I just a problem studio while swapping over 2 Windows XP machines, having swapped over the 1st PC Photoshop 7 lost it's colour management settings.All images viewed now appeared hazey to the user. So we swapped the PCs back to the original monitor however the colour settings we are prompted for when opening Photoshop 7 have now been lost.. We tried alll the colour management templates listed but these are not right. Is there away we can restore the original settings? Could these settings be saved in a file somewhere on the PCs hard disk?
Adobe Colour Management Print defaults seems to be assigning RGB meta to B&W pages and incurring Colour Print charges for B&W prints.I can manually change the print colour management to Printer managed on a per print basis instead of the default adobe colour managed which "cures" the issue but I do not seem to be able to save that setting as the default.
I haven't had this problem in CS5 photoshop but when I upgraded to CS6 photoshop I followed the recommended settings like using ProPhoto RBG.I edit in the working space colour management but not always have the same results on screen...have calibrated my monitor.  Then when it does look correct on screen and I re-import into Photoshop, my picture turns out bright red and I need to use Adobe RBG (1998). I am saving the pictures with the profile embedded, works better with Adobe RBG.What should I be using as the settings as well as management policies - currently Preserve Embedded Profiles?I don't want to have nice looking pictures in Photoshop and then have them print incorrectly or look terrible on another monitor
I cannot change printer profiles in Colour Management on PSE10.  Whenever I try to do this it looks like I have changed it, and click OK...but when I check back it has actually not taken effect and has defaulted back to the original stored profile.  Consequently I cannot use different paper types now.  This has only just started happening and was ok before. I am using Mac OS 10.7.5 along with an Epson R3000.Â
We are just in the process of setting up Corel X6 for deployment in our office and we are trying to get a handle on the colour settings. We have upgraded from CD11 which  had very little in the way of colour management and so we are somewhat inexperienced in how to set up.
We have two production printers an OKI 821 and a Ricoh C820DN which we print to using PCL drivers. We believe that we therefore need to use RGB as our colour mode and use an ICC profile for each printer for colour correction with colour management switched off on the driver. Is this correct? We've had a try this afternoon and the colours on the prints differ greatly from the display (which has been profiled using an xrite i1pro calibrator). They also differ from each other.
The monitor profile is set as the device profile in the windows colour system, and we are using that as our engine in corel.
I recently purchased an Epson R3000 and am having terrible trouble with the colour management from Corel. Everything I output has a very yellowy/browny caste over it when compared to my screen (for example a slightly warm grey comes out brown-grey and light blues come out very murky in colour tone). I have applied Adobe RGB (1998) to the document, opted for Corel to manage colours and turned off colour management in my printer. I am also using IC profiles specific to my papers. My monitor is self-calibrated but up until now the colour difference between screen and output device has never been a problem.
I have just purchased Corel draw x5 and need to change the colour management default settings but when i go to tools, colour management, i only have document settings! I have done this with new pages, old pages, images on pages etc and no luck.
I run a little print shop as part of our Charity and we produce T-shirts, sublimation mugs and coasters as well as some paper based goods.
I've read a lot about color management but what is the best way to to set up to print to our postscript printers (one OKI 821 & a Ricoh 820DN)
Currently I have the default workspace set to CMYK, sRGB & coated Fogra39 profiles, Â color engine as WCS, preserve black off and the rest as defaults.
My question is how to set up for printing to postscript? I've read that this is best for color accuracy and allows for different colour spaces with in the same document. We print a lot of cards for local artists whose images are edited in Photoshop and output as srgb jpegs. We then import these into corel and add writing using the standard CMYK palette.
At the moment when we print we have corel set to manage colours, output colours as native as there is a combination of of RGB & CMYK elements. Within the printer driver we set either CM off or ICM managed by host, depending on the driver.
Is this correct? I did have a thought that this combination may mean that effectively there is no color management happening at all!?! It is useful for us to keep the jpegs as RGB because some customers will require their artwork on sublimation items as well  which require transfers being produced on a non-postscript device. For these we use a sublimation ICC profile and a PCL driver and it works well.
With postscript I have found that outputting the file as cmyk rather than native dulls the image considerably. However, using native output gives different results from both of our printers.
In the Print area, Lightroom 4 says in italics at the bottom to turn off the colour management in the Print Dialog if you're chosing to print with a profile. Â how to do this with my Canon Pro9000 mk2 via OSX Lion 10.7?
I recently started working on coreldraw x5, but i am having trouble saving a print style and getting the default colour management settings, i dont know if i missed something or did something wrong, but i dont even have those options on my program
read that color management pdf by gennady petrov and tried a few things he wrote. I turned off color management in the printer driver, chose corel to manage color, and the image default profile sRGBxxxxx. picture was way dark and ugly. tried several other profiles and same dark picture. hmm that did not work so well.
went back to the printer driver and disabled no color management, and chose the profile Adobe RGB. still kept corel as manager and chose A RGB as the profile and the print looked spot on. Have not had problems printing from corel because I have come up with my own system, but was quite surprised at the result from turning off color management in the printer driver.
Whenever I create a new colour in the colour swatches it only stays there for a couple of actions while working on a project. I understand from others that once they create a colour it stays there. Why can't I get that to happen?
I am using CS6 and the Replace Colour Tool no longer allows me to replace multiple colours when I select the + . So when I have the panel open and I highlight the +, I used to then be able to click on several spots in my image and all of the colours that are in those spots are added to the selected colours that will be changed by using the sliders.  But now, when I use the + it has exactly the same effect as not using it - I can only choose one colour or an other, I can't add.....I want to reset this to the original way that this works.  Currently I have to open the panel, change one variation of a colour, save it, then re-open the panel and do it again (and again and again) until all the colour variations I am trying to remove are are changed. I know I also have the 'fuzziness' slider, but it does not give enough control.
