When I have a Primary and Secondary set on the timeline my boradcast monitor only displays the secondary unless I hav ethe big viewer up. I'd like to lock the output to the monitor to always be the primary output track regardless of player status.
Smoke 2013 Ext1
Having a very noticeable delay to my broadcast monitor. When I play sequences through FCP7 it's fine. Running an SDI signal out of an AJA IO XT into an SDI input on a FSI BM 210. Do I need to change some preferences in Smoke?
View 2 Replies View RelatedWhen I go into CFX/Action my broadcast monitor switches to the schematic view. Since I already have the schematic view on my computer monitor I want the broadcast monitor to keep the final output. I looked in the preferences but I can't find the right setting. Is there a away to do this?
View 1 Replies View RelatedI run Smoke 2012 Adv Ext1 SP1. The hardware is old, like 5years now.
The way I remember it our GFX card is not powerful enough to feed a broadcast monitor all the time, the output only comes up there when I'm in player.
But, unless my memory's even worse than I thought, I used to get a full screen output from the viewport that was selected (with the blue 'Monitor' display) in Action and Batch.
I can't seem to get this working again. I suppose it's in preferences, but the multiview section is greyed out.
I include 2 shots.
In the Broadcast Monitor Preferences, under the Broadcast Colour Space, when exactly should I use the "Normal" option, and when should I use the "With Headroom" option?
the "Include YUV Headroom" option during Import and Export of Quicktime files, but it's the Broadcast Monitor option.
Is it possible to lock the CFX output to the broadcast monitor so that I can see the changes I make on the image in the broadcast monitor while working in the 1-up view? This way the CFX schematic can fill my 23 inch computer screen. So far i have only been able to do that with the 2-up, etc views. As soon as I switch to the 1-up view or swipe to the left while in 2-up view (which switches it back to the 1-up) the broadcast monitor shows whatever I am working on be it schematic or other.
When I am in the 2-up view and I lock the right part of the 2 up view to the broadcast monitor I usually maximize the left view to fill the screen. It however does not fully fill the screen and keeps the right view scaled to a very small size on the right.
Can I use an Enzio monitor with Smoke on Mac and get 10 bit output?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
in the preference Monitor is not active tab for select Dvi output ,is only Off is not detected the output DVI. I do not understand why the first project in the preferences screen brodcast is a choice DVI output, if you do other projects is no longer selectable, only OFF.
View 8 Replies View RelatedI just update my smoke to SAP SP1 today, but I don't have the preview from my broadcast monitor anymore...(Damn!! Sometime I hate updating the software when u already have stable system..!!)
I already update my AJA driver to 10.0.1, and from System Checker software, everything look good.
How to change 2k in smoke Broadcast timing??
View 2 Replies View RelatedI am here making some work braodcast safe for a client and came acroos some footage that is peaked at 100. What is a ok level to bring that back to?
I was thinking to myself, how far back could you bring it before it changed perceptually? I was thinking to bring it back to 80. I had this in the back of my mind while thinking about this. URL....
In terms of motion graphics and also in terms of live footage.
I was wondering if Autodesk Smoke has a broadcast safe filter like Final Cut Pro?
I searched quite a bit online with no answers.
what is the workflow for making footage broadcast legal in smoke.
I have read different explanations on the web, but still not totally clear on it.
how Brian Milligan creates broadcast safe.
The GUI and broadcast monitors in all 3 of our Smokes (Mac) are out of sync by 2 frames.
I know there is a Audio offset, but that will always throw one of the monitors out.
Is there a playback delay or offset that can be used to sync bother the UI monitor and the Broadcast Monitor?
Currently having to use the shortcut Shift+B+F13 to switch between Sync to Hi-Res and Sync to Broadcast depending on the situation.
I know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedWhen applying CFX to the clip it ignores resolution of the project and the time line and creates a resolution of the whole CFX based on clip.
In other words 1080 clip in 720 timeline creates CFX with 1080 out node, ( all action creates in 1080 swell) and only then send 1080 output to timeline where it applying resize soft effect. I know i can change resolution of action, but a can't change resolution of output node ( the las node that feeds output to timeline.) Is there an easy way to work around to feed lets say 720 to escape resizing in timeline.
I'm on 2012 SP3. I'm able to import and work with ProRes 422 just fine. But when I go to output and choose Quicktime, no ProRes options appear. Do I have to set this up somehow?
View 1 Replies View RelatedI created a comp with 30 image planes and an animated camera. Now we want to work with the result in Fusion so I need an FBX. Is there a way to output it directly from action? And how can I export the camera with the animation?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
How to take the output from smoke to tapes(DIGI , BETA , DVCAM) if we have the recorders, and how to install and connect the recorders in smoke machine.
