Lightroom :: 4 Automatically Updating Files To Process 2012
May 24, 2013
My Lightroom 4 catalogue is now automatically updating my DNGs from Process 2010 to 2012 when I open the folder in Library. The Update Dialog box does not open. I do not want this to happen automatically, but cannot find a preference or setting to control this.
I have loads of dwgs made by a former employee at another site that have our company logo in the tile block. I need to replace the company logo with a new one. If it were not made from a dwt, I could change the .dwg file and just reinsert the block and let it redefine the block, done. But since all of the text in each drawing was input using a template, I cannot do this without losing all of that data. We are not permitted to explode the title block, delete the old logo & add a new one as the drawing format needs to remain as one entity. Is there a way to automatically update these dwgs without re-entering all of the title/revision block text on every drawing?
I've moved my catalogue to LR3, and want to update the procees to 2010. However, when I do, it marks the photo as developed in the Library. This means I cannot see which photos I've simpy updated the process on, and which I've actuall developed. Can I hide the 'developed' icon for photos I've simply updated the process on?
I have just purchased an Olympus OMD EM5. When I download images to Lightroom (v4.4) I have to manually convert to Process 2012. Am I doing something wrong? Why does this not happen automatically?
Is there any way to turn off auto-recovery in LR4 2012 process engine? When shooting on white seamless, I gradually bring up the background lights until I see the raw file just blowing out as I want it, at my shooting aperture. With LR4 and auto-recovery - using this method of 'metering' if you like - I'm adding 2-3 extra stops of light than I would expect before this happens, which then gives me wrap around and flare problems. I'd like to take back control of this, so I'm not guessing where my pure white is any more..
I just upgraded to LR4. I have a number of images that I converted to black and white using Silver Efex pro directly from Lightroom 3. I also have scans of images from black and white negatives in my catalog. When updating these images from process 2010 to process 2012 in LR4 each image becomes ever so slightly warmer (dirtier) on the screen. I noticed this because when updating the process I checked the review changes via before/after box. Some of the images where tweaked a bit in lightroom 3, others not. Strange thing is that when I run the cursor over the images the RGB values in the histogram are exactly the same in the before and after images.
I would have to say the before looks cleaner and more neutral. I don't mind using process 2010 for previously worked on images; however, it does seem to defeat the purpose of upgrading.
When I change to process 2012 on an image that has been worked in 2010 I'm seeing a big change in the image, much brighter, less contrast. Any way to closely preserve the old look while updating the process?
Also wondering what the new 2012 process brings to the image, aside from access to the new tools. Will I see a better (or just different) rendering of the image from older files?
When LR4.x sees an older image it shows me the exclamation mark. OK, yes I will be updating... so the next step is a side by side. I could skip this, but it can be interesting to see where the subtle differeces will be. I know about the backslash key as a way to close the side-by-side. Up to today it always closed the *old* (2010) version and I sailed off into whatever editing was needed.
Today the backslash is always placing me in the older version "Before".as if I chosen "do not update"? ...but I *did* click "Update".My LR4 book (M. Evening). which I generally like, was written before the interface got locked down as there are some inconsistencies even with 4.0, so looking there I find nothing that works on this exact flow of events.
What am I doing "wrong" for the 4.3 interface. Hmmm, I just updated from 4.2 and that's when LR started leaving me in the old process.
I am early in my learning curve on Lightroom. I understand that changes are not automatically applied to an image file but rather kept in a Lightroom database to preserve the original (non destructive). However, that is not a goal of mine. After making changes to a file or adding keywords, I want Lightroom to automatically update the actual files (in my case jpegs) so that I do not need to export them to be used elsewhere such as in a slideshows etc. I have found settings that imply the "metadata" is or can be updated, but I do not know if that is the "develop" changes I made or the keywords or if I need to do that every time before I close lightroom. Right now, I do an export of my entire folder of 20,000 images after each session where I make changes and then I use that export as a source for my automatic backup programs and supplies a continuous slideshow on another machine.
Maybe another way to say it is: after making changes and closing Lightroom, I want to be able to take an image from "My Pictures" folder (which contains all my images) and know it has the latest changes made and the latest keywords embedded. I do not want to have to export these files. first.
Following previous LR upgrades (3.2, 3.3, 3.4, 3.5 and 3.6), old files were automatically removed from the Program Files folder. However, I just upgrades from 3.6 to 4.0 and notice that the old files are still on my hard drive in the 3.6 folder. Do I need to keep these files or can I UNINSTALL LR 3.6?
How the PMS color palettes "simulate" on screen how the color will print on different substrates (glossy vs matte vs uncoated paper). That's great for comps, but if you convert it to CMYK to print it, and the values are representing a "simulated" color it won't look correct (by that I mean come close to matching the spot color). For example, the uncoated palette simulates the color by making them appear a bit washed out on screen - pretty good visual simulation. But it might do so by adding black and cyan to orange for example, etc. - effectively dulling the original color.
So if I convert that to CMYK within the new Pantone + color palette, and then send it to the printer - it won't appear as it did on screen, it will dull the end color even more because it's converted the color to the dull simulated version - what a disaster! It's only doing half the job - showing us what it should look like on screen. In order to be truly efficient for design professionals the CMYK conversion might remove black and cyan completely to effectively brighten the color in the final output on uncoated paper. I would prefer it just stick to the standard conversion, which Pantone did have as a standard palette option (PMS to process), and then I can adjust if I think it's necessary.
