How to I return to the original workspace without PP? I've pressed "reset all settings" along with a number of other failed attempts and the white background screen is still there along with the dialogue box giving me options, none that I am interested any longer.
I am looking at an image which has some red areas that are out-of-gamut in the soft proof profile I'm using. It's difficult to preview the areas as red is used to highlight those areas. How can I change the red to be some other color?
I prepare graphics mostly for print, so I like to turn on the Proof Colors view and Overprint Preview views. It's a pain to turn these on for each document. Is there a way to make these the default viewing settings in Illustrator CS6?
I tried creating an action to do it, but the Insert Menu Item command in actions causes Illustrator to crash every time, and the help file seems to say that View commands are unavailable to actions. So I'm not sure if that's a bug. Oddly, Photoshop has the very useful File> Scripts> Script Event Manager that let's me turn on Proof Colors (via an action) whenever a document is opened. It works very well. However, Illustrator does not appear to have these options. I found the View> New View options in Illustrator. They let me create a view that turns on Overprint Preview, but absolutely refuse to turn on Proof Colors. So it's the same number of clicks and pointless.
Illustrator CS6, v. 16.0.3 64-bit, Windows 7 Ultimate 64-bit
I have my current install set to save the dwg down to 2010. how come the preview images are blank? its only when i save down do the images become blank. if i save in the current version the preview image is there.
are the developing capabilities completely equal when it comes to gamut and histogram between ACR and LR5 (5.?) or to get equality do I have to develop in soft proof mode in LR5?
I’m having a problem exporting a Japanese character in my PDF proof of my book. I’m using this character ( 間 ) in a number of different places and it looks fine in the Blurb book layout tool but it’s missing in the PDF when I export. Not only is the character missing but all of the text that follows it in the text box is gone too. Is there some special type of language pack I need to install for Acrobat to export correctlly?
Is there a way to eliminate the background surrounding the image before printing to a jpg? Currently, I print to a jpg then use another app to crop all the black (my background color) from around the actual image. Surely there's a way to not print the background and limit the file to just the image without having to resort to using the fixed image sizes. Does such a thing exist in LR4.1?
When soft proofing, I split the image horizontally and then create proof image when asked after making first alteration.However, in both LR4.4 and 5Beta, both the original and virtual (i.e., proofing image) change.
Have l Brightness value of 55 in original. Proofed image is duller. Increase brightness in proof by 10 to match original. (Figures are just for explanation) Now when I compare images again, original image brightness has increased by 10 also. This can be seen, of course, on the Develop panel.
I did a filter/sort across 100's of folders then exported the results to a separate folder. I later noticed way too many duplicates in the new folder. Does Lightroom have a feature to automatically remove or eliminate duplicates when doing such a process?
I recently bought a Nikon D7100. I took some test shots and imported the images to Lightroom 4.4, then generated 1:1 previews for all the images.
Previews zoomed to 1:1 in Library Mode are noticeably soft. The image below is a screen shot of the Library preview:
Moving to Develop View produces a higher-resolution 1:1 preview. The image below is a screen shot of the Develop preview:
Look at the bricks and window screens to see the difference.
This difference occurs immediately after import (with a User Preset applied during import). Once any Develop work is done, the Library preview updates and displays at full resolution.
This problem makes doing initial editing/selection of images time consuming, because I can't determine the sharpness/quality of imported images until I've done some kind of Develop adjustment on each image.
When I am going through RAW files from my Canon cameras (1Ds MkIII and 6D) I edit them in the develop module and then convert to aRGB or sRGB depending on the output media. They look good in aRGB and sRGB too when I take into account the limitations of sRGB.
---> However, if I try the softproof to aRGB or sRGB the resulting proof crushes dark tones into solid black. Why is this when the actual conversions are way better? The actual conversions look good in both LR and PS CS5.
I have also noticed that when I upload images to my online galleries and view them with Firefox (latest version and color management enabled for all rendered graphics) they appear darker in the darkest tones than what they appear in LR. What gives?
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Further info:
I am using LR 5.3, no updates suggested by the softwareWindows 8.1 clean installThe computer is a new one, fast processor, 32 gigs ram etc.Eizo CX270 hardware calibrated (16-bit internal LUT) with the Spyder 4 in ColorNavigator 6 software.The issue has always been like this
I am using MacBook (late 2008) OS X 10.9.2 and recently upgraded to Lightroom 5.3 from Lightroom 4. After a while, some photo started to show exclamation mark at the right hand corner of the photo (*.CR2 raw files in NAS) in grid view. When I click on the exclamation mark, it shows a dialog with following message; "Lightroom has encountered problems reading this photo". So, I moved previews.lrdata, which is about 9GB, to the trash and restarted the Lightroom 5, expecting Lightroom 5 to create a new previews.lrdata. However, it won't create any preview at all.
exclamation mark at the top right hand corner of the photos in grid view.
Just downloaded LR 5 and noticed that I cannot jump back from a Publish Service folder preview to a different folder preview in grid mode. The only way to view photos in another folder is to restart LR 5. This only happens when I am viewing photos in a Publish Service such as Flickr.
I updated from LR 4 using Creative Cloud installer.
