Is there some other setting that will accomplish this? I'm constantly ending up with elements in both color spaces.
Suppose I have an image in Lightroom. I export it to Photoshop for editing. During the editing process I convert the image to Lab color space. I complete the edit and then save the file. It goes back to Lightroom. Is it converted back into RGB at that point? Is there a problem with doing this? I'd rather not do any more color space shifting than I absolutely need to.
I'm aiming to take RAW photo files, edit them in a wide color space, and when posting them to the web, save them as sRGB. Â My workspace is as follows: Â I open RAW files in Photoshop via ACR as 16-bit ProPhoto smart objects. When I finish editing them, I use "Save for Web" with the "Convert to sRGB" and "Embed Color Profile" boxes checked. Â Photoshop and Bridge tell me the profile in photos saved as such is sRGB as expected. When I upload to a site like flickr, however, the metadata says the photo is still in ProPhoto. See an example here: [URL]...If I use "Convert to Profile" and change it to sRGB, then upload to flickr, the metadata says the photo is in sRGB, as it should be.
When I export RAW files, specifying that I want the output to be in sRGB color space the resulting files have the Adobe RGB color space. The same is true if I specify I want them in ProPhoto. Is this a bug? I have done it successfully in other versions of Lightroom, but not in 4.3.
Can you download a Google Docs Drawing file as a file.svg type And then import it to CorelDraw and convert it to a bunch of CorelDraw vector based lines that can be modified like any other CorelDraw line drawing?
BTW, this is a drawing of a character and is simply b&w lines & shapes on a white background.Line widths vary in the original and we want to be able to modify them even more using all the tools in CorelDraw.
I was able to open the .svg file with CorelDraw but when attempting to 'Edit' a line in the drawing I couldn't change the line width... so it isn't behaving like a CorelDraw vector drawing.
I have a client who is waiting for a flyer design i did. Â So i created a christmas flyer. Â It looks nice with christmas colors and all. Â When i go to convert it into a jpeg in photo paint, the green changes to lime green and the other colors change as well. Â To florescent vibrant type. This just started happening recently. Â When i played around with settings, i saw something about RGB, CMYK (which dulls everything).
1. How to fit properly A4 size Rectangle in the document? because after finish work when I converted the the cdr file to TIFF, it shows the image is not fit in the document and also the print does not comes out properly.
2. An other problem I have is, when I converted cdr file to TIFF and even JPEG, color of drop shadows which was black, is appears as a white color....what should I do? how to change the color setting?
When I open or import a DWG into CorelDraw X6 it changes the colors (see image).
I tried changing the Color Management Settings to Minimal Color Management which is suppose to preserve the original color when opening, importing, and pasting, but that doesn't work.
I'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
I've noticed that if I convert the same image to multiple color spaces and apply a 3D LUT with the new Color Lookup adjustment, the result is noticeably different. From experimenting, it seems that the lookup tables operate on whatever RGB value is given to them no matter what color space.Â
Is there a certain color space these were optimized for? For instance, would a certain color space give me a more authentic 2-strip look than another because of the space they were sampled in? And if I create my own 3D LUTs, would I have to create a separate one for each color space in order to get a consistent look in all spaces?
I've just got a new monitor and i have downloaded an ICC profile to use as i don't have calibration hardware yet. I've loaded it in Windows using color management. My question now is what color 'working space' i should set in Photoshop.
I must say that learning about color has been a steep learning curve for me so I have tried to avoid it as much as i can!!! If a total novice guide on color has been covered in another thread just point me there!
Is there any way in Elements 9 to convert a color or color range to "transparent"? I want to change a white background of an imported image (a map) to transparent so only the non-white objects (lines and shapes) are present. The image is way too complex to select each area individually.
I have a color picture, and I want to convert it to B&W, and then I want to add another color to it (for example – red). I don’t want to paint some areas in it, I want for example to keep all the red parts of the picture, or only part of the red parts.
