AutoDesk Smoke :: Clip Division On Sequence Timeline
Jul 7, 2012
I recently got a movie file from a client. This file is actually an edited video with straight cut edits. So I dragged this from the bin / media library onto the timeline and proceed to chop up the video according to where the cuts are using ctrl v, like how I usually do in premiere pro. I then selected one of the clips and added color correction to this clip. I found out that all the other clips were being color corrected as well.
I removed every thing and re-started from scratch using the source monitor to mark in and out for every cut. This time it worked properly with just the selected clip being color corrected. Is there any way I can do this like in premiere pro timeline with the razor blade but each clip becomes an individual one?
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Jul 2, 2012
I was wondering if there was a way to manually save my timeline. It seems I can set the autosave for every few min, but I'd prefer to be able to save the timeline on my own, like when you get something perfect and don't want to chance a crash between autosaves.
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Jul 22, 2013
Kind of at my wits end with this software. Decided to give it a proper test on a job involving some wire removal and a bit of 3D comping. Every day brings hourly crashes, corrupted sequences, black frame renders, inability to archive projects, on and on. It's like every shot on this project is a minefield of troubleshooting and trying to find workarounds just to get a render complete. I'm spending easily an extra 20 hours a week just trying to overcome problems with the software.
Now I've got a sequence that I literally spent 4 hours on and just trying to open it brings smoke to a hard crash. Trying to make a cfx clip of the sequence takes half an hour to save so I've only been doing that once a day.
Smoke 2013 EXT1
iMac i7 3.4Ghz
NVIDIA GeForce GTX 680MX 2048 MB
32GB RAM
MAC OS X 10.8.3
Promise R6
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Sep 19, 2012
what does exactly mean the red line under a clip in the timeline ?
I noticed the clip with red timeline has red effect, but it doesn't seems to mean i have to render them.
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Dec 1, 2012
How to hide selected clips in timeline without turn off layer visibility (eye icon) ? i found no hotkey and also there's such option in contextual (RMB) menu.
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Dec 26, 2012
I have a single frame clip in my library, i want to put this clip into my timeline and i want it to be 10 seconds. I can just easily in/out in timeline and 'overwrite'. i don't like where i'm repeating a single frame and then still need to render it as 10 seconds clip.
This should be done like 'repeat' in the desktop tools. So in timeline when doing 'overwrite' , Smoke has to be smart to detect 1 frame edit so it just need to 'repeat' it not to 'timewarp' it.
And the another BAD thing , i can't have 'repeat' tool inside cfx . why ? so have to repeat the clip outside the cfx and go back into cfx.
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May 9, 2013
There is any simple method to insert/add a clip on timeline without its sound? I know the methods of locking the audio track in the sequence or deleting the audio track of the clip but I'd like to have some simple shortcut like Option+drag or something similar. There is any?
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Jun 11, 2013
When matching a source clip from the new sequence area it appears that you now have to have the widget on the clip you wish to match rather than just select the clip. Is this a change in the way 'match' works or is it a bug?
It was always nice to just tap the clip and press match rather than now having to scrub your widget to the right layer and clip before pressing match.
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Dec 14, 2012
i have a clip in layer 1 and i want to move it to layer 2 , i don't want accidentally move in horizontal direction (change edit point), i want to move straight vertically. Using FCP hotkey, i can activate snap (shift key) to constraint it to a cut, but that only works if i got another clip, if there's no other clip , i can't do constraint since there's no reference. In FCP i can still doing it because it can use the current clip's previous position as reference edit. But in Smoke , i can't do that. I think there should be a feature added for this process. The workaround is : do not move the clip but using duplicate, then delete the original one... but seems too complex for that little tiny task.
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Feb 6, 2013
Is it possible to nudge a video segment or audio clip in timeline with a short cut key?In FCP7 I used this all the time.
