Photoshop :: Change TIFFs To Jpegs / Color And Tone Are Changing As Well
May 22, 2013When I change my TIFFs to jpegs, the color and tone are changing as well.
View 2 RepliesWhen I change my TIFFs to jpegs, the color and tone are changing as well.
View 2 Repliesim having problems with saving my tiff files and converting. once i convert them to jpegs to email or go to the printers, they are changed and are washed out as if the org tiff before editing. when i open on my comp they are ok but when emailed to someone or once printed are destroyed. i dont think is my colour management as org jpegs files are fine. below are some details of the process.
i open my file (pro photo RGB, 16bit, 3888x2592 10.1MP) i edit the photo. if saving in jpeg i change to 8bit and save with the embedded colour profile button clicked.
I have a couple dozen large-ish TIFFs that I need to convert to JPEGs...is there a one-time "Save As" command that will convert all, without having to repeat the "Save As" command for each, one at a time?
View 1 Replies View RelatedWhen I was using Elements 8, I could easily edit jpegs and tiffs in the Photoshop Raw interface. (I know that's not the same as an image originally shot in Raw, but nevertheless it was very useful in some situations.) Now I'm using Elements 10, and either I've forgotten how to do it, or it can't be be done.
View 5 Replies View Related I have many PSD files from photoshop – with layers, masks, adjustment layers, nested groups, smart filters, layer styles and editable text at 600dpi with embedded color profiles. The idea is to import them all into lightroom and make a book.
Should I flatten the files and make them into tiffs or jpegs?
Does it make sense to keep them at 600dpi or Blurb will downsample them to 300 anyway? (if so I would rather do it myself, if not is there an option to control the output resolution?) What happens to color? – How do I ensure the best match between what I see on the screen and what the book will look like?
I am importing a JPEG of my logo into AutoCAD 2014 and the colors of the text are changing.
View 9 Replies View RelatedI have a weird problem with Photoshop CS. When I double-click on a tiff, jpeg, or Photoshop file it launches the program, but it won't open the image. In order to do that I must go to file and choose open. This is much more trouble. I can't figure out why. My photoshop guru friend couldn't figure out why. Any ideas?
Also, and this may or may not be related. When I open the program I get the following message: For Photoshop UI to display correctly, open System Preferences, click General, and turn off text smoothing for font sizes 8 and smaller.
The weird thing is, when I did what message suggested, I discovered that there was no "text smoothing" option to turn off under Preference (under General) in Photoshop. There is no General in the computer's System Preferences, so I'm assuming the message refers to Photoshop Preferences.
I shot loads of images as jpegs as requested. Now the customers says actually I'll need them in TIFF!! As the shoot went on I exported the images to 34 folders with 56 subfolders containing 751 jpeg images. I now need to supply exactly the same but with TIFFs. Now I still have the raw files in my C: and it would be lovely to simply re-import them and export them as TIFFs but without looking at every single raw file and finding where ever the corrosponing jpeg is I have no way of exporting the new TIFFs to sit alongside their jpeg counterparts, if you see what I mean? Is there anyway I can utilise/batch process the raw files and export them to right folders as TIFFs?
View 12 Replies View RelatedSince I switched to Mavericks... premeire Pro CC has been corrupting my still images. I have imported them a dozen different ways to no avail. I have clean wiped my computer... ditched the CC suite and redownloaded it. Nothing works to correct the issue. I even bought a solid state HD and upgraded my graphics card.
What is happening is half of the pictures information is lost. Each picture has a slightly different corruption but I can see the image fine if I scrub through my timeline. Its only when I hit play or pause over the clip that I see the corruption.
Early 2009 Mac Pro
Processor 2 x 2.26 GHz Quad-Core Intel Xeon
Memory 16 GB 1066 MHz DDR3 ECC
Graphics AMD Radeon HD 7950 3072 MB
When I export jpegs which I changed to "black & white" in LR 4.4, and import these exported photos into a different LR 4.4 catalog, the treatment of the imported photos changes to "color".
What can I do to keep the correct treetment?
How do I outline an image so I can change the background color without changing the image color ?
View 1 Replies View RelatedI'm trying to save a bunch of drawings as TIFFs. Some of them save in color, others do not. why some are not saving in color?
View 1 Replies View Relatedi've been trying to immitate this effect eversince i learned Photoshop but i can't seem to get it right do you guys know how?
View 3 Replies View RelatedI'm using Lightroom 4.1.
There an option in Catalog settings called "Automatically write changes into XMP". I like it. Very much. But not for JPEG.
The reason is rewriting the original datetime of JPEG file by Lightroom. It rewrites it even if I don't make any changes in the Develop module. For example, if I simply change item's Caption in Library or item's Copyright field then Lightroom instantly changes my JPEG. I don't want such behavior. I'll try to explain why.
Sometimes datetime of the file can contain important information about when this photo or video was made. For example, some phones don't write EXIF information into the video files (e.g. 3gp). Therefore, the only place where we can see when this video was shot is the datetime of the file. If Lightroom rewrites original datetime, we will lost this info.
