Illustrator :: How To Preview Overprinting White Ink (spot Color) Or A Tint
Jun 21, 2013how do I preview overprinting white ink (spot color) or a tint thereof?
View 13 Replieshow do I preview overprinting white ink (spot color) or a tint thereof?
View 13 RepliesI have been trying to mess with and target "tints" via javascript but either I am not understanding something or it cant be targeted as I had hoped, so I am looking for direction and guidance. I have a spot color assigned in the color swatches palette, and have drawn a few boxes on the page using this spot swatch. I then try to alter the tint using JS code.
sel[i].tint = // whatever number
alert(sel[i].tint) // This alerts fine
The alert shows a change taking place but it never gets applied to the item, the actual item never gets changed. I know things are properly targeted as I can change other attributes fine. When I look in the JS documentation it just shows for when creating a new spot, not for ones that already exist on items, I cant seem to find an example otherwise.
Can tint be adjusted for items on the page that have a spot color applied?
I have a photo that i would like to me in black and white with a few objects remaining in their original color. Any ideas on how to do this the "right way" without simply using the brush?
View 1 Replies View RelatedI have PS CS6 and like to do B & W prints. I print them on my Canon MX870 printer (4 color printer) ... they turn out quite nice. VERY Black & White. Recently, I started doing B & W with a small highlight of color... like a photo of my daughter and her friends with just her red shoes in color.
The Black and White is now not truly B & W... it is slightly tinted ... purplish. I have tried adjusting the levels and contrast but it only changes the tinting to other tints... bluish, redish, etc. I use cmyk 300dpi (typical of what commercial print shops would use). Still no success. Or am I stuck having to send my photos to a printshop for printing?
If I create a shape that is 50% cyan and then a second shape that is 25% cyan and multiply one over the other, I would expect that the resulting ink output would be 75% cyan. However instead I get 63% cyan.
I have recreated the test in both Photoshop and Illustrator using different colour profiles and received the same result. It also doesn't seem to make a difference if the colour is process or a spot colour. And if I try overprinting 50% cyan over 25% cyan I still get 50% cyan.
Why does 50% of a colour + 25% of the same colour not equal 75% of the colour?
We get artwork from outside agencies with color boxes like those shown (CMYK, in percentages of 30, 50 and 100). Their color names may vary, or often the colors aren't in their color palette at all. I am supposed to recolor the boxes with our standard-named, global colors in my own swatch library. Two questions:
1. Is there a way to grab the three cyan boxes (for example), and recolor them with the global Cyan swatch, WITHOUT having the %tint in all three boxes become 100%?
What I do now, over and over in each file we receive: Select the three Cyan boxes, click on the "C" global swatch in my palette, watch them all change to 100%C. Then manually click on the left cyan box and change the tint back to 30%, and for the middle box, change it back to 50%. Etc. for the other colors. This is a PITA, and it just seems like there should be a quicker way.
2. Is there way to then recolor ALL the cyan elements (strokes, fills, gradients) used in the art with the same global cyan swatch, without changing the tints?
Some of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
I need to change the default text color to a pantone spot color.
View 5 Replies View RelatedI just installed X5 and I'm opening files from ver 11. It's all opening fine, but when I click on anything, the screen flashes pale blue. When I look at a print preview - it's ALL a blue tint. Can't work with that. I'm running Windows 8.
View 8 Replies View RelatedI created an ad using one PMS color after orginially being told that it was a "Thanksgiving 4 column x 4.5” spot color ad”. I received the following message from the newspaper printer today:
"Please relay to your corporate art department that the newspaper does not print in PMS/Pantone colors, except on a full color page, which requires an additional color charge. For spot color, we print in primary colors such as red or green, or in cyan or magenta alone.
As I understood it, spot color meant pantone, and CMYK was process. Am I wrong here or are the printers using the term "spot color" incorrectly?
How do I create a PDF that only incluse my PMS spot colors and process black?
View 2 Replies View RelatedI create a logo in Illustrator. It is 2 colors, black and pantone 287. The gradient is only with the blue color. I save the file as a EPS. I place the EPS into another program, and generate a new EPS file with all the elements and type combined. My printer requires that all the fonts be converted to outline so I open the EPS again in Illustrator. The logo with the gradients has been converted to CMYK and the gradients now appear in the LINKS panel but they are not editable.
Why is this happening? How can I preserve the EPS so that I don't have to manually replace the converted gradient logo EVERY time I have to make a new EPS file?
I have a number of art items on a document, some of them are filled with spot colors and some of them are with process color.Is there any api or method by which I can find out which color type(spot or process) is applied to the selected art item?
View 4 Replies View RelatedI am still baffled with matching the color - tint .
If I copy paste something on another image . I get crude red -green-blue + - world adjustments . I sample the color numbers to match still no luck . The saturation / Hue adjustments are semi helpful .
I end up with a flat gray bluish skin tone , Is their a color temp lighting corrector , talking from my kodak paper-photo printing 70s flashback years.
click path to fine tint / color correction for skin tones?
How can I make my spot color definitions choice persistent? I read a kb item that said how to swap out the new Pantone Plus color books for the old ones, to maintain color parity with older versions. One of the steps has me going to "Spot colors" on the swatches pallette and selecting "Use CMYK Values..." instead of "Use LAB Values...". I don't want to have to do this with every file. Is there a way to make this choice persistent?
View 4 Replies View RelatedI have 5 spot color ( Pantone) and CMYK color at my design. How can i export this 9 color ( seperate and with Pantone) to photoshop cs4? I want see 5 pantone color and cmyk at photoshop channel list!
