Photoshop :: Crash Course In Creating Spot Colour?
Dec 6, 2012I need to create a spot colour – PMS 233C – for the image attached. Not the brush – but the base of the object.
View 1 RepliesI need to create a spot colour – PMS 233C – for the image attached. Not the brush – but the base of the object.
View 1 RepliesI need to change my CMYK image so its suitable for Spot..
View 1 Replies View RelatedI have placed a photoshop file in illustrator CS, the file contains a spot channel transparency that I want to print as a pantone plate. When I print separations my spot channel prints as a shade of grey. Several other vector items (generated in illustrator) using the same pantone print as a solid 100% black. I'm worried that my file will print with the transparency part of my pantone as a shade of its self when I send the files to the printer.
View 3 Replies View RelatedI have been given a colour background which is mostly blues but its a cymk jpeg image and for print it needs to be converted to a spot colour in photoshop.
I dont really use channels etc and cant find a good tutorial on how to convert it to a spot? Could someone please give me a guide if thats possible?
I am having problem with my lightroom 4.2, when I try to use the clone tool my computer crash or keep not responding.
View 7 Replies View RelatedI have an image that is currently cmyk colours. It has also been flattened.
How do i convert the colour profile to spot colour for the printer?
We would like to experiment mixing a spot colour in a normal CMYK image in order to expand the colour palette. Our problem is the fact that we cannot get Photoshop to show us the actual image once we have added the spot colour.
The spot channel shows as if it is being printed on top of the CMYK colours instead of being mixed with them. This makes it very difficult to judge what adjustments have to be made to the image. Of course, saving the file as a DCS2 and placing it in InDesign shows us what we want, but this is too much jumping back and forth between programmes to be efficient. We are runnnig CS3 on Windows XP Professional.
I'm using Win 7, 64-bit on a new PC with 16-GB of RAM and plenty of power. I've been editing 40 and 50 MB DNG files for several months with no difficulty. I recently scanned over 1500 old negatives (on a Plustek 7600i) and then imported these tiffs into LR. Again, there were no problems encountered.
I was editing one of these tiff files (27.68 MB) and eventually started to remove all the dust spots and scratches. At first, all went well. However, when I got up to a few hundred of these spot removals, LR4 slowed to a crawl and eventually crashed. The slowdown and crash only occurred whenever I attempted to open this particular tiff and activate the spot removal tool. All other photos opened and edited without problems.
I then tired the same spot removal on a different tiff from my scanned bunch, and encountered the same kind of slowdown and eventual crash of LR.
Im having trouble exporting a pdf with a spot colour from ID. Just one part of my logo is showing as thicker once its exported. I can place in the exact same artwork but using a CYMK colour and the thick shape doesnt show. Im placing an ai. file.
View 4 Replies View RelatedWhat I have is a shape which uses a pantone colour. However, the background is also the same pantone colour and I'd like it to stay 100% tint of that colour. What I'd like is for the top shape to be darker than the background even though it uses the same PMS colour.
I've tried to do some reading about it, but couldn't quite get the answer I was looking for. I have my .ai file set to Overprint View and have given Multiply a try, but it doesn't look any different.
It looks as if custom spot colours created in X6.3 are not being correctly named in exported EPS or when pubishing to PDF.
Example:
I create a new, blank palette in My Palettes. I add a colour named with a screen colour of C=10 M=20 Y=30 K=40 and save it. I cannot name it at this stage (typing anything in the name box changes the CMYK value) so I leave it blank for the moment I mark it to be treated as a spot colour and change the name to NondescriptBrown
Next I create a document with one object, and I assign 100% NondescriptBrown outline to it. Good so far -- it shows correctly as 100% NondescriptBrown on the status line.
Export to EPS without a preview image -- making sure convert spot colours is off.
Open the EPS file in a text editor and look at the line: %%DocumentCustomColors: (C10 M20 Y30 K40)
That's right, the export has named the colour C10 M20 Y30 Y40 and searching confirms that the correct name NondescriptBrown does not appear anywhere in the EPS.
