Is there any way to correct spot exposure problems [ie. clipping] like you can correct secondary color with Three-Way Color Corrector?
I have a clip where a white box that reflects too much--it moves, so I need the exposure correction to move as well--like color corrections move with the Secondary Color Correction, but with exposure instead.
I just need to tone-it done some, if possible.
I tried using the Three-Way, but there isn't enough color to grab.
When I use the eyedropper to build a secondary color correction mask (rgb curves, three-way, etc) I have to click the eyedropper with the + and then go over to my source monitor and click on the portion I want to build the mask for. If I need to select multiple colors to dial in the mask further I have to keep going back over and clicking the little eyedropper + and then back over to the source monitor and back and forth over and over again.
I know there is a better way, or at least a short cut to reselct the eyedropper +
I'm trying to correct the distortion caused by a wide-angle lens in Premiere CS6. From what I can tell, there is no filter or transform / distort feature within Premiere itself. I followed the steps in this tutorial to open the MPEG4 in Photoshop, apply the lens correction filter, and then export the video again to be re-imported to Premiere. URL....
However this tutorial is for CS5. I am seeing no adjustment or filter layer in my layers panel, as it appears in the tutorial. When I go to export the video, it seems the Adaptive Wide Angle filter or the Lens Correction filter has only applied to a single frame of the whole clip. Bummer.
But I've added some color correction and some of my clips seem to be rendering out corrupted once the effects are applied. If I toggle the effects off it goes away, but toggling them on again and it's back. I've restarted the machine several times and the corruption reoccurs in the same spots. Is there a cache that I need to toss? When I rerender or export the the file the corruption remains.The effects I'm using are basic, auto color, fast color corrector, and brightness & contrast. here's what it looks like.
how to use the secondary color in GIMP. By default, primary is black and secondary is white. I know in MS Paint the secondary color is used by right clicking, but this is not the case with GIMP.
I've buy a new computer with and SSD Disk for SO (Winwos 7 Ultimate) and a Secondary Disk. How is the best choise to install the CS4 Suite (Photoshop, Dreamweaver etc)? Installing on primary disk (SSD) or on secondary disk?
I want to use two dimensions, like main one and secondary second one, one above another in exact distance. i did not find it in the dimension style manager.
Since about a week ago I've been having a bit of an annoying problem with CS - whenever I use the eyedropper to pick a colour, the one I click gets put into the secondary part, so I have to press X in order to use the colour I just selected. It seems like this is some sort of option that I must have turned on accidentally, but I can't find anything about it.
It's typically very stable, but when I enable the Secondary Display, it starts crashing every 10 - 15 mintues.
Win7x64 12GB RAM ATI Catalyst 12.4 (was the same under 12.1) Internal 256GB SSD w/ OS and catalogs External 5.5TB eSata w/ RAW files Canon 5d2 & 5d3 files 2x Dell U3011 displays
I've googled and searched the forums. Lots comes up about older versions, but I'm not finding anything about the current release version. Windows offers to check for a solution online and close the application.
Crash Info
Problem signature: Problem Event Name: APPCRASH Application Name: lightroom.exe Application Version: 4.1.0.11 Application Timestamp: 4fb2266f
secondary monitor displays with colorshift in LR4.1rc2. this is on windows 7/64. Both my monitors i have are calibrated with spyder3, one is hardwarecalibrated eizo CG243, the other a HP2475 calibrated with spyder4 elite software. Colorshift shows same characteristics when i switch LR app window with secondary window. IT looks as if sRGB profile is applied to the secondary preview, because of the strong/overly saturated colors.
It seems to me a softwarebug, which makes secondary display inusable.
Has Lightroom 4 addressed the problem of choosing which monitor to show your secondary display? I know this was a requested feature on LR3. How do you set it?
I'm despriately trying to figure out a way to display the lightroom secondary display on my monitor to the right of my main display. I'm working in Windows 7 RC which seems to have the same monitor properties as Vista. No matter what I do Lightroom will always choose the display to my left as secondary, I've even tried physically switching my cables for the monitors and it still figures out which display is on the left and displays it there. Is there any way to pick which display is secondary?
I'm using Lightroom 4 on a shiny new 27" iMac and have a very old Dell 24" display, not LED backlit, as a secondary display. Both have been calibrated with a Spyder 3. I would like to preview photos on my iMac display by default and use all edit controls on the old Dell display but setting this up is a pain in the butt and it won't return to this configuration after I quit LR and open it again.
