Im having trouble exporting a pdf with a spot colour from ID. Just one part of my logo is showing as thicker once its exported. I can place in the exact same artwork but using a CYMK colour and the thick shape doesnt show. Im placing an ai. file.
I have placed a photoshop file in illustrator CS, the file contains a spot channel transparency that I want to print as a pantone plate. When I print separations my spot channel prints as a shade of grey. Several other vector items (generated in illustrator) using the same pantone print as a solid 100% black. I'm worried that my file will print with the transparency part of my pantone as a shade of its self when I send the files to the printer.
why InDesign treats working with four spot colors differently than working with CMYK? They are just four colors or channels, right? What is the difference between Cyan or PANTONE Reflex Blue?
It is true that 99% of the time CMYK is used. It is also true that you can work in CMYK and tell the printer to put a different ink instead of the a Cyan, Megenta, Yellow or Black ink. The project I work on now involves four Pantone spot colors and a few illustrators how need/want to see what they are doing, so...
InDesign is so slow working with spot colors. It feels slower than Quark Xpress 4.11 on a Mac OS 9 G4 machine.
[-> InDesign CC, MacBook Pro 7i 2011, SSD, 16 G RAM, 1 G GPU]
I have been given a colour background which is mostly blues but its a cymk jpeg image and for print it needs to be converted to a spot colour in photoshop.
I dont really use channels etc and cant find a good tutorial on how to convert it to a spot? Could someone please give me a guide if thats possible?
What I have is a shape which uses a pantone colour. However, the background is also the same pantone colour and I'd like it to stay 100% tint of that colour. What I'd like is for the top shape to be darker than the background even though it uses the same PMS colour.
I've tried to do some reading about it, but couldn't quite get the answer I was looking for. I have my .ai file set to Overprint View and have given Multiply a try, but it doesn't look any different.
It looks as if custom spot colours created in X6.3 are not being correctly named in exported EPS or when pubishing to PDF.
Example:
I create a new, blank palette in My Palettes. I add a colour named with a screen colour of C=10 M=20 Y=30 K=40 and save it. I cannot name it at this stage (typing anything in the name box changes the CMYK value) so I leave it blank for the moment I mark it to be treated as a spot colour and change the name to NondescriptBrown
Next I create a document with one object, and I assign 100% NondescriptBrown outline to it. Good so far -- it shows correctly as 100% NondescriptBrown on the status line.
Export to EPS without a preview image -- making sure convert spot colours is off.
Open the EPS file in a text editor and look at the line: %%DocumentCustomColors: (C10 M20 Y30 K40)
That's right, the export has named the colour C10 M20 Y30 Y40 and searching confirms that the correct name NondescriptBrown does not appear anywhere in the EPS.
Looking at the palette's XML file I see:
So, it seems that X6.3 should be looking up the proper name in colors>page>color.name and using that for the export, but is instead exporting with the internal colorspaces>cs.name which is a purely arbitrary name that is not for external use.
I can fix the problem by manually editing the XML file by changing colorspaces>cs.name and colors.page.cs both to NondescriptBrown, so that the internal name is already the same as the correct export name, but clearly that should not be necessary -- and if CorelDraw can display the correct name on screen in the status line, it ought to be able to export it correctly too.
Exactly the same applies when publishing to PDF, but is harder to prove, because its compression renders the file unreadable in a text editor.
We would like to experiment mixing a spot colour in a normal CMYK image in order to expand the colour palette. Our problem is the fact that we cannot get Photoshop to show us the actual image once we have added the spot colour.
The spot channel shows as if it is being printed on top of the CMYK colours instead of being mixed with them. This makes it very difficult to judge what adjustments have to be made to the image. Of course, saving the file as a DCS2 and placing it in InDesign shows us what we want, but this is too much jumping back and forth between programmes to be efficient. We are runnnig CS3 on Windows XP Professional.
I'm pretty new to preparing artwork for spot colour printing - it's a hoodie design in this case.
I created the artwork in CMYK originally, and have got some of the way towards converting into a 5 colour print job using Recolor Artwork, so I've got it down to 5 swatches.
However, the printer is asking for colours separated by layers, which makes sense - I think means knocking everything out so there is no overprinting - is this correct?
If so, what is the best approach to take, to avoid unnecessary work, to convert from the current artowrk, with a lot of overlapping artwork, to produce 5 layers each with vector artwork coloured with its own Pantone swatch?
I am using CorelDRAW X6. I am trying to export a graphic that includes several spot colors. The spot colors are from a library that a printer provided me. It is in the same location as my pantone library, and summa spot color library.
When I export as a pdf or eps to send to the printer it converts the spot color to rgb. If I have a pantone color or summa color in the file they stay as a spot but this new spot library does not. If I have these spot colors in a gradient they will stay as spot colors.
When exporting I have the color management checked to use document color settings, output colors as Native, and I have embed the color profile.
I am running MAC OSX version 10.8.5 and every time i am trying to export a pdf from inDesign CS6 is chrashing. And i am doing the same loop again and again with the same results. The inDesign file is large (<8gb) and most of the items inside are embended. Thought i did this procedure several times in the past and everything was working fine.