It something like in the movie Schindler's List, in the B&W scene where you see a little girl with red coat.
how to convert old alphabet art to color and actualy converting color images like drawings to vector . Ive tried image trace but it turns the image black and white and with really rough strokes.
I have a layer that is all white with text and some shapes (with heavy anti-aliasing, so the alpha channel variations of white, too) and I am trying to convert it to a specific other color (just a cream color that I have the HTML code for).
So, when a layer is all one color (not counting variation in alpha values), is there a technique to change that to a specific other color, rather than just toggling the "Color Balance" to get an approximation?
Is there a way to apply a color to selected objects without having to search for the color in the color palette. So say if I am working with an image that has multiple colors but want to use only one of the colors in that image, is there a way to apply it without having to create or add it to the palette.
I recently upgraded to 3.6 and the import process is now torturously slow. LR 3.6, Windows 7, 9GB RAM. I convert RAW files to DNG on import and save to a network NAS with a direct wired connection. They are large RAW Files (23-30mb) but imports before the upgrade proceeded normally. It now takes about 10 minutes per file... I'm fairly sure that the upgrade is the only change I've made. The import has taken well over three hours -- there's obviously a wrench in the works somewhere.
I want to make a simple animation from 3 pictures (gifs saved on my computer). I understand that I have to get these 3 pictures to be layers but I can't work out how to do that. One tutorial referred to Image>convert to editable layer but I don't see this option on my menu (using CS2). I have to admit to not having mastered layers properly yet.
I would be so grateful if someone could give a step by step description of how to import 3 different pictures and somehow get them into one animation. The ability to make simple animations would make an enormous difference to the project I am working on.
I had someone send me a .vwx file that I need to convert/import into AutoCAD3D 2010. The File/Import menu does not have an option for this type of file. They also sent a .dwg file but I expect I should be able to import the .vwx into any .dwg file.
I got my monitor calibrated/profiled already and I am ready to work on some pictures. Do I need to fiddle with color settings in Photoshop? I bring them in from RAW to photoshop as ProPhoto. Do I need to do anything else?
my 20d is set to sRGB. My woring space in photoshop is set to sRGB. When I take a photo and bring it in, the exif just say "RGB" - not sRGB and not Adobe. So I'm no sure what "RGB" is. But anyway, I'm trying to avoid having to "Image/Mode/Convert to sRGB" and no matter what I do, unless I MANUALLY do that option from the menu, my images always look crummy grey.
Ok so I thought, "I'll create a batch process" so I created an action with a file/open/image/mode/convert and selected sRGB, did a close on the file, stopped the action. I tried applying it to each image in a directory. They STILL came out grey. But when I manually selected the option, they looked great.
What's going on here? I don't want to have to manually convert each image like that. Why can't I seem to get my photoshop environment to ONLY work with sRGB?
A lot of the time, I wil create an image in photoshop (and in mind, all of the work that I do is 100% for the web) and somewhere in that image will be a nice blue color but when i export that image, it will be purple, not the blue that i had made.
Somehow, at this point, I think i have everything all goofed up between my monitor, adobe gamma and photoshops color profiles.
For instance, i was looking in a book of color and found this nice yellow tone (y30, 0 0 0) that looked wonderful on paper, similar to colors i see online.. I transalted that to #FFFAB2 in photoshop, looked right.. I then went to my web editor, made the BG of a table that color.. and it now appears to be a murky maize color, not the light grey/yellow at all i had aimed for.
the color spaces in photoshop and its relationship to adobe gamma and maybe some pointers on how to set this all up so that it fits the right bill? I know this is a terrbily vague question, but my understanding of this is also vague and i would love some blanks filled in. My monitor is a sony trinitron MultiScan E540, 21", 2 years old.
I need to export into blender a project DFX and i export successfully all objects exept 'block references' with the error "error creating temporary file" . Seems that everything is converted into solids ok, exept block references.
My second question, is there any way i can export somehow as a solid object but the conversion not triangulated ( as in the image below) Clipboard01.jpg It will be awsome if for everyface exported object as solid will be just 4 vertices in that face and not 3 as in the image.