Any corporate branding system will likely start with a PMS spot color palette for the identity. Then it will build into many different adaptations - full color brochures, large format banners and trade show graphics, website, advertising. So any corporate branding system will need to have PMS, CMYK and RGB versions of their main corporate color palette. There was a standard for these translations that was automatically consistent in the Adobe software and that is now all over the place, so it relies on individuals manually adapting the color mixes for final use - what a great way to screw things up.
I use a Panasonic LX7 with in camera HDR. When I import RAW files into Lightroom 4.3 the HDR effect is removed in the process. Is there a way to avoid this?
I have multiple of the same drawings. The drawing will stay the same but the device names will be different for each drawing. Is there a way to have a excel lookup table for each device and each drawing can reference to ?
I have a driven dimension in the attached part. If I change something in the part that affects the dimension it won't update unless I double click it to get the edit dimension dialog and then confirm it.
Changing the contour flange's length will affect the driven dimension which can be found in sketch5 under cut1.
I was curious to see if there's a way to set up Autocad (2010) to recognize when MTEXT objects are edited, and have it adjust their defined width automatically (both single- and multi-line)--versus having to click on the arrow every time to snap the text box "margin" to the actual text. I'd like to do this to keep my background masks the exact width of the text; I just hate it when the mask doesn't cover enough of the text, or when it covers more and the background is unnecessarily obscured. I'm careful about keeping things neat, but my coworkers aren't .
My Lightroom 4.3 has, in the last few days, started to automatically export files into my Elements 10 Catalogue. When it does it places them in the wrong folder (the same folder every time) and it does so before I have finished processing in LR. When I delete or move the files in Elements10 the photos in LR show the "missing photo" flag.
I know we are a little behind the times, but when upgrading to Ex1, will all of the existing projects still be usable? Or do we need to "Wipe 'em All"?
For years I have been using Bridge and ACR for my raw workflow. I use only DNG files and have the database turned off so the EXIF data is embedded right into the original DNG file. This means my files are 100% portable without and sidecar.
Can I work with lightroom 4 without having a database? OR can I assure that each DNG file has all it's setting automatically embedded as it does in Bridge?
I like to edit my images in Photoshop. why after I upload raw files into LR and using photoshop as external editor, the file opens but not in the PS (photoshop) raw processor. I have to work around this by first finding the image in windows explorer and dragging this file into PS. Shouldn’t the file open automatically in the PS raw processor ?
Every time I open a RAW file into Photoshop CS5 from LR3, it automatically creates and saves a PSD or TIFF file. Is there a way to stop lightroom from doing this? When I used LR2, I saved these files only if I choose to. I always convert my files to jpg after I'm done editing in PS and don't need these huge files hanging around.
I got over 160 color corrected RAW files from my photographer when I thought I was getting TIf or PSD files. I need to put them into an in design doc to send out for printing. Is there a way to convert all of these in one fell swoop without messing up the work that has already been done?
I didn't allow in my timing to save each one individually since i didn't know I was going to need to do this. I am really unfamiliar with batch processing, so how to best go about this, or if I even can. I am working in Photoshop CS6. version 13.06 x 64.
Photoshop CS6 Extened won't play or process Dolby Digital (AC-3) Audio Files from my AVCHD video files.The video plays fine just no sound at all. When processed still no sound. Are there any (AC-3) audio codecs I can download and install. How would I install them. Do I need to convert audio files to another format & if so how & what format.
My Recent Files list not longer updates so that, when I start Revit from the Start menu, I can't specify the file to open at the same time that I start the program. Once Revit is open, the Recent Documents list, from the Application button, is correct. All other programs, including AutoCAD and Inventor, show up correctly in the Start menu.
I have recently updated my template files in Inventor (.idw, .ipt (standard/sheet metal), .iam (standard/weldment)).I added ilogic rules and custom iproperties to them.
I would like to update all my existing files to have these changes so they would be available when we copy design new parts.Is there a way automate the process of updating these files? I have about 4924 of them.
I'm a seasoned Photoshop/Bridge CS5 user who recently upgraded to CS6. I'm operating on windows 7 64 bit. In Bridge I just ran my first Image Processor batch, trying to convert a set of RAW .NEF files to .PSD files with a basic editing action I created applied to them. Photoshop CS6 opens the files from Bridge and applies the actions,
but then I get the "Script alert" error message "Sorry I could not process the following files" and a list of all of the files in the batch I was trying to run the script on. The files all remain open and are saved on my hard drive in a folder created by the Image Processor script, but do not close unless I manually close them. I never had this problem in CS5 where the image processor would apply the desired actions to the batch of photos one at a time, then save and close.
My camera out put is in JPEG I have no choice. While I can process jpeg with no problems in CS5 is there a better way to do this? would I be better off converting the JPEG to either tiff or psd and then process the file and then reconvert back to jpeg as the final product. I have heard so much about "lossy"(jpeg) vs "non Lossy" (tiff and psd) which are the ones I want to use?