I zoomed in on previous clips double clicking the timeline monitor and using the four corners tool. However, now when I drag clips in, they become distorted and zoomed in. How can I reset the monitor to match the source monitor?
View 2 RepliesI can;t drag slected clip from the source monitor to the timeline.. it allows me to take audio but video won;t travel with it.. even if I just grab the video only icon.. it won't do it... i am using PP CC
View 3 Replies View RelatedI'm trying to drag multiple clip from timeline into desktop or library but all the clips always got spliced into a single clip. How to keep them as separated clips ? or individual clips ?
View 2 Replies View RelatedI'm working on a Premiere Pro CC project with another editor. On his latest version, some of the clips on the timeline have a "+/-" or "+2" or "-2" on them. He's not sure how that happened, and I've not seen it before. What do those mean, and how do I get rid of them? I've tried Googling, but search engines don't respond well to "+/-".
View 1 Replies View RelatedNothing happens when I try to move the clips to the timeline. Have Windows 8.1. Premiere Pro CC.
View 3 Replies View RelatedI want to edit 4K source footage inside of a 1080p timeline in order to do alot of shot stabilizing throughout my project with the plug-in "Warp Stabilizer" that is standard inside of Adobe Premiere CC. BUT as soon as I drop the plug-in on my 4K footage that is inside of my 1080 timeline there is an error message that says "Warp Stabilizer requires clip dimensions to match sequence (fix by nesting)".
So I guess the "fix" is to nest my clips first then drop the plug-in on the nested clip. My question is this ... is the plug-in using the true resolution of my 4K clip that has been nested to stabilize my shot? Or is it basically using a 1080 proxy type file of my 4K source footage since it is "nested"?
Capturing: I have a continuous miniDV tape that I am capturing, but Premiere keeps interrupting the capturing and makes short multiple clips...I have tried it with both Scene Detect ON and OFF. I just want the miniDV tape to play and to have one continuous file. How do I prevent the capturing process from splitting up the clip?
View 4 Replies View RelatedI am having an issue with Premiere 6.0 that I can't seem to solve. Some audio clips are showing up in red in the timeline and they just don't work at all. Here is how this went down.
I had to format my computer due to Windows related troubles and so I reinstalled the OS, installed all of my Adobe software and dropped the files back into their original locations. When I fired up premiere and opened the project, everything was looking fine and dandy until certain clips showed up in red and just didn't work.The only clips that were affected were audio tracks from AVI files that I separated from the video. They are not missing , premiere knows where they are and if I drag one into the timeline it will work just fine.
I see that all but the first 7 seconds of the edited clips on the timeline are now cross-hatched. There's no video or sound when I scrub over the cross-hatched portion. I've tried removing all effects and transitions but no joy. There are several other sequences in this project which are all working normally.
View 9 Replies View RelatedI've never experienced this before, but perhaps that's beause I was never dependant on reading type in the videos I've previously produced.
how to keep the video quality of the source video when they insert it into the timeline?
Trying to insert a clip on a new timeline form a different sequence in my source monitor. But the audio track does not come through.
I am running the latest CC of Premiere on Windows 8.
Why can't I drop a clip in the Program Monitor from the Source Monitor in Premiere? When I try to move a clip from the Source to the Program Monitor, a hand displays with the "circle with a line through it" symbol.
View 2 Replies View RelatedI've been working the last 6 months with 4 GH2s and ran into some strange troubles when initially importing them to the timeline. 2 hour shots are divided into 6 or 7 different files, and when brought into PP the first clips audio was assigned to all the other remaining clips. This was pretty strange, but I fixed it by using TSmuxer. It was added time in the workflow/set up, but in the end I could produce;
The latest update of PPCC now combines the entire 2 hours of footage into each of the 7 files being imported. So it is importing 2 hours of footage 7 times for each camera. The conforming is taking forever! For 4 cameras it's conforming 14 hours of footage each, when it should literally be a 7th of that.
It is taking up large amounts of time and disk space.
In my Adobe Premire Pro CS6 project, When I select a clip that I want to drag down into the editing section it only allows me to drag the video and NOT the audio. I need both video and audio and it wont let me, I don't think I clicked anything wrong but
View 2 Replies View RelatedHow can I view a preview how all the video transition looks between 2 clips in Premiere Pro CS5 before I choose the one I want to use.
I always use Adobe Bridge CS5 when I need to see a fosmag on the effects in After Effects CS5, but can not get it to work and then I can also see the Video Transitions in Adobe Premiere CS5
Syncing in plural eyes is good with our pro res files, but when I try and sync with some mp3 files from a zoom h1 recorder it goes black at the bottom of the timeline and responds really buggy.
View 1 Replies View RelatedI have recently upgraded to Smoke 2012 sp2 and have a small issue regarding the reordering of my clips in the source area.
On 2011 when you placed clips in the source area in a specific order and saved it to the library and when you recalled it from the library it would put the clips back in exactly the same place you left them. Now in 2012 when you do that it re-orders them in some sort of chronological order.
Is there a setting that I'm not aware of that will stop doing that as I place them in a specific structure which makes sense to me and is easy to find and understand on large builds, now I'm having to sift through the clips and waste time finding what I did last and checking through versions to find the latest one.