View 4 Replies View Relatedi'm doing a composite and at the end i just want to use a single frame and freeze it for about 5 seconds. i used mux to do that. The problem is when i go back to the timeline , i have to render the whole 5 seconds. That doesn't make sense.
what i want to achieve is the mechanism like 'repeat' in desktop tool. Where i can just grab a single frame and repeat it to be 5 seconds and when i put it in the timeline then no need to render the whole 5 sec. It's just a still frame. So what is the best workflow when freezing inside cfx without spending too much time to render still frame?
Ok, so I'm new to this and for some reason I can't enter Backburner web monitor. I used to but al the sudden I can't instead I get this message:
Forbidden
You don't have permission to access /backburner on this server.
And when exporting I just get partial films, about 80% of the film. Any clues?
While in CFX, Action, Text edit, Axis etc, is there a way to see the output of the timeline? I know while in CFX you can set the CFX output as a context but what if I have multiple CFX composites stacked up and I want to see the final output of the timeline while editing or modifying something inside a CFX or Action node?
View 9 Replies View RelatedI have a camera move in action to move between a couple of still images. This is going into an interlaced programme so I'd like the move to be interlaced (50i). Currently the ouput is rendering progressive frames and I can't see how to change this within cfx/action.
View 5 Replies View RelatedWhat is the ability to add multiple output nodes in CFX as same as the way you can in flame.
The default / primary CFX output would link back to the timeline as usual, and then other outputs would render back to a selectable folder in your project library.
OR
Quite often you are creating alternate versions for your edit, so I thought a reasonably elegant solution to route the various version outputs back to the timeline would be to place them into a container.
So on your timeline, the outputs you processed in CFX appears as a container, with the default / primary output visible - inside the container are the various outputs you just rendered. Depending on focus in the container will give you your different version back in the timeline.
But I guess the only snag with this idea is that you can't edit CFX once they are inside of a container. So you would "Uncontain" - modify one of the outputs and then "Make Container" again for the sake of keeping the timeline clean and manageable.
in cfx schematic , i got an action network, i set this action so it can output the comp and also the matte (the node got 2 output indicator : yellow and blue). Now if i right click and choose 'create cfx' , i will get a new cfx node , but i only output the final comp , there's no matte. In the pref, activate the 'generate alpha' will only output either white or black. Is this feature not avalable yet ?
View 5 Replies View RelatedI have a smoke 2013 ext 1 in an iMac 2013 latest gen, Mac OS 10.8.5 and an UltraStudio 4k connected through thunderbolt.
Can i monitor my stereoscopic 3D 1080i50 workflow using a tv Samsung 3D c8000?
I have the line By line option in the tv, but when i set up smoke to be the same, the tv greys out the option. Maybe it support side By side only.
Is it possible to do the Dual Output option (left and right on two SDI) and use a converter, like AJA HI-5 3D, to obtain the side By side?
Or there is a setting i missed?
I've been away from the forum for awhile. Does the final release output to tape reliably?
View 1 Replies View RelatedI am trying to output lens flares and rays in the matte output option from action. These obviously appear to be ok via the 'comp' option, but when I add all objects to output the matte, only the geometry appears in the output, with no sign whatsoever of flares and rays. I would imagine these are available as a choice as they do appear in the object choices. [Code]..
View 2 Replies View Relatedmonitor preview bmd intensity stretched in pal (a litttle bit), so a circle does not remain a circle, getting a egg. preview on computer monitor ok.
View 4 Replies View RelatedIn our edit suite we have the usual video delay from the output of the Kona card through the suites monitors. We also have an audio delay box to correct for this. Our client monitors are all in sync. In Final Cut there is a control to delay the computer monitor video to have it in sync with the rest of the system. In Smoke we cannot find a similar delay. We see the audio delay in preferences but that changes the wrong offset. how to adjust the computer monitor delay so we are all in sync?
View 5 Replies View RelatedThis is not a YUV headroom issue just to be clear and Im not looking at a broadcast output. Using my Eizo monitor with smoke I just did a color correction and exported a prores 422 hq with and with out yuv headroom. What Im noticing is that the color of the image in the smokes viewer is more saturated than the output which is being viewd in qt 7 and whatever the other qt is. Im not talking fine details here, Im talking about whoa whats going on with this isnt remotley close to being in the same ballpark. In short when I tab over to the qt file and shrink it and place it side by side by what is in the smokes viewer they do not match on the same monitor.
View 3 Replies View Related