We get artwork from outside agencies with color boxes like those shown (CMYK, in percentages of 30, 50 and 100). Their color names may vary, or often the colors aren't in their color palette at all. I am supposed to recolor the boxes with our standard-named, global colors in my own swatch library. Two questions:
1. Is there a way to grab the three cyan boxes (for example), and recolor them with the global Cyan swatch, WITHOUT having the %tint in all three boxes become 100%?
What I do now, over and over in each file we receive: Select the three Cyan boxes, click on the "C" global swatch in my palette, watch them all change to 100%C. Then manually click on the left cyan box and change the tint back to 30%, and for the middle box, change it back to 50%. Etc. for the other colors. This is a PITA, and it just seems like there should be a quicker way.
2. Is there way to then recolor ALL the cyan elements (strokes, fills, gradients) used in the art with the same global cyan swatch, without changing the tints?
A way to filter tiffs by 8 vs. 16bit and also color space? If not doable in PS another means of doing it.
View 1 Replies View RelatedI am making a short stop motion, and I need the colors to be somewhat the same in each picture. I have 150 pictures, but some a brighter / darker than the rest (and some are more yellow than others).
Is there a way, to "align" their colors?
I just ran into an issue with Photshop Elements 9. I was working on a digital painting trying to use a flesh tone color and while using the brush tool, when it started coloring a much more saturated version of the color I wanted. When I used the pencil tool though the color was exactly how it was supposed to look. I don't like the jagged edge the lines created using the pencil tool make.
View 1 Replies View RelatedI have too many blocks with specific layers inside.
develope lisp can change all to layer 0 but keep color and linetype as it is.
I will use this as a part of script to change multiple block.
how to print a color seperation with half tone using photoshop cs6 or cloud suite with a canon mp970 printer with no postcript function
View 1 Replies View RelatedI am wanting to change my tif files to jpegs in order to make a book in Shutterfly. When I highlight a tif file and to the editor I get a message that this file can not be openned. What is causing this problem? and how can I correct it?
View 5 Replies View RelatedHow to do this all at once. I did something similar a few years ago, but can't remember enough to even get myself going ?
View 2 Replies View RelatedI am having trouble in changing the color of the bullets without changing the text color. Problem is I cannot select/highlight just the bullet so any new color selected applies to the whole line including bullet and text. I am using DP v 7.
View 8 Replies View RelatedWhere is it? It was there in 5.0 and 4.4.
View 1 Replies View RelatedI am using Coreldraw X5. Previously I had corel x3 now there is problem with the new version of corel the color display is not proper that is the colors yellow appears to be deep yellow in corel x5 where as if I save the file & open it in corel x3 the yellow color appears properly. I mean to say that there is always a darkish tone added to all colors in corel x5. Both corel x3 & x5 are on the same PC as I am facing this display problem I have to switch back to X3.
View 7 Replies View RelatedI applied a preset to an image, and overall I like it except that it has a pinkish tone to it. The develop panel shows it as a black and white (not just desaturated) image, and there is no tone applied through the split tone panel (both saturation levels set to 0%). I can't figure out where the color is coming from -- I'd like to reduce it or change the color without having to drag it into Photoshop.
View 3 Replies View RelatedEditing a video in LR4 you can capture a frame, adjust the color, and save a preset to apply to other videos. BUT the frame capture is a jpg so you can't specify a color temperature; you hve to use the slider(s) and cross your fingers. I have two consecutive videos, one shot with AWB and the other set to Shade. I need to adjust the AWB shot (very cool) to match the Shade shot (very warm). There are so many sliders, I can't even get close to matching them.
View 1 Replies View RelatedAfter reading many webpages and watching many tutorial videos about which color space to use, I get odd results. I understand that sRGB is more for web applications, and that Adobe RGB 1998 has a wider gamut, and that ProPhoto has the widest gamut of colors, particularly useful with printing.
However, in LR 4, when I export to jpeg as sRGB, Adobe RGB, and ProPhoto, the differences are very noticeable. sRGB looks the most vibrant, Adobe RGB looks flat, and ProPhoto looks dark with a greenish cast. I expected ProPhoto to look best, or is that only for printing, and I have to process differently?
I am using the Color Exchange feature in Gimp 2. I am trying to change a red background to black. The Color Exchange feature allows me to do that, however, it comes out with only part of the color changed and it all very blotchy.
Here is a screenshot of what happens after I select the red square and do a Color Exchange from red to black.
When I have any kind of layer, and I want to change the foreign or background color (with the color picker) I just cant. When I click on the foreign or background color it automatically selects the eyedropper tool, and I don't want this to happen.
View 1 Replies View RelatedA while back I saw a video about using the video editing capabilities. In particular the video showed a car with a colored sheet over it and the in the video the sheet was either pulled off the car or the car moved out from under the sheet (I cant remember which). Then the video showed how to use the color replace tool to change the color of the sheet throughout the entire video.
View 2 Replies View Related