AutoDesk Smoke :: Any Keyboard Shortcut To Shuttle Quickly Across Footage
Aug 2, 2012
Is there any keyboard shortcut in Smoke to shuttle quickly across footage (with sound playing) at 2x or 3x speed like you can in Avid/FCP/Premiere etc by double/triple-tapping the J and L keys?
This makes scanning through clips and the timeline so much faster and I consider it a basic essential.
I'm struggling with Selection Sets in 2012 Adv..I have a batch fx with 3 Action nodes in it. Each has a lot of stuff so I was hoping to use Selection Sets to quickly pull up the kfs I needed to tweek.
I set up about 4 sets but once I exit and go back in 3 of the sets (the ones in the action node I'm currently working in) have cleared. ie, they're still there but empty. The one set I've defined for the other Action node is ok.
I have tried setting them with 'Define' and with 'Add Selection to'.I think I must be missing one trick here, like not saving correctly?
I'm using Pre Release 5 for editorial as opposed to conform and I've moved some of my source material to a different drive than I was using when I started the project.
Normally in FCP or Avid, I would just re-link to the footage and that would be that. I know this could be done with footage in the timeline, but what about plain old source footage? I can't seem to find the re-link tool.
As soon as i try to open the default canon folder containing 5d footage, software crashes (spinning wheel, then app exited abnormally message).
I try re-starting wiretap gateway, wiretap server, and stone+wire thru Service Monitor then restarting smoke but that sometimes solves the issue and sometimes it doesnt. And sometimes i see checkerboards.
I tried solving the problem by running smoke with airport on or off but with similar results.I did some search here and gathered that it could be due to a number of reasons (IP address, local host etc) but I dont quite fully understand everything.
I don't have my mac pro networked via any Ethernet cable or anything and don't want to have to keep airport on unless i need to be online.
I've got RED footage that imports codec 3.x, RedColor3 and RedGamma3. I'm delivering rec709 but would like to work linearized. Do I just change the color settings to rec709 in the color box and linear in the curve option to work correctly?
In our facility, we are shooting 4k HD format. Then we can finish our final project as HD.
I installed Red Rocket and the Red Footage as Half premium debayer (1920x1080) playback in realtime at preview window of the "Media" tab.
However, I insert the same clip on the timeline (1920x1080, same as Half premium debayer), smoke automatically puts resizing effect. When I open the effect, I notice this effect doesn't do anything.
What would be a bonus is at anytime I could go to the timeline and click on an imported piece of footage and tell smoke to Include YUV headroom after the fact of it being imported and used.
I did a bunch of test fixes on a low resolution version of a project. All using batch.
Now I have the full resolution versions of the clips.
I thought I could drop the Batch set-up onto the new clips and then do an Apply & Scale to the Action nodes inside Batch. But that doesn't seem to work. At least from what I can see, all my gmasks are in the place they'd be if the footage were still smaller?
I have footage that contains GS footage. I also have a graphic I want to put behind the two. I can achieve this with a vertical comp in my time line and the timeline axis effect. But when I try to connect the two with CFX I get an error and my footage looks wonky.
I have a question about conforming material from Abode Premiere CS 5.5..I have a 720@50p source that was converted to Avid DNxHD 10bit 720@50p in Quicktime .mov container, using Media Encoder.Then material was edited in Premiere, cuts, dissolves and etc. Timeline in Premiere is set to 720@25p, because I need to output 720@25p finals.Premiere DOES NOT slowdown shots in timeline, it just plays them skipping every 2nd frame (I thinks so), so it is played in a normal speed and audio is in sync also. In Interpret footage settings nothin is changed - so, it still treats as 50p footage.
Problem is that I dont understand how to conform this footage correctly in Smoke.If I use automatic conform using wiretap import of AAF (same dir as footage is), Smoke thinking about this operation about 10-15 mins and then it creates a 1080@50p timeline where all shots are smaller it's native size and timing is completly wrong. They starts early than they should.If I use Video I/O I have correct sizing but timing issue is still present.
