Photoshop :: Creating An Image For Spot Colour
Mar 12, 2009I need to change my CMYK image so its suitable for Spot..
View 1 RepliesI need to change my CMYK image so its suitable for Spot..
View 1 RepliesI need to create a spot colour – PMS 233C – for the image attached. Not the brush – but the base of the object.
View 1 Replies View RelatedI have been given a colour background which is mostly blues but its a cymk jpeg image and for print it needs to be converted to a spot colour in photoshop.
I dont really use channels etc and cant find a good tutorial on how to convert it to a spot? Could someone please give me a guide if thats possible?
I have an image that is currently cmyk colours. It has also been flattened.
How do i convert the colour profile to spot colour for the printer?
We would like to experiment mixing a spot colour in a normal CMYK image in order to expand the colour palette. Our problem is the fact that we cannot get Photoshop to show us the actual image once we have added the spot colour.
The spot channel shows as if it is being printed on top of the CMYK colours instead of being mixed with them. This makes it very difficult to judge what adjustments have to be made to the image. Of course, saving the file as a DCS2 and placing it in InDesign shows us what we want, but this is too much jumping back and forth between programmes to be efficient. We are runnnig CS3 on Windows XP Professional.
I have placed a photoshop file in illustrator CS, the file contains a spot channel transparency that I want to print as a pantone plate. When I print separations my spot channel prints as a shade of grey. Several other vector items (generated in illustrator) using the same pantone print as a solid 100% black. I'm worried that my file will print with the transparency part of my pantone as a shade of its self when I send the files to the printer.
View 3 Replies View RelatedWith both tools, I can make a few changes and then both will leave a black brush spot. It works, and then it is like the program is too challenged & it just leaves a black spot. Sometimes if I move my mouse to the history panel to back up to get rid of the black spot I get a swipe of the tool all across the image when I'm reaching with the mouse to go back in history.
I'm using PSE 11 and a Macbook Pro.
Im having trouble exporting a pdf with a spot colour from ID. Just one part of my logo is showing as thicker once its exported. I can place in the exact same artwork but using a CYMK colour and the thick shape doesnt show. Im placing an ai. file.
View 4 Replies View RelatedWhat I have is a shape which uses a pantone colour. However, the background is also the same pantone colour and I'd like it to stay 100% tint of that colour. What I'd like is for the top shape to be darker than the background even though it uses the same PMS colour.
I've tried to do some reading about it, but couldn't quite get the answer I was looking for. I have my .ai file set to Overprint View and have given Multiply a try, but it doesn't look any different.
It looks as if custom spot colours created in X6.3 are not being correctly named in exported EPS or when pubishing to PDF.
Example:
I create a new, blank palette in My Palettes. I add a colour named with a screen colour of C=10 M=20 Y=30 K=40 and save it. I cannot name it at this stage (typing anything in the name box changes the CMYK value) so I leave it blank for the moment I mark it to be treated as a spot colour and change the name to NondescriptBrown
Next I create a document with one object, and I assign 100% NondescriptBrown outline to it. Good so far -- it shows correctly as 100% NondescriptBrown on the status line.
Export to EPS without a preview image -- making sure convert spot colours is off.
Open the EPS file in a text editor and look at the line: %%DocumentCustomColors: (C10 M20 Y30 K40)
That's right, the export has named the colour C10 M20 Y30 Y40 and searching confirms that the correct name NondescriptBrown does not appear anywhere in the EPS.
Looking at the palette's XML file I see:
So, it seems that X6.3 should be looking up the proper name in colors>page>color.name and using that for the export, but is instead exporting with the internal colorspaces>cs.name which is a purely arbitrary name that is not for external use.
I can fix the problem by manually editing the XML file by changing colorspaces>cs.name and colors.page.cs both to NondescriptBrown, so that the internal name is already the same as the correct export name, but clearly that should not be necessary -- and if CorelDraw can display the correct name on screen in the status line, it ought to be able to export it correctly too.
Exactly the same applies when publishing to PDF, but is harder to prove, because its compression renders the file unreadable in a text editor.
I am designing a T Shirt for my ski club.I have taken an image from a banner (made in illustrator, full colour image attached) and I want to devide into a 3 colour image for the t shirt (I am only allowed 3 colours for printing).The colours I want to use are black, white and purple. The colour of the t shirt is a light blue.I want to then put the purple logo on top of the white and black too.So I'm after a black and white grunge background with a punchy purple logo on the top.All of this should be on a tranparent or, for design purposes, light bue (same as T Shirt colour) background.
how to split a full colour image into using only 3 (4 including transparent/light blue background) exact colours.
If I were going to black and white I might convert to grey scale and then paint areas to fully white or fully black using an overlay brush I don't think this works for me for more than just black and white though.
I have attached two of my attempts where I used the colour range selection and level adjustments. Niether was really successful though (one does not use the right colours or number of colours but looks quite cool).
I'm pretty new to preparing artwork for spot colour printing - it's a hoodie design in this case.
I created the artwork in CMYK originally, and have got some of the way towards converting into a 5 colour print job using Recolor Artwork, so I've got it down to 5 swatches.
However, the printer is asking for colours separated by layers, which makes sense - I think means knocking everything out so there is no overprinting - is this correct?
If so, what is the best approach to take, to avoid unnecessary work, to convert from the current artowrk, with a lot of overlapping artwork, to produce 5 layers each with vector artwork coloured with its own Pantone swatch?