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Jun 13, 2012
This is based on prior work with Adobe Premiere and switching over to Smoke 2013...
since you were asking for feedback on the editor UI from Mac users...
a) is there a cut button that allows to cut a clip into two at the current marker positions? (e.g. to repeat certain elements)
b) is there an easy way to add extra frames at the beginning or the end of the clip by holding the first or last frame? (very important, but cannot find how to do this). Ideally this would just require dragging the beginning or end of the clip somehow...
c) There should be an easy option to add frames by extending the last or first frame in the case of transitions. Is there one? On Premiere, there's an option for this, makes it much faster to add transitions if there is limited movement in the source material
d) is there a way to auto stretch a clip on insert into the timeline to the selected region? time warp and frame-hold options (beginning, end, both)?
e) why is it not possible to drag clips back into the media hub on the left? (e.g. imported an AAF with a bunch of clips, now want to store some of the clips for later re-use in another timeline or part instead of having to keep it on the timeline)
f) the zooming into the timeline is cumbersome - is there a way to draw a rectangle to auto-zoom into that area? Premiere has a little scroller at the boom to select the zoom level. very useful.
g) for timeline zooming, could you support gestures on the MacBook touch pad? If you push two fingers apart, the timeline should horizontally zoom in. Two fingers together should allow to zoom out. This is actually not just for the timeline. We need this in all views in Connect FX, Action etc. Would make working so much quicker. And it's really standard Mac stuff. (Two fingers without pushing apart could enable panning? And/or space + mouse movement to pan?)
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Aug 31, 2011
I'm working on a german keyboard.
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
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Mar 1, 2014
Trying to insert a clip on a new timeline form a different sequence in my source monitor. But the audio track does not come through.
I am running the latest CC of Premiere on Windows 8.
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Jan 12, 2014
when caching .png sequences it happens a lot that some portions of the clip are not being cached. Or at least some frames are still pointing to the original .png's so that playback stutters.
This happens both in a normal HD project, but a lot on a current UltraHD 60p project on the proxy-generation (set to 50%). A workaround is adding an effect, render it and commit the clip. But this is not suitable on the big 60p project.
Observing the percentage counter in the lower left corner gives me the strange suspicion that it is happening to those portions of the clip which are being cached during the autosave process. There are a lot of them. Converting is not an option. Mac and storage are fast enough.
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Sep 15, 2013
Is it possible to use a Sequence as a Source? I like to use stringouts of source clips while editing as well as sections of existing Sequences as source material for new Sequences.
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Nov 22, 2012
1. I put a clip in a timeline , then i put a cfx clip on top of the first clip. Add axis clip to cfx clip, set transparancy to 100% (fully transparent) , when hit render , this cfx is still calculated.
2. if i have stack of cfx clips, the clips are solid (no matte or transparancy ). one clip is on top of the other. In the top layer , i add a axis fx and cut a very small hole. We can see even a very small hole ( that will exposed small part of the bg ) will trigger smoke to render both of the clip full frame. Actually i only will see small part of the BG so i'm expecting smoke to render only that visible pixel. How to control this ? In some case i will waste my time waiting smoke to render part that i don't need.
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Oct 24, 2012
I using Apple Pro res HQ 1920x1080 source files. I'm setting up my sequence to be the same size. However, Smoke resizes everything.
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Nov 17, 2012
I have a sequence that's 2 and a half minutes long, but my final edit is 2 minutes. I want to change the duration to 2:05 so I can export out various versions.
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Sep 6, 2012
I tried working on PNG image sequences instead of video footages.the problem is Smoke recognizes the fps as 59.94, and i want to make it down to 25fps.i tried using PAL.cfg, the frame rate did change to 25fps but when the sequences are imported in the timeline, its still 59.94fps.
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Sep 25, 2012
I am having some issues with the newly added Sequence Publish function added in Prerelease 4. I have tried using both the built in AAF export option, and have tried a custom DPX image sequence with EDL export. The function is able to do the final sequence render in preparation for the publish, however it doesn't ever actually publish either the DPX sequence or quicktime movies I request it to. I am left with a folder which contains the edl or aaf file, but no corresponding media ever gets written out. When I check the jobs tab in the mediahub, it just shows "waiting" as its status, but it never progresses past that point. I have tried this function on three different timelines with different media, and it still won't write out the publish sequence. I am able however, to export the sequences to a quicktime as I would normally.