I need to create a project with PAL settings and override resolution to 720p?
How make Smoke to play footage same as Premiere does? Whithout shifting in out points?
There is an issue with footage that needed the YUV headroom to be turned on when importing.What happens is that when this footage is exported, it get crushed blacks. So there need to be a YUV headroom setting for the export I believe. Maybe I am seeing it wrong.
Footage is MXF Panasonic HPX171 (DVCPRO HD 72025PN) footage.
I was wanting to try out the clone tool to paint out a fly in some footage I have, but I can't get the clone tool to grab a sample region. I hold down ctrl and click where I want to sample from, but the green circle doesn't appear. I can do it by manually offsetting it with the x and Y position, but I'd like to do it with my pen.
The client asked me to give them a version of the Final sequence in which the colour of a looping background was slightly different so that they could compare the two. They also asked for two different pieces of music so they could test which one worked better. Before they picked the final version they wanted everything slightly shorter. The duplicates keep piling up.
Is there a way to swap put a shot in a master sequence and have it update in all the other duplicates I have made? How does one keep track of all the sequences in Smoke with all these little changes.
PS. With the audio I put the two music tracks in the sequence and muted one or the other. Dealing with different lengths of a commercial needs me to duplicate and then things start piling up.
Somehow on it's incarnation to Smoke 2013 a core functionality of editing is lost.
I cannot drag'n drop any footage from the viewer into the TL by F-drag or Pen-tip anymore. This has been working in previous versions of Smoke and makes an NLE an intuitive experience, especially if you are coming from a FCP/PremierPro background. I'm sure this is a typical alpha build loss.
I have just installed Smoke Ext 1 and tried Keying with Green Screen Footage. The Master Keyer result is not even close. Is it a bug with the Master Keyer?
At random points while editing my keyboard will become inactive within Smoke. I've mapped out a custom keyboard and it works well to a certain point. It's as if I've accidentally changed a setting that "turned off" all my key maps. I can't zoom, insert or even playback from the source monitor or timeline.
I do a heavy job about an into working on a comp my keyboard will stop working, every once in a while if I cmd + tab out of smoke and back into smoke it will do the same thing, but my mouse always works. The only way to really get the keyboard back to working is by rebooting the app. This is really embarrassing when you are doing supervised sessions and you have to reboot.
I can only do a pen right click (using the pen button) with the smoke FCP7 keyboard settings.Shouldn't be like that, I guess, and I think this wasn´t with pre3
Only alternative is to press ctrl and click, but well, what are my pen buttons good for and i´m lazy, especially when i have to access option menus.
Some of my keyboard short cuts do not work - for example Import (CMD-I), Export (CMD-E) make subclip etc...... things like JKL play work and mark in mark out etc...
I can't seem to find the keyboard shortcut to kern between characters in the text effect - is there one? Pretty much every caption generator I've ever used has something like alt arrow to adjust between characters - even Avid title tool! I know I can use the kerning slider but that's a bit slow on larger amounts of text.
We have a SAN network that is several folders deep where we put all our project files. I see that there is a short cut that saves with User or Project in the network module. But it doesn't work!! At least for me. I had this work a few versions back but it wasn't consistent, which was weird.
There is a shortcut key that I have been using in FCP for years. That is to select the edge of a clip and hit "E" and the clip will extend to where ever the timeline is.
I know most of us have 2 computers in our suites and would be nice to controll both computer without having to use 2 mice and 2 keyboards. Right now I am using 2 computers, a mac pro and a macbook pro. I would like to use my MacPro's keyboard and mouse to control the macbook pro much like a mouse and keyboard on a second display. I've been using an application called teleport, but it doesn't allow me to use keyboard commands.
I've heard/used synergy, but it's to much work for the final product.
Any way of locking all the audio tracks at once. I am using Smoke 2013 on Mac with Smoke Classic Keys Set up, I can lock all the video tracks at once by shift-clicking on the Lock icon of any video track, the same doesn't seem to apply to audio track...