Having a very noticeable delay to my broadcast monitor. When I play sequences through FCP7 it's fine. Running an SDI signal out of an AJA IO XT into an SDI input on a FSI BM 210. Do I need to change some preferences in Smoke?
I run Smoke 2012 Adv Ext1 SP1. The hardware is old, like 5years now.
The way I remember it our GFX card is not powerful enough to feed a broadcast monitor all the time, the output only comes up there when I'm in player.
But, unless my memory's even worse than I thought, I used to get a full screen output from the viewport that was selected (with the blue 'Monitor' display) in Action and Batch.
I can't seem to get this working again. I suppose it's in preferences, but the multiview section is greyed out.
In the Broadcast Monitor Preferences, under the Broadcast Colour Space, when exactly should I use the "Normal" option, and when should I use the "With Headroom" option?
the "Include YUV Headroom" option during Import and Export of Quicktime files, but it's the Broadcast Monitor option.
I just update my smoke to SAP SP1 today, but I don't have the preview from my broadcast monitor anymore...(Damn!! Sometime I hate updating the software when u already have stable system..!!)
I already update my AJA driver to 10.0.1, and from System Checker software, everything look good.
I am here making some work braodcast safe for a client and came acroos some footage that is peaked at 100. What is a ok level to bring that back to?
I was thinking to myself, how far back could you bring it before it changed perceptually? I was thinking to bring it back to 80. I had this in the back of my mind while thinking about this. URL....
In terms of motion graphics and also in terms of live footage.
Is it possible to lock the CFX output to the broadcast monitor so that I can see the changes I make on the image in the broadcast monitor while working in the 1-up view? This way the CFX schematic can fill my 23 inch computer screen. So far i have only been able to do that with the 2-up, etc views. As soon as I switch to the 1-up view or swipe to the left while in 2-up view (which switches it back to the 1-up) the broadcast monitor shows whatever I am working on be it schematic or other.
When I am in the 2-up view and I lock the right part of the 2 up view to the broadcast monitor I usually maximize the left view to fill the screen. It however does not fully fill the screen and keeps the right view scaled to a very small size on the right.
When I have a Primary and Secondary set on the timeline my boradcast monitor only displays the secondary unless I hav ethe big viewer up. I'd like to lock the output to the monitor to always be the primary output track regardless of player status.
When I go into CFX/Action my broadcast monitor switches to the schematic view. Since I already have the schematic view on my computer monitor I want the broadcast monitor to keep the final output. I looked in the preferences but I can't find the right setting. Is there a away to do this?
Ive recently started having a problem w Smoke 2013.
Whenever I select ANYTHING (click on an item) there is a 2 second delay before it actually selects and hi lights the item. Its a really annoying delay.
Ive never had this issue before. Happens with just about any command I have Smoke do. Moving the timeline and zooming have the same issue.
This only happens with Smoke. Not with any other program I use. This happens when all the time. Even when Smoke is the only program I have open.
Currently TRYING to LEARN (key words): SMOKE for MAC Currently using: Final Cut Pro 7, Photoshop/After effects on CS6 Current system: MacPro5,1 12-Core Intel Xeon 2.66 GHz RAM: 12 GB ATI Radeon HD 5870 1024 MB OSX 10.8.3
In our edit suite we have the usual video delay from the output of the Kona card through the suites monitors. We also have an audio delay box to correct for this. Our client monitors are all in sync. In Final Cut there is a control to delay the computer monitor video to have it in sync with the rest of the system. In Smoke we cannot find a similar delay. We see the audio delay in preferences but that changes the wrong offset. how to adjust the computer monitor delay so we are all in sync?
I have just tried plugging a Samsung SSD capable of 400+MB/s into a thunderbolt caddy. In action and on the desktop it behaves as normal. But in the player it plays at about 100fps. how to get it to play at speed.
The project config is HD 25 psf free. Smoke SAP2 SP2ssd_storageplaybackspeedissue.mov
I am editing in the timeline in Smoke 2013. I bring in a music track onto track 4. I bring in a interview clip on track 1. Only one or the other will playback and not together at the same time. I also notice on the audio tracks patch area a small square that when you place the cursor over and drag left or right I assume channels are being selected. What is this square box for and how do I get all my audio tracks to playback together?
I am using Panasonic P2 footage at 1920 x 1080. 29.97 NDF. I have brought them in through the media hub and created folders that correspond to each P2 card I stored on my Video Array. I am using a ProAvio Video Box with a RocketRAID 644 controller. What gives? Why am I not able to hear all the audio tracks during playback?
both playback and GUI use the GPU? I wonder if it would be possible to able to change GUI setup while playback. For example. I would like to play the sequence for my client (on the client monitor) while changeling the UI to the 1up view (alt-1) and zooming out the timeline. Basicly, i would like to maintain UI interactivity while Smoke continues to play. Currently this stops playback.
Another example would be; I would like to hit play as soon as the client asks but then still be able to resize my viewer or turn on the PPM meters without having to stop.
How can I change the playback and still player resolution for my timeline or for a clip?
I would like to be able to switch between full-resolution, 1/2, 1/4, 1/8, 1/16ths etc... (with one setting for playback and another, separate setting for still image/paused frames) e.g. via a right click on a clip/player.
