Illustrator :: Recolor Artwork - How To Preserve Spot Color In Tints And Shades
Dec 12, 2012
working in CS6, OS 10.6.8. I'm working on a 3-color screen print CD label, and the colors will be a white background, plus black and a PMS color. I've been recoloring some CMYK artwork to use in the design, and really liked the results of Recolor Artwork (selecting only black and the spot color), until I noticed that when I selected "tints & shades" it converted everything with black in it to process (which I know Adobe says is why you shouldn't select that option).
But my question is, how can I get the same effect (that is, using shades of the spot color "mixed" with black) without having it convert the shades to process? I'm sure it involves overprinting, but I'm hitting a big hole in my knowledge.
I just need to go from K and tones of K to a spot color and tones of a spot color.
I'm using recolor artwork because I can't merge into K. The art comes in from our customers as K so we can't just design differently.
The rectangles on the right are k and tones of k. The rectangles on the left are the results after converting to a spot color with recolor artwork. Using recolor artwork. I just need a way to accurately move the tones from k to a spot.
In Recolor artwork is there a way to change the black and white colors to a color? When I try to edit them it doesn't edit them at all. It would be nice if I didn't have to manually tweak the colors to have color before I go into Recolor Artwork.
The recolor tool does not recolor shades into shades but only shades into a fixed color. Eg if I have a gradient blue to green and recolor the green into red, then it won't be a gradient anymore. Also, using eg. antialiasing for lines you get lighter shades of the chosen color, again maing it problematic to change the line into another color. What to do?
Is there any way to apply transparency to a color when using the recolor artwork box? I am dealing with a lot of puppet warp and gradients so it would be nice if I could use the recolor artwork box, instead of looking for all the colors manually.
As you can see from the screenshot, there is a lot of colors to go through.
I create a logo in Illustrator. It is 2 colors, black and pantone 287. The gradient is only with the blue color. I save the file as a EPS. I place the EPS into another program, and generate a new EPS file with all the elements and type combined. My printer requires that all the fonts be converted to outline so I open the EPS again in Illustrator. The logo with the gradients has been converted to CMYK and the gradients now appear in the LINKS panel but they are not editable.
Why is this happening? How can I preserve the EPS so that I don't have to manually replace the converted gradient logo EVERY time I have to make a new EPS file?
The Recolor Artwork dialog does not replace the color of objects filled or stroked with pure black, either CMYK or RGB. (Yes, with the Recolor Art checkbox selected.) The dialog will replace any other color, but not black. Not even a manually created rich black. Manually selecting another color from the Color or Swatches panel does change the object's fill or stroke.
This happens with both CS6 and CS5 under Windows 7 x64. I reported it as a bug on the prerelease site. Also not sure if bug reports are still being read for the released version.
I have a file with a number of artboards on which there are objetcs filled with 100% Magenta and some with 100% Magenta and 0,34% Yellow. I want to get rid of that 0,34% but Illy is refusing to cooperate.
Even selecting just two or three objects and trying to recolor using the Edit/Edit colors/Recolor Artwork dialog has no effect. I can change the color manually though, for one or more selected objects.
How do I change the base color in the recolor Artwork settings? I know this seems like a silly thing but I really need to figure this out and I have read and gone through the manual to no avail.
The text below is set in one conatiner, I want to recolor 28m 100y process to a PMS 130 Global swatch.
I select the type, use recolor artwork, and take the arrows off of everything except the 2nd color (which is 28m 100y). This is where I get stuck, how do I assign PMS 130 to be the destination color?
Tried clicking a few things and did not work, and if I try to choose document swatches, I get the error below.
I cannot use select >> same fill color, because the type is in one text container, and I need just the gold type selected (along with fills and strokes in the rest fo the document)
CS5 has bad color, and cannot see light tints. The computer used to be a freelance computer, so all the settings were probably messed with. So far I
Deleted /Users/<username>/Library/Preferences/Adobe Illustrator CS5 Settings/en_US*/Checked both use the same color settings, see screenshots
In Bridge CS5 synchronized settings to North American Gen Purpose 2Overprint prefview is on in both CS5 (left, CS6 (right) background has dark pink pattern.
