I've never experienced this before, but perhaps that's beause I was never dependant on reading type in the videos I've previously produced.
how to keep the video quality of the source video when they insert it into the timeline?
I can;t drag slected clip from the source monitor to the timeline.. it allows me to take audio but video won;t travel with it.. even if I just grab the video only icon.. it won't do it... i am using PP CC
View 3 Replies View RelatedI zoomed in on previous clips double clicking the timeline monitor and using the four corners tool. However, now when I drag clips in, they become distorted and zoomed in. How can I reset the monitor to match the source monitor?
View 2 Replies View RelatedI want to edit 4K source footage inside of a 1080p timeline in order to do alot of shot stabilizing throughout my project with the plug-in "Warp Stabilizer" that is standard inside of Adobe Premiere CC. BUT as soon as I drop the plug-in on my 4K footage that is inside of my 1080 timeline there is an error message that says "Warp Stabilizer requires clip dimensions to match sequence (fix by nesting)".
So I guess the "fix" is to nest my clips first then drop the plug-in on the nested clip. My question is this ... is the plug-in using the true resolution of my 4K clip that has been nested to stabilize my shot? Or is it basically using a 1080 proxy type file of my 4K source footage since it is "nested"?
Trying to insert a clip on a new timeline form a different sequence in my source monitor. But the audio track does not come through.
I am running the latest CC of Premiere on Windows 8.
I have signed up with the cloud service, Feb 2014. I have downloaded Premiere Pro and am going through training tutorial (the Eagle doco). I have downloaded and imported the video into a bin but when I put it into the source monitor (top left of standard display), I see black but hear audio. I know the video is fine as can play from desktop. Have opened another project, using other source video I also know to be good, but same problem...no video visible in source monitor but audio ok in source monitor. This is a brand new Premere Pro installation. Is there a settings change I need to make?
View 2 Replies View RelatedSo the option to add Adding Video/Audio Tracks to Timeline are "grey'd out" and what's even more strange is that they don't even have the one or two tracks that are usually in the timeline when you open new project.
View 14 Replies View RelatedThis is a daily occurrence. As I go along editing, I inevitably come upon some video clip (or audio clip) on my timeline that is missing it's original audio (or video) counterpart. I've previously deleted the audio portion (or video) at some point earlier in the edit, when it made sense to do so. Now, though, I change my mind, or I need to hear the audio to sync other clips, or just hear the audio for reference, etc.
How do I bring back the corresponding media? I love the new "Join Through Edits" command in Premiere Pro CC, it seems that a companion feature would be something like "Restore Original Linked Audio / Video"
Match Frame seems close to what I need, but involves a few more steps than a right-click, or keyboard shortcut (maybe I don't properly understand how it works). Does any command exist that would do what I'm needing? I can't imagine I'm the only one who would need this function DAILY.
I'm new to video editing and know little about the program I am using (Adobe Premiere Pro CC). How I can add the full size video or pics to the time line. It appears whenever I add something from my Gopro 3 HD camera I only get a partial of the video / pic.
View 3 Replies View RelatedThe capture went just fine when digitizing my tape and the .mov file has both audio and video during playback in both quick time and Adobe Premeir Pro, but when I drag it into the time line only audio will show up. Even weirder it's 4 layers of audio instead of just one audio and one video. This only began with videos that I catured today. When using footage I captured on a previous day it works just fine. What went wrong? Where's my video!?
View 1 Replies View Related I'm a complete amateur and did some stupid things. Like shoot everything on my iPhone at 120fp.
Everything imported fine and played great in the the Source and Program monitors, and I could drag any of the clips into the Timeline and they would all play fine, all at normal speed (30fps).
When I fully render them, however, they play in the Timeline at 120fps, and the audio stays the same. In the montors they still play at 30, though. When they're just rendered for playback ("yellow"), it's fine. I would leave them unrendered, excpet sometimes they get rendered automatically, and I can never get back to regular playback speed for those clips.
But even better, when I export, all is well, and is at 30fps.