Looking at the palette's XML file I see:
So, it seems that X6.3 should be looking up the proper name in colors>page>color.name and using that for the export, but is instead exporting with the internal colorspaces>cs.name which is a purely arbitrary name that is not for external use.
I can fix the problem by manually editing the XML file by changing colorspaces>cs.name and colors.page.cs both to NondescriptBrown, so that the internal name is already the same as the correct export name, but clearly that should not be necessary -- and if CorelDraw can display the correct name on screen in the status line, it ought to be able to export it correctly too.
Exactly the same applies when publishing to PDF, but is harder to prove, because its compression renders the file unreadable in a text editor.
I'm pretty new to preparing artwork for spot colour printing - it's a hoodie design in this case.
I created the artwork in CMYK originally, and have got some of the way towards converting into a 5 colour print job using Recolor Artwork, so I've got it down to 5 swatches.
However, the printer is asking for colours separated by layers, which makes sense - I think means knocking everything out so there is no overprinting - is this correct?
If so, what is the best approach to take, to avoid unnecessary work, to convert from the current artowrk, with a lot of overlapping artwork, to produce 5 layers each with vector artwork coloured with its own Pantone swatch?
How to make a Spot Color Channel on Photoshop? I am using this image as an example. The blue color in the background needs to be printed mostly with a spot color that is close to the original painting color (ex: Pantone Blue 072C) . But the CMYK color still should be present in within the blues to resemble the subtle nuances of the brush strokes. I can’t figure it out on my own.
For more samples of painting images, go to
[URL]..........
The reason I am doing this is because the artist’s works were represented on many publications over the years from many different countries. And we found out that CMYK color alone cannot duplicate the blue color very well (I mean the blue only, no problem with other colors). I know, it is hard to believe, but if you see all the publications and compare it to the original art, you would see the huge difference in color saturation and luminosity. That is the reason, I think it is necessary to use a spot blue for an upcoming catalog of the artist.
I tried to create a collage from 3 images. I choose this three images and select the format. After that I click Ok, then PSE will crash. I repeat this a few times by using other formats, but still this wont work.
I am using Microsoft Windows 8 and Photoshop Elements 11.
creating a existing surface single Curb/Gutter spot elevation label using two existing surface elevation points and not cogo points. I am a surveyor, and I want to be able to just click on both points one at a time (top of curb/gutter) to place the elevation label.
View 3 Replies View Relatedgetting consistent crash when clicking on "new" in page setup manager dialog box.
Happens regardless of which drawing is open. Even for new blank drawings.This prevents me from creating new pagesetup overrides for Publishing. MAJOR PROBLEM.
At this point I have to get other people in the office to create new page setup for me. Editing existing page setups works find, only the "new" setups are a problem.
AutoCAD 2013 (G.114.0.0 SP 1.1), Windows 7.
Also, AutoCAD internal crash reporter is not called. Goes direct to Win 7, "Application has stop working" dialog.
When creating a PDF from a DWG AutoCAD LT 2010 (running on windows 7) I get the following error.
unhandled access violation reading 0x6a162be0 exception at 6a162be0h
This only happens the second time I create a PDF - the first time it is very quick and there are no errors
I have tried a repair and a reinstall but am still having the same issue.
Every time I try to create multiple section views in Civil 3D 2014 the system hangs and never generates the views. It looks as if it's processing but it never stops and never generates.
View 4 Replies View RelatedWith both tools, I can make a few changes and then both will leave a black brush spot. It works, and then it is like the program is too challenged & it just leaves a black spot. Sometimes if I move my mouse to the history panel to back up to get rid of the black spot I get a swipe of the tool all across the image when I'm reaching with the mouse to go back in history.
I'm using PSE 11 and a Macbook Pro.
AutoCAD Inventor Suite 2010
64-Bit Edition - Build 260 - SP2
Intel Core 2 Duo - E8400 @ 3.00GHz
8 GB - Ram
64-Bit - Windows 7
why my Inventor Keeps crashing when I am inserting a Parts List into a Drawing for my assembly.
It has been happening more frequently now, and I already installed Service Pack 2. The above is my computer information.
