Illustrator :: Spot Color PDFs
Sep 10, 2013How do I create a PDF that only incluse my PMS spot colors and process black?
View 2 RepliesHow do I create a PDF that only incluse my PMS spot colors and process black?
View 2 RepliesSome of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
I need to change the default text color to a pantone spot color.
View 5 Replies View Relatedwhat I need to do to my PDF to ensure color are some what close to original when saving a PDF in Illustrator or InDesign. Yes i understand iPad would be using a different coor management to a desktop computer but surely there is a way to get the colors, brightness closer to original?
I notice that when doing standard and high quality saves in PDF format, the saturation and brightness contrast changes quite a bit, but if I save the image as a jpg its a lot closer.
I was just browsing a car site which seems to be exeriencing a very similar situation with one of their PDFs. When viewing in iPad have a look at how bad this looks (its way too dark) but when viewing on a desktop machine its fine.
[URL]
(If the link does not work go to the main domain, click on vehicles from menu, select captiva5 then click view brochure) to load PDF
Is it just a matter of color proofing using a specific model and drawing back on blownout levels before outputting to PDF?
OK, I'm creating a tradeshow graphic for a client. I designed the whole thing in Illlustrator CS6. But for the proof, I used a low res image of the sky (before we purchased it). Everyone was happy. It was a low-res RGB image imported into Illustrator, then the whole thing was exported as a pdf.
Once they approved it, I purchased the high res image. RGB. Same image... just high res. I popped it into the Illustrator file and exported it in exactly the same way. But now, the image looks much more purple. The low res pdf showed it as much brighter, lighter blue.
My client prefers the lighter blue. When I look at the two images in Photoshop, they look the same (in terms of color). should I be worred? Why is there such a color difference?
I created an ad using one PMS color after orginially being told that it was a "Thanksgiving 4 column x 4.5” spot color ad”. I received the following message from the newspaper printer today:
"Please relay to your corporate art department that the newspaper does not print in PMS/Pantone colors, except on a full color page, which requires an additional color charge. For spot color, we print in primary colors such as red or green, or in cyan or magenta alone.
As I understood it, spot color meant pantone, and CMYK was process. Am I wrong here or are the printers using the term "spot color" incorrectly?
I create a logo in Illustrator. It is 2 colors, black and pantone 287. The gradient is only with the blue color. I save the file as a EPS. I place the EPS into another program, and generate a new EPS file with all the elements and type combined. My printer requires that all the fonts be converted to outline so I open the EPS again in Illustrator. The logo with the gradients has been converted to CMYK and the gradients now appear in the LINKS panel but they are not editable.
Why is this happening? How can I preserve the EPS so that I don't have to manually replace the converted gradient logo EVERY time I have to make a new EPS file?
I have a number of art items on a document, some of them are filled with spot colors and some of them are with process color.Is there any api or method by which I can find out which color type(spot or process) is applied to the selected art item?
View 4 Replies View RelatedHow can I make my spot color definitions choice persistent? I read a kb item that said how to swap out the new Pantone Plus color books for the old ones, to maintain color parity with older versions. One of the steps has me going to "Spot colors" on the swatches pallette and selecting "Use CMYK Values..." instead of "Use LAB Values...". I don't want to have to do this with every file. Is there a way to make this choice persistent?
View 4 Replies View RelatedI have 5 spot color ( Pantone) and CMYK color at my design. How can i export this 9 color ( seperate and with Pantone) to photoshop cs4? I want see 5 pantone color and cmyk at photoshop channel list!
View 4 Replies View RelatedIn illustrator, how do you change a photoshop spot color channel that has been imported into illustrator. Ever since Illustrator CS2 you could import a psd into Illustrator and you could ungroup the channels and change the colors. How do you do that in CS3-6? I have been trying to figure this out for years. My old computer with Illustrator 10 is about to die and so will my ability to do what I descried above.
View 1 Replies View RelatedI have a number of art items on a document, some of them are filled with spot colors and some of them are with process color.Is there any method by which I can find out which color type(spot or process) is applied to the selected art item?
