Somehow on it's incarnation to Smoke 2013 a core functionality of editing is lost.
I cannot drag'n drop any footage from the viewer into the TL by F-drag or Pen-tip anymore. This has been working in previous versions of Smoke and makes an NLE an intuitive experience, especially if you are coming from a FCP/PremierPro background. I'm sure this is a typical alpha build loss.
Any way you can take 5D footage and convert it from Lin to LOG?
View 1 Replies View RelatedI'm using Pre Release 5 for editorial as opposed to conform and I've moved some of my source material to a different drive than I was using when I started the project.
Normally in FCP or Avid, I would just re-link to the footage and that would be that. I know this could be done with footage in the timeline, but what about plain old source footage? I can't seem to find the re-link tool.
As soon as i try to open the default canon folder containing 5d footage, software crashes (spinning wheel, then app exited abnormally message).
I try re-starting wiretap gateway, wiretap server, and stone+wire thru Service Monitor then restarting smoke but that sometimes solves the issue and sometimes it doesnt. And sometimes i see checkerboards.
I tried solving the problem by running smoke with airport on or off but with similar results.I did some search here and gathered that it could be due to a number of reasons (IP address, local host etc) but I dont quite fully understand everything.
I don't have my mac pro networked via any Ethernet cable or anything and don't want to have to keep airport on unless i need to be online.
I've got RED footage that imports codec 3.x, RedColor3 and RedGamma3. I'm delivering rec709 but would like to work linearized. Do I just change the color settings to rec709 in the color box and linear in the curve option to work correctly?
View 2 Replies View RelatedI'm looking for the workflow for Red Footage.
In our facility, we are shooting 4k HD format. Then we can finish our final project as HD.
I installed Red Rocket and the Red Footage as Half premium debayer (1920x1080) playback in realtime at preview window of the "Media" tab.
However, I insert the same clip on the timeline (1920x1080, same as Half premium debayer), smoke automatically puts resizing effect. When I open the effect, I notice this effect doesn't do anything.
What would be a bonus is at anytime I could go to the timeline and click on an imported piece of footage and tell smoke to Include YUV headroom after the fact of it being imported and used.
View 7 Replies View RelatedI did a bunch of test fixes on a low resolution version of a project. All using batch.
Now I have the full resolution versions of the clips.
I thought I could drop the Batch set-up onto the new clips and then do an Apply & Scale to the Action nodes inside Batch. But that doesn't seem to work. At least from what I can see, all my gmasks are in the place they'd be if the footage were still smaller?
I have footage that contains GS footage. I also have a graphic I want to put behind the two. I can achieve this with a vertical comp in my time line and the timeline axis effect. But when I try to connect the two with CFX I get an error and my footage looks wonky.
View 2 Replies View RelatedI have a question about conforming material from Abode Premiere CS 5.5..I have a 720@50p source that was converted to Avid DNxHD 10bit 720@50p in Quicktime .mov container, using Media Encoder.Then material was edited in Premiere, cuts, dissolves and etc. Timeline in Premiere is set to 720@25p, because I need to output 720@25p finals.Premiere DOES NOT slowdown shots in timeline, it just plays them skipping every 2nd frame (I thinks so), so it is played in a normal speed and audio is in sync also. In Interpret footage settings nothin is changed - so, it still treats as 50p footage.
Problem is that I dont understand how to conform this footage correctly in Smoke.If I use automatic conform using wiretap import of AAF (same dir as footage is), Smoke thinking about this operation about 10-15 mins and then it creates a 1080@50p timeline where all shots are smaller it's native size and timing is completly wrong. They starts early than they should.If I use Video I/O I have correct sizing but timing issue is still present.
I need to create a project with PAL settings and override resolution to 720p?
How make Smoke to play footage same as Premiere does? Whithout shifting in out points?
Is there any way i can see which one is my current keyframe ? in the viewer i got a tracking data (path), but when i scrub the time, i'm lost... i don't know which one is the current keyframe. Normally i can see the big 'cross' icon which represent the position of current track data, but in case where the cross has been shifted out then i have no clue about the current keyframe.
View 3 Replies View RelatedThis is not a YUV headroom issue just to be clear and Im not looking at a broadcast output. Using my Eizo monitor with smoke I just did a color correction and exported a prores 422 hq with and with out yuv headroom. What Im noticing is that the color of the image in the smokes viewer is more saturated than the output which is being viewd in qt 7 and whatever the other qt is. Im not talking fine details here, Im talking about whoa whats going on with this isnt remotley close to being in the same ballpark. In short when I tab over to the qt file and shrink it and place it side by side by what is in the smokes viewer they do not match on the same monitor.
View 3 Replies View RelatedI go to mk, connect my clip to a gmask , double click gmask to focus to that module. I switch to 2 viewport. The left is the schematic, the right is the F1 (front). First when i click the F1 viewport, i got no 'add' button for adding gmask. So i have to first go to view pulldown, just do some unecessary click there to refresh. Now after refreshing, i can see my 'add' button is showed up. But the second problem is : i can't immediately press that 'add' button, there's a lag about 5- 7 seconds before i can click that button.
Also i can switch from mk schematic to f1 or f4 quite fast, but sometime go from any of front/back/matte view back to the mk schematic, it will take 4-7 second even for simple/basic mk network/tree.