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Mar 18, 2013
Is there a way for me to output certain in and out points instead of a whole sequence. I have a long clip and only want a small section of it, where in Smoke 2013 can I input the in and out points I want rendered? I can't see it in CFX and If I mark an In and Out point on the timeline it still renders the whole clip.
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Jul 9, 2012
I opened 33 sources as "open as Sequence" behind each other and after doing that double clicking on the source or any source isn't loading it into the source viewer. There is no icon next to the source indicating that it isn't a source. After the fourth selection was open as Sequence. the one that was opened as the first is recycled and the Sequence Icon disappears from in-front of it. So there is only four icons at any given time in the list.
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Oct 8, 2012
Can Smoke export XML?
What if I edit in smoke and want to export an xml of my sequence for color correction in another app that imports xml.
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Oct 31, 2013
is it possible to export to a movie just a particular part of the sequence (say frame 100 to 500) similar as you can do in After Effects exporting just a work area?
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Aug 24, 2013
Having cut together a short commercial recently, I have been unable to export my sequence/ work. There are no error messages, only incomplete exported versions of the sequence (sometimes 1 second, sometimes 8 seconds!) or nothing at all. It will go through the motions and not generate an exported file.
I have attempted to export my sequence multiple ways - from the timeline, from the media library and from the mediahub - with identical results. I'm totally at a loss. I've also gone back to a sequence which I was able to export successfully one month ago and now I get the same problem - either no result or some fractional piece of the edit - never more than a few seconds. My finished edit, by the way, is a 30-second spot.
For example, here's one way I've attempted to export:
1. I select my sequence from the media library and right-click for export.
2. I select movie, choose my destination, and select a format preset (I've tried just about every preset, hoping it was a preset error of some kind), and
3. I hit export.
Instead of the spinning prompt in the lower left corner, showing me a percentage countdown (or count-up) - which was present a month ago when I was las exporting a show -I get a quick audio mixdown prompt in the lower left then nothing. It all happens in less than 1 second from the time I press "export".
I've copied the console log for your review. This particular effort/ screenshot resulted in an 8-second clip, which is the longest one (still incomplete) I've been able to generate since I attempted to export starting yesterday. Again, my sequence is 30 seconds, and it either does nothing, generates an empty file (45k in size) or creates an incomplete movie file (usually 1 or 2 seconds).
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Jun 21, 2012
I've been called upon to use Smoke as an intermediate between offline and color session elsewhere. I need to export a DPX sequence for the colorist to work from. Can I easily do this in Smoke? Just conform the offline and export DPX sequence? Also, can I put in handles and include original source timecode?
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Jul 13, 2011
Is it possible to change the settings of red files that exists in a sequence?
I've tried altering the red import settings of a sequence that contained the same clip cut up and a sequence that contained red files and non-red files, but the change seem to only work on the original clips.
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Jun 29, 2012
In a future release of Smoke 2013, will it be possible to export an xml to send a sequence to DaVinci Resolve since Autodesk Lustre still does not work on mac?
I understand that Smoke has some great color correction tools, but when it comes to be fast and productive, a dedicated color grading application is what is needed.
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Jan 8, 2014
I have a huge series of PNG images (name 1, name 2 ...) and I want to import them individually not as a sequence. I also like to set them to a specific length, if possible.
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Dec 18, 2012
I can't seem to get source clips to Gang with the timeline in the record area, did we lose this? I always gang up my reference with my conform so I really hope we havn't lost this!
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Nov 3, 2012
Is there a way to access the timeline within CFX ( much like in Flame ) ? I see the timing button but this doesn't seem to have the same control as a timeline for a specific clip.
Also, is there a way other then "explode one" or "explode all" to go within a CFX within a CFX ( pre comp ) ? i.e. a setup that is then put within the BG of action.
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