I can't seem to get source clips to Gang with the timeline in the record area, did we lose this? I always gang up my reference with my conform so I really hope we havn't lost this!
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How do you select Multiple clips in a long sequence with many clips? I am cutting a short documentary and I need to move around a large quantity of clips. How do I quickly select a bunch of clips?
View 2 Replies View RelatedIs it possible to use a Sequence as a Source? I like to use stringouts of source clips while editing as well as sections of existing Sequences as source material for new Sequences.
View 2 Replies View RelatedI'm trying to get my source audio to patch to tracks 3 and 4 in my record timeline. It looks like I should be able to drag on the source clips patch to change it from A1.L and A1.R to A2.L/A2.R.
View 5 Replies View RelatedWhenever I try to enter source record mode the programs crashes and quits. I've tried with keyboard shortcut, using the option dropdown and the same thing happens. This did not happen with previous version.
View 2 Replies View RelatedI opened 33 sources as "open as Sequence" behind each other and after doing that double clicking on the source or any source isn't loading it into the source viewer. There is no icon next to the source indicating that it isn't a source. After the fourth selection was open as Sequence. the one that was opened as the first is recycled and the Sequence Icon disappears from in-front of it. So there is only four icons at any given time in the list.
View 5 Replies View RelatedI've been called upon to use Smoke as an intermediate between offline and color session elsewhere. I need to export a DPX sequence for the colorist to work from. Can I easily do this in Smoke? Just conform the offline and export DPX sequence? Also, can I put in handles and include original source timecode?
View 4 Replies View RelatedI have recently upgraded to Smoke 2012 sp2 and have a small issue regarding the reordering of my clips in the source area.
On 2011 when you placed clips in the source area in a specific order and saved it to the library and when you recalled it from the library it would put the clips back in exactly the same place you left them. Now in 2012 when you do that it re-orders them in some sort of chronological order.
Is there a setting that I'm not aware of that will stop doing that as I place them in a specific structure which makes sense to me and is easy to find and understand on large builds, now I'm having to sift through the clips and waste time finding what I did last and checking through versions to find the latest one.
Simple way to select multiple clips in a sequence and change their durations to, lets say, 5 frames each. I'm basically trying to make a "stop animation" edit using footage that was recorded with different durations.
View 1 Replies View RelatedIn Smoke 2013 we cant seem to see the record Timecode. The source TC is there just not the record.
Is there something that we have to turn on?
Coming from 2012, we had source and record areas. These were green and red respectively. Which was very easy to keep multiple source and record areas available. How is this functionality reproduced in 2013?
The reason I ask, is that I have just been adding rec area clips and now I have a lot and I don't know what to do with them. In 2012, I save the record area to the library and then make a new rec area. That way I know my very important masters are safe. How do I do this in 2013?
What combination of keys is that for save project?
Looking everywhere in docs for info on how to make the record player larger without losing view of the timeline.
View 8 Replies View Relatedwhat do you need to do to render/process all effects in a record timeline
View 3 Replies View Relatedwhen caching .png sequences it happens a lot that some portions of the clip are not being cached. Or at least some frames are still pointing to the original .png's so that playback stutters.
This happens both in a normal HD project, but a lot on a current UltraHD 60p project on the proxy-generation (set to 50%). A workaround is adding an effect, render it and commit the clip. But this is not suitable on the big 60p project.
Observing the percentage counter in the lower left corner gives me the strange suspicion that it is happening to those portions of the clip which are being cached during the autosave process. There are a lot of them. Converting is not an option. Mac and storage are fast enough.
I cant seem to find filter select or a list view for the record area. Both of these functions come in handy on feature films and episodic television especially vfx heavy shows.
View 2 Replies View RelatedI using Apple Pro res HQ 1920x1080 source files. I'm setting up my sequence to be the same size. However, Smoke resizes everything.
View 3 Replies View RelatedI have a sequence that's 2 and a half minutes long, but my final edit is 2 minutes. I want to change the duration to 2:05 so I can export out various versions.
View 1 Replies View RelatedI tried working on PNG image sequences instead of video footages.the problem is Smoke recognizes the fps as 59.94, and i want to make it down to 25fps.i tried using PAL.cfg, the frame rate did change to 25fps but when the sequences are imported in the timeline, its still 59.94fps.
View 6 Replies View RelatedI am having some issues with the newly added Sequence Publish function added in Prerelease 4. I have tried using both the built in AAF export option, and have tried a custom DPX image sequence with EDL export. The function is able to do the final sequence render in preparation for the publish, however it doesn't ever actually publish either the DPX sequence or quicktime movies I request it to. I am left with a folder which contains the edl or aaf file, but no corresponding media ever gets written out. When I check the jobs tab in the mediahub, it just shows "waiting" as its status, but it never progresses past that point. I have tried this function on three different timelines with different media, and it still won't write out the publish sequence. I am able however, to export the sequences to a quicktime as I would normally.