View 4 Replies View RelatedI am trying to grab specific spot colors and move them to separate layers for our cutting software. In this case I am trying to grab "perimeter cut" and move it to a layer called "tc 1" I get the following error when I try to run the script.
#target Illustrator
var idoc = app.activeDocument;
var ipath = idoc.pathItems;
if (ipath.typename == "SpotColor") {
if (ipath.spot.name == "perimeter cut") {
ipath.move(tc 1, ElementPlacement.PLACEATBEGINNING).
}
}
color value of spot colors cannot be adjusted via javascript?
View 5 Replies View RelatedI've been looking around for a script that will take the used spot colors in a document and place them in a predetermined spot. I've came across several posts about this, such as the COLOR CHIPPER although I think it's focus was on swatches. What is confusing is the part of making New CMYKColor or RGB or if I even need to do that. I've looked at other posts and the Adobe docs, but none seem to work. Adding the text isn't difficult, it's getting these spot colors to reflect what's in the document that is. From what I'm seeing now:
I may have to use some other type of script such as Applescript to get rid of unused swatches first throught the actions panel, but I'm not sure.I could possibly use the getByName method to call out the specific rectangle and the and relative callout with the appropriate color instead of having to position everytime.
how do I preview overprinting white ink (spot color) or a tint thereof?
View 13 Replies View RelatedI'm trying to import an illustrator file which has a spot color into photoshop as a smart object. The spot color converts to four color when imported.
View 2 Replies View RelatedI need to send vectorized art to this company that only uses Illustrator. I have never used or even opened Illustrator. Ok, I'm very familiar with Freehand so I get the basic idea about vector. I have a 3 color logo that I have saved as a Photoshop DCS .eps file with the channels saved as spot colors so I can print separations with Pantone colors. According to what I have translated from the Photoshop guide what I need to do is figure out how to get my clipping paths of each channel to retain its fill when I export paths to Illustrator. I've tried and when I open the vectorized paths in say Freehand there is only lines and no fills. Do you guys have any ideas on how I can get these file seperations to this company with Illustrator?
View 3 Replies View RelatedDo printers prefer Psd or DCS2 files placed in Illustrator for spot color output, assuming they are using a native file workflow, not Pdfs?
View 2 Replies View Relatedworking in CS6, OS 10.6.8. I'm working on a 3-color screen print CD label, and the colors will be a white background, plus black and a PMS color. I've been recoloring some CMYK artwork to use in the design, and really liked the results of Recolor Artwork (selecting only black and the spot color), until I noticed that when I selected "tints & shades" it converted everything with black in it to process (which I know Adobe says is why you shouldn't select that option).
But my question is, how can I get the same effect (that is, using shades of the spot color "mixed" with black) without having it convert the shades to process? I'm sure it involves overprinting, but I'm hitting a big hole in my knowledge.
I am trying to add spot color in illustrator using javascript, TRY CATCH is not woking, it is adding again and again same color value with name of "spot color 1" and "spot color 2" ...
try {
var myDoc = app.activeDocument;
var spotName = "FINISHING";
var spot = myDoc.spots.add();
[Code] .......
Illustrator CS6 (other users on 5)
Mac OS 10.6
I just need to go from K and tones of K to a spot color and tones of a spot color.
I'm using recolor artwork because I can't merge into K. The art comes in from our customers as K so we can't just design differently.
The rectangles on the right are k and tones of k. The rectangles on the left are the results after converting to a spot color with recolor artwork. Using recolor artwork. I just need a way to accurately move the tones from k to a spot.
I have been trying to mess with and target "tints" via javascript but either I am not understanding something or it cant be targeted as I had hoped, so I am looking for direction and guidance. I have a spot color assigned in the color swatches palette, and have drawn a few boxes on the page using this spot swatch. I then try to alter the tint using JS code.
sel[i].tint = // whatever number
alert(sel[i].tint) // This alerts fine
The alert shows a change taking place but it never gets applied to the item, the actual item never gets changed. I know things are properly targeted as I can change other attributes fine. When I look in the JS documentation it just shows for when creating a new spot, not for ones that already exist on items, I cant seem to find an example otherwise.