How to make a Spot Color Channel on Photoshop? I am using this image as an example. The blue color in the background needs to be printed mostly with a spot color that is close to the original painting color (ex: Pantone Blue 072C) . But the CMYK color still should be present in within the blues to resemble the subtle nuances of the brush strokes. I can’t figure it out on my own.
For more samples of painting images, go to
[URL]..........
The reason I am doing this is because the artist’s works were represented on many publications over the years from many different countries. And we found out that CMYK color alone cannot duplicate the blue color very well (I mean the blue only, no problem with other colors). I know, it is hard to believe, but if you see all the publications and compare it to the original art, you would see the huge difference in color saturation and luminosity. That is the reason, I think it is necessary to use a spot blue for an upcoming catalog of the artist.
I've been asked to convert an image to 2 colour for printing. I have the image as a full colour CMYK layout (with layers), but the whole thing needs to be converted to 2 colour. I have the pantone reference numbers for the 2 colours it is to be converted to. I am familiar with the hue/saturation tool, but this just seems to convert it to one colour, and you have no fine control over the exact colour you want.
View 3 Replies View RelatedI use EdHarvey's colour tint tool and it changes colour of the whole image, I'm looking for something similar but it only changes selected colour, so that the image is left with mutiple colour scheme rather than just one, any addon that can do this?
From this example, you can see the figure on the right is in a brownish colour scheme, what tool can I use in order to make it's colour scheme blue like the figure on the left?
creating a existing surface single Curb/Gutter spot elevation label using two existing surface elevation points and not cogo points. I am a surveyor, and I want to be able to just click on both points one at a time (top of curb/gutter) to place the elevation label.
View 3 Replies View Relatedwhen importing a sport color tiff created in photoshop to illustrator the spot color image is not getting imported properly.
View 3 Replies View RelatedI am trying to create colour samples of vector objects which I have initially drawn in a Purple shade card. Now I would like to have the same object in a blue shadecard and then a green shade card maintaining relationships between the colours in the different parts of the object.
View 6 Replies View RelatedI've selected around 300 images from an intial shoot of 1200. I've assigned a star to the selected 300 and developed a colour image of each. Now, I need to make a BW version of each of the 300 images
What is the simplest way to do this? I have tried to make virtual copies of the selected 300 and assign 2 stars to enable me to keep the original 300 in colour and work on the soon to be BW versions, but when I do this I can only make a single virtual copy at a time. I'm sure it must be possible to select all 300 at once, and make 300 virtual copies somehow.
Is there a simple video demonstrating this workflow somewhere?
I have seen photos where the background is black. Is it possible to do this with Photo Pro X3 Ultimate? If so, how? I'm retired (read as "older" and not as sharp as a younger person) and new at digital photography.
View 5 Replies View RelatedI've used Lightroom 3, 4 and now 5 so I know my way around the software pretty well. Never had an issue like this in previous LR versions. Basically, when I Spot Edit a spot (such as a speck of dust that was on the sensor or lens) there is alway s a "ghost" of the speck that remains, no matter what I do. The Opacity is set to 100, yet the tool behaves as if it is set to 90. It happens with Clone and Heal. I have also tried adjusting the Feather setting, to no avail.
View 2 Replies View RelatedIllustrator cs6 - I have used image trace to create a 3 colour image of a photograph. Is there a way to create layers based on the three colours? (One layer for each of the three colours)
View 2 Replies View RelatedI've got LR4 and a bunch of photos with 3 nasty dust marks.Spot Removal does not allow to mark one of these spots (the pointer does not turn into the marking circle).Probably LR cannot see it as needing repair.
View 3 Replies View RelatedI am aiming to recreate the texture of the trees in this site map. It looks as though it was originally created with a marker pen, and has several shades of green that I want to also wish show. I have already created the trees, so its just the coloring i'm struggling with.
View 2 Replies View Relateddo the people know if you can find matching colours in one image? as in i find a colour with certain RGB dimensions, can i find the same or 'roughly' the same colour and whereabouts the same colours are, in the same image.
the problem is im trying to paint a picture and i want to know which colours are the same so it correspsonds almost exactly when complete (its quite a fiddly picture so correct colours are essential)
to saturate an image to make it all tones of one colour?
In particular "saturation_olive" is very smoothe with the shadows and tones still quite prominent.
I need to put this color: 514a4a, in a image. But if I click Ctrl + U, it don't let me put the HTML color code: 514a4a.
View 2 Replies View RelatedI'm new this forum and I really need help on touching and improving of images. For instance, the image below - I would like to have a clear/transparent background so it looks like those photos that are featured in catalogues.
View 10 Replies View RelatedI'm starting with a colour image which I can transform into greyscale ok, but I want to retain a portion of the image as colour........
View 3 Replies View RelatedI just created an image for a website (The image was created using a number of layers and has a res of 180 pixels/inch).
The image in PS looks nice crisp and bright. When I save it down to either a .gif of jpg file and upload it the colours, when viewed via a web browser appear to have less luster and look pale by comparison.
I used the standard PS save settings when saving the file.
how I can improve the quality of my images?
I've scanned in an image of a drawing that I did on tracing paper with a black ink pen. When the image comes through onto my screen there are some white areas that are 'shaded' a 'dirty' brown colour. I could go through and try and erase all the shading but that would take ages and it's not very efficient.
View 8 Replies View Related