I auto traced a piece of artwork (a large bunch of leaves) & the strokes are made up of 2 paths.
Is there a quick way to reduce the paths to a single path
Or is it necessary to delete each leaf's secondary path manually
Is there something I should be doing differently when auto tracing.
I have some negative space I created(black area, see first image) that I want to fill with type, not just a simple fill.
Basically I want to create the negative space from a bunch of small minus signs(-) that need to line up as they go across. If I type on each path one at a time as the text doesn't line up that way. This needs to be one continuous path. (see second image)
Unfortunately if I add them together, it creates a compound path, which you cannot type on, unless I am mistaken? So I need them to be a path, not a compound object.
So I am preparing a document for printing on an Epilog Zing Laser 10000. I have an outline for a cut I need to make, but I need to accomodate for the kerf of the laser. I am trying to select the circles and use the Offset Path tool to make new circles in the same places slightly smaller. However when I apply the negative offset I get a new circle on the outside of the path and on the inside.
As you can see there is now a larger circle as well as a smaller circle, but the smaller circles don't even have a smaller circle only a larger one despite the fact I entered a negative offset.What can I do to only get the smaller circle in all the circle? Am I even on the right path as far as the path offset tool? Pun intended.
When I convert a font into outline stoke its converted into double path.Still I hadn't get single path in Illustrator, InDesign & Photoshop CC too..
View 14 Replies View RelatedWhen you create shapes that fits together, there appeares a thin line that also shows when you make a jpeg from it. I'm a vector contributor at iStock and making a preview jpg with all those white lines looks really ugly (see attachment).
Here is a simple solution. Copy your shapes on top of each other and the lines are gone. This way your work stays 100% vector. For work that hasn't to be 100% vector, you could make a bitmap copy and place it under your vector image.
i'd like to 'write' texts on paper with plotter's pen. i cannot use "Type>Create Outline" because i just want a single-line writing look. is there any way to achive that without me having to vector draw the whole text manually?
View 4 Replies View RelatedHow do I give Lucida handwriting a 2pt outline stroke, give it an outline path, then unite it with another shape path without the text losing it's outline stroke?? I can't bold Lucida handwriting as it only has an italic option, so need to give it an outline stroke to achieve a bold letter. As soon as I give it an outline path and unite it to other shape paths the 'bold'ness disappears and it reverts to it's original size.
View 8 Replies View RelatedI want to create an illustration with black outlines. Within these outlines I want to have some spots without outlines that stay clean within the lines. I have tried 3 options so far and have found a solution but it's far from ideal.
1. Create clipping masks for each element that has a spot on it and assign a stroke to the clipping path again after. However by creating the clipping path, the path styles dissapear. In this case I want to keep the pointed ends to the open path outlines (see top image).
2. Draw in the lines where the spots are and create a live paint object of the entire illustration. Then paint in the spots and other areas. However when I create this live paint object the lines again lose their applied styles and even 'end' at each intersection, creating nasty edges where the lines should go 'underneath' smoothly (see bottom image).
3. The option Im using now. Duplicate the path outlines and create clipping masks for the spots without strokes. Then put the stroked outline with the desired styles on top. The problem with this is that I have almost twice as much elements in my illustration now than I actually 'need'. And the styled outlines are not connected with the color underneath, so its very easy to accidentally move something around...
Any easier way to create this effect without all the hassle?
way to make parallel shapes using the Path Tool similar to Photoshop?
I haven't used Photoshop in a while, but I remember that you could hold CTRL (on PC) and click with the Pen Tool and it would straighten up your shape for you once the paths are connected and would like to do similar in GIMP but can't find out how.
If I have two vector shapes on top of one another, when I drag over both to select a few nodes from the top one, it selects both (this is now a 'feature'). I don't want this.
I know if I want to select only the top one now that I have to isolate the shape first, but this is terribly inneficient for the way I've been editing vector shapes for years now.
Is there any way to turn off multiple layer path selection and having to isolate anything? While the new feature can be nice at times, it's mostly more of a hinderence than a way out.
I want to join two paths to create a shape that I can fill but at the same time retain one of the original paths (the red one in the image below). I can copy the path I want to retain but surely there is a more elegant solution. See below for for an illustration:
View 6 Replies View RelatedCannot lock other paths/unlock all paths in symbols?
View 8 Replies View RelatedI've got a Library setup called "Vendor CAD" and it's referenced in all my project templates and most existing project IPJ's. I'm thinking of re-organizing my server and actually creating a CAD drive and moving all these files to an area protected from the non-CAD users.
Anyway, once I move the files, is there a way that I can batch change the existing IPJ's to refer to the new path? There's about 70 or so files, so it's not monumental, but I'd really like to not do it manually if possible.
Also - please note, I'm a single user, so I'm not using vault at all.