Even when I right-click on the dock in OS X Mavericks and select "Options/Desktop on Display 2" I only get the splash page on Display 2.
Is there any way to make LR open by default on the system's secondary display (Dell 24") and use the iMac itself as LR's secondary display?
I have an SSD disk which has 20 GB of free space that AE uses for cache, and it gets full quite often and I have to empty it every ~4 hours.
My question is can I assign a secondary location for cache for AE to store the cache files and access it from there? If I can't, is there a big difference in working speed between SSD & HDD disks regarding AE cache? (I have 2 TB of free space on an HDD disk that I can use for AE cache).
The bottom of the Layers Panel is hidden when my secondary monitor is on. I opened Systems Preferences > Display and adjusted scanning slider but I still can't make the PS screen smaller. What else can I do?
Windows 7 64. New Sager, Nvidia 675--up to date everything. Revit 2013 fresh download, very little else on new computer. All drivers and bios up to date.
Samsung monitor, same resolution on both main and secondary monitor.
I've heard of many who have had this issue particularly in the secondary monitor. Not sure what to do.
Essentially, wall jumps 3 to 5 feet when I click on it after it has been drawn. I don't seem to have the same issue if I run revit from the main monitor..
Have the same issue whether i run Revit from the Intel or Nvidia High Performance mode.
When I have a Primary and Secondary set on the timeline my boradcast monitor only displays the secondary unless I hav ethe big viewer up. I'd like to lock the output to the monitor to always be the primary output track regardless of player status.
Using the Mac version of LR5 beta, I tried to create a Lightroom catalog on a secondary drive (the same drive my LR4 catalogs are on), and I got the following error:
Lightroom cannot create a catalog named “pics-5” on volume “/Volumes/Lightroom/pics-5” because Lightroom cannot save changes to this location. Lightroom Catalogs can not be opened on network volumes, removable storage, or read only volumes.
The drive is not a network volume, removable storage (it's a SATA drive on a Mac Pro), or read-only.
I'm having trouble with the secondary display (window, in my case; only one monitor). When I first open the secondary display, either with a keyboard shortcut or by clicking, all is fabulous. The display modes (Grid, Loupe, Compare, Survey) are visible & clickable, as is thumbnail slider, file path. If I click or keyboard command to Loupe view, Normal, Live & Locked modes are available. However, if I close the window and then want to open it up later in my workflow, all of the aforementioned functions disappear. I'm able to bring up the Filter view, and can technically still work off the menu bar (and keyboard shortcuts, if remembered). But only if I restart the program do the full set of functions become visible again. The arrows at top & bottom don't collapse/expand to show anything more than a black border where the display & mode options once were.
When i create an intersection, I get error - " One or more of the secondary road profiles cannot be locked at this intersection . What do you want to do ". Both of alignments and profiles is a reference from a data shortcut .
I went forward designing intersection profiles with limited survey and simply made an educated guess for the secondary roads pgl tie in point. I have received updated survey and when I move the profile end point to meet existing grade it adds another pvi effectively holding the profile grade I set preliminarily. I'm keeping the lock point. Is there something with the return/ offset profiles preventing this edit? What is the proper work flow?
Civil 3D 2012 & 2013 HP Z210 Workstation Intel Xeon CPU E31240 @ 3.30 Hz 12 GB Ram 64 Bit Win7 OS
I have some photos I took years ago, and then took some more, on the same film, not realizing I already had photos on the frames, resulting in double exposures. I want to keep both sets of photos - two different locations, some light scenes, some darker, of people and objects. How can I best correct these? I have Adobe Pkhotoshop Elements 9, I believe it is.
I shot with a Canon EOS 5D one image as a RAW and JPG.When I view with Canon Digital Phot Professional, both files are identical in exposure. They look just the way it shows on my camera LCD display, but when i open both file on photoshop CS5 or Bridge there is a huge drop in exposure on the RAW file. The jpg is fine. There is a huge difference in exposure between the RAW and jpg? It's the same file.
All of my photos are 8 bit, but when I open them I get a message at the bottom of the screen reading "exposure works in 32-bit only". When I save these photos as any file type (JPEG, PNG, ect) they seem to export as 32bits/channel. That is to say, that they appear very dark and saturated, exactly how they look in PS if I select the 32bits/channel mode option.I may be getting confused between the 32/64bit versions of PS (i'm using 64bit CS5 at the moment.) But i'm really puzzled as to how I can export my images looking the same as they were when I imported them.