I've been having a strange color issue with Photoshop CS3 (and Illustrator CS3). I'll make a design or drawing in Photoshop or Illustrator, then save it as a jpg to email it off to my client for previewing using gmail. In the gmail preview, the colors are completely off (for example, a yellow lemon will appear bright turquoise) and when I "view" the jpg in the web browser on mine or any other computer (mac and pc), the colors are sort-of neonized versions of the original colors. However, if I download the file and open it, the colors appear correct.
Just wanted to print a new photo and realized that the colors in print preview do not match the colors in soft proofing. In both cases I selected the same icc profile and rendering method. The print colors matched the colors in print preview. I never had a problem so far. All new prints will be checked with soft proofing and adjusted when necessary. I never paid attention to the color rendition in print preview and all prints perfectly matched the colors from the soft proofing. I was surprised when my print came out of the printer and the colors weren't matching the soft proofing colors, but that of the print preview.
I don't understand why Photoshop renders the colors differently in the first place. See attached screenshot for the difference in the blue/cyan colors. I don't care if the print view colors will match the print, but I do care when soft proofing is not working.
Why have colors in my merged image changed? I am running Photoshop CS4 on Windows 7 and I'm viewing 3-channel RGB images. Something has changed and the blue channel doesn't appear in the image and the green channel is now blue. Everything looks perfect according to the thumbnails in the channel window. But when I looked at the merged image in the central view, again, blue is gone and green is now blue.
I edited my picture in LR then I choose > Edit in Photoshop. All well. PS opens and I edit in PS. Then I save my image on my PC as a JPG. Then I want to upload it to a site certain site. And once the photo is uploaded the colors are all different. Not slightly but let's say I selected Old Polar as a preset . It will be like that in PS but on the web it looks like for example blue became closer to dark grey. Or other colors changed.
When I edit first in LR . Save it to my computer . Then open it in PS it works fine. But I don't want to do that.
I have just updated to Lightroom 5.3 and the strangest thing happened. I went back to my galleries and all the colors are off. Everything is a little greener and a little warmer. I had just exported a wedding that I shot a a few days ago anf I went back to change one shot. I noticed that it didn't match any of the other shots or previous version of that shot. I am an Olympus shooter (OMD E-M1) and I know that Adobe just added new Olympus profiles into Lighroom for the first time. I am not using any of those profiles, just the Adobe Standard profile. I am still experiencing a color shift. I am running an 2011 Imac w/ Maverick, 12gigs RAM, SSD Boot Disc. I didn't have any problem until the update. I don't know how to get the colors back that I adjusted the images to. I
Document colors in Corel Draw X3 have changed. Example: dark green is now black on my designed object; Teal is now light green.
I thought it might be color management had switched somehow but all management settings do not make a change as they did before or at all. Basically I think the problem lies in the color management. I re-installed the program but the problem remains. Color management does not affect color appearances as they used too before.I run windows 7 and have had it for a couple of years with no problems.
I am having a little trouble with the pdf I created in Illustrator. See images below for explanation. It's only happening to certain text. How can it be fixed, and how to prevent it from happening again?
I get this as thumbnail image on my desktop and in Finder, when I click space bar to quick view, and when its preview as an attachment in an email.
This is how it's supposed to look. This only happens when the PDF is actually opened..it goes from the above img to this.
I prepare graphics mostly for print, so I like to turn on the Proof Colors view and Overprint Preview views. It's a pain to turn these on for each document. Is there a way to make these the default viewing settings in Illustrator CS6?
I tried creating an action to do it, but the Insert Menu Item command in actions causes Illustrator to crash every time, and the help file seems to say that View commands are unavailable to actions. So I'm not sure if that's a bug. Oddly, Photoshop has the very useful File> Scripts> Script Event Manager that let's me turn on Proof Colors (via an action) whenever a document is opened. It works very well. However, Illustrator does not appear to have these options. I found the View> New View options in Illustrator. They let me create a view that turns on Overprint Preview, but absolutely refuse to turn on Proof Colors. So it's the same number of clicks and pointless.