The circle tool, in the standard paint.net tool set, anchors the a circle at the corners of the circle's "bounding box".
So when you want to draw a circle around a certain point - you have to center the circle yourself
I want to have the circles anchored to the point that I start the drag (centered at the point I hold down the mouse to start the drag).
If you imagine wanting to drawn a target (concentric circles) - you'll get the idea.
I cannot see a way to do this automatically in paint.net.
I can't seem to get source clips to Gang with the timeline in the record area, did we lose this? I always gang up my reference with my conform so I really hope we havn't lost this!
View 1 Replies View RelatedIn 2012 it was very easy to select a gap segment and click color source in the soft effects. In 2013 it appears to be much more difficult, you need to create it in a folder then edit it into a sequence. Am I missing something? I wish there was a color source option in the effects ribbon.
View 2 Replies View RelatedWhere colour source on the timeline is. I am always droping black or coloured frames into the timeline either as a background for some softFX text or even as a fill for the softFX text so I can then track that text to the background.
View 9 Replies View RelatedI might be being really thick but my old method of managing clips and handles in a master was to perhaps conform from rushes with 75fr handles, save that conform but then in my wip master I would consolidate all sees down to 10fr. This way if I was sharing shots around the facility you could match a shot out (using the old match to segment preference rather than match to source) and it would respect the handles you had set in your master.
I can't seem to replicate that old behavior in 2013 smoke. It will either match to source or to just the segment without handles. How can I get it to match out with the handles I have consolidated?
When matching a source clip from the new sequence area it appears that you now have to have the widget on the clip you wish to match rather than just select the clip. Is this a change in the way 'match' works or is it a bug?
It was always nice to just tap the clip and press match rather than now having to scrub your widget to the right layer and clip before pressing match.
Just upgraded to X6 last week to start to edit a short movie that I am working with my students. Since is our first short with a lot of takes (about 74 takes in 7 scenes) and we had a lot of problems shooting because take more time them we thought! Well, now I am editing it but I need to export the edited clips (takes) in the time line to add special effects in HitFilm, so theres a way to export all those clips as MP4 or any format in a batch?
View 5 Replies View RelatedI've just watched an Adobe TV video by Julianne Kost about video features in PS CS6.At one point she converts a video clip into a Smart Object in order to apply a PS filter, but when I do this, the entire Filters menu is grayed out.
The mp4 clip plays normally in the Timeline otherwise.
What does this icon indicate? See the attachment.
View 2 Replies View RelatedI'm working on a lengthy video highlights project with many clips less than 5 seconds and want to know the easiest way to bulk move at least 10+ clips at a time on the timeline to either an earlier or later point than they're currently at. In essence, I'm hoping that I can "bulk" cut and paste all these clips together instead of doing it one clip at a time by either dragging each individual clip or cutting and pasting.
View 5 Replies View Relatedis it possible to show thumbnails of a clip in the timeline like this one?
View 2 Replies View RelatedI am using X6. When I tried to launch a music track from "Smartsound", (from the owned section) the "Add to Timeline" was greyed out.
I Split the Audio from the video and it landed in the VoiceOver track. Is it possible to make it land in one of the music tracks?
Is it possible to alter the volume across all the clips on the timeline without having to alter each clip separately?
I have got some questions:
1. How can I select many clips on the timeline? (I work with a Wacom tablet.) When I press the pen onto the tablet and move it, I can only pull the gap. In connect fx it works, when I hold cmd.
2. If I set markers in the timeline, is there a way to also see them in connect fx?
3.There is a function in Final Cut: When I I select a clip from the timeline and press "f" , I can go on working on its source clip in the viewer. Is there something similar in smoke? I cannot find the name for this function, so I cannot search for it in the keyboard shortcuts.
4. If I render something, is there a way that Smoke automatically copies the file (without copying the effects)? The reason for that question is: I applied timewarp to a clip, then I wanted to go on working on the clip in connect fx, but the length of the clip changed - it was shorter. When I went on working in action and put some lense flares and rendered it, everything was bended and looked weird. It looked great but I did not intend to do something like this.
The next questions are no real questions but rather problems.
5. When I work with audio (audio clip locked), I cannot really cut on the music, because 5a. sometimes the amplitudes do not match the music. An example: There is no amplitude, but the music goes on for 2 seconds. 5b. And when it is correct and I cut on the beat and render it, it is not sync anymore some moments later or when I restart smoke. (It only displaces 1 or 2 seconds from the sync.)
6. Since I have updated from pre-release 4 to pre-release 5, I cannot export anymore. I have read a lot on blogs, but I could not really find my problem. I cannot even press the export button.
I was wondering if when I stop a looping clip playing in my timeline, I could have it stop at the frame I stop on instead of stopping at the positioner or in-point. This is a very vital problem I'm having.
I have come up with a work-a-round but it doesn't work near as smoothly as I would like it to.
All I do for the workaround is instead of hitting space when I stop, I hit right alt to set an in point then hit space to stop and "A" to move to my newly created in-point. But it doesn't work as smoothly as it should. I would really like it to perform like playing a clip in the desktop works. It just loops around and when I stop, it actually stops.