Illustrator :: Creating Outline / Border Around Grouped Objects
May 22, 2013
In the link below you will find a jpeg of a sew on patch, then a pdf of just the logo. I am wanting to learn how to create the outline look of the patch around the group of objects that form the logo. I have tried the appearance, outline trick but for thsi project it does not even come close. [URL]
I have tried the offset path, however it gets too large. I am looking to keep things simple but need a bit more definition that just a simple outline will give. On this particular image I am looking to create an outline or fill shape behind the words and pistol but wanting to keep roughly the same shape.
I have a state map that is made up individual vector files of each county in the state. They are grouped together. I want to make it seem as if though there is more space between each of the counties as if there they've all been separated just a little bit more than. Is there a way I can do this efficiently in Illustrator? I'm working in CS 6 on a mac.
I have a single file with couple objects on different layers. When I copy/paste into other files, the objects seem to be grouped and layer information disappeared. Can I move around objects with layer setting as well?
im after creating an outline around some text basically as a background prepared ready for cutting two layer vinyl..I so far can create text, create outlines, i can add a stroke giving a nice outline around the text,
next stage when i send to winplot and send to cutter it seems to cut numerous lines within the vinyl...What im want i just one line around the whole text following the profile of the main text.
I'm new to illustrator and I'm trying to achieve something I hoped would be quite simple. I want to take a bitmap, live trace it, then create an outline of 2px wide only around the outside limits of the shape. I want to then get rid of all of the live trace vectors and be left with my very simple outline of the original image. Eg.
I've tried image expand, I've tried outline, but nothing seems to work as I need it to.
I am extremely new at Corel Draw X5. I am in the middle of a design; page 30cmx160cm (for printing purposes) however to make it easier my design is sitting 160cmx30cm
I have started the design consisting of 200+ objects. By grouping them i presumed that it would make one object and when I rotated them 90 degrees to fit the page they would rotate in the same they sat originally.
But when I rotate the group it rotates the individual objects on their individual axis not on a group axis.
Is there anyway getting around this without moving each individual object?
Is there any way to create a thicker line stroke to the border of the object without tracing the object manually. The object in placed in a group and it has closed and unclosed paths.
I am trying to outline my text so that I can apply a gradient color fill and when I go to TYPE > CREATE OUTLINES it is greyed out. I try to expand the appearance and then create outlines. When I try to expand the appearance of the font, it is also greyed out.
Why can't I just highlight multiple objects and move or resize them together? This wasn't a problem in previous versions, but now when I select more than one clip (or grouped objects), the effect controls go away. I have a lower third (the title and 2 different cropped color mattes) that I want to be able to move and resize while maintaining their relationship, and I can't figure it out. I've been using Premiere for a long time, and this is a huge inconvenience. I also cannot highlight multiple clips, and adjust their length together. Sometimes it will work (rarely), but most of the time it will only adjust one at a time. It's a real nuissance when you have upwards of ten layers you need to adjust together.
I need to find a way to add "perspective" to grouped objects that include a bitmap and other drawn objects. I can convert everything to a bitmap in needed. What I need this for is I engrave this grouped artwork onto drinking glasses and I have to adjust the artwork for the differences in the diameter of the glass. I need to be able to set the width of the top of the artwork with a numeric value and the bottom with a different numeric value.
An example of the problem with the engraving is that if I wanted to engrave a one inch square half way down the glass I would have to make the top of the square 1.1 inches wide and the bottom of the square 1.2 inches (the math is not right with this example) so a trapezoid turns into a square once engrave on the tapered glass.
The image below shows a sample of the artwork I need to engrave. The right side image is an exaggerated example of what the artwork would need to look like to work right once engraved. I could only adjust the black ring but not the text or image in the center. The third image is to show a trapezoid.
I have problem with publishing my work in PDF. I have vector background (in thin stripes like) and several polygonal bitmap objects on it but in the PDF-file everything under the bitmap objects is bitmap also... And the stripes (of my background) are very ugly and jagged - part vector, part bitmap...