I need to send vectorized art to this company that only uses Illustrator. I have never used or even opened Illustrator. Ok, I'm very familiar with Freehand so I get the basic idea about vector. I have a 3 color logo that I have saved as a Photoshop DCS .eps file with the channels saved as spot colors so I can print separations with Pantone colors. According to what I have translated from the Photoshop guide what I need to do is figure out how to get my clipping paths of each channel to retain its fill when I export paths to Illustrator. I've tried and when I open the vectorized paths in say Freehand there is only lines and no fills. Do you guys have any ideas on how I can get these file seperations to this company with Illustrator?
I need help with using graphics. If you make a document in photoshop (please note: it's not a photo, but a scanned drawing) and then making some alterations on it... (adding text etc...) Then when I try to put this document in Illustrator or InDesign, the resolution and quality is horrible...
Please help. I've tried to save as a .jpeg, .gif, .tiff... I've tried to create a bitmap out of it (which was the worst method ever!)
How do I transfer photoshop documents to Illustrator and InDesign with great resolution and quality?
I created a document in InDesign CS6, and each time I try to export the document to a PDF (of any compression, smallest file size, print quality, etc) InDesign crashes. I have zero errors in my preflight and no extraneous fonts.
I have restarted both my computer and ID and it is not responding differently.
I copied the crash report: [URL] ........
Thread 22 shows the crash, but I am not certain what it is inducating and how to solve it, any pointers?
I am losing objects when I export to pdf from InDesign. Even if I make a simple file with one object, if it is over a certain size it will not export? This has just started recently, it also happens in Illustrator. I am using a mac.
I just downloaded InDesign. I have been getting away with using Pages on my Mac but I need bleeds and crop marks now and thus need InDesign. I have produced a brochure on Pages and it's ready to go. In the past I was able to use Adobe Reader or some other export to produce crop-marks for print ready material but it has all changed so I am forced to us InDesign. I will (eventually) train on this properly, but in the meantime I have time sensitive material. Is there a way to export my Pages document to InDesign? I tried to do a .pdf but the import into InDesign came up really bad (pixeled etc.) OR am I doomed to redo the whole project?
I am working on a 2-color newsletter in Indesign CS5... black and Pantone 227U.
Whenever I place a duotone .eps (black + 227U) or an Illustrator vector .eps with 227U in it, the color mode for that swatch changes to CMYK. An Illustrator vector which is 100% 227U also gives me the same issue.
I have created a design mainly using dingbat fonts in Photoshop CS2 and want to save it (I think as a TIFF) for use in InDesign CS5. I have tried but when I 'place' to TIFF image in InDesign the quality looks terrible . The document has been created as 600dpi, A5 so 21cm x 14.8cm and I have the color set for CMYK.
When I'm saving the file I'm offered TIFF options, including image compression, for which I have chosen JPG and Maximum quality 12, I've attached a screenshot of the TIFF options.
I created a 6.25 in wide doc in ID, exported it to PDF. PDF printed doc at 5.5 in wide. I sent PDF file to coworker, who printed it to several other printers in office: same wrong-sized results. Packaged and emailed original ID doc to our local printer, who opened my original ID file and--without making any changes to it--exported to PDF and got a perfect 6.25 size! She had no idea why it didn't convert properly on my software, since it worked perfectly for her.
So, it's my software, and it's a recurring problem: I've created other PDF docs in the last few months that printed incorrectly. That's professionally embarrassing, especially since I make quite a few PDF docs for work.
I have a 5 section book which I need to print. I usually export to a PDF then re import into a single indesign document. Then use print booklet to print the book. My problem is that I need bleed on my pages so I have set my page size to O/S A4 (32*22.5) When I export to PDF the pages end up A4. How can I export so the page size remains the same?
I am animating text so that it appears after a 3 second delay on page load. However, it does not seem to work at all. It worked for a paragraph of text, but it won't work for text that seems to be surrounded by other objects. I tried moving the animated object to the top-most layer, but that did not work.
Problem: I've upgraded from Corel x3 to Corel x5 and when I am exporting .eps files in x5 I am getting different colors to that in x3, I have changed my color management, changed the levels of export yet I cannot get the colors right.
Long of the short of it is, when I export a vector graphic as eps format it is changing my pantone colors to black. Not just 100% black but like 2% Magenta, 4% Yellow, 95% black. When I export rgb or cmyk objects, not a problem. It only has issues when it involves a pantone colour.
I have never had issues with this from the past 8 years I have worked with CorelDRAW. This was also something that just randomly happened, no computer upgrade, no major software changes, nothing.
I am currently running Windows 7 64bit with CorelDRAW Graphics Suite X5.
With both tools, I can make a few changes and then both will leave a black brush spot. It works, and then it is like the program is too challenged & it just leaves a black spot. Sometimes if I move my mouse to the history panel to back up to get rid of the black spot I get a swipe of the tool all across the image when I'm reaching with the mouse to go back in history.
I've used Lightroom 3, 4 and now 5 so I know my way around the software pretty well. Never had an issue like this in previous LR versions. Basically, when I Spot Edit a spot (such as a speck of dust that was on the sensor or lens) there is alway s a "ghost" of the speck that remains, no matter what I do. The Opacity is set to 100, yet the tool behaves as if it is set to 90. It happens with Clone and Heal. I have also tried adjusting the Feather setting, to no avail.
I've got LR4 and a bunch of photos with 3 nasty dust marks.Spot Removal does not allow to mark one of these spots (the pointer does not turn into the marking circle).Probably LR cannot see it as needing repair.