Illustrator :: Printing Requires To Use Spot Color For Black - Recolor Artwork Changes Percentages
Aug 1, 2013
Illustrator CS6 (other users on 5)
Mac OS 10.6
I just need to go from K and tones of K to a spot color and tones of a spot color.
I'm using recolor artwork because I can't merge into K. The art comes in from our customers as K so we can't just design differently.
The rectangles on the right are k and tones of k. The rectangles on the left are the results after converting to a spot color with recolor artwork. Using recolor artwork. I just need a way to accurately move the tones from k to a spot.
In Recolor artwork is there a way to change the black and white colors to a color? When I try to edit them it doesn't edit them at all. It would be nice if I didn't have to manually tweak the colors to have color before I go into Recolor Artwork.
working in CS6, OS 10.6.8. I'm working on a 3-color screen print CD label, and the colors will be a white background, plus black and a PMS color. I've been recoloring some CMYK artwork to use in the design, and really liked the results of Recolor Artwork (selecting only black and the spot color), until I noticed that when I selected "tints & shades" it converted everything with black in it to process (which I know Adobe says is why you shouldn't select that option).
But my question is, how can I get the same effect (that is, using shades of the spot color "mixed" with black) without having it convert the shades to process? I'm sure it involves overprinting, but I'm hitting a big hole in my knowledge.
The Recolor Artwork dialog does not replace the color of objects filled or stroked with pure black, either CMYK or RGB. (Yes, with the Recolor Art checkbox selected.) The dialog will replace any other color, but not black. Not even a manually created rich black. Manually selecting another color from the Color or Swatches panel does change the object's fill or stroke.
This happens with both CS6 and CS5 under Windows 7 x64. I reported it as a bug on the prerelease site. Also not sure if bug reports are still being read for the released version.
Is there any way to apply transparency to a color when using the recolor artwork box? I am dealing with a lot of puppet warp and gradients so it would be nice if I could use the recolor artwork box, instead of looking for all the colors manually.
As you can see from the screenshot, there is a lot of colors to go through.
I have PS CS6 and like to do B & W prints. I print them on my Canon MX870 printer (4 color printer) ... they turn out quite nice. VERY Black & White. Recently, I started doing B & W with a small highlight of color... like a photo of my daughter and her friends with just her red shoes in color.
The Black and White is now not truly B & W... it is slightly tinted ... purplish. I have tried adjusting the levels and contrast but it only changes the tinting to other tints... bluish, redish, etc. I use cmyk 300dpi (typical of what commercial print shops would use). Still no success. Or am I stuck having to send my photos to a printshop for printing?
I have a file with a number of artboards on which there are objetcs filled with 100% Magenta and some with 100% Magenta and 0,34% Yellow. I want to get rid of that 0,34% but Illy is refusing to cooperate.
Even selecting just two or three objects and trying to recolor using the Edit/Edit colors/Recolor Artwork dialog has no effect. I can change the color manually though, for one or more selected objects.
How do I change the base color in the recolor Artwork settings? I know this seems like a silly thing but I really need to figure this out and I have read and gone through the manual to no avail.
The text below is set in one conatiner, I want to recolor 28m 100y process to a PMS 130 Global swatch.
I select the type, use recolor artwork, and take the arrows off of everything except the 2nd color (which is 28m 100y). This is where I get stuck, how do I assign PMS 130 to be the destination color?
Tried clicking a few things and did not work, and if I try to choose document swatches, I get the error below.
I cannot use select >> same fill color, because the type is in one text container, and I need just the gold type selected (along with fills and strokes in the rest fo the document)
I recently bought an HP 6600 printer to replace a cheapo Lexmark printer.
I'm making maps -> photoshop to Illy to print with tiling set at 6-8 pages. When I print on the new HP, the resize percentages are off; so streets, numbers, text, etc. do not line up when pieced together.
This did not happen with the cheapo Lexmark, so I am assuming that it is the printer?
I need to use a spot black on some packaging. The spot black will be used as a vignette on top of a photograph of the product which is done in Photoshop. I have created the packaging in Illustrator and need to import this file but it needs to have the spot colour intact. So far I have created a PSD with a Spot channel which I thought was the answer but Illustrator can't read PSDs with spot channels. I then saved it as an eps but when I import an eps it only shows a white rectangle as opposed to the actual artwork.
I'm pretty new to preparing artwork for spot colour printing - it's a hoodie design in this case.
I created the artwork in CMYK originally, and have got some of the way towards converting into a 5 colour print job using Recolor Artwork, so I've got it down to 5 swatches.
However, the printer is asking for colours separated by layers, which makes sense - I think means knocking everything out so there is no overprinting - is this correct?