View 4 Replies View RelatedIn illustrator, how do you change a photoshop spot color channel that has been imported into illustrator. Ever since Illustrator CS2 you could import a psd into Illustrator and you could ungroup the channels and change the colors. How do you do that in CS3-6? I have been trying to figure this out for years. My old computer with Illustrator 10 is about to die and so will my ability to do what I descried above.
View 1 Replies View RelatedI have a number of art items on a document, some of them are filled with spot colors and some of them are with process color.Is there any method by which I can find out which color type(spot or process) is applied to the selected art item?
View 4 Replies View RelatedI am trying to grab specific spot colors and move them to separate layers for our cutting software. In this case I am trying to grab "perimeter cut" and move it to a layer called "tc 1" I get the following error when I try to run the script.
#target Illustrator
var idoc = app.activeDocument;
var ipath = idoc.pathItems;
if (ipath.typename == "SpotColor") {
if (ipath.spot.name == "perimeter cut") {
ipath.move(tc 1, ElementPlacement.PLACEATBEGINNING).
}
}
Working in Illustrator CS5 on a Mac. When choosing a color in the palette, the preview showing up is different than what is in the palette. If I hit "OK" the actual color chosen is the one in the palette, not the preview window... Including some pics for reference. In my 10+ years of using Illustrator, i have never seen this.I am using a Dell monitor on a mac... not sure if that would make a difference.
View 3 Replies View RelatedLooking for a fix to blue tinted black and white images with my hp color laser.
I'm not sure if the problem is with the laser printer or with photoshop.
color value of spot colors cannot be adjusted via javascript?
View 5 Replies View RelatedI've been looking around for a script that will take the used spot colors in a document and place them in a predetermined spot. I've came across several posts about this, such as the COLOR CHIPPER although I think it's focus was on swatches. What is confusing is the part of making New CMYKColor or RGB or if I even need to do that. I've looked at other posts and the Adobe docs, but none seem to work. Adding the text isn't difficult, it's getting these spot colors to reflect what's in the document that is. From what I'm seeing now:
I may have to use some other type of script such as Applescript to get rid of unused swatches first throught the actions panel, but I'm not sure.I could possibly use the getByName method to call out the specific rectangle and the and relative callout with the appropriate color instead of having to position everytime.
I'm trying to import an illustrator file which has a spot color into photoshop as a smart object. The spot color converts to four color when imported.
View 2 Replies View RelatedI need to send vectorized art to this company that only uses Illustrator. I have never used or even opened Illustrator. Ok, I'm very familiar with Freehand so I get the basic idea about vector. I have a 3 color logo that I have saved as a Photoshop DCS .eps file with the channels saved as spot colors so I can print separations with Pantone colors. According to what I have translated from the Photoshop guide what I need to do is figure out how to get my clipping paths of each channel to retain its fill when I export paths to Illustrator. I've tried and when I open the vectorized paths in say Freehand there is only lines and no fills. Do you guys have any ideas on how I can get these file seperations to this company with Illustrator?
View 3 Replies View RelatedDo printers prefer Psd or DCS2 files placed in Illustrator for spot color output, assuming they are using a native file workflow, not Pdfs?
View 2 Replies View Relatedworking in CS6, OS 10.6.8. I'm working on a 3-color screen print CD label, and the colors will be a white background, plus black and a PMS color. I've been recoloring some CMYK artwork to use in the design, and really liked the results of Recolor Artwork (selecting only black and the spot color), until I noticed that when I selected "tints & shades" it converted everything with black in it to process (which I know Adobe says is why you shouldn't select that option).
But my question is, how can I get the same effect (that is, using shades of the spot color "mixed" with black) without having it convert the shades to process? I'm sure it involves overprinting, but I'm hitting a big hole in my knowledge.
I am trying to add spot color in illustrator using javascript, TRY CATCH is not woking, it is adding again and again same color value with name of "spot color 1" and "spot color 2" ...
try {
var myDoc = app.activeDocument;
var spotName = "FINISHING";
var spot = myDoc.spots.add();
[Code] .......
I've got hold of some Welding glass to use as an ND filter on my Fuji HS20. It arrived today and works a treat. I do however now have a new issue that this has caused. I've set a custom white balance on the camera to counter act the tint from the glass. This now produces the correct colour on my jpg photo's however the RAW files have the wrong colour tint. When I open them in photoshop elements 11 I get the CAMERA RAW application. The white balance is set to 'AS SHOT' however the Tint is at +150. I'm guessing my problem is that the tint needs to be more than +150 and CAMERA RAW is limiting it. Does this mean I am now limited to using JPG's when I use this glass as an ND filter, or is there a way I can get rid of this limit to the tint on the white balance
View 7 Replies View RelatedIllustrator CS6 (other users on 5)
Mac OS 10.6
I just need to go from K and tones of K to a spot color and tones of a spot color.
I'm using recolor artwork because I can't merge into K. The art comes in from our customers as K so we can't just design differently.
The rectangles on the right are k and tones of k. The rectangles on the left are the results after converting to a spot color with recolor artwork. Using recolor artwork. I just need a way to accurately move the tones from k to a spot.
I'm trying to change the color scheme on a model/figure I photographed, but I don't know how. I've done a search in the help field, but it pulls up a ton of unrelated articles.Example of what I'd like to do: I have a photo of a model jet that is red, black, and white. I want to change the red to blue without changing the overall look of the color. I'm not sure how to articulate this, but I want to maintain the hue, saturation and variation in the color. If I select and delete the red, then fill the area using the paint bucket the new color is flat and uninspiring.
View 6 Replies View Related