PS Just like in Redcine-X or Adobe Premiere or AE...
how the sync locks work with insert editing and keeping your sequence in sync...This is based on requests and user feedback.
You can watch the video on the Smoke Learning Channel on Youtube URL....It will also be available on iTunes in a short time.Please note that this is one scenario where the sync locks will work. They also function when trimming a cut when all the cuts line up.
As usual, you can follow me for all the latest learning channel updates on twitter @discreetuk and you can subscribe to the Smoke Learning Channel on YouTube.
How is the best way to keep sync with clips that have audio. In Premiere for example, when a clip contains audio it handles both video and audio as a single thing until I explicitly unlink them. But in Smoke, even with the option Select linked, which as far as I can tell it only works for selecting and activate that little arrow (do not remember the name of the function) in the tracks table, keeps all ok but only on that track.
This is the normal operation of Smoke? He really will always treat the audio and video of same clip as separate things? Am I missing something? Because at least for me, that's came from Premiere, always be remembering to set all the tracks and always go to the menu and select Enable linked is what most complicates the editorial work in Smoke.
When i scrub playback control in the cfx , it's slower compare to if i scrub the same thing (same viewport layout) inside the timing editor timeline. In timing editor the scrubbing response is a lot smoother even when we're looking at the same objects on the viewer. The playback control need to be fixed.
Every minute or so, I loose audio on playback (timeline or sources). The only thing that seems to fix the issue is cycling between AES BNC (or XLR) to Embedded and back, and the audio will playback fine again . . . for a few minutes, and then I need to recycle it again. I've restarted Smoke, restarted the computer, and down a full shut down and restarted . . . and the issue continues.
I've cut a 23.98 1080HD teaser via imported R3D source. Brought the source in at half res, so a little bigger than 1080HD however have been processing re-sizes in SoftFX.
The program plays perfectly fine in smoke, but I'm getting stuttering playback anytime I export a Quicktime. It's a constant, intermittent stutter every second or so.
In the desktop i can playback the thumbnail (space bar key), the problem is i will play the thumbnail under my current cursor position NOT the SELECTED thumbnail ? is there any preference i can set to switch this behavior?
Let say i'm hovering a thumbnail (clip) , i can play it by pressing space bar directly , but what if i want to scrub it first coz i don't want it to play from the beginning. While doing the scrubbing , my cursor will definitely then out of thumbnail. it might accidentally hovering (on top of) other clip/thumbnail. now pressing space bar will definitely play the wrong clip. so every time i scrub the clip, i got to reposition the cursor on top of the clip over and over again.
So i think it's more useful to change the behavior.
I have a clip that play perfectly fine in my timeline. When I export it, either as a Quicktime or image sequence, the playback stutters every few seconds; basically it double prints a frame every few seconds or something. It's extremely annoying and preventing me from a client delivery in the morning.
I recently switched from AJA K3 to a BMD Decklink HD Extreme.
Initial testing went reasonably well - working at 1080psf23.98 - output was solid, tape layoffs and captures were frame accurate on short tests.
I'm finishing up a long form 48 minute show, and the audio sync drifts over the course of the layoff. It's about 1 frame per 10 min of content.
By 47:30+00, my audio is 5 frames early during Tape Output - a sync pop is at 47:29+19 - but picture is spot on. Usually I'm working in short form TVCs, so I may have never noticed this - but it's definitely a problem for longer work.
To hit my delivery, I exported a ProRes QT, and laid off from FCP - kind of humiliating to have to depend on FCP for tape workflows.
I also had problems batch capturing from 1080i tape - it could do individual clips if I manually set ins and outs, but Batch Capture never cued up properly in 1080i - it kept rolling back and forth over the cue point, tried 10 times, then gives it up.
I've done this a hundred times with the AJA card and never had a problem - but the BMD is not nearly as solid... (Also performed the Batch Capture in FCP without issues - so the hardware and BMD software seem to be working fine - but not with Smoke.)
Using 2013 Ext 1, BMD 9.7.2, OS 10.8.5, MacPro Tower
I'm trying to import some clips from Avid and the clips are playing back too fast.
In Avid, the clips originated as HDV 1440x1080i 59.94 fps. I transcoded them to DVCPro 1920x1080i 59.94fps. I exported the clips from Avid using "same as source."
In Smoke, I went through the library to select and import the clips. My Smoke Cfg settings are:
30i 1280x720@5994p, project settings 1280x720.
The clips playback as if they are running at 120% (best estimate).
in the Cfg template there are settings that are similar, such as 30i 1280x720@5994p and 1280x720@5994p. Is the "30i" for interlaced footage (ie HDV and uprezed SD)?
the most annoying thing in smoke is doing backward offset-tracking. How to do it the right way ? it seems to be too complicated than it should be. In Nuke i ussually can track from any frame and can offset the reference to any pattern at any frame freely. I can't find something like that in Smoke. One solution is reverse the clip first, but that's not always the solution.
does smoke have a feature to do 'time offsetting' ? in connect fx (not in action), i have a clip and applied some fx node like blur , CC etc. Now i want to offset or slip the network (media and fx nodes), so not only the media but also all the keyframes from all the fx node. Can i do this ? i use foundry Nuke where this can be done easily. How about in smoke ? So maybe like attaching a 'timeoffset' node to the network.