Can tint be adjusted for items on the page that have a spot color applied?
I usually print in CMYK, but I am laying out bz cards that need to be black and pantone 200u, just 2 color. When I transfer the logo from PS to Illustrator the pantone 200 changes values. I tried putting it in ID and it changes values there too. The printer needs it to be pantone 200 and the press will print it that color. It is a jpeg file. Do I convert to CMYK or should it still be RGB? How can I import it into Illustrator and it stay pantone 200. I'm not sure of the values of the color now because in every application it is different. Where can I find the values? Years ago you would give it to the printer in black for spot on different layers and they would handle it.hear are my 20 questions...how can I import spot from PS to IllustratorThe values of pantone 200uleave rgb or cmykjpeg is this ok or do I need to change it to another format.
View 3 Replies View RelatedWe print out spot color seps every day using CorelDraw X4. After we print out the plates, I have to cut down the vellum that we print on so that we do not have a bunch of extra blank vellum on the sheet.
We make use of the info that is printed on the lower left of every page where it states something like the following:
S:DirectoryWhereTheArtworkisLocatedfilename.cdr
Wednesday, December 23, 2011 8:00 AM
Plate: 1 of 3
After I cut down the sheet, I then have to hand write the name of the spot color onto the sheet of vellum in marker.
Is there any way at all, to make it so that CorelDraw would actually add the name of the spot color that is printed on each page to the information that is already being printed to the lower left? Ideally, it could be placed in the same area where it's already printing the plate information on the last line.
Could it read:
Plate: 1 of 3 Color: Pantone 375
So Ive learned how to turn a color photo to B&W with spot color ...how to turn a color photo sepia, but also spot color. I have a wedding photos that I think would be a fun shot to play mixing those colors together . I have searched for the info earlier today and wasnt successful .
View 8 Replies View RelatedI produce documents in AI, and save them to pdf. Then, in order to reduce the file size, I load then into PS, flatten image, then resave as pdf. All are in CMYK.
There appears to be a big difference in the output pdfs from AI and PS. In the PS ones, blacks are very grey, and drop shadow effects become exaggerated. I've attached some screen shots. I hope you can see the differences. The AI ones are on the left. It is quite hard to see the differences here, but across a whole document it is very obvious.
What can I do to stop the PS pdfs turning out this way?
I email a lot of pdf's out of Illustrator and have a saved setting. I am basically using the smallest file size setting but with bleed and trim marks. Files normally come out about a MB or smaller. We recently upgraded to CS 5.5 just after All of a sudden for about the last 2 weeks when I save a pdf the files are 10 MB or bigger. I have tried just about everthing to reduce the file size and nothing is working. Why this would have happened and what I can do to fix it. I had to export the files as jpgs in order to make them small enough to email.
View 10 Replies View RelatedThe first time it happened, I uninstalled AI and did a fresh install which fixed it for a short time. When I save a PDF out of AI, it does not save to the artboard constraints. This is a screen shot of my AI document which has 2 pages.
When I save as PDF, this is what the file looks like:
(Pg 1)
(Pg 2)
After the original file has been saved (incorrectly) I can open it and save it again and it will be fine.
I am having trouble with a spot color image that I am trying to create in Photoshop and then import into InDesign.
In Photoshop, I've created my spot color channel, selected the Pantone color, pasted a greyscale version of my image into the spot color channel and removed all information from the CMYK channels.
Since my spot color channel is full of various greys, I was expecting to see a full range of TINTS in my image. But for some reason it doesn't look anything like the way I expect it to.
When I choose the same Pantone in InDesign and apply a gradient from 100% to 0% tint, I see a full range of light and dark blues. But in Photoshop everything looks grey-blue.
I thought maybe there was a difference between how the two programs display the color, so I imported the Photoshop file into InDesign anyway. But it still looks grey-blue just like it was in Photoshop.
creating spot color.
I have attached an example. The green part is where gold foil will be attached. The pink and black needs to be put into spot color.