I am trying to create colour samples of vector objects which I have initially drawn in a Purple shade card. Now I would like to have the same object in a blue shadecard and then a green shade card maintaining relationships between the colours in the different parts of the object.
View 6 Replies View RelatedI've selected around 300 images from an intial shoot of 1200. I've assigned a star to the selected 300 and developed a colour image of each. Now, I need to make a BW version of each of the 300 images
What is the simplest way to do this? I have tried to make virtual copies of the selected 300 and assign 2 stars to enable me to keep the original 300 in colour and work on the soon to be BW versions, but when I do this I can only make a single virtual copy at a time. I'm sure it must be possible to select all 300 at once, and make 300 virtual copies somehow.
Is there a simple video demonstrating this workflow somewhere?
I have seen photos where the background is black. Is it possible to do this with Photo Pro X3 Ultimate? If so, how? I'm retired (read as "older" and not as sharp as a younger person) and new at digital photography.
View 5 Replies View RelatedI've used Lightroom 3, 4 and now 5 so I know my way around the software pretty well. Never had an issue like this in previous LR versions. Basically, when I Spot Edit a spot (such as a speck of dust that was on the sensor or lens) there is alway s a "ghost" of the speck that remains, no matter what I do. The Opacity is set to 100, yet the tool behaves as if it is set to 90. It happens with Clone and Heal. I have also tried adjusting the Feather setting, to no avail.
View 2 Replies View RelatedI've got LR4 and a bunch of photos with 3 nasty dust marks.Spot Removal does not allow to mark one of these spots (the pointer does not turn into the marking circle).Probably LR cannot see it as needing repair.
View 3 Replies View RelatedWhenever I create a new colour in the colour swatches it only stays there for a couple of actions while working on a project. I understand from others that once they create a colour it stays there. Why can't I get that to happen?
View 1 Replies View RelatedI am using CS6 and the Replace Colour Tool no longer allows me to replace multiple colours when I select the + . So when I have the panel open and I highlight the +, I used to then be able to click on several spots in my image and all of the colours that are in those spots are added to the selected colours that will be changed by using the sliders.
But now, when I use the + it has exactly the same effect as not using it - I can only choose one colour or an other, I can't add.....I want to reset this to the original way that this works.
Currently I have to open the panel, change one variation of a colour, save it, then re-open the panel and do it again (and again and again) until all the colour variations I am trying to remove are are changed. I know I also have the 'fuzziness' slider, but it does not give enough control.
I am designing a T Shirt for my ski club.I have taken an image from a banner (made in illustrator, full colour image attached) and I want to devide into a 3 colour image for the t shirt (I am only allowed 3 colours for printing).The colours I want to use are black, white and purple. The colour of the t shirt is a light blue.I want to then put the purple logo on top of the white and black too.So I'm after a black and white grunge background with a punchy purple logo on the top.All of this should be on a tranparent or, for design purposes, light bue (same as T Shirt colour) background.
how to split a full colour image into using only 3 (4 including transparent/light blue background) exact colours.
If I were going to black and white I might convert to grey scale and then paint areas to fully white or fully black using an overlay brush I don't think this works for me for more than just black and white though.
I have attached two of my attempts where I used the colour range selection and level adjustments. Niether was really successful though (one does not use the right colours or number of colours but looks quite cool).
I will like to find out the colour code for the background colour on a particular web address. Unfortunately I am new here so not allowed to post links so will say this as creatively as possible. the address is theregentlagos (with the usual prefix beginning with w and suffix beginning with c for all websites). I am referring to the colour where the menu items like logo, home, brands etc are on.
View 1 Replies View RelatedI've been asked to convert an image to 2 colour for printing. I have the image as a full colour CMYK layout (with layers), but the whole thing needs to be converted to 2 colour. I have the pantone reference numbers for the 2 colours it is to be converted to. I am familiar with the hue/saturation tool, but this just seems to convert it to one colour, and you have no fine control over the exact colour you want.
View 3 Replies View RelatedI have copied some colour negatives using my digital camera. What is the best procedure for removing the orange base colour of the film prior to converting them to positives?
View 9 Replies View Related