Photoshop :: Cannot Color Image After Applying Graphic Pen Effect

Jul 2, 2012

I open a .dng file which was in greyscale. Then converted it to RGB. Applied the effect Graphic Pen. Added a new layer, fill it with red, changed mode to Overylay, and when I tried merging down, or saving as a jpeg, it converts the image right back to B&W. I even tried changing my brush to red and Overlay mode, it just won't let me color the image at all. I've tried hue/saturation, and when I try to save the adjustment, it converts right back to B&W. Here are some screen shots.

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Nov 14, 2013

I created a 3D drop shape and need to totaly change the colors (from red to yellow)... I use illustrator CS5

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Jul 30, 2005

I'm in the process of prepping individual components of a design for Flash animation. I'm trying to apply a layer of #7C6844 with the color effect at 56% opacity and a layer of #999999 with the color burn effect at 12% opacity to the foreground image which has a transparent background. This task has proved to be rather impossible for me, but it seems like there should be a way to do it. I would use the wand tool > select inverse and apply the colors over top that way, but the foreground image has a lot of leaves and branches, so that method would be extremely tedious.

Is there a way I can select the entire image as a whole and leave out the background?

I'll attach the image and the desired result to further assist.

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Jan 25, 2013

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Apr 18, 2012

When applying filters such as accented edges, ink outline, etc to a medium sized image (1024x768 or 1280x853) produce some pretty cool results.
 
However, when applying those same filters to larger images like files with a 5184x3456 resolution, the filters have little to no effect.  I'm guessing this is because there are so many more pixels that altering each pixel has a less noticeable effect.
 
You can see an example here with the accented edges filter run over a smaller version of a picture I took, and then a larger one (that was then downsized to make it viewable): [URL]
 
The 1280x853 one looks pretty cool.  On the larger 5184x3456 version the filter had almost no noticeable effect.
 
The problem is that I want the cool looking version like is seen in the 1280x853 version, but at a high enough resolution to print on a large canvas that is, say, 40' x 40' or so.  Is it possible to get the bigger image to look like the smaller one without losing the resolution required to print it on a canvas that large?  I've been trying to figure this out for weeks now...

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Jul 12, 2012

If you call up a header graphic file in dreamweaver, is it possible to determine what color a particular color is from that header graphic?

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GIMP :: How To Achieve Color Overlay Effect For Image

Nov 24, 2013

Take a look at the following site:

[URL]

For the background image halfway down, there's a totem pole sort of "merged" in with the color. But it's not simply an overlay blend mode or opacity change. It has essentially seemed to adopt an entire palette based on the background color itself.

I think I recall a way to create this effect in Photoshop, but in GIMP I'm stuck. How would one go about making that "color overlay", given any regular picture and a colored background? I'm doing this for a website, by the way.

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Mar 16, 2014

Using Illustrator CC. I made a sphere shape and reshaped it using a warp effect.
 
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AutoDesk Smoke :: 2013 Ext1 Crashes While Applying Axis Effect

Sep 10, 2013

I have a problem everytime i apply the axis effect on a clip in the timeline. What happens is that smoke starts loading the effect, but  hangs there, and after a while a message comes up saying that due to a software error smoke must close. But the only way to close it, is only if i do force quit process through terminal. Everything else works really well though, besides this specific issue with axis effect. This by the way didn't happen with Smoke 2013 SP2, maybe a hardware compatibility issue?
 
here is the smoke log file from console:

Sep 09 20:33:33 : No shader unit for shader (null).
Sep 09 20:33:33 : Assertion failed: (_curUnit), function shaderUnit* shaderUnits::getCurrentUnit() const, file develop/src/libcoreGraphics/shaderMgr.C, line 378.
Sep 09 20:33:33 : Application: smoke 2013.2.53 x86_64
Sep 09 20:33:33 : Pid: 3023
Sep 09 20:33:34 : Uninitialising thread manager.

The footage that i'm using is SD PAL, in DV format (.mov) files, captured through firewire through Premiere CS6. Is it a problem of the footage? GPU? or am i missing something? 

My computer specs are (i'm on a hackintosh for now...):

Smoke 2013 ext1 (Eduactional version)
Snow Leopard 10.6.8
Intel Quad Core Q9300
GPU NVIDIA 9800GT 1GB
4GB RAM

System is installed on a 500GB SATA drive , and media storage folder of smoke is placed on a 150GB Raptor disk.

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Illustrator :: Applying Live Rotate / Multiple Copy Effect On A Group Of Paths?