I am designing a T Shirt for my ski club.I have taken an image from a banner (made in illustrator, full colour image attached) and I want to devide into a 3 colour image for the t shirt (I am only allowed 3 colours for printing).The colours I want to use are black, white and purple. The colour of the t shirt is a light blue.I want to then put the purple logo on top of the white and black too.So I'm after a black and white grunge background with a punchy purple logo on the top.All of this should be on a tranparent or, for design purposes, light bue (same as T Shirt colour) background. Â how to split a full colour image into using only 3 (4 including transparent/light blue background) exact colours. Â If I were going to black and white I might convert to grey scale and then paint areas to fully white or fully black using an overlay brush I don't think this works for me for more than just black and white though. Â I have attached two of my attempts where I used the colour range selection and level adjustments. Niether was really successful though (one does not use the right colours or number of colours but looks quite cool).
I will like to find out the colour code for the background colour on a particular web address. Unfortunately I am new here so not allowed to post links so will say this as creatively as possible. the address is theregentlagos (with the usual prefix beginning with w and suffix beginning with c for all websites). I am referring to the colour where the menu items like logo, home, brands etc are on.
I've been asked to convert an image to 2 colour for printing. I have the image as a full colour CMYK layout (with layers), but the whole thing needs to be converted to 2 colour. I have the pantone reference numbers for the 2 colours it is to be converted to. I am familiar with the hue/saturation tool, but this just seems to convert it to one colour, and you have no fine control over the exact colour you want.
I have copied some colour negatives using my digital camera. What is the best procedure for removing the orange base colour of the film prior to converting them to positives?
How do I see the object selected change colour dynamically as I adjust the colour sliders?  It seems the object only changes colour when I release the slider. But I want to see it dynamically change, so I can find the colour that works best without "hit or miss" - "trial and error" behaviour.  Yes... I'm aware some of you spend hours in colour programs creating a palette to work with. Good for you.  I'm just wanting to do it LIVE. Dynamically. In 2013. In Illustrator.
I'm just started using inventor 2013 (from 2010) & the way colours/materials are applied has completely changed so I'm learning again from scratch.
Here's my issue: A customer has sent a casting to me in Parasolid format. When I open it, all the unmachined surface are blue & look a bit garish. However, the colours of the machined faces are ok & I wish to keep them.
So, I want to chage all the surfaces that are blue - I can use the picker & select all the blue faces seperately (by holding CTRL down & select each face one be one) but this is a pain & takes ages (there are over 200 faces)
I can see & edit the blue color in the manager but how do I tell Inventor to replace all - can it be done?
I use EdHarvey's colour tint tool and it changes colour of the whole image, I'm looking for something similar but it only changes selected colour, so that the image is left with mutiple colour scheme rather than just one, any addon that can do this? Â From this example, you can see the figure on the right is in a brownish colour scheme, what tool can I use in order to make it's colour scheme blue like the figure on the left?
I am working on a website that has existing template images. One of these in particular has a predominate blue background colour, specifically #0a2a35 (195 81 21 [HSV], 10 42 53 [RGB], 81 21 0 79 [CMYK]). I want to transform this colour to an orange colour, #be5d27 (21 79 75 [HSV], 190 93 39 [RGB], 0 51 79 25 [CMYK]). At the same time, I want to change the lighter and darker blue accent colours of the image to become variations of the orange colour.
I have tried several things already, and one method that almost worked for me was using the "Colorize" tool to match the HSV values of the blue colour to orange colour. It almost works except the RGB values don't quite match up.
copy specific fill colour so that it can be filled in as stroke colour in other compound path. I attached 2 screen shots as below. I want to copy the blue olour to replace he red stroke.colour.
I have photographed some colour negatives in RAW. Any outline of a process as to how to convert these to positives using Lightroom v5. I have tried and failed!
I am trying to to use Colour to Alpha by picking a specific colour from an image. But I can't get the colour picker to work.
The image has an alpha channel.
I choose Colour to Alpha, then click on the From swatch. The Colour to Alpha Colour Picker window appears. I click on the eyedropper. But when I move the eyedropper over the image, the cursor changes to the previous tool that was used. For example, if I used the zoom tool, the eyedropper changes to zoom as the cursor leaves the Colour to Alpha Colour Picker window, and zoom becomes active.
I would like to be able to select a colour like you can in photoshop. The swatches are very limited. I would like to select it from the colour 'wheel', where you can move up and down the slider to select the value and then move over the circle to select your colour? Or where can I find a huge swatch of colours?
I have been using Extensis suitcase for font management but it causes photoshop 64bit to crash. i've tried every "fix" i've found and nothing works. i have cs4. will this problem be solved if i upgrade to newest version? Â I like being able to turn fonts on and off instead of having everything on all the time. what is best solution?
It was already a problem with CS4 but it's worse with CS5. Under CS4 it was regularly necessary to me to relaunch the appli to empty the memory (even without image, after use, CS4 indicated n Giga in the window of the processes)The same phenomenon with CS5, but moreover, if I have some one about ten images in display, in the course of processings the functions spend in break the time to put in memory (swap) of the data on the hard disk... In the course of this type of processing I exceed hardly 5 Go...For information I work under Vista 64 bits - 24 Go of lively memory (17 available Go for Photoshop), processor Intel I7 930It seems to me that there is no reason that Photoshop keeps(guards) in memory history after closure(lock) of a photo!