I need to use a spot black on some packaging. The spot black will be used as a vignette on top of a photograph of the product which is done in Photoshop. I have created the packaging in Illustrator and need to import this file but it needs to have the spot colour intact. So far I have created a PSD with a Spot channel which I thought was the answer but Illustrator can't read PSDs with spot channels. I then saved it as an eps but when I import an eps it only shows a white rectangle as opposed to the actual artwork.
I'm pretty new to preparing artwork for spot colour printing - it's a hoodie design in this case.
I created the artwork in CMYK originally, and have got some of the way towards converting into a 5 colour print job using Recolor Artwork, so I've got it down to 5 swatches.
However, the printer is asking for colours separated by layers, which makes sense - I think means knocking everything out so there is no overprinting - is this correct?
If so, what is the best approach to take, to avoid unnecessary work, to convert from the current artowrk, with a lot of overlapping artwork, to produce 5 layers each with vector artwork coloured with its own Pantone swatch?
I'm using CS2 on Mac OSX 10.4. Recently I tried importing a Photoshop image into Illustrator and then matching a color in Illustrator to a color in the Photoshop document. But Illustrator changed the CMYK values of the color in the Photoshop document even though I have "Preserve CMYK colors" checked in the color setup window. Both applications and files are set to SWOP v2.
I don't have the same problem when placing either Photoshop or Illustrator files into InDesign.
I ended up recreating the project in InDesign to get consistent color, but I need to know how to make Illustrator preserve color numbers for the project that will come up for which I need Illustrator features.
In order to change the color of the artwork I got file>document setup, I tick the simulate color paper option in the transparency oprions of the window. From there i choose the color of my choice.
Suppose for example that the color of the artwork is red, then if I have a vector object which is white, then, its color appears to be red, as that of the artwork.Why the above happens.I want to have the artwork a color other that white so that I can draw white objects in it.Here is an image/example where the artwork is orange and the icon is NOT white as I want it and expected to be:
Some of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
When I copy artwork from an Illustrator CS6 RGB file and paste it as a smart object into Photoshop CS6 the colors are changing slightly. Here's an example:
RGB 234, 76, 52 (original color in Illustrator artwork) RGB 233, 75, 52 (color of smart object pasted into Photoshop)
Why the color is changing? I need the color to be an exact match.
I have CS6 Creative Suite and the applications are synchronized using the same color settings (North America General Purpose 2). I've tried using both proccessed and spot colors in Illustrator but have the same issue with both.
I created an ad using one PMS color after orginially being told that it was a "Thanksgiving 4 column x 4.5” spot color ad”. I received the following message from the newspaper printer today:
"Please relay to your corporate art department that the newspaper does not print in PMS/Pantone colors, except on a full color page, which requires an additional color charge. For spot color, we print in primary colors such as red or green, or in cyan or magenta alone.
As I understood it, spot color meant pantone, and CMYK was process. Am I wrong here or are the printers using the term "spot color" incorrectly?
If I draw a shape and select the fill color from one of my swatches, this applies the color OK. Then if I want to change the fill color to a tint of the swatch, what I used to do in Illustrator 5.5 was go to the 'Color Guide' tab and choose a tint. This tint was then applied to the shape. If I do the same in Illustrator CC, I can select the tint, but it does not get applied to the shape, the shape remains with its original fill color. I use tints of our company colors a lot, so I need this to work!
I have a number of art items on a document, some of them are filled with spot colors and some of them are with process color.Is there any api or method by which I can find out which color type(spot or process) is applied to the selected art item?
using brushes in Illustrator 5.5, I cannot find a way to change the "tint" of an art brush to a solid color. I have dragged the brush from the brush library to an ai document to try to modify it ...no luck. I have expanded the brush to art outlines ...no luck. I have expanded the transparency. All color and transparency panels indicate 100%, however the object is still a transparent tint. I have tried cutting and pasting the expanded object without luck.
I have read the reference manual on this subject, but nowhere does it tell how to remove the tint and make the newly created object a solid color.
How can I make my spot color definitions choice persistent? I read a kb item that said how to swap out the new Pantone Plus color books for the old ones, to maintain color parity with older versions. One of the steps has me going to "Spot colors" on the swatches pallette and selecting "Use CMYK Values..." instead of "Use LAB Values...". I don't want to have to do this with every file. Is there a way to make this choice persistent?
