In the Print area, Lightroom 4 says in italics at the bottom to turn off the colour management in the Print Dialog if you're chosing to print with a profile.
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how to do this with my Canon Pro9000 mk2 via OSX Lion 10.7?
I get good colour reproduction from my Canonn Pixma Pro9000 printer with Photoshop managing colour.   However when using the XPS driver version (which should give finer gradation of colour), this is not the case. I have been told by Canon that this is because the driver in Photoshop is the basic one, and that I should find the XPS driver on the Adobe site and download it. However, I have been unable to find the driver.Â
View 3 Replies View RelatedRight after updating to 3.6 I started having printer problems on my Canon Pro9000. No matter what size I print, all the prints are seriously misaligned. When using any other program I don't have this problem (Just Lightroom Only). Is there a way to go back to the previous version which I think was 3.3 or is there a fix for this?
View 5 Replies View RelatedUnable to print from Lightroom to my Canon Pro9000 Mark II Printer, I get an error code 1062.
View 1 Replies View RelatedI have a lot of experience as a photographer but none as a printer. I normally work with a dedicated print lab that knows my settings and such, but I bought a Canon Pixma Pro 9500 MkII for printing on the side personal projects.
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The thing is, I don't know jack about printing. I do want to learn however. I plan on printing everything from Lightroom in stead of Photoshop since my retouched PSD files end up back in my catalog.
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My monitors are all calibrated for color accuracy. How do I set up my printer with Lightroom to get good results and such.
I've been experiencing a problem when printing borderless on with LR4. Although I'm using borderless print settings, all margins are 0 and cell size is 4x6 or 8x10 or whatever it needs to be, the bottom edge of all photos has a 1-2mm line of unprinted paper.
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This is also visible on the print preview of LR4, as you can see on the bottom of the attached image.
read that color management pdf by gennady petrov and tried a few things he wrote. I turned off color management in the printer driver, chose corel to manage color, and the image default profile sRGBxxxxx. picture was way dark and ugly. tried several other profiles and same dark picture. hmm that did not work so well.
went back to the printer driver and disabled no color management, and chose the profile Adobe RGB. still kept corel as manager and chose A RGB as the profile and the print looked spot on. Have not had problems printing from corel because I have come up with my own system, but was quite surprised at the result from turning off color management in the printer driver.
I just bought a Canon Pixma ip4920 printer, and I use Paint Shop Pro X4 - the problem i'm having is that what I see on scrren and what I get when printing a picture are totally different. My computer is a Dell Inspiron laptop. How to calibrating the colors to match?
View 8 Replies View RelatedAdobe Colour Management Print defaults seems to be assigning RGB meta to B&W pages and incurring Colour Print charges for B&W prints.I can manually change the print colour management to Printer managed on a per print basis instead of the default adobe colour managed which "cures" the issue but I do not seem to be able to save that setting as the default.
View 1 Replies View RelatedI just a problem studio while swapping over 2 Windows XP machines, having swapped over the 1st PC Photoshop 7 lost it's colour management settings.All images viewed now appeared hazey to the user. So we swapped the PCs back to the original monitor however the colour settings we are prompted for when opening Photoshop 7 have now been lost.. We tried alll the colour management templates listed but these are not right. Is there away we can restore the original settings? Could these settings be saved in a file somewhere on the PCs hard disk?
View 2 Replies View RelatedWhen I open a Canon image file folder containing cr2 raw and jpeg images from my canon 40D In Bridge CS3, at first the thubmnail images show up with the beautiful color that I shot. Then, one by one, *poof*, *poof*, poof*, bridge cs3 turns the thumbnails into garbage by darkening and desaturating each and every one of them. What the hay? The images are shot using the adobe rgb color space in the 40D.
What is Bridge cs3 doing to my image thumbnails? Why is Bridge cs3 doing this to my image thumbnails? How can I stop Bridge cs3 from doing this to my image thumbnails?
When I use the Canon program DPP to open the images, the thumbnails look great (jpg or raw), and the images look great when I open them. But I don't want to use DPP. I want to use Adobe Bridge & CS3.
I haven't had this problem in CS5 photoshop but when I upgraded to CS6 photoshop I followed the recommended settings like using ProPhoto RBG.I edit in the working space colour management but not always have the same results on screen...have calibrated my monitor.
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Then when it does look correct on screen and I re-import into Photoshop, my picture turns out bright red and I need to use Adobe RBG (1998). I am saving the pictures with the profile embedded, works better with Adobe RBG.What should I be using as the settings as well as management policies - currently Preserve Embedded Profiles?I don't want to have nice looking pictures in Photoshop and then have them print incorrectly or look terrible on another monitor
how to set up the colour management settings to achieve the best printing results with elements 10
View 7 Replies View RelatedWe are just in the process of setting up Corel X6 for deployment in our office and we are trying to get a handle on the colour settings. We have upgraded from CD11 which  had very little in the way of colour management and so we are somewhat inexperienced in how to set up.
We have two production printers an OKI 821 and a Ricoh C820DN which we print to using PCL drivers. We believe that we therefore need to use RGB as our colour mode and use an ICC profile for each printer for colour correction with colour management switched off on the driver. Is this correct? We've had a try this afternoon and the colours on the prints differ greatly from the display (which has been profiled using an xrite i1pro calibrator). They also differ from each other.
The monitor profile is set as the device profile in the windows colour system, and we are using that as our engine in corel.
I recently purchased an Epson R3000 and am having terrible trouble with the colour management from Corel. Everything I output has a very yellowy/browny caste over it when compared to my screen (for example a slightly warm grey comes out brown-grey and light blues come out very murky in colour tone). I have applied Adobe RGB (1998) to the document, opted for Corel to manage colours and turned off colour management in my printer. I am also using IC profiles specific to my papers. My monitor is self-calibrated but up until now the colour difference between screen and output device has never been a problem.