Oct 16, 2012

I'm intermediate (at best) with Illustrator. I'm using CS6 on a 2009 iMac. How to make Illustrator ignore stroke weight/cap/join settings when I'm applying a live rotate/multiple copy effect on a group of paths? Currently, Illustrator sets the rotation point to the outermost part of my stroke (figuring in the strokes atrributes), but I only want it to calculate the from the path's structure: the coordinates of my designated anchor point.
 
Here's the top/right group of paths with a rotate/ 3 copies effect of 90 degrees. Looks problem-free at this view.

Here's that top/right group of paths with the addition of a reflect/ 1 copy effect of X-axis. Still no apparent problems.
 
But here's a close up of the misalignment of corner points. As shown, the Transform effect is based off the strokes attributes (the tip of its corner), not the actual location of the corner point.

It does not apply different cap/corner styles or stroke alignments; that only slightly nudges the pivot point to the center.
 
Plus, this one point stroke is somewhat arbitrary. I only set it so in order to see my dynamic effects.

Tweaking the vertical/horizontal moves effects of the rotated/copied elements won't support because this art will later undergo lots of alteration, mostly changes in stroke weight (maybe even variable stroke width).

I need the skeleton of my structure to snap together precisely.
 
Any solution, no matter how roundabout, would save this project!

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Photoshop :: Mixer Brush Is Not Applying Color?

Oct 24, 2013

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May 21, 2013

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Oct 1, 2007

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Nov 20, 2013

I have been using feather on image photo to create the all corner faded edges however after I upgraded to ver CS6, I encounter this problem when I applying the same method using feather (radius: 15-20) on the image photo and did an inverse, a warning message popped out

"Warning: no pixels are more than 50% selected the selection edges will not be visible". Hence, cannot apply any feather on the image, My image is a full solid color layer.

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Jun 27, 2012

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Oct 12, 2012

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AutoCAD VB :: Drawing Cylinder Color Is Not Applying

Oct 26, 2011

Public Sub DrawCylinder()
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Dim r As Double
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[Code] ......

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GIMP :: Which Colors To Use When Applying Alpha To Color?

Mar 9, 2012

I don't understand how you can know which colors to use when applying "Alpha to Color".

Here are a few images I have and what I've done so far:

Here are my original images

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Jan 7, 2013

I am sourcing icons from various places and trying to tweak to suit my needs. Tweaking involves removing or adding an element and applying a consistent color scheme. I am wanting all my icons to be a particular shade of blue.
 
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Oct 23, 2012

I seem to come unstuck when I apply colour using the 'Stroke Path' option. Basically I need to know if there's a way of determining the opacity of the stroke line? In some cases I don't need to have such a 'dense' colour. I want to see a little of what I've 'painted over' so as to keep some of the detail.

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Nov 30, 2012

I have a collection of color groups, that I am applying to grouped objects, but every time I change out the color group, it randomizes the order which the colors are applied.
 
In the kind of bulk work I'm doing, its really turning into an hours burner.
  
The specific process I'm using (I've tried several different ways with the same result)

1) Draw my art
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4) Double click the color group and recolor.
5) Save the swatches ----- so far so good
6) Double Click a different color group (or select from the Recolor panel) -- here the other color group (swatches) get applied, but every time I do it, the order of which color is applied to

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Jun 25, 2012

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Jun 16, 2009

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Nov 5, 2008

it came with my CS3. My OS is Windows XP. I have 1 G of RAM.

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I thought this might be an affect one can use on a photo, but again, I don't know what the right terms are.

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Feb 22, 2012

I am trying to created a graphic like image in the following tutorial:
 
[URL]...

how to do it right.
 
1.) At 1:40 into the tutorial, he selects a diamond pattern as a Pattern Overlay effect. However, it's a pattern he created himself. How do I create a pattern like that?
2.) At 4:35, he draws a line with the pen tool having first selected a brush and then strokes the path. However, my path doesn't look like his. It's just a straight line,  while his splays out a bit so he's able to create that shining star effect when he rotates a copy. I've attached a jpeg of mine.

What am I doing wrong to not get a line like his? Am I not choosing the right brush. I chose a brush with the diameter of 17 like he does in the tutorial. Does it look like I selected it from a different place?

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How do I do this?

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Today is the first day with Lightroom 3, where I have over 200 photos from an event, that I am walking through each photo.  I am in the develop module and I am setting the color label to red or blue.  What seems to be constantly (not every time) happening is when I click the color for the label, LR will move to the next photo, but not apply the color label.

As I write this I'm trying it out to notice a pattern.  What I see is photo 1, I click on the red label and the photo is labeled red and LR moves to photo 2.  I click on the red label and LR does not set any color label and moves to photo 3.
 
Another thing that happened is I was then at photo 3 and clicked on the blue label.  LR did not set the blue label but jumped to photo 4 and put the blue label on that photo

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