So, is there some way to make them play at 30fps, even when fully rendered, in the Timeline? Or even if there's just a way to convert them. (I'm likening the framerate thing to audio sampling rate. And made similar mistakes back in the day!) I looked at the "Interpret" option, but must not have fully understood it, since the results were disastrous.
Anyhow, that's about it. I'm not sure if it's germaine, but I did also bring in some 30fps stock footage. Just did a straight import. Same thing happened.
In Pro Tools, you can change the sampling rate of a "Session", is there a similar setting that I'm missing?
Just made sure updates for the video card and all the hardware were current and still getting this problem where when I go to adjust a channel of video a random frame from the below channel will insert itself into the clip that I just moved as if it was married into the source footage.
Adobe Premiere Pro
Running an nVidia 660 with 331 drivers installed
Win7 64 bit ultimate
I am new to working with bigger projects in Premiere, I moved from FCP last year. I am currently editing a show which is based of Line recorded cameras.
I have 6 Tracks of video, plus mulitple audio tracks and 2 hrs long
My problem. Having made and lifted my selects in the timeline I now am finding the timeline to be very unresponsive to the point of pinwheeling even just to open the sequence. I can't zoom, move or edit anything in this timeline without a pinwheel and a 30 second delay. None of my other sequences are having this issue. All are the same codec.
Is there a way to set up larger sequences so that this does not happen? I find premiere 7.1 is fine until I build bigger sequences/projects. My inital thought was drive speed, however the issues only arose when I had lifted all the selects.
Could it be that I have too many tracks of video for premiere to handle? I have no problem playing the timeline (although it will initally pinwheel) its mainly navigation/clip selction along the timeline which causes an issue
I tried multicam also but that had too many issues
I work on a 2012 Mac Pro 2.4 Ghz 12-cores with 12 GB ram 9 of which is allocated to premiere. I also have my working caches on a dedicated single 3.5" 7200 rpm drive 1gb graphics card.
is it possible to loop the preview between the workarea (is it work area ?) start and end ? When i activate the loop, its not looping.
View 2 Replies View RelatedIs there a way to return the work area bar to automatic after you move it manually? I know about the alt-click to expand to teh entire work area but that is not returng it to the auto mode.
View 5 Replies View RelatedSyncing in plural eyes is good with our pro res files, but when I try and sync with some mp3 files from a zoom h1 recorder it goes black at the bottom of the timeline and responds really buggy.
View 1 Replies View RelatedHow to identify clips in the media library that are inserted in the timeline. There is no "tick" mark to tell us
View 7 Replies View RelatedIn 2012 it was very easy to select a gap segment and click color source in the soft effects. In 2013 it appears to be much more difficult, you need to create it in a folder then edit it into a sequence. Am I missing something? I wish there was a color source option in the effects ribbon.
View 2 Replies View RelatedWhere colour source on the timeline is. I am always droping black or coloured frames into the timeline either as a background for some softFX text or even as a fill for the softFX text so I can then track that text to the background.
View 9 Replies View RelatedI might be being really thick but my old method of managing clips and handles in a master was to perhaps conform from rushes with 75fr handles, save that conform but then in my wip master I would consolidate all sees down to 10fr. This way if I was sharing shots around the facility you could match a shot out (using the old match to segment preference rather than match to source) and it would respect the handles you had set in your master.
I can't seem to replicate that old behavior in 2013 smoke. It will either match to source or to just the segment without handles. How can I get it to match out with the handles I have consolidated?
When matching a source clip from the new sequence area it appears that you now have to have the widget on the clip you wish to match rather than just select the clip. Is this a change in the way 'match' works or is it a bug?
It was always nice to just tap the clip and press match rather than now having to scrub your widget to the right layer and clip before pressing match.
I'm trying to get my source audio to patch to tracks 3 and 4 in my record timeline. It looks like I should be able to drag on the source clips patch to change it from A1.L and A1.R to A2.L/A2.R.
View 5 Replies View RelatedCan I use "edit in" in Lightroom to move video clips to premier or premier elements to edit them?