View 3 Replies View RelatedKind of at my wits end with this software. Decided to give it a proper test on a job involving some wire removal and a bit of 3D comping. Every day brings hourly crashes, corrupted sequences, black frame renders, inability to archive projects, on and on. It's like every shot on this project is a minefield of troubleshooting and trying to find workarounds just to get a render complete. I'm spending easily an extra 20 hours a week just trying to overcome problems with the software.
Now I've got a sequence that I literally spent 4 hours on and just trying to open it brings smoke to a hard crash. Trying to make a cfx clip of the sequence takes half an hour to save so I've only been doing that once a day.
Smoke 2013 EXT1
iMac i7 3.4Ghz
NVIDIA GeForce GTX 680MX 2048 MB
32GB RAM
MAC OS X 10.8.3
Promise R6
I was wondering if there was a way to manually save my timeline. It seems I can set the autosave for every few min, but I'd prefer to be able to save the timeline on my own, like when you get something perfect and don't want to chance a crash between autosaves.
View 6 Replies View RelatedI'm using Pre Release 5 for editorial as opposed to conform and I've moved some of my source material to a different drive than I was using when I started the project.
Normally in FCP or Avid, I would just re-link to the footage and that would be that. I know this could be done with footage in the timeline, but what about plain old source footage? I can't seem to find the re-link tool.
In 2012 it was very easy to select a gap segment and click color source in the soft effects. In 2013 it appears to be much more difficult, you need to create it in a folder then edit it into a sequence. Am I missing something? I wish there was a color source option in the effects ribbon.
View 2 Replies View RelatedWhere colour source on the timeline is. I am always droping black or coloured frames into the timeline either as a background for some softFX text or even as a fill for the softFX text so I can then track that text to the background.
View 9 Replies View RelatedI'm trying to add a dissolve on the timeline between two clips as I have many times before and one of them will not allow me to dissolve to or from it. It won't allow any dissolves at all actually.
Both are 1920x1080 10bit clips rendered out of action. Any attempts to put a dissolve on the cut ends up with it being only on the end-tag (the second clip). If it tell it to be centered it puts a one frame dissolve on the end-tag. If i tell it Up To Cut it does nothing. From Cut works as expected.
Is there a way for me to output certain in and out points instead of a whole sequence. I have a long clip and only want a small section of it, where in Smoke 2013 can I input the in and out points I want rendered? I can't see it in CFX and If I mark an In and Out point on the timeline it still renders the whole clip.
View 4 Replies View RelatedI recently got a movie file from a client. This file is actually an edited video with straight cut edits. So I dragged this from the bin / media library onto the timeline and proceed to chop up the video according to where the cuts are using ctrl v, like how I usually do in premiere pro. I then selected one of the clips and added color correction to this clip. I found out that all the other clips were being color corrected as well.
I removed every thing and re-started from scratch using the source monitor to mark in and out for every cut. This time it worked properly with just the selected clip being color corrected. Is there any way I can do this like in premiere pro timeline with the razor blade but each clip becomes an individual one?
Can Smoke export XML?
What if I edit in smoke and want to export an xml of my sequence for color correction in another app that imports xml.
is it possible to export to a movie just a particular part of the sequence (say frame 100 to 500) similar as you can do in After Effects exporting just a work area?
View 2 Replies View RelatedHaving cut together a short commercial recently, I have been unable to export my sequence/ work. There are no error messages, only incomplete exported versions of the sequence (sometimes 1 second, sometimes 8 seconds!) or nothing at all. It will go through the motions and not generate an exported file.
I have attempted to export my sequence multiple ways - from the timeline, from the media library and from the mediahub - with identical results. I'm totally at a loss. I've also gone back to a sequence which I was able to export successfully one month ago and now I get the same problem - either no result or some fractional piece of the edit - never more than a few seconds. My finished edit, by the way, is a 30-second spot.
For example, here's one way I've attempted to export:
1. I select my sequence from the media library and right-click for export.
2. I select movie, choose my destination, and select a format preset (I've tried just about every preset, hoping it was a preset error of some kind), and
3. I hit export.
Instead of the spinning prompt in the lower left corner, showing me a percentage countdown (or count-up) - which was present a month ago when I was las exporting a show -I get a quick audio mixdown prompt in the lower left then nothing. It all happens in less than 1 second from the time I press "export".
I've copied the console log for your review. This particular effort/ screenshot resulted in an 8-second clip, which is the longest one (still incomplete) I've been able to generate since I attempted to export starting yesterday. Again, my sequence is 30 seconds, and it either does nothing, generates an empty file (45k in size) or creates an incomplete movie file (usually 1 or 2 seconds).
I might be being really thick but my old method of managing clips and handles in a master was to perhaps conform from rushes with 75fr handles, save that conform but then in my wip master I would consolidate all sees down to 10fr. This way if I was sharing shots around the facility you could match a shot out (using the old match to segment preference rather than match to source) and it would respect the handles you had set in your master.
I can't seem to replicate that old behavior in 2013 smoke. It will either match to source or to just the segment without handles. How can I get it to match out with the handles I have consolidated?