If so, what is the best approach to take, to avoid unnecessary work, to convert from the current artowrk, with a lot of overlapping artwork, to produce 5 layers each with vector artwork coloured with its own Pantone swatch?
When 4-color process printing (CMYK), how might one remove the black plate from the process, but maintain the same "shade", or very close to, of all process colors?
Top swatch is the original. Bottom is the closes I could get while keeping Black at 0%.
We print out spot color seps every day using CorelDraw X4. After we print out the plates, I have to cut down the vellum that we print on so that we do not have a bunch of extra blank vellum on the sheet.
We make use of the info that is printed on the lower left of every page where it states something like the following:
S:DirectoryWhereTheArtworkisLocatedfilename.cdr
Wednesday, December 23, 2011 8:00 AM
Plate: 1 of 3
After I cut down the sheet, I then have to hand write the name of the spot color onto the sheet of vellum in marker.
Is there any way at all, to make it so that CorelDraw would actually add the name of the spot color that is printed on each page to the information that is already being printed to the lower left? Ideally, it could be placed in the same area where it's already printing the plate information on the last line.
I have a photo that i would like to me in black and white with a few objects remaining in their original color. Any ideas on how to do this the "right way" without simply using the brush?
I have been working on redesigning a brochure based on a previous year. I updated all the images and text and sent it off to the printer the way it should look. When we got the brochure back, it had picked up an image that I never saw while working with the file. The printing company says the image was embedded in the file and appeared all along to them, but I cannot find any trace of it in my file. I have searched through every layer item by item to try and find it but it remains a mystery. I want to make sure that it does not appear in future prints of the file.
When I want to send file separation containing only spot colours, sometimes it comes with empty CMYK separations printed.
Lets say an artwork may be only one colour, so when printed the outcome should be just that colour, but instead I end up with 5 separations printed - the one I wanted to print plus cmyk bits all blank (empty pages with only registration pieces imprinted).
Neither on artwork nor separation preview there's no process colours whatsoever, so do any of You know what may cause this?
I'm using the same print template and it happens form time to time. (not a problem for me but my colleagues complain about it all the time).
With both tools, I can make a few changes and then both will leave a black brush spot. It works, and then it is like the program is too challenged & it just leaves a black spot. Sometimes if I move my mouse to the history panel to back up to get rid of the black spot I get a swipe of the tool all across the image when I'm reaching with the mouse to go back in history.
In order to change the color of the artwork I got file>document setup, I tick the simulate color paper option in the transparency oprions of the window. From there i choose the color of my choice.
Suppose for example that the color of the artwork is red, then if I have a vector object which is white, then, its color appears to be red, as that of the artwork.Why the above happens.I want to have the artwork a color other that white so that I can draw white objects in it.Here is an image/example where the artwork is orange and the icon is NOT white as I want it and expected to be:
Some of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
new to PaintNet. I have a Hex Grid PNG file where the Hex outlines are in a shade of grey. I want to "recolor: the grey lines black. Thought the RECOLOR tool would do that but I can't seem to get it to work. The Hex grid PNG is attached to this post.
When I copy artwork from an Illustrator CS6 RGB file and paste it as a smart object into Photoshop CS6 the colors are changing slightly. Here's an example:
RGB 234, 76, 52 (original color in Illustrator artwork) RGB 233, 75, 52 (color of smart object pasted into Photoshop)
Why the color is changing? I need the color to be an exact match.
I have CS6 Creative Suite and the applications are synchronized using the same color settings (North America General Purpose 2). I've tried using both proccessed and spot colors in Illustrator but have the same issue with both.
All files that have "almost" a white background in coreldraw are not identified by contacogge of corel. The minimum percentage of magenta or yellow 1% 2% is M = 0 y = 0 while the same file in photoshop it appears correctly. la'llegato explains well what I mean.When i print image i see red in background and this is a great problem.
I've been trying now for about 3 months to print black onto a 30mm circle on transparency paper to go on an overhead projector, every time i print, it comes out a mucky grey color, there MUST be a way of printing a BLACK black?
i noticed that when i try to print anything that has a black in it it comes out looking greyish but when i print the test page from my printer the black comes out looking black.
on the bottom of the design page i see some thing saying
(Document color profiles: RGB: sRGB IEC61966-2.1; CMYK: U.S. Web Coated(SWOP) v2; Grayscale: Dot Gain 20%)
I created an ad using one PMS color after orginially being told that it was a "Thanksgiving 4 column x 4.5” spot color ad”. I received the following message from the newspaper printer today:
"Please relay to your corporate art department that the newspaper does not print in PMS/Pantone colors, except on a full color page, which requires an additional color charge. For spot color, we print in primary colors such as red or green, or in cyan or magenta alone.
As I understood it, spot color meant pantone, and CMYK was process. Am I wrong here or are the printers using the term "spot color" incorrectly?