View 17 Replies View RelatedI have recently upgraded to Smoke 2012 sp2 and have a small issue regarding the reordering of my clips in the source area.
On 2011 when you placed clips in the source area in a specific order and saved it to the library and when you recalled it from the library it would put the clips back in exactly the same place you left them. Now in 2012 when you do that it re-orders them in some sort of chronological order.
Is there a setting that I'm not aware of that will stop doing that as I place them in a specific structure which makes sense to me and is easy to find and understand on large builds, now I'm having to sift through the clips and waste time finding what I did last and checking through versions to find the latest one.
Often when I go back to previously saved source areas from previous projects (like I just saved yesterday) my source clip icons are squished forcing me to re adjusts.
Smoke 2013 Ext1
I don't remember it being a problem in LR4, but I have just used the spot tool on an image where there was a crop. The program's choice of source for the spot tool seems to me to be more dramatic than ever before, and in this particular image the source selected was in the area which I had cropped out. To move the source point, I had to open the crop tool to adjust one side of the crop, then move the source, then restore the crop to the image, then reselect the spot tool.
It might well be that in some instances the cropped out area is the best source, but whether it is or not, I think we need to be able to access the cropped detail without resetting the crop itself and preferably without having to then reselect the spot tool.
How can I view a preview how all the video transition looks between 2 clips in Premiere Pro CS5 before I choose the one I want to use.
I always use Adobe Bridge CS5 when I need to see a fosmag on the effects in After Effects CS5, but can not get it to work and then I can also see the Video Transitions in Adobe Premiere CS5
When I m in the source panel using the audio waveform and I add a marker the scrubber goes to the start of the clip or when I try to edit the marker it will take the scrubber to the start of the clip. Is there a way when I add a marker to stop the scubber from going to the start of the video?
View 6 Replies View RelatedWhen exporting a sequence from Premiere Pro CC, you are able to toggle between 4 drop down options within Adobe Media Encoder on what Source Range you'd like to export (Work Area, Sequence In/Out, Entire Sequence, Custom) as seen here:
Is there a way to set the default Source Range to something besides Sequence In/Out?
My reason for asking is that sometimes I export multiple sequences at once using AME's Queue. I add my custom presets to each Sequence and hit export, but SOMETIMES I may have accidentally marked an in point on my timeline and by default it's set to export only that In-to-Out part of the sequence.
I know what you may be thinking...well, just don't add any In/Out points to your sequence on the timeline or clear them first. The trouble is that I often don't see them or catch them when working quickly. In Premiere Pro CC, I use the "Lighter Brightness" Appearance setting because it's easier on my eyes after editing 10 hours a day, 6 days a week. Sure, darker looks cooler, but it kills my eyes for some reason. Anyway, PPro CC has a troublesome appearance issue in CC where it's not "optimized" for editing when you change it to a lighter appearance like it was in CS6. I've already contacted Adobe about this and another appearance issue (involving highlighted clips when in Lighter Appearance setting) and they are "actively working on fixing this appearance issue asap".
For reference, here's Premiere Pro CC in/out points in default dark appearance (notice the slightly lighter grey area):
Now here's that same in/out in "Lighter Appearance":
Not exactly optimized. Can hardly see it. This affects in/out points in the Source Window as well. Really hard to see.
Conversly, CS6 looked the best (the blue REALLY stands out making things easy to see):
is there a way to set the default "Source Range" to something else besides Sequence In/Out so that I don't end up doing what I just did and leaving for several hours while batch exporting only to come back and find that I exported only a "portion" of one of my big sequences?
Normally when I edit, I use pluralize, which creates a sequence in which I can take notes. I usually then drag that sequence into my source monitor, create in and out point and place that into my final timeline. For some reason, Premiere is not letting me drag the file I need into the source monitor. Is there something with the settings off?
View 2 Replies View RelatedThere appears to be a significant difference between the image in my Source monitor and my Programme monitor. About 2stops. Might not look much when scaled down, but conspicious when on full scale.
View 7 Replies View Related