Could I complete that work correctly in CDR or have to search some other resolution?
Im trying to vector a face.. I have traced the face exactly and filled it with a base colour.. now im going to layer the skin.. however.. i dont want to retrace the outlines of the face every time a layer is close to the border.. I want to be able to exceed the face outline with that layer.. and then use the base colour layer (that is exactly traced) to clip that layer so it has the same outline as the traced base layer.. that way I dont have to trace my layers every time I get close to the edge..
I am trying to use the function to outline a border to text with the function "Path to text" but no matter how I try the path will only use 16-19 letters in one row.
I have read several guides on how to do this and no one mention anything about this issue. As long as I have 16 letters on one line it works, but I have more it will just skip them.
I write the text:
12345678901234567890
Then I click an choose "path to text", but when I do it will only create a path of 1234567890123456 and skip the rest. If I write text on several rows it will use up to 16 letter on each row.
I want to take the traced star (and maybe the text) to use in a video project. I need to make individual objects that I can fill and animate in AE or Premiere. Is Illustrator the right app to use? And where is a tutorial on how this is done?
Is there an easy way to create bleeds and trim marks for multiple objects on the same page?
For instance, I have a playing card that I've tiled across the page 6 times ( so that I can create 6 cards out of 1 page ). Each card needs it's own bleed/trim marks.
I'd also like to have printer registration marks for the page, as I have to print the card backings on another page and then glue the two pages together.
The only way I've found that I can do this is to manually create the trim marks for each object's bleed and just have them all within 1 artboard.
I tried doing it with multiple artboards within one larger artboard, but couldn't get that to work.
Is this something that just needs to be manually done?
I am trying to use the selection tool or the direct selection tool to create a rectangular marquee somewhere within the boundaries of an illustration.
I want to select only those objects that are fully or partially within that marquee.
I can use the lasso to select objects in this way. But if I try to use the selection or direct selection tool, it selects and moves the first object I touch.
I can use the selection tools and begin from outside the image area and create a rectangular marquee of selected objects. But I can't do this if I begin within the image.
I have a collection of color groups, that I am applying to grouped objects, but every time I change out the color group, it randomizes the order which the colors are applied.
In the kind of bulk work I'm doing, its really turning into an hours burner.
The specific process I'm using (I've tried several different ways with the same result)
1) Draw my art 2) Group the art 3) Create a new color group with my art selected. 4) Double click the color group and recolor. 5) Save the swatches ----- so far so good 6) Double Click a different color group (or select from the Recolor panel) -- here the other color group (swatches) get applied, but every time I do it, the order of which color is applied to
I'm extremely new to scripting; I managed to create a script to extend the artboard of my documents (which I was extremely proud of given my inexperience!) and another to align a couple of objects alongside each other, but my attempts to script some new code has met with failure.
Firstly, I need some Illustrator CS4 Javascript code that will create a bounding rectangle for the selected object(s). The selected object(s) will always be rectangular; no irregularly-shaped objects. I know this should be simple, but I can't work out the variables/attributes involved.
Secondly, some code to select the leftmost object in a document. And the equivalent for the rightmost object.
If it makes any difference, I'll be stitching these scripts together with an action to achieve the following workflow.
Two EPS files are dragged into an empty document as 'Linked Files'.The two Linked Files are aligned alongside each other. (Using a script I've already written.)The leftmost Linked File is selected and has a bounding rectangle created, which is then used to mask the Linked Object.The rightmost Linked File is then selected and has a bounding rectangle created, which is then used to mask the Linked Object.Both masked Linked Files are selected, and a bounding rectangle is created to mask them into the same Clipping Mask group.The artboard is set to the dimensions of this combined masked pair (I've managed to write that script already).The Linked Files are embedded into the document.
The reason for this is because we have EPS map files exported from AutoCAD that are left- and right-hand pages. These need to be combined into one file, but when they are brought in they lose their masks as the BBOX element is not recognised by Illustrator. The double-masking in my process above is needed to ensure that content from either map doesn't overlap the other half of the map.