Illustrator CS6, v. 16.0.3 64-bit, Windows 7 Ultimate 64-bit
So I am working on this document and it has silver background. I go to print preview (Photoshop cs3 and cs4 on Vista) and I get color looking more like bronze looking but when I do print, it comes out just like it should (in working mode which is Monitor RGB with Proof colors checked).
This setting is the only one I've used to make sure image/psd looks exactly like what it should when printing. I tried the default Working CMYK with and without Proof colors but it's still showing me the bronze look instead of silver. I've looked on the net and no exact easy fix for this was found. I really really appreciate any help.
Another simple question is regarding size. I'm working on a document size of 17.5 x 8.7 inches and the actual Banners will be printed at size 175 x 87 inches (5 banners each at 35inch wide but combined into a big one). So essentially, I'm working at 10% the size of what the final print will be and my file size is 760mgs. You can only imagine how big the file would be if I work on the actual size.
A feature notably absent from the Oil Paint filter is any way to temporarily disable the effect (e.g., not preview it).I happen to like using Oil Paint to make refllections in the surface of water smoother and more "liquid" (which involves turning off the "Shine"), and it would really be nice if I could easily gauge the amount of the effect easily by blinking back and forth between original and processed image with a quick "disable preview" functionality.
With most standard filters, one can either uncheck a [ ] Preview box, and/or click the mouse button down on the image to temporarily show what the image is like without the effect.Yes, I know I can turn the Stylization down to 0.1 and see how a very minimal amount of the effect can be applied. And I can look at the original image in Photoshop proper, but of course that can't be zoomed while the Oil Paint filter is active.
Also, the zooming / panning seems kind of stiffly implemented.In summary, the more or less standard and expected filter features I'd like to see added to this (new class of) GPU-accelerated filters are:Preview/No Preview capability. It doesn't have to update Photoshop, just the preview display in the filter itself. I suggest a [ ] Preview checkbox and/or an on-mouse-click temporary effect disable.
Modal click and drag Zooming vs. Panning - i.e., based on a Zoom or Pan function selected (e.g., via an icon along the left) vs. having to hold modifier keys down. I personally would want it set to Zoom by default, not Pan. Since the filter has scroll bars (a Good Thing), I would have thought Zoom would have been a better default as it is. I have implemented these things in my own GPU-accelerated plug-ins, so I know that all the infrastructure Adobe needs to support them is already in there. These changes are controls only and should be trivial to implement.
I recently installed CS5 on my laptop after first removing it from my previous machine.All licences were validated so no problems there.Now when using paint bucket in Photoshop, the colors that I select in the color picker are not the colors that result when I use the paint bucket.
If I create a new black canvas then the colors selected in color picker work with paint bucket.But if I attempt to recolor the background in an existing image that I import into Photoshop, I get the mismatch with colors when I use paint bucket. My method for selecting colors is the same in each case, I select 'set foreground color' and set the color using html values entry at the bottom of the panel.
I recently bought a Nikon D7100. I took some test shots and imported the images to Lightroom 4.4, then generated 1:1 previews for all the images.
Previews zoomed to 1:1 in Library Mode are noticeably soft. The image below is a screen shot of the Library preview:
Moving to Develop View produces a higher-resolution 1:1 preview. The image below is a screen shot of the Develop preview:
Look at the bricks and window screens to see the difference.
This difference occurs immediately after import (with a User Preset applied during import). Once any Develop work is done, the Library preview updates and displays at full resolution.
This problem makes doing initial editing/selection of images time consuming, because I can't determine the sharpness/quality of imported images until I've done some kind of Develop adjustment on each image.
I'm trying to edit a set of titles made in Premiere in After Effects, and after I import the file (as a Premiere file) then load the sequence into the timeline; the preview is just a black screen throughout the entire preview. The titles never show up.
I am using MacBook (late 2008) OS X 10.9.2 and recently upgraded to Lightroom 5.3 from Lightroom 4. After a while, some photo started to show exclamation mark at the right hand corner of the photo (*.CR2 raw files in NAS) in grid view. When I click on the exclamation mark, it shows a dialog with following message; "Lightroom has encountered problems reading this photo". So, I moved previews.lrdata, which is about 9GB, to the trash and restarted the Lightroom 5, expecting Lightroom 5 to create a new previews.lrdata. However, it won't create any preview at all.
exclamation mark at the top right hand corner of the photos in grid view.