View 10 Replies View RelatedI have just purchased Corel draw x5 and need to change the colour management default settings but when i go to tools, colour management, i only have document settings! I have done this with new pages, old pages, images on pages etc and no luck.
View 6 Replies View RelatedI run a little print shop as part of our Charity and we produce T-shirts, sublimation mugs and coasters as well as some paper based goods.
I've read a lot about color management but what is the best way to to set up to print to our postscript printers (one OKI 821 & a Ricoh 820DN)
Currently I have the default workspace set to CMYK, sRGB & coated Fogra39 profiles, Â color engine as WCS, preserve black off and the rest as defaults.
My question is how to set up for printing to postscript? I've read that this is best for color accuracy and allows for different colour spaces with in the same document. We print a lot of cards for local artists whose images are edited in Photoshop and output as srgb jpegs. We then import these into corel and add writing using the standard CMYK palette.
At the moment when we print we have corel set to manage colours, output colours as native as there is a combination of of RGB & CMYK elements. Within the printer driver we set either CM off or ICM managed by host, depending on the driver.
Is this correct? I did have a thought that this combination may mean that effectively there is no color management happening at all!?! It is useful for us to keep the jpegs as RGB because some customers will require their artwork on sublimation items as well  which require transfers being produced on a non-postscript device. For these we use a sublimation ICC profile and a PCL driver and it works well.
With postscript I have found that outputting the file as cmyk rather than native dulls the image considerably. However, using native output gives different results from both of our printers.
how to find Options and Colour Management on the Menu system as I can find no menu tree.
View 4 Replies View RelatedI cannot change printer profiles in Colour Management on PSE10.  Whenever I try to do this it looks like I have changed it, and click OK...but when I check back it has actually not taken effect and has defaulted back to the original stored profile.  Consequently I cannot use different paper types now.  This has only just started happening and was ok before. I am using Mac OS 10.7.5 along with an Epson R3000.Â
View 2 Replies View RelatedI recently started working on coreldraw x5, but i am having trouble saving a print style and getting the default colour management settings, i dont know if i missed something or did something wrong, but i dont even have those options on my program
View 1 Replies View RelatedI am using the above printer on Canon Photo Paper Plus Glossy with Canon original inks. If I let PS (CS6) manage the profile and set the printer driver color correction to NONE the driver set itself back to Driver Matching setting straight away. The result is extremely saturated colors in some areas.
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If I don't allow PS to manage the profile but let the driver do it automatically the color results are much better but... surely it would be better to have PS managing the color profiles.
Is there a profile for Canon lenses 8-15 mm and Canon 800mm ? Where can it be found ?
View 2 Replies View RelatedWill Lightroom allow tethering with Canon T3i and Canon T4i ?
View 2 Replies View RelatedI have photographed some colour negatives in RAW. Any outline of a process as to how to convert these to positives using Lightroom v5. I have tried and failed!
View 6 Replies View RelatedI think I have finally figured out how to sync all my color management settings with CS2, Lightroom, my Nikon300, and my jpg viewing software. All are set to color profile sRGB and a picture looks almost exactly the same in every program.
My main use with these programs and the desire for good color is shooting a ton of basketball game pictures and color correcting and painting them in Photoshop.
My question: Is sRGB the best choice color profile, or does anyone have an opinion on an alternative profile.
I am trying to find an efficient method for converting PNGs to TIFFs for management in LR 4.4. I have tried using Automator for Mac for this purpose. However, the converted TIFF files appear corrupt when imported into LR, although they still work when imported to Photoshop.
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Any reason why Automator's conversion would not be acceptable?
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Similarly, I tried using GraphicConverter 8 and had the same results.
Ok, so somehow I really screwed the pooch and reformatted the HD with all my 2012 and 2013 lightroom photos.I still have my main library file and 2014 photos as they are on a different drive.
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Now, I think I can go back and recover all the images which is great. But they will not have their original names or folder structure.So I'm not sure how to handle this situation with my library. I don't mind if I lose all my edits on those photos, but I want to have a clean library and nothing unlinked.
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Whats the best way to get my libarary back into good shape after I have my recovered files?
I am a Pro Photographer, and have been printing via Photoshop for years, and am trying to print to my Epson 9900 through LR3.
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Workflow is simple, Nikon .nef (Raw) files are imported into LR3 - all monitors are calibrated w/ pro-grade color management colorimeters/software ....
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Everything looks great on screen, and the TIF files exported and picked up in Photoshop and then printed, look great.
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However, my files printed directly from LR look horrible - as if color profiles are being applied twice somewhere, but I can't figure out where.
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Images are shot in AdobeRGB color space.
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Color management in the Epson 9900 print driver is turned OFF. (same as every other program I print from)
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My LR3 screen for printing looks like this:
I Use Macbook Pro OSX 10.8.2
Lightoom 4
Canon Pixma MG 8250
Profile MG series 8200 GL3/SG3 for Glossy paper.
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It is stated that "remember to turn off color management in the print dialog" when using custom profile (I assume the Profile MG...) is regarded as a custom profile...
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I have been lookoing in the print dialogue and I can not find any way to turn off colour management... Is this only valid for Microsoft Windows of Is there something I do not understand ?
How do I remove extra profiles from color mangement in Print Module?
View 2 Replies View RelatedIt seems that in Lightroom 4 you have the ability to turn off individual modules by right clicking on them and unchecking whichever ones you don't use. I'm wondering if when modules are unchecked, does that increase the speed or performance of the system?
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I recently upgraded to LR4 from 3 and definitely experienced a major slow down. That being said, when I uncheck everything except the development module, the sluggishness completely disappears. Is turning individual modules off actually improve performance?