Inventor 2014 64-bit SP1
Win 7 Pro 64-bit SP1
Has any body else noticed that if you create a work path, then create a shape layer (say a rectangle) and type some text on the rectangle (text on a path) that if you commit the type and switch to the Path Selection Tool to edit the path text (position of the starting or end points) photoshop cs6 replaces your previous workpath with a workpath of the shape layer you typed on?
Is photoshop cs6 supposed to work that way?
Windows 8 x64 and photoshop 13.01 new document a create a workpath create a rectangle shape layer and type on the rectangle shape layer path. The orginal workpath has been replaced by the rectangle shape layer path
I have traced below image (bike). Using PEN tool stroke path.Path is around 100 layers or +.So, how to combine this all Stroke paths to one layer Path
View 28 Replies View RelatedFor instance, when I go to paintbrush tool.
View 3 Replies View RelatedHow can I draw in two parallel lines in CS4?
View 3 Replies View RelatedI did a parallel line using White Arror Select> Copy> Object> Path > offset. I got the parallel lines but the ends are not opened. It was Mitre selected in the popup box. Here is the image:
View 9 Replies View RelatedLet's say you just have a simple black line in Gimp. You then use the color select tool to select it, and you plan on then converting that Selection into a single line Path.
From:
Into:
You select the line, but the Selection tool actually travels a loop around the line. So, when you turn that Selection into a Path, you do not have a single line, but you instead have a loop.
So my question is this: is there any mechanism for making your Selection in GIMP just a single line so that it can then be converted into a Path?
Originally, I was trying to achieve this in Inkscape (and started a thread about it in the Inkscape forum). However, it appears that, although other Vector Art programs can achieve this, Inkscape cannot. So I was thinking that I could instead use Paths in GIMP instead, but this is not possible because of the nature of Selections, as far as I can tell.
Here's an attempt to illustrate this request:
I draw a set of straight parallel lines and then apply a smooth zigzag.
Here’s what happens:
Of course if I zigzag a single line and then multiply it everything is in order.
But why can’t Illie cope with multiple lines?
In illustrator, is there a way to reduce anchors points in a segment path without altering the path?
Is there a better and more efficient way to reduce anchors points than using the pen-minus tool?
I've tried every permutation of copy and paste; I renamed the path to path. It looks like a path when I add stroke, but it does not behave like one. I can't cut it or join it to any other path. It remembers it's text path status. I'm running OS X 10.7.5.
View 11 Replies View RelatedI accidentally converted a path to a text path. I searched the forum for how to convert it back to a regular path. The answer I found said to select the path and hit Command+C+F. This gives me another text path! I now have at least 6 copies of the path in my files but they are ALL text paths and none are visible with a stroke.
View 5 Replies View RelatedI've got two paths. They don't intersect, exactly, a straight path ends at a curved path, but I need the end of the straight path to be curved, to make it look like the two meet perfectly. The two gray paths (a single path, then path->offset for the second) are the outside of a shield shape. The two black lines (paths) just surround text, but currently they overlap the gray paths.
View 2 Replies View RelatedIs there any function or script that auto-adjust tracking so text on a path meets the exact end of the path/bracket?
View 4 Replies View RelatedOnce you've used a path to put type on, how do you get the path back? Everything I do to recover the path deletes it.
View 2 Replies View RelatedI am new to PS scripting and trying to create a basic script to gather folder paths and then remove the path of that folder. I have created a basic array and while trying to
View 1 Replies View RelatedAND/OR a open tab recovery cache or way to extract the images that get lost during a crash of PDN.
Number two on my list behind your fantastic new layer functionality that I had been dreaming about for three years. I NEVER close PDN. The ONLY time it closes is once every week or two when the 20, 30, 50 tabs that I have open, finally overwhelm my system. I bounce back and forth so much that there is no way to continuously save them as I make changes cause it would jack up my workflow by taking up too much time.
No way around it, this is just how I work. It would be lovely if PDN was able to, similar to After Effects, popup an error box saying it was about to crash and did 'you" want to save the session. Especially, now, with 4, as while it is a super duper version upgrade, the crashes were daily, with me, and I couldn't keep losing that much data. Sophie's choice, for me. The old layer window or daily crashes.
I created text on a curved path using the pen tool and the the type on a path tool. However, there are portions of the text that I want to taper. For example, my text begins horizontally, continues to the right, and gradually curves downward. As the text curves downward I would like it to taper smoothly into a narrower and narrower text.
View 1 Replies View RelatedI created some paths in illustrator, and I want to paste them in photoshop. I tried cut n' paste, but it doesn't work. I tried exporting to PSD, still doesn't work.
View 3 Replies View RelatedIs there a way to see how many Paths are in a given file?
View 2 Replies View Related