The problem won't appear when using single viewport.
Is it possible to lock the CFX output to the broadcast monitor so that I can see the changes I make on the image in the broadcast monitor while working in the 1-up view? This way the CFX schematic can fill my 23 inch computer screen. So far i have only been able to do that with the 2-up, etc views. As soon as I switch to the 1-up view or swipe to the left while in 2-up view (which switches it back to the 1-up) the broadcast monitor shows whatever I am working on be it schematic or other.
When I am in the 2-up view and I lock the right part of the 2 up view to the broadcast monitor I usually maximize the left view to fill the screen. It however does not fully fill the screen and keeps the right view scaled to a very small size on the right.
The overlay of free guide and working area in the viewer don't work. I can't see any of these overlay indicator in the viewer. Is this a bug or do i miss something ?
View 2 Replies View RelatedThere is an issue with footage that needed the YUV headroom to be turned on when importing.What happens is that when this footage is exported, it get crushed blacks. So there need to be a YUV headroom setting for the export I believe. Maybe I am seeing it wrong.
Footage is MXF Panasonic HPX171 (DVCPRO HD 72025PN) footage.
I was wanting to try out the clone tool to paint out a fly in some footage I have, but I can't get the clone tool to grab a sample region. I hold down ctrl and click where I want to sample from, but the green circle doesn't appear. I can do it by manually offsetting it with the x and Y position, but I'd like to do it with my pen.
View 3 Replies View RelatedThe client asked me to give them a version of the Final sequence in which the colour of a looping background was slightly different so that they could compare the two. They also asked for two different pieces of music so they could test which one worked better. Before they picked the final version they wanted everything slightly shorter. The duplicates keep piling up.
Is there a way to swap put a shot in a master sequence and have it update in all the other duplicates I have made? How does one keep track of all the sequences in Smoke with all these little changes.
PS. With the audio I put the two music tracks in the sequence and muted one or the other. Dealing with different lengths of a commercial needs me to duplicate and then things start piling up.
what is the workflow for making footage broadcast legal in smoke.
I have read different explanations on the web, but still not totally clear on it.
how Brian Milligan creates broadcast safe.
DSLR footage I need a sharpen node. Is there a way to sharpen in Smoke?
View 2 Replies View Relatedin action schematic i can select any surface and press 'solo' , i can see the output on viewer. This is very cool feature. But if i switch the surface to other surface/image then the viewer won't update properly. I have to refresh by click to turn off and on again the 'solo' button. This will be great if the auto update is fixed.
View 1 Replies View Relatedi'm trying to link my edl with the correct clips. So when i got a green check icon , indicating that smoke have found the matched clip. But before i link it i just want to make sure that it's the correct clip. So in the bin, the clip is highligted and i double click it to open it up in the viewer. The problem the viewer split control is disabled so i can't do split screen to match that clip with the guide/offline (in the edl sequence i've inserted the guide movie). all i can see i have to link it first then go back to timeline and now i can view in split screen.
View 1 Replies View RelatedHow can I copy the timecode from the clip in my viewer, and jump to that point in another clip?
I use this often to compare the same point in time for an offline to online clip. I can open the timecode input window, and manually enter the timecode from one clip to another, but I can't seem to find the copy and paste commands that will use that timecode as the input.
Is there any keyboard shortcut in Smoke to shuttle quickly across footage (with sound playing) at 2x or 3x speed like you can in Avid/FCP/Premiere etc by double/triple-tapping the J and L keys?
This makes scanning through clips and the timeline so much faster and I consider it a basic essential.
I have just installed Smoke Ext 1 and tried Keying with Green Screen Footage. The Master Keyer result is not even close. Is it a bug with the Master Keyer?
View 1 Replies View RelatedAnytime I drag a Cc node from the bin to the CFX schematic it disappears for about 6 seconds and I get the spinning beach ball and the system freezes for that period. It then appears on the schematic and can be used.
View 3 Replies View RelatedI'm trying to drag multiple clip from timeline into desktop or library but all the clips always got spliced into a single clip. How to keep them as separated clips ? or individual clips ?
View 2 Replies View RelatedI'm using fcp hotkey , by default the 'drag copy (single frame)' is mapped to ' alt-c' . Normally this will work fine. But in some case where a cfx clip is selected or my time indicator is parked on top of a cfx clip in active timeline , then do 'alt-c' will give an error message "connectfx cannot be modified inside the containers. Proceed with edit ? "
So to solve this temporarily, i have to first deselect the cfx clip or move the current positioner on top of a non-cfx clip.
i preview my footage and it looks fine, but when i drop it in the time line it cuts alot off
View 4 Replies View Relatedi can't understany why photoshop won't allow me to drag and drop a gif file from its file to another new photoshop file...
View 6 Replies View RelatedI'm running Windows 7 here at work and I can't drag and drop scenes into the max viewport, or texture maps into the material editor or any sort of the dragging and dropping that I can do on my home computer or any of the other computers that run max here at work.
I'm using 3ds max design 2011, I'm running it as administrator and everything is up to date. I also can't drag and drop into photoshop, but I can drag and drop to the desktop and from one folder to another. So either both of my programs, on this computer only, had some setting disabled, or it's the OS. But like I said, I can drag and drop within Windows just fine.