Can anyone tell me what proof settings to use in cs4?I use adobe rgb exclusively,and my monitor is profiled with a spyder2.What I'm confused about is what should be my default proof settings.I've looked through the posts,but all I see are issue about conversion to srgb for web use and print proofing.
What I need to know is what settings to use for everyday editing.The default is working cmyk,which doesn't seem right as most people seem to be using srgb or adobe rgb.Do I use windows rgb,or adobe rgb (already set in edit>color settings) or monitor rgb?And if monitor,then would it be:device to simulate:spyder2express?(my monitor profile) should it be set to:preserve rgb numbers,or set to rendering intent?
i open or create a new document the proof setup is set to ''working CMYK'' but i want it to be ''monitor RBG'' by default when i create or open a new document,
I'm having with profiling my monitor/printer. I use an i1 Proof which includes the ability to profile my printer but my printer at the moment is a small Epson desktop printer - R220. "Near-as-damn_it" is my usual standard and suits me for general photography. At the moment I am photographing paintings with more exacting standards for reproduction.
I callibrate both monitor and printer. I have read and re-read instructions and use genuine paper/ink. My prints are appear a little darker than my monitor and in fact, the original painting. So can Soft proofing give an idea of the accuracy of the profile? (that's my main question).
Here are my settings
Device to simulate - myPrinterPaperProfile Preserve RGB numbers - Not checked REndering Intent - Perceptual Black Point Compensation - checked Simulate Paper - checked (which also auto checks the simulate black ink option)
Now, if that's my sofr proof setting and I toggle ctrl-y I am flipping between an impression of my printer profile and the actual display profile - is that correct? If I could put a screen shot of the two on the web,
When i have the view proof colors selected the image looks good. I think that the purpose of the proof colors is so that when you print it looks closer to the screen image. when i save the new file looks like the image before selecting the proof colors option. could somebody explain the purpose of this better and how to save with normal colors?
'm working on a large number of images for an Android target. The target uses RGB565 format. Is it possible to configure color proofing on Photoshop (and illustrator would be good) to display with the color range of RGB565. I haven't been able to work this one out and have resorted to saving the image as a BMP in RGB565 format then loading it back in to check for atrifacts and banding etc.
I want to delete a Proof-Setting in Photoshop CS6. I can only find ways to store these settings, but there is no way to delete them. I can see that the folder (I'm working on a Mac) is named «Proofing» and I know its inside the Color-folder inside Application Support / Adobe but from the Finder there is no access to this folder :
To get my images to display with the correct color I have to set the Proof Setup to Monitor RGB, this works almost perfectly, except it won't save the Proof Colors option. I have to go under the view menu and re-enable Proof Colors again even though it should have already been selected. Should this be considered a bug and/or is there a workaround to always have Proof Colors enabled?
How can I save a pdf with overprint preview showing? I need to show my client exactly how the printed product will look. How can I acheive this in a pdf format? I have Illustator CS5.1 & CS6.
how can I res 600 picsautomatically for client proof? ofcourse i dont want to give them the original pictures i need a software or plugin that i can put the pics in
I also would like to know what is the fastest way to put watermarks on these pics?
how to create an icc profile that I can then select as a proof setup preset? Can icc profiles only be created with the video card or can they be made in photoshop?
an old box of Crane Museo paper to make some prints on my Epson 3800. I downloaded and installed the Museo profile from Crane almost a year ago, and it shows up in the Windows/sys32/spool/drivers/color directory, along with all my other profiles.
But when I tried to soft proof the image in CS3, the Museo profile did not appear in the list in the Soft Proof dialog. On closer look, there were a few other profiles that also failed to appear.
Is there any way to manually add these profiles to the Soft Proof list? I always thought that the Soft Proof drop down list just picked up the entire "...../color" directory?
I have calibrated my monitor (IIyama VisionMaster Pro 454), scanner (Epson 2450 with Silverfast) and printer (Canon i950) so that I get prints that resemble as good and bad as possible what I scan/ see on the monitor. I normally work in Adobe RGB, but I also do some webwork. Which is why I also preview in sRGB or even Monitor RGB.
I would like to use Proof Setup to view my files default in sRGB, but whatever I do, Photoshop always opens default with CMYK. I tried Custom, choose sRGB and then save, but that does not change Photoshop's CMYK obsession.
I know one can easily change the sizes of the New documents by opening the text file that contains them. So I was wondering whether there was also a method/trick to change this default proof/CMYK setting.
In prior versions of PS, if I added a custom profile under Proof Setup, it would be pinned to the Proof Setup menu (along with the default profiles). That doesn't appear to happen in PS CS6.
Is there a specific place I need to save the custom Proof profiles to so that they will appear in the menu?
I think I understand what View> Proof Setup does in Photoshop. It shows you a preview of what the image will look like with the chosen color space. But here is what I dont get. With an image open choose View>Proof Setup and then "Internet Standard RGB (sRGB)". Now close the image and reopen it. Choose View>ProofSetup again. Notice that "Internet Standard RGB (sRGB)" is already selected. Now, re-select the color space again and when you do pay very close attention to the image. Does it change colors? Mine does and that is what I am questioning. Why does it do that?
When I reselect the color space after opening the file, it changes color. Of course, if I select a different color space than what was selected when I open the file, it changes. I expect that.