The colors of pictures is much darker when working in photoshop than when I open it normally. And vice versa, I work on images inside photoshop, and I get the colors I want, but once I save it to bmp or jpg or anything else, all the colors are much lighter.
CDX5: Whatever color I select for fill or outline is now set as the default color for fills and outlines without expressly setting it as such. Until now when I left or right click a color with nothing selected it allowed me to set it as a default fill or outline color for graphics, artistic text, or paragraph text. It does not do that now.
Is this a "feature" that's been added that I somehow enabled? In any event, how do I turn it off?
We are working with a company that will be sending us DWG files. They do not use the same layer colors as us and I am trying to find a lisp that would allow me to set up a table with the layer names and the color I want them to be so that I can quickly change all the layers to our companys color standards.
Example:
Layer 1 = Color 1 Layer 2 = Color 15 Layer 3 = Color 10 Etc.
I don't know a lot about lisp but I figure if I could find a lisp that did this I could plug in my layer/color assignments and it would work.
Using CS6 on a MacBookPro Is there a way to find the closest matching Pantone spot colors to the cmyk colors I've created in Illustrator? I know it's easy in Photoshop using the color picker, but there must be a way to do this in Illustrator.
You can see in the attached screen cap that colors 1-9 appear as white on my screen and that colors 10-22 are not correct either. This is only occuring in one specific drawing. Is there a preference that I switched somewhere that would make this happen? I have double checked that everything is ByLayer or ByColor that I can think of. If I insert this color chart into other drawings it looks fine. using C3D 2012.
I would just restart my drawing, however it is the new company template file that I have invested many hours into and would really like to be able to keep working with it and not start over. Or is there a good way to import and overwrite all the Prospector settings into a blank drawing?
You can see in the attached screen cap that colors 1-9 appear as white on my screen and that colors 10-22 are not correct either. This is only occuring in one specific drawing. Is there a preference that I switched somewhere that would make this happen? I have double checked that everything is ByLayer or ByColor that I can think of. If I insert this color chart into other drawings it looks fine. using C3D 2012.
I would just restart my drawing, however it is the new company template file that I have invested many hours into and would really like to be able to keep working with it and not start over. Or is there a good way to import and overwrite all the Prospector settings into a blank drawing?
Just downloaded LR 5 and noticed that I cannot jump back from a Publish Service folder preview to a different folder preview in grid mode. The only way to view photos in another folder is to restart LR 5. This only happens when I am viewing photos in a Publish Service such as Flickr.
I updated from LR 4 using Creative Cloud installer.
I'm on CS5 Recently I saved a file on photoshop in the Photoshop PDF format. It changed my default saving format to Photoshop.PDF. How do I reset or revert it back to my default .psd format?
In Photoshop CS5 and under, the smudge tool at 100% Strength would drag pixels without smudging/blurring/mixing, creating this cool painting effect. Customizing the smudge tool with a bit of a textured brush shape and some scattering, with 100% smudging Strength would create this amazing painterly effect, but now in Photoshop CS6 the 100% strength does not work. In fact, it works much worse than 99%.
As you can see, at 99% strength, the smudge does less blurring, and more dragging, which is almost as close as Photoshop CS5's 100% smudging strength( it hardly ever blurred or mixed, 100% would only drag in CS5)100% on CS6 does considerably worse dragging, and alot of blurring, and seems to only be a step above 90%, which blurs and mixes more.
I'm not sure if this is a bug, or if this was an intentional edit to the smudging tool. The smudging tool in the past was completely fine, and now I can't use my smudging tool presets because they do not create the same effects they did when I created them back in CS5.
I've set up a customized color space, named it and saved it. The one pref I always change is that I work in Adobe 1998. So I'll be working in PS and then see that when I go to save an image, the box checked at the bottom of the Open/Save dialog is sRGB. I go the the color space dialog and low and behold it says North American General Purpose. How did it get switched?
I noticed that the Workflow Options window in ACR has changed slightly so that it looks more like Export in Lightroom. When did this happen? Is there a way to toggle between the old and new windows for Workflow Options. I noticed that this change is not on all computers with the newest version of CS6. Some have